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Tesi sul tema "Queer culture"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 luglio 2025

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1

Brady, Anita, and n/a. "Constituting queer : performativity and commodity culture." University of Otago. Department of Communication Studies, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080429.113540.

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This thesis foregrounds a question unanswered in queer theory�s account of the ongoing reproduction of heteