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Tesi sul tema "Posthumanism"

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1

Llorens, Serrano Jaume. "La transcendencia del homo sapiens: el icono del posthumano en la ciencia ficción." Doctoral thesis, Universitat Autònoma de Barcelona, 2016. http://hdl.handle.net/10803/400376.

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El principal objetivo de esta tesis es estudiar la representación del posthumano en la ciencia ficción. Teniendo en cuenta la influencia de distintas corrientes en la historia del género, se expondrá que el posthumano se consolida como un icono de la ciencia ficción a partir de los años ochenta y noventa. Separándose del cyborg, el posthumano representa de forma más específica cómo la tecnociencia puede transformar nuestra especie. A rasgos generales será definido como el icono que, partiendo del concepto del mejoramiento humano, imagina la evolución o creación de una nueva versión del ser hum
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2

Maureira, Velásquez Marco. "La reconceptualización de lo vivo: de las epidemias al posthumanismo." Doctoral thesis, Universitat Autònoma de Barcelona, 2016. http://hdl.handle.net/10803/399851.

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La vida es un tópico de gran relevancia en nuestra contemporaneidad. El creciente interés por temáticas relacionadas con la bioseguridad, la biotecnología, el bioterrorismo o la bioética, por parte de disciplinas tan diversas como la economía, la medicina, la ingeniería o la filosofía dan cuenta de este importante fenómeno. Pero, ¿de qué hablamos cuando hablamos de “bio”? Para responder a esta pregunta, la presente investigación indagará en dos campos de estudio: a) los trabajos sobre epidemiología y bioseguridad en las ciencias sociales; y b) los debates sobre el posthumanismo que actualmente
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3

Karlsson, Marie, and Jonas Vigstrand. "Posthumanism i förhållande till digitala spel." Thesis, Blekinge Tekniska Högskola, Institutionen för teknik och estetik, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-2429.

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Detta kandidatarbete undersöker hur digitala spel kan skapas med någon annans synsätt. Vi ville se vad som hände om vi försökte göra spel på ett posthumanistiskt sätt och om detta hade förändrat något. Det har uppkommit speciella möjligheter och konsekvenser under processen, det har även dykt upp frågor. En av dessa frågor är hur skapandet av varelser inom digitala spel kan utföras. Likväl har det under projektet skett diskussioner och tester runt hur ett verktyg för detta ändamål skulle kunna fungera. Vårt arbete resulterade i en spelprototyp som fokuserar på tillblivelse. Med denna som utgån
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4

Johansson, Jonathan, and Jonathan Larsson. "Det Tvehövdade Monstret : Mytologi mot Posthumanism." Thesis, Blekinge Tekniska Högskola, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-18187.

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Detta kandidatarbete handlar om hur ämnen som parodi, posthumanism och mytologi kan kombineras för att skapa en spelprototyp där dessa tre agerar som pelare, vare sig dessa manifesteras inom narrativet, estetiken eller mekaniken. Med hjälp av parodi som designperspektiv kan man granska ämnen som mytologi och posthumanism, för att skapa något som länkar samman dem. Denna text går igenom alla projektets utvecklingsfaser, hur själva arbetsprocessen har utvecklats och olika iterationer vi skapade för att ge en klar bild vilka tankebanor det var som ledde till vilka kreativa val och hur slutprototy
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5

Ayers, Drew R. "Vernacular Posthumanism: Visual Culture and Material Imagination." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/communication_diss/34.

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Vernacular Posthumanism: Visual Culture and Material Imagination uses a theory of image vernaculars in order to explore the ways in which contemporary visual culture both reflects on and constructs 21st century cultural attitudes toward the human and the nonhuman. This project argues that visual culture manifests a vernacular posthumanism that expresses a fundamental contradiction: the desire to transcend the human while at the same time reasserting the importance of the flesh and the materiality of lived experience. This contradiction is based in a biodeterminist desire, one that fantasizes a
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6

Curry, Elizabeth. "Refiguring the Animal: Race, Posthumanism, and Modernism." Thesis, University of Oregon, 2019. http://hdl.handle.net/1794/24546.

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This dissertation explores the entanglements of racialized histories and experiences in America with conceptions of animals and animality and examines how African American and Native American writers render these intersections in early-twentieth-century American literature. While animals, with their physical and behavioral features and subordinate status within Western cultural frameworks, were fundamental figures in the US racial imaginary, which relied on dehumanization as a weapon of control, animals (and conceptions about them) also curiously offered a way around and outside of the categor
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7

McBlane, Angus. "Corporeal ontology : Merleau-Ponty, flesh, and posthumanism." Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/56960/.

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As posthumanism has developed in the last twenty-five years there has been hesitation in elucidating a robust posthumanist engagement with the body. My thesis redresses this gap in the literature in three intertwined ways. First, it is a critical assessment of posthumanism broadly, focusing on how the body is read in its discourse and how there is a continuation of a humanist telos in terms which revolve around the body. Second, it is a philosophical interrogation, adaptation, and transformation of aspects of the work of Maurice Merleau-Ponty, focusing its reading on Phenomenology of Perceptio
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8

Motala, Siddique. "Critical posthumanism in geomatics education: A storytelling intervention." University of the Western Cape, 2018. http://hdl.handle.net/11394/6219.

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Philosophiae Doctor - PhD (Post-School Studies)<br>This study is located in engineering education at a South African university of technology, and is theorised using relational ontologies such as critical posthumanism, feminist new materialism and non-representational theory. It explores the potential of a digital storytelling intervention in an undergraduate geomatics diploma programme. Geomatics qualifications in South Africa are critiqued for their embedded humanism and subtle anthropocentrism despite attempts at post-apartheid curricular reform. Additionally, these qualifications are focus
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9

Doing, Karel Sidney. "Ambient poetics and critical posthumanism in expanded cinema." Thesis, University of the Arts London, 2017. http://ualresearchonline.arts.ac.uk/12393/.

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Posthumanism is a contested term, seen by some as leading towards a merging of human bodies and technology and by others, more critically, as a renewal of the ethical debate regarding human exceptionalism. Through a study of this critical approach and its potential relation to expanded cinema, a set of propositions is formulated. New knowledge emerges through the application of these propositions towards the expression of critical posthumanism. By looking at formal, conceptual and methodological underpinnings, existing tendencies in expanded cinema are analysed and reviewed. Firstly, aided by
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10

Lin, Lidan. "The Rhetoric of Posthumanism in Four Twentieth-Century International Novels." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc278990/.

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The dissertation traces the trope of the incomplete character in four twentieth-century cosmopolitan novels that reflect European colonialism in a global context. I argue that, by creating characters sharply aware of the insufficiency of the Self and thus constantly seeking the constitutive participation of the Other, the four authors E. M. Forster, Samuel Beckett, J. M. Coetzee, and Congwen Shen all dramatize the incomplete character as an agent of postcolonial resistance to Western humanism that, tending to enforce the divide between the Self and the Other, provided the epistemological basis
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11

Kaiser, Kevin Richard. "Variable kindness : Posthumanist ethics in the fiction of Georges Saunders." Doctoral thesis, Universitat Pompeu Fabra, 2018. http://hdl.handle.net/10803/663378.

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This thesis examines the fiction of contemporary American author George Saunders in terms of how it presents situations applicable to the chief notions of posthumanist ethics and how these conceptions of ethics concern nonhuman animals, which are prevalent in his writing. Posthumanist ethics can help us understand what is at play in Saunders’s fiction. Meanwhile, his fiction can help us understand what is at stake in posthumanist ethics. This interdisciplinary project may be beneficial both to conceiving new notions of ethics that are more inclusive and, more implicitly, to understanding the r
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12

Verdier, Antoine. "Le dispositif posthumain comme vanité contemporaine." Thesis, Montpellier 3, 2014. http://www.theses.fr/2014MON30101.

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La figure de l’homme a traversé l’histoire de la représentation, mais les valeurs signifiantes du mondecontemporain ne sont plus compatibles avec les conditions d’une histoire de l’idéal humain classique. Eneffet , face à l’évidence des changements induits par les avancées technologiques, nano et biotechnologiques,numériques, cognitives et génétiques, l’apparition d’une humanité augmentée semble irréversible. Entrel’angoisse d’un avenir profondément détérioré par les assauts d’un ultra libéralisme et le messianisme destechnoprohètes , l’expression d’un corps autre, « posthumain », conjugue éma
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13

Bodén, Linnea. "Present absences : Exploring the posthumanist entanglements of school absenteeism." Doctoral thesis, Linköpings universitet, Lärande, Estetik, Naturvetenskap (LEN), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-130460.

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The aim of the study is to explore how school absenteeism as a material-discursive phenomenon is produced in the practices of humans and nonhumans, when absences and presences are registered and managed through digital technologies. How is the phenomenon of school absenteeism produced when absences and presences are digitally registered? How does the phenomenon of school absenteeism emerge when both human and nonhuman entanglements are included in the apparatuses of knowing? Through a posthumanist approach, the study engages empirically with two types of software for the registration of absenc
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14

Al-Hamed, Hajer Saud. "Becoming nothing, becoming everything : quantum posthumanism and the writing of J.M. Coetzee." Thesis, Durham University, 2017. http://etheses.dur.ac.uk/12279/.

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Drawing on both posthumanism and quantum theory, this thesis introduces what I am calling a framework of quantum posthumanism. Based on the epistemic and ontic aspects of entanglement, nonseparability, and becoming, and a reworking of ideas of agency and objectivity, the thesis embarks on an interdisciplinary (entangled) reading of J. M. Coetzee’s texts that seeks to move beyond the current historicist framing of his work. Utilising some of the key concepts and laws from various quantum interpretations, it seeks to show how such concepts effectively deconstruct boundaries between self/other, h
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15

Leung, Jason Cham Sum. "Posthumanism, singularity, and the anthropocene : a thematic perspective on posthuman science fiction." HKBU Institutional Repository, 2019. https://repository.hkbu.edu.hk/etd_oa/713.

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When speaking of the future of the human, our attention is often on human beings themselves as a species and their capability to survive in the face of the changes of the world. Our understanding of the human body, space and even our connection with technoscience are vastly transformed by the changes brought by the close and interconnected relationship of human and technology in the contemporary world. From Donna J. Haraway's cyborg to N. Katherine Hayles and Cary Wolfe's discussions on posthumanism, it is undeniable that we have already entered the age of the posthuman. Science fiction as a f
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16

Ha, Bokju. "Reading Bernstein and Critical Posthumanism Diffractively Through One Another: Intra-activity Pedagogy." Master's thesis, University of Cape Town, 2018. http://hdl.handle.net/11427/29872.

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Diffractive methodology has been developed by Donna Haraway and Karen Barad as a methodology to read two (or more) different thoughts or works without criticism. The diffractive methodology allows us to see and reinforce connections which seemly opposed to each other (Van der Tuin, 2011:27). This is based on the ontological shift from interaction, where we start with separate entities which then interact, to intra-action, an event through which subject and object emerge (Barad, 2007)). With the help of this posthuman methodology, I read Bernstein’s sociological theory of education that is base
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17

Chkhaidze, I. "Posthumanism in the works of Patricia Piccinini, Matthew Barney and Charles Avery." Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/1468812/.

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This thesis conceptualises instances of posthumanism in contemporary art. As an interdisciplinary critique in the humanities and social sciences, posthumanism is set against the anthropocentric discourse of humanism and its speciesist structures that reproduce the normative human subject through the dichotomy of humanity/animality. The analysis focuses on Patricia Piccinini's video work The Gathering, Matthew Barney's Cremaster cycle and Charles Avery's ongoing multimedia project The Islanders. The otherwise diverse works of these three artists similarly combine media such as film, sculpture,
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18

Nilsson, Anna. "Cyborgkvinnan och korrespondenserna : Posthumanism och esoteriska inslag i Majgull Axelssons roman Aprilhäxan." Thesis, Linköpings universitet, Avdelningen för språk och litteratur, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-157597.

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Syftet med studiet är att undersöka hur romanens protagonist kan läsas som en posthumanistisk karaktär, där det granskas hur hon relaterar till Haraways cyborg, men också till delar av Barads teori om agentiell materialism. En alternativ läsning utförs genom att granska karaktären utifrån ett esoteriskt perspektiv, där tonvikten ligger på andliga inslag. De två perspektiven möjliggör en läsning utifrån två till synes mycket olika synvinklar, vilka dock tycks bestå av vissagemensamma tendenser. Målet med studien blir således även att granska hur posthumanism och esoterism kan knytas samman, och
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19

Knox, Jeremy. "Posthumanism and the Massive Open Online Course : contaminating the subject of global education." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/15895.

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The Massive Open Online Course (MOOC) has surfaced as one of the most prominent developments in digital education in recent years, attracting significant media attention and involving some of the world’s elite universities. MOOCs are fully online courses that attract high numbers of enrolees, often in the tens of thousands, and are typically publicised as offering free participation. To date, critical analysis of the MOOC has been rare in the academic literature: this thesis will address the need for more nuanced discussions by critiquing and theorising MOOCs from the position of critical post
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20

Gutiérrez, Privat José Carlos. "L’homme à la fabrique du vivant : biotechniques à la recherche d’une philosophie de la vie." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040063/document.

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Les techniques biologiques actuelles, en particulier celles qui concernent le génie génétique, sont devenues un domaine de discussion philosophique très actif. Elles soulèvent un nombre considérable d’inquiétudes dont le centre problématique réside dans cette interrogation : doit-on laisser à la technique la possibilité d’une fabrication intégrale de l’homme ? Les réponses habituelles avancées se heurtent soit aux problèmes philosophiques de l’essentialisme naturaliste, soit aux limitations des discours utopiques qui prônent l’arrivée du posthumain. Nous tenterons d’emprunter dans cette recher
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Robin, Cindy. "Archéographie et ingénierie du corps." Thesis, Toulouse 2, 2015. http://www.theses.fr/2015TOU20048/document.

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Animé par les évolutions industrielles et les prouesses scientifiques, technologiques et biologiques, l’homme contemporain semble préparer le terrain de sa métamorphose. Après avoir cherché à contrôler son environnement, il semble désormais vouloir contrôler son être et devenir maître et cause de lui-même. En effet, aujourd’hui plus que jamais l’homme bricole, traite, cultive, modifie son anatomie de toutes les manières possibles, chirurgies esthétiques, interventions génétiques ou encore opérations technologiques. Le corps du XXIe siècle, dont il est question d’analyser les mutations, les cau
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Lundin, Emelie. "Flax in flux : Dress flax in a state of flux." Thesis, Konstfack, Textil, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7773.

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23

Yamashita, Ströberg Chikako. "How Plants Think : Rethinking human-plant relationships by theorising using concepts from posthumanism and design." Thesis, Linnéuniversitetet, Institutionen för design (DE), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-77739.

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Today, ecology-oriented thinking is increasing in people’s minds. However, urbanisation, with its accompanying character of environmental depletion, impacts on society, ecology, and economy. It makes me think about where places in nature are situated in our everyday lives. What is nature in our lives? In our mind now, how do we think about nature? My project, How Plants Think is to address the question how city inhabitants can begin to recognise a new way of looking at plants, the human relationship to nature in everyday life in the urban domestic space. This thesis examines the design field i
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Åsman, Sofia. "Människan och Naturen i Mary Shelleys Frankenstein or the Modern Prometheus." Thesis, Karlstads universitet, Estetisk-filosofiska fakulteten, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-16426.

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Denna uppsats ämnar med hjälp av av teorier från ekokritik och posthumanism besvara frågorna hur Mary Shelley i sin roman skildrar relationen mellan natur och människa, samt hur man med utgångspunkt i Frankensteins monster (i uppsatsen refererad till som Skapelsen) kan diskutera begreppet människa. Med ekokritik menas här att studera det mänskliga jämfört med det ickemänskliga samt att också diskutera detta mänskliga, vilket är en av huvudpoängerna inom posthumanism. Den vetenskapssyn och natursyn som var gällande på Mary Shelleys tid var antropocentrisk, en världsåskådning som alltid utgår if
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Smitz, Mikael. ""En by är ingen lagård" : en undersökning av människa/djur-relationen i Sara Lidmans Tjärdalen." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-29237.

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The intention of this study is to investigate the human/animal-relation as a power relation in Sara Lidman’s novel The Tar Pit (Tjärdalen, 1953). With regard to the contemporary theory of posthumanism and its critique of the centrality of “the human” in the humanities, the aim is to seek and produce more-than-anthropocentric knowledge. Using queer and feministic theoretical concepts concerning dichotomy and hierarchy voiced by Yvonne Hirdman, Val Plumwood, Greta Gaard and Ann-Sofie Lönngren, this study gets to grips with anthropocentrism as a structure of power. In literary scholarship animals
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Kotyczka, Marzena. "Mieszkając ze zwierzętami : domowa koegzystencja ludzi i zwierząt w perspektywie posthumanizmu." Doctoral thesis, Katowice : Uniwersytet Śląski, 2015. http://hdl.handle.net/20.500.12128/5795.

