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Letteratura scientifica selezionata sul tema "Processeurs vocaux"

Autore: Grafiati

Pubblicato: 15 giugno 2024

Ultima modifica: 31 luglio 2025

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Articoli di riviste sul tema "Processeurs vocaux"

SNOWDON, CHARLES T. "Affiliative Processes and Vocal Development." Annals of the New York Academy of Sciences 807, no. 1 Integrative N (1997): 340–51. http://dx.doi.org/10.1111/j.1749-6632.1997.tb51931.x.

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Akhmedov, Bakhodir Sayfiddinovich. "THE FIRST FORMATION PROCESSES OF UZBEK VOCAL PERFORMANCE." Zamonaviy dunyoda pedagogika va psixologiya 2, no. 08 (2023): 126–28. https://doi.org/10.5281/zenodo.7982321.

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This article provides detailed information on the history of the early formation of Uzbek vocal performance, the principles of vocal music pedagogy, the principle of sequence and continuity in education, the unity of artistic-musical and vocal technical principles, the principle of individual approach, and the achievement of regular perfection. given  

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Thoresen, Lasse. "THE CONCRESCENCE PROJECT (2008–2010): IDEAS, PROCESSES, EXPERIENCES, MUSICAL WORKS." Tempo 68, no. 267 (2014): 7–21. http://dx.doi.org/10.1017/s0040298213001290.

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AbstractThis article discusses the concept, working practices and outcomes of the Concrescence Project, a research project initiated by the author oriented towards innovations in vocal practice and composition through experiments with combining vocal techniques from different cultures. The concept of ethnomodernism is explored, as are different attitudes to vocal sound production in a variety of musical traditions including the avant-garde, traditional styles from the Nordic/Baltic region, and overtone singing. The article concludes with a discussion of microtonal tunings, their notation, and

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Morán-Titla, Christian D., Juan-Hector García-Chávez, Leonel Lopez-Toledo, and Clementina González. "Niche-related processes explain phylogenetic structure of acoustic bird communities in Mexico." PeerJ 13 (January 8, 2025): e18412. https://doi.org/10.7717/peerj.18412.

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Acoustic communities are acoustically active species aggregations within a habitat, where vocal interactions between species can interfere their communication. The acoustic adaptation hypothesis (AAH) explains how the habitat favors the transmission of acoustic signals. To understand how bird acoustic communities are structured, we tested the effect of habitat structure on the phylogenetic structure, and on the phylogenetic and vocal diversity of acoustic communities in a semi-arid zone of Mexico. From autonomous recordings in three types of vegetation (crop fields, tetecheras, and mesquiteras

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Stoeger, Angela S., Anton Baotic, and Gunnar Heilmann. "Vocal Creativity in Elephant Sound Production." Biology 10, no. 8 (2021): 750. http://dx.doi.org/10.3390/biology10080750.

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How do elephants achieve their enormous vocal flexibility when communicating, imitating or creating idiosyncratic sounds? The mechanisms that underpin this trait combine motoric abilities with vocal learning processes. We demonstrate the unusual production techniques used by five African savanna elephants to create idiosyncratic sounds, which they learn to produce on cue by positive reinforcement training. The elephants generate these sounds by applying nasal tissue vibration via an ingressive airflow at the trunk tip, or by contracting defined superficial muscles at the trunk base. While the

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Fahey, Hannah. "Stylistic pluralism and the experiences of classically trained teachers of singing in the Republic of Ireland." International Journal of Music Education 39, no. 3 (2021): 301–12. http://dx.doi.org/10.1177/0255761421991247.

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Throughout much of the 20th century, the Western classical vocal aesthetic dominated tertiary singing training in the Republic of Ireland. At the turn of the 21st century, and reflecting similar movements internationally, Irish institutions, examining boards and private teaching studios diversified to include musical theatre and popular styles of singing in degree programmes and syllabi. The purpose of this study was to further understand voice teacher perceptions of these shifts in pedagogical culture. This research questioned how classically trained teachers of singing negotiate teaching acr

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Woodson, Gayle E., Arne Hengesteg, Daniel Yeung, Clark A. Rosen, and Naidy Chen. "Changes in Length and Spatial Orientation of the Vocal Fold with Arytenoid Adduction in Cadaver Larynges." Annals of Otology, Rhinology & Laryngology 106, no. 7 (1997): 552–55. http://dx.doi.org/10.1177/000348949710600703.

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Videoendoscopy suggests that arytenoid adduction (AA) surgery not only medializes the paralyzed vocal fold, but increases the length of its membranous portion so that it more closely resembles the normal side. This could represent either real length change or out-of-plane rotation. Computed tomography scanning was performed on adult male cadaver larynges before and after the AA procedure to measure changes in length and spatial orientation of the vocal fold. Three-dimensional coordinates of radiopaque markers on the anterior commissure, posterior glottic midline, and vocal processes were deter

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Yakhno, Olena. "Vocal stylistics in rock music: dialectics of general and special." Aspects of Historical Musicology 21, no. 21 (2020): 279–92. http://dx.doi.org/10.34064/khnum2-21.18.

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The article aimed to identify the specific features of vocal style in rock music. This issue is considered in a complex way proceeding from the integral system of vocal intonation in its origins and evolution. It is noted that the vocal component in rock music is a synthesis of diverse origins, among which the primary and comprehensive is the song beginning, presented in all the diversity of its manifestations. Being assimilated into the forms of professional music-making, which include rock music and its historically closest source – jazz, the song component in rock music becomes the basis of

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Sato, Kiminori, and Minoru Hirano. "Fine Three-Dimensional Structure of Pericytes in the Vocal Fold Mucosa." Annals of Otology, Rhinology & Laryngology 106, no. 6 (1997): 490–94. http://dx.doi.org/10.1177/000348949710600609.

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An investigation was carried out to determine the fine three-dimensional structure of pericytes in excised human vocal fold mucosa, by means of scanning and transmission electron microscopic observation. The results are summarized as follows. 1) There were many pericytes around the true capillaries, arterial capillaries, and venous capillaries in the vocal fold mucosa. 2) Newborns had pericytes around the capillaries in the vocal fold mucosa. 3) The pericytes had bulged fusiform or polygonal cell bodies and branching processes. The branching processes consisted of long and relatively thick lon

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McGettigan, Carolyn, and Sophie Kerttu Scott. "Voluntary and involuntary processes affect the production of verbal and non-verbal signals by the human voice." Behavioral and Brain Sciences 37, no. 6 (2014): 564–65. http://dx.doi.org/10.1017/s0140525x13004123.

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AbstractWe argue that a comprehensive model of human vocal behaviour must address both voluntary and involuntary aspects of articulate speech and non-verbal vocalizations. Within this, plasticity of vocal output should be acknowledged and explained as part of the mature speech production system.

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Tesi sul tema "Processeurs vocaux"

Almeida, Dos Santos Douglas. "Développement d'un processeur durci sur architecture RISC-V pour applications en environnement sévère." Electronic Thesis or Diss., Université de Montpellier (2022-....), 2023. http://www.theses.fr/2023UMONS089.

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Cette thèse explore le développement et la caractérisation du processeur HARV et de sa version HARV-SoC, spécifiquement conçus pour fonctionner dans des environnements hostiles. Elle commence par mettre en évidence les défis posés par les environnements hostiles, en particulier l'impact des radiations sur les dispositifs et systèmes électroniques. La thèse classe les environnements hostiles en environnements spatiaux, atmosphériques et artificiels, chacun ayant ses caractéristiques uniques.Dans les environnements de radiations artificielles, différentes installations expérimentales sont décrit

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Craciun, Alexandru. "Implémentation d'une méthode robuste de détection d'activité vocale sur le processeur de signal TMS320C6711 /." Montréal : École de technologie supérieure, 2004. http://wwwlib.umi.com/cr/etsmtl/fullcit?pMQ96931.

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Thèse (M. Ing.)--École de technologie supérieure, Montréal, 2004. "Mémoire présenté à l'École de technologie supérieure comme exigence partielle à l'obtention de la maîtrise en génie électrique". Bibliogr.: f. [164]-167. Également disponible en version électronique.

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Craciun, Alexandru. "Implémentation d'une méthode robuste de détection d'activité vocale sur le processeur de signal TMS320C6711." Mémoire, École de technologie supérieure, 2004. http://espace.etsmtl.ca/713/1/CRACIUN_Alexandru.pdf.

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Un algorithme de détection d'activité vocale (VAD) est un algorithme capable de discriminer entre les régions où la parole est absente dans le signal vocal analysé. Le VAD est un module important utilisé dans une large gamme d'applications dans le domaine du traitement de la parole comme la reconnaissance, la transmission ou le rehaussement de la parole. La nature non-stationnaire ainsi que la grande variété de signaux vocaux et de bruits de fond dans les conditions où on n'a pas d'informations a priori sur la nature ou le niveau du bruit rendent ce problème difficile spécialement dans l

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Schmidt, Emanuel. "Communication processes in jazz performance." Thesis, Sydney Conservatorium of Music, 2005. http://hdl.handle.net/2123/13718.