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The dissertation’s aim is to present the relationships between humans and animals that form and evolve in home. Using the view of posthumanism allowed to address such issues as interspecies affections, modes of representation of the animal, food taboos, the differences between the biological systematics and volk taxonomy, redefinition of language. The construction of the definition of pets and companion animals was an important part of the work, as well as the discussion about the posthuman optics. The dissertation contains a theoretical part, four analytical parts and summary. Sequence of t
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Ahlqvist, Robin, and Djerf Raymond. "En posthumanistisk animerad framtid." Thesis, Blekinge Tekniska Högskola, Institutionen för teknik och estetik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-17064.

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Detta kandidatarbete undersöker hur man med animering och ljuddesign i en designprocess kan illustrera en jämställd och ansvarsfull teknologisk framtid utifrån posthumanistiska teorier och filosofier. Under arbetets gång har vi undersökt animationsmetoder, deltagande design, ljuddesign och teknik samt den teknologiska utvecklingen. I detta kandidatarbetet presenterar vi processen och de metoder vi använt oss av för att skapa vår gestaltning som är en animerad kortfilm.<br>This Bachelor Thesis examines how animation and sound design in a design process can illustrate an equal and responsible te
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Andréasson, David. "En annan upplaga av oss : Cyborgens implementation i samhället." Thesis, Blekinge Tekniska Högskola, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-994.

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Cyborgen, en samansättning av orden cybernetik och organism, en gestalt vars innebörd bör ses som mer än en fiktiv gestaltning. Cyborgen är idag enligt forskare och filosofer en samhällelig verklighet och dess inverkan på individen är mycket större än vi tror. Det här kandidatarbetet undersöker vad som definierar en cyborg, med stöd ifrån forskning och filosofin summeras tankar och synsätt för att få en mer definitiv bild av begreppet. Arbetet studerar även hur den sociala kontexten kan komma att förvrängas när tekniken letar sig in i den köttsliga kroppen. De resultat och insikter arbetet res
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Norman, Joseph S. "The culture of 'the Culture' : utopian processes in Iain M. Banks's space opera series." Thesis, Brunel University, 2017. http://bura.brunel.ac.uk/handle/2438/14388.

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This thesis provides a comprehensive critical analysis of Iain M. Banks’s Culture series, ten science fiction (SF) texts concerned with the Culture, Banks’s vision of his “personal utopia”: Consider Phlebas (1987), The Player of Games (1988), Use of Weapons (1990), The State of the Art (1991), Excession (1996), Inversions (1998), Look to Windward (2000), Matter (2008), Surface Detail (2010), and The Hydrogen Sonata (2012). I place this series within the context of the space opera sub-genre, and – drawing upon a critical toolkit developed by Istvan Csicsery-Ronay Jr. in The Seven Beauties of Sc
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Козинцева, Тетяна Олександрівна, Татьяна Александровна Козинцева та Tetiana Oleksandrivna Kozyntseva. "От гуманизма к постгуманизму". Thesis, Сумский государственный университет, 2013. http://essuir.sumdu.edu.ua/handle/123456789/31240.

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Гуманизм – европейская традиция, зародившаяся в условиях формирования антропоцентрической установки эпохи Возрождения и в различных интерпретациях дошедшая до наших дней. При цитировании документа, используйте ссылку http://essuir.sumdu.edu.ua/handle/123456789/31240
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McCarthy, Rebecca Leah. "Perfection: United Goal or Divisive Myth? A look into the concept of posthumanism and its theoretical outcomes in science fiction." OpenSIUC, 2013. https://opensiuc.lib.siu.edu/theses/1311.

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As science races to keep up with science fiction, many scientists are beginning to believe that the next step in human evolution will be a combination of human and machine and look a lot like something out of Star Trek. The constant pursuit of perfection is a part of the human condition, but if we begin to stretch beyond the natural human form can we still consider ourselves human? Transhumanism and posthumanism are only theories for now, but they are theories that threaten to permanently displace the human race, possibly pushing it into extinction. This thesis will look at the theories of tra
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Baran, Ceyda. "Avant-garde Modernism In Architecture: A Re-analysis Of The Neue Sachlichkeit Architecture Within The Framework Of Posthumanism." Master's thesis, METU, 2004. http://etd.lib.metu.edu.tr/upload/12605539/index.pdf.

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This thesis aims to re-analyze the early twentieth century modern architecture, with in the frame work of posthumanism. Referring to the materialist and socioconstructive architecture of Hannes Meyer, the study proposes a shift from humanist ways of production and reception to posthumanism, where the centrality of human in the productive processes of both art and life is questioned. With this respect, the thesis proposes a historical continuity with the post 1960&amp<br>#8217<br>s posthumanist involvement of the postmodern architecture with the early twentieth century modern architecture. More
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Arnett, Lyn M. "A Reexamination Of What It Means To Be Human: A Comparative Study Of The Ties Between German Romanticism And Posthumanism." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1321894207.

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Eriksson, Julia. "Water world : An artificial shape of meaning." Thesis, KTH, Arkitektur, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-156166.

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Water World is a water reservoir in the shape of a mountain, with a steel grid body and a shell of shot concrete. It is situated in the national city park Lill-Jansskogen in Stockholm and the emergence of this project is the disrepair of an existing reservoir. Humans, like all things alive, are dependent on water. We survive approximately three days without water. The stored water is the start of civilization, the first of all functions in society we would not cope without in case of collapse. Instead of habitually reshaping nature in accordance with our needs and wishes, this reservoir mimics
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35

Ehlin, Lisa. "Becoming Image : Perspectives on Digital Culture, Fashion and Technofeminism." Doctoral thesis, Stockholms universitet, Institutionen för mediestudier, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-121923.

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Departing from a technofeminist perspective, Becoming Image, places the digital image in a broader context of modern and postmodern technological discourses and fashion. In four articles, the compilation dissertation expands a contemporary and imagistic tech discourse by questioning the ideology of ”masculinity”―specifically the idea of it as a historically male domain. Through interviews, discourse analysis and feminist critique, as well as an interdisciplinary focus on digital media, the project investigates how everyday image practices open up for new embodied experiences. Focusing on women
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36

Sasse, Julie Rae. "Blurred Boundaries: A History of Hybrid Beings and the Work of Patricia Piccinini." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/311191.

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Hybrid beings have been a part of the artistic imagination since art was first made on cave walls and rock faces. Yet their visual makeup and symbolic meanings have changed over time from deities, demons, and oddities of nature to unconscious states of being and the socially and culturally marginalized. This dissertation will examine a history of hybrid beings and the work of Australian artist Patricia Piccinini. Her silicone sculptures, photographs, installations, and videos are hyperrealistic representations of composite beings that appear to have blended rather than fragmented characteristi
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37

Elg, Eva-­Marie // Emie. "Kan konstnären använda desorientering som metod för att krossa fördomar? : ESSÄ i Praktisk Konstnärlig Självreflektion." Thesis, Stockholms konstnärliga högskola, Institutionen för skådespeleri, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-187.

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SLUTSATS: För  att  nå  min  egen,  djupaste,  svarta  spegel  hade  jag  behövt  ”möta  mitt  eget  mörker”, som Soran Ismail beskriver det i Absolut Svensk… Gjorde jag det? Njae… Jag hade gärna utforskat mina fördomsfulla sidor mer, för att se var jag själv står på  skalan  mellan  Tes och  Antites.  Soran  gjorde i avsnitt 1 ett vetenskapligt  fördomstest, där reaktioner registrerades för att ta reda på fördomar en ”inte vet om att den har”. Någon liknande miljö eller metod (vetenskaplig, existentiell eller psykoanalytisk)  möttes  jag  inte  av  under  kursen  där  jag  kunde  ta  mitt  fö
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38

Karlsson, Mikaela. "Identitetskris : En posthumanistisk läsning av Hjalmar Söderbergs Doktor Glas." Thesis, Linköpings universitet, Avdelningen för svenska och litteratur, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-134371.

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I Identitetskris undersöks ambivalensen hos den fiktiva figuren doktor Glas. En svängande osäkerhet tar sig uttryck genom såväl karaktärens självsyn som genom de större frågor som karaktären ställer sig om människan och dess varande. Dessa tankar och frågor står att finna i de dagboksanteckningar som doktorn fingeras skriva, vilka har varit föremålet för uppsatsens analys. Doktor Glas framställs i ena stunden som ensam, viljesvag och självkritisk för att i nästa stund framställas som en man fylld av självförtroende och kraft som står över sina medmänniskor. Med hjälp av ett posthumanistiskt pe
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39

Wood, Nicole E. "From Seed to Fruit: A Posthuman Journey From Stage to Page." OpenSIUC, 2010. https://opensiuc.lib.siu.edu/theses/392.