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Greenwood, Taylor Eugene. "Silicone 3D Printing Processes for Fabricating Synthetic, Self-Oscillating Vocal Fold Models." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8395.

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Synthetic, self-oscillating vocal fold (VF) models are physical models whose life-like vibration is induced and perpetuated by fluid flow. Self-oscillating VF models, which are often fabricated life-size from soft silicone elastomers, are used to study various aspects of voice biomechanics. Despite their many advantages, the development and use of self-oscillating VF models is limited by the casting process used to fabricate the models. Consequently, this thesis focuses on the development of 3D printing processes for fabricating silicone VF models. A literature review is first presented which

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Tragtenberg, Lucila Romano. "Processos de criação da interpretação vocal em rede." Pontifícia Universidade Católica de São Paulo, 2012. https://tede2.pucsp.br/handle/handle/4491.

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Made available in DSpace on 2016-04-26T18:12:50Z (GMT). No. of bitstreams: 1 Lucila Romano Tragtenberg.pdf: 11718760 bytes, checksum: cfdf14666b1eb4595b5c622d9daf19a6 (MD5) Previous issue date: 2012-12-03 The creation processes of interpretation performed by singers-performers within the Western classical music constitute the subject of this work. We investigated the hypothesis that their work has the dimension of creation as transcreation being constituted by it in instances of relational communication as well, we address the problem of its theoretical and methodological description and

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Pereira, Daiana Felix. "A educação musical: o saber corporal aprendido por meio da educação/técnica vocal para bailarinos contemporâneos." Universidade do Vale do Rio dos Sinos, 2012. http://www.repositorio.jesuita.org.br/handle/UNISINOS/3308.

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Submitted by Maicon Juliano Schmidt (maicons) on 2015-04-16T19:19:32Z No. of bitstreams: 1 Daiana Felix Pereira.pdf: 18723332 bytes, checksum: 89418a1724c3f8df1ec40b4f29a83b26 (MD5) Made available in DSpace on 2015-04-16T19:19:32Z (GMT). No. of bitstreams: 1 Daiana Felix Pereira.pdf: 18723332 bytes, checksum: 89418a1724c3f8df1ec40b4f29a83b26 (MD5) Previous issue date: 2012-01-31 Nenhuma Esse trabalho investiga o processo de educar a voz de bailarinos contemporâneos por meio da educação corporal e vocal. Problematiza a questão vocal e busca entender o ensino da dança e da música

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Gray, Anne-Marie. "Vocal music of the Anglo-Boer War (1899-1902) insights into processes of affect and meaning in music /." Thesis, Pretoria : [s.n.], 2004. http://upetd.up.ac.za/thesis/available/etd-10062004-131944/.

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Vasconcelos, Emerson Adriano Gomes. "Magdalena Lébeis e o registro sistemático de um processo pedagógico: algumas análises." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-151843/.

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Magdalena Lébeis registrou sistematicamente em seis cadernos de aulas, durante um período compreendido entre 1937 e 1955, as 1006 aulas de canto que fez com Vera Janacópulos. Este trabalho traz a transcrição completa dos manuscritos do vol. 1 dos Cadernos de Aulas de Canto de Magdalena Lébeis. Propõe análises iniciais a propósito da abordagem, tanto de Lébeis, quanto de Janacópulos, de elementos técnicos e interpretativos no estudo do canto, contidos no relato sistemático, de próprio punho, de Lébeis, utilizando diferentes fontes da bibliografia sobre pedagogia vocal e especialmente os conceit

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Clark, Stephen J. "The intuitive and the intellectual : aspects of personal compositional voice and its complex and intuitive processes in relation to astronomical observations and elementary and advanced performers." Thesis, View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/38730.

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This dissertation explores the complex and intuitive elements of the author’s musical compositions. It investigates the concept of a composer’s ‘compositional voice’ by looking at the aesthetic and compositional techniques that are used to express it. In particular, it looks at the author’s expression of astronomy through his music, along with its realisation through both advanced and elementary performers. The aesthetic is examined by looking at astronomy and its relation to music. It observes the intricate ways that concepts to do with astronomy can be expressed through music, as well as the

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Libri sul tema "Processeurs vocaux"

Cavicchio, Federica, and Emanuela Magno Caldognetto, eds. Aspetti emotivi e relazionali nell'e-learning. Firenze University Press, 2008. http://dx.doi.org/10.36253/978-88-8453-833-8.