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This thesis uses Cybernetic Fruit: A Posthuman Fairytale (a show directed by Shauna MacDonald and Nico Wood) to explore notions of posthumanism. The thesis of this project is that every being possesses beingness (one could say, a soul), be it raccoon, raspberry, or rock; that nothing is perfect or ever can be, for perfection and imperfection (like order and disorder) are human constructions spun from human vantage points and seen with a human-level of resolution; that collaboration fosters propagation of a posthuman discourse and compassionate behavior; and finally, that staging philosophical
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40

MacDonald, Shauna M. "Viscera(l) Views: Performing on the Brink of the Human." OpenSIUC, 2011. https://opensiuc.lib.siu.edu/dissertations/392.

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This dissertation is a performative exploration of experience within our technoscientific--that is, technologically and scientifically saturated--world. Drawing upon posthumanism and cyborg studies and working through specific, mutated versions of performative inquiry and phenomenology, I aim to encourage creative public participation in technoscientific discourse. That is, I apply an adapted method (cyborg phenomenology) to my own staged personae performances of nonhuman entities in order to investigate technoscientific experience from a less anthrocentric perspective. My goal is to interroga
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41

Andreasson, Linnéa. "Icke-verbal kommunikation mellan människa och djur i litteratur : En interdisciplinär studie om hur David Wroblewskis The Story of Edgar Sawtelle rekonstruerar förhållandet mellan djuriskhet och funktionshinder." Thesis, Södertörns högskola, Litteraturvetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-38312.

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In reading The story of Edgar Sawtelle, this essay applies posthuman studies with animal studies and disability studies to analyse how the communication between species occur and how boundaries are expanded. Non-verbal language is closely examined and argued to be just as viable as verbal language in the making of relationships and subjects in literature. By applying posthumanism, biological research and a non-anthropocentric way of thinking one can evolve from the notion that humans are the only subjects which matter, something that has been verified because non-human animals never have been
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42

Wilson-Hughes, Oliver. "'Maybe I'm tired of being human, if human is what I am' : sentimental posthumanism in the work of Martin Amis." Thesis, University of Reading, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.657601.

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Martin Amis is one of the most prominent figures in contemporary British fiction, and his work has been developed during a period of huge social transition. Emerging at the end of the sixties, Amis's writing has adapted to tackle the establishment of the information era and the emergence of increasingly transnational cultures. In this thesis, I will attempt to examine how Amis's work reflects these changes, as he tries to reconcile an uncertain future with a past that seems increasingly distant from the modern world. Engaging with his changing critical reputation, I will locate his work within
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43

Finn, Richelle V. "“More Human Than Human”: Lacan’s Mirror Stage Theory and Posthumanism in Philip K. Dick’s Do Androids Dream of Electric Sheep?" ScholarWorks@UNO, 2018. https://scholarworks.uno.edu/td/2460.

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In my thesis, Philip K. Dick's Do Androids Dream of Electric Sheep? is examined using French psychoanalyst Jacques Lacan's mirror stage theory. In the novel, humans have built androids that are almost indistinguishable from humans except that they lack a sense of empathy, or so the humans believe. The Voigt-Kampff Machine is a polygraph-like device used to determine if a subject shows signs of empathy in order to confirm if one is an android or a human. Yet, should empathy be the defining quality of determining humanity? In his article "The mirror stage as formative of the function of the ‘I’
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44

Linder, Charlotte, and Karin Norinder. ""Nu kan vi flyga med våra mantlar och vårt nya hår" : En kvalitativ studie om utklädningskläder som pedagogiskt material i förskolan." Thesis, Stockholms universitet, Barn- och ungdomsvetenskapliga institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-91209.

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Syftet med denna studie har varit att lyfta fram utklädningskläder som pedagogiskt material i förskolan. Studien är av kvalitativ karaktär och består av fallstudier från tre förskolor med olika pedagogisk inriktning. Genom intervjuer med förskollärare och barn samt observationer av barns lek har vi undersökt vilken funktion olika utklädningskläder kan ha för barn i förskolan. Vi har även undersökt på vilket sätt placering och utbud av utklädningskläder kan påverka barns användande av dem. Med hjälp av ett posthumanistiskt perspektiv och begreppen agens och intra-aktivitet har vi sett hur utklä
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45

Vinci, Tony M. "Ghost, Animal, Android: Trauma, Posthuman Ethics, and Radical Vulnerability in American Literature, 1940-2010." OpenSIUC, 2014. https://opensiuc.lib.siu.edu/dissertations/857.

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Ghost, Animal, Android: Trauma, Posthuman Ethics, and Radical Vulnerability in American Literature, 1940-2010 The dissertation argues that the literary topoi of the ghost, animal, and android function as ethical categories offering access to traces of trauma that operate beyond the boundaries of the human. The study revises the traditional argument that the literatures of trauma work to heal the victims of personal and cultural catastrophes by emphasizing work by William Faulkner, Toni Morrison, William Heyen, and Philip K. Dick that resists an oversimplified notion of healing and instead ex
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46

Hultenius, Petra. "Materialitetens betydelse i Kulturskolans dansundervisning." Thesis, Stockholms konstnärliga högskola, Institutionen för danspedagogik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-544.

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This is a study that looks at the teaching process of making a dance show within the Community School of Arts from a posthumanist perspective. How does the matter the students meet and the dance teacher uses make a difference? My interest in this question came to grow from my dance related work in a pre-school context where matter is given importance in relation to how children gets possibilities to experience and learn. The research material for this study, however, was generated from the Community School of Arts in Stockholm. The study identifies the matter that is making a difference for th
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47

Persson, Emma. ""...om man typ sitter och ritar så får man väl sitta hur man vill" : En undersökning av hur stolen kan förstås i relation till kropp inom en bildpedagogisk kontext." Thesis, Konstfack, IBIS - Institutionen för bild- och slöjdpedagogik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7348.

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Under min utbildning har tankar kring elevers placering i klassrummet ofta lyfts. Visualiserar jag dessa tankar ser jag framför mig en spelplan där läraren frenetiskt flyttar runt elever likt spelpjäser. Spelplanen – klassrummet – kan här ses som något passivt som fylls med mening av mänskliga aktörer – lärare och elever. Jag vill dock i denna studie närma mig en bildpedagogisk kontext utifrån ett posthumanistiskt perspektiv, där den fysiska omgivningen förstås som medskapande aktör i människors meningsskapande processer. Jag väljer därför att undersöka relationen mellan stol och kropp inom en
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48

Sunnerstam, Hanna. "Food, Humans and Other Kinds of Matter : A Posthumanist and Materialist Reading of the Anime Film Spirited Away." Thesis, Linköpings universitet, Tema Genus, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-97298.

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My aim with this thesis is to use a combination of posthumanist and feminist materialist perspectives in analysing the anime film Spirited Away (2001). The analysis is organised as follows: the first chapter of the analysis deals with the notions of agency and magic. Magic is an omnipresent force in the bathhouse depicted in the film; a force that creates connections between different bodies and that also bridges the language-matter divide. By making inanimate matter come alive, magic points to a conception of life as relations rather than as possession. However, magic also reveals the hierarc
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de, Beer Mostyn. "You First Then Me : Exploring Complexity with Art Workshops." Thesis, Konstfack, IBIS - Institutionen för bild- och slöjdpedagogik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7475.

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This work takes as its starting point the idea that awareness and understanding of the complex nature of relationships, among people and the natural and built environment, is of crucial importance against the background of the ongoing environmental crisis. The author explores how holding art workshops can contribute with specific knowledge about this complexity. In early 2020, the author held art workshops in the South African port city of Durban, in a gallery area adjacent to a park. Qualitative methods, including ethnography and visual methods, were put to use in the study which developed fr
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50

Herrera, Altamirano Elisa. "Correr importa. Devenires coporales posthumanos desde una aproximación etnográfica al running popular en Barcelona." Doctoral thesis, Universitat Oberta de Catalunya, 2018. http://hdl.handle.net/10803/664196.

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Aquesta tesi se situa en la intersecció disciplinària de l'antropologia del cos, les epistemologies feministes i la geografia, i té per objectiu reflexionar des de la banda teòrica i metodològica sobre la corporalitat posthumana per mitjà de l'exploració etnogràfica del running, popular a Barcelona, com una pràctica de la vida quotidiana en l'època contemporània. La inquietud principal a la qual respon aquest treball és contribuir a la crida que des de les ciències socials crítiques es fa per a generar una nova economia de la representació del cos que parli en clau de transformacions, processo
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