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This book investigates the role of emotions and multimodal communication in face-to-face teaching and in e-learning, and assesses the incidence of these not merely verbal components on the cognitive processes of the student. It also presents certain types of man-machine interface that utilise natural language in written, vocal and multimodal form; the latter implement a new metaphor of interaction with the computer that is more human-oriented. This is, therefore, a new and interdisciplinary theme of research that highlights the technical and theoretical complexity that e-learning specialists a

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Curry, Samuel Silas. Lessons in Vocal Expression: Course I. Processes of Thinking in the Modulation of the Voice. Creative Media Partners, LLC, 2018.

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Lessons in Vocal Expression: Course I. Processes of Thinking in the Modulation of the Voice. Creative Media Partners, LLC, 2023.

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Webster Jr., Murray, and Lisa Slattery Walker, eds. Unequals. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197600009.001.0001.

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This book presents current theory development and empirical research on how status and expectation processes structure interaction. Chapters describe the development and current state of knowledge on these processes, relations to other group processes such as social exchange and stigma processes, and applications to elementary education and business organizations. Recent research is summarized on how status differences—which are culturally created and maintained—affect interaction, estimates of ability and social worth, and many other behaviors and impressions. Chapters describe the most recen

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Goetze, Mary. Repertoire as Pedagogy. Edited by Frank Abrahams and Paul D. Head. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199373369.013.18.

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Including music from a wide range of cultures calls for choral directors to rethink the common practices employed in most choral rehearsals, and to open themselves to a world of new procedures within rehearsals and performances. Since few directors are also ethnomusicologists, these new practices may also impact the role the director plays in the rehearsals. This chapter challenges directors to define their reasons for including vocal music from outside the western art tradition. Directors should consider alternative processes for finding repertory, presenting it to the ensemble, and sharing i

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Provine, Robert R. Beyond the Smile. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190613501.003.0011.

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With the expectation that innovation, insight, and discovery will come from researching neglected topics, this chapter explores human instincts, including yawning, laughing, vocal crying, emotional tearing, coughing, nausea and vomiting, itching and scratching, and changes in scleral color. The critical change approach is exploited to analyze recently evolved, uniquely human traits (e.g., human-type laughter and speech, emotional tearing, scleral color cues) and compare them with thir primate antecendents, seeking the specific neurological, glandular, and muscular processes responsible for the

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Russell, James A., and Jose Miguel Fernandez Dols, eds. The Science of Facial Expression. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190613501.001.0001.

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Organized in eleven thematic sections, The Science of Facial Expression offers a broad perspective of the “geography” of the science of facial expression. It reviews the scientific history of emotion perception and the evolutionary origins and functions of facial expression. It includes an updated compilation on the great debate around Basic Emotion Theory versus Behavioral Ecology and Psychological constructionism. The developmental psychology and social psychology of facial expressions is explored in the role of facial expressions in child development, social interactions, and culture. The b

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I'Anson, Mileece. Form, Chaos, and the Nuance of Beauty. Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.33.

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In general, musical forms iterate from axioms of pitches and intervals organized by a set of principles, yet when describing music as ‘desirable’ or ‘effective’, we are pointing not to its form, but to our experience of it. In successful music, the composer moves the listener through a series of emotive states in some sense predetermined by the composer, but that are not reducible to the patterns and principles. The argument in this chapter concerns what makes some music capable of eliciting ‘exaltation’ rather than a routine response. Designing chaos into the musical patterns themselves is pr

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Heyman, Barbara B. Samuel Barber. 2nd ed. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190863739.001.0001.

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Samuel Barber (1910–1981) was one of the most important and honored American composers of the twentieth century. Writing in a great variety of musical forms—symphonies, concertos, operas, vocal music, chamber music—he infused his works with poetic lyricism and gave tonal language and forms new vitality. His rich legacy includes such famous compositions as the Adagio for Strings, the orchestral song Knoxville: Summer of 1915, three concertos, and his two operas, the Pulitzer Prize–winning Vanessa and Antony and Cleopatra, a commissioned work that opened the new Metropolitan Opera House at Linco

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Matijas-Mecca, Christian. The Words and Music of Brian Wilson. Praeger, 2017. http://dx.doi.org/10.5040/9798216038351.

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A fascinating study of Brian Wilson's creative career as a composer, producer, performer, and collaborator that addresses all aspects of Brian's five-decade-long music career through his creative methods and processes. The cofounder and central figure of one of America's most successful vocal groups, The Beach Boys, Brian Wilson is a standout artist with an astonishing volume of diverse work spanning over half a century that serves as testament to his creative output and influence on modern music. Today, Wilson stands as a survivor of life challenges stemming from substance abuse and mental il

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Capitoli di libri sul tema "Processeurs vocaux"

Duggan, Bláithín. "Paralanguage and Inter-Song Thematic Processes." In The Beatles and Vocal Expression. Routledge, 2023. http://dx.doi.org/10.4324/9781003323006-7.

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Todt, Dietmar. "Serial Calling as a Mediator of Interaction Processes: Crying in Primates." In Primate Vocal Communication. Springer Berlin Heidelberg, 1988. http://dx.doi.org/10.1007/978-3-642-73769-5_6.

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Roelofs, Ardi. "Modeling the attentional control of vocal utterances:." In The Routledge International Handbook of Psycholinguistic and Cognitive Processes, 2nd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003204213-11.

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de Mello, Claudia Berlim, Thiago da Silva Gusmão Cardoso, and Marcus Vinicius C. Alves. "Social Cognition Development and Socioaffective Dysfunction in Childhood and Adolescence." In Social and Affective Neuroscience of Everyday Human Interaction. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-08651-9_10.

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AbstractSocial cognition refers to a wide range of cognitive abilities that allow individuals to understand themselves and others and also communicate in social interaction contexts (Adolphs, Curr Opin Neurobiol 11(2):231–239, 2001). According to Adolphs (Annu Rev Psychol 60(1):693–716, 2009), social cognition deals with psychological processes that allow us to make inferences about what is happening inside other people—their intentions, feelings, and thoughts. Although the term can be defined in many ways, it is clear that it must be safeguarded for the mental operations underlying social int

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"Singing and social processes." In Vocal Authority. Cambridge University Press, 1998. http://dx.doi.org/10.1017/cbo9780511470226.010.

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"Mechanisms and proximate processes of vocal communication." In Animal Vocal Communication. Cambridge University Press, 1998. http://dx.doi.org/10.1017/cbo9781139167901.006.

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Dippong, Joseph, and Zara Jillani. "Vocal Accommodation, Influence, and Performance Expectations*." In Advances in Group Processes. Emerald Publishing Limited, 2024. http://dx.doi.org/10.1108/s0882-614520240000041006.

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Johnstone, Tom, Carien M. Van Reekum,, and Klaus R. Scherer. "Vocal Expression Correlates of Appraisal Processes." In Appraisal Processes in Emotion. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195130072.003.0015.

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Abstract The study of vocal expression of emotion has long been in the shadow of co pious work on facial expression. Yet there have been quite a number of studies in this area, particularly in the last few decades. Overviews of the empirical studies in this area have documented some consistencies both in the acoustical encoding of expressed emotions in speech and in the way such acoustic emotional markers are de coded by listeners, but there remain numerous discrepancies and an overall lack of replication. Many of these problems seem to be due to insufficient attention to the differences bet

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Baptista, Luis F., Douglas A. Nelson, and Sandra L. L. Gaunt. "Cognitive Processes in Avian Vocal Acquisition." In Animal Cognition in Nature. Elsevier, 1998. http://dx.doi.org/10.1016/b978-012077030-4/50061-1.

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Dippong, Joseph, and Will Kalkhoff. "Modeling Small Group Status and Power Dynamics Using Vocal Accommodation." In Advances in Group Processes. Emerald Publishing Limited, 2018. http://dx.doi.org/10.1108/s0882-614520180000035003.

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Atti di convegni sul tema "Processeurs vocaux"

Heim, Axel, Uli Sorger, and Florian Hug. "Doppler-variant modeling of the vocal tract." In ICASSP 2008. IEEE International Conference on Acoustic, Speech and Signal Processes. IEEE, 2008. http://dx.doi.org/10.1109/icassp.2008.4518580.

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Kawashima, Takuya, and Keita Watanabe. ""Ah-aloud": Method for Evaluating Cognitive Processes Occurring During Tasks from Vocal Information." In 2022 8th International HCI and UX Conference in Indonesia (CHIuXiD). IEEE, 2022. http://dx.doi.org/10.1109/chiuxid57244.2022.10009797.

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Kopczyński, Bartosz, Paweł Strumiłło, and Ewa Niebudek-Bogusz. "Computer based quantification of normal and pathological vocal folds phonatory processes from laryngovideostroboscopy." In 2015 Federated Conference on Computer Science and Information Systems. IEEE, 2015. http://dx.doi.org/10.15439/2015f276.

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Mantha, S., L. Mongeau, and T. Siegmund. "Dynamic Digital Image Correlation of a Dynamic Physical Model of the Vocal Folds." In ASME 2005 International Mechanical Engineering Congress and Exposition. ASMEDC, 2005. http://dx.doi.org/10.1115/imece2005-81457.

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An experimental study of the vibratory deformation of the human vocal folds was conducted. Experiments were performed using model vocal folds [1, 2], Fig. 1, made of silicone rubber implemented into an air supply system, Fig. 2. The material used to cast the model is an isotropic homogeneous material, [3] with a tangent modulus E=5 kPa at ε = 0, i.e. elastic properties similar to those of the human vocal fold cover [4]. The advantages of the use of model larynx systems over the use of excised larynges include easy accessibility to fundamental studies of the vocal fold vibration without invasiv

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Mower, Emily, Sungbok Lee, Maja J. Mataric, and Shrikanth Narayanan. "Human perception of synthetic character emotions in the presence of conflicting and congruent vocal and facial expressions." In ICASSP 2008. IEEE International Conference on Acoustic, Speech and Signal Processes. IEEE, 2008. http://dx.doi.org/10.1109/icassp.2008.4518081.

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Pagani, Laura, Paolo Gemelli, Alessandro Bertirotti, and Mario Ivan Zignego. "Human-Centered AI integration in nautical architecture: enhancing design processes through emotion recognition and intelligent systems." In 16th International Conference on Applied Human Factors and Ergonomics (AHFE 2025). AHFE International, 2025. https://doi.org/10.54941/ahfe1006545.

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TThe landscape of naval design is undergoing a transformative revolution through the strategic integration of artificial intelligence, fundamentally reshaping the design process whilst preserving the central role of human creativity. This research, conducted at the University of Genoa, introduces an innovative "Emotional-Enhanced Design" paradigm that leverages advanced AI technologies to amplify designers' natural capabilities rather than replace them. The proposed methodology represents a significant departure from traditional design approaches, introducing a four-phase process that fundamen

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Oliveira, Vinicius César, and José Henrique Padovani. "Mapping, Triggering, Scoring, and Procedural Paradigms of Machine Listening Application in Live-Electronics Compositions." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19445.

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Since the advent of real-time computer music environments, composers have increasingly incorporated DSP analysis, synthesis, and processing algorithms in their creative practices. Those processes became part of interactive systems that use real-time computational tools in musical compositions that explore diverse techniques to generate, spatialize, and process instrumental/vocal sounds. Parallel to the development of these tools and the expansion of DSP methods, new techniques focused on sound/musical information extraction became part of the tools available for music composition. In this cont

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Joshi, Prachi, Hirak Banerjee, Avdhoot V Muli, Aurobinda Routray, and Priyadarshi Patniak. "Study of Emotional contagion through Thermal Imaging: A pilot study using noninvasive measures in young adults." In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004755.

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Emotional contagion, the process of unconsciously mirroring others’ emotions [6], occurs through various channels including facial expressions, vocal tone, and body language, influencing social interactions and responses to cultural stimuli like music and movies [3], [4], [1]. Facial expressions, analyzed using the Facial Action Coding System (FACS), provide insights into emotional transmission [2]. Thermal imaging, a technique for measuring facial temperature changes, offers a noninvasive method to study emotional responses [5]. However, the facial thermal response to emotional contagion rema

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Rapporti di organizzazioni sul tema "Processeurs vocaux"

Pedersen, Gjertrud. Symphonies Reframed. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481294.

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Symphonies Reframed recreates symphonies as chamber music. The project aims to capture the features that are unique for chamber music, at the juncture between the “soloistic small” and the “orchestral large”. A new ensemble model, the “triharmonic ensemble” with 7-9 musicians, has been created to serve this purpose. By choosing this size range, we are looking to facilitate group interplay without the need of a conductor. We also want to facilitate a richness of sound colours by involving piano, strings and winds. The exact combination of instruments is chosen in accordance with the features of

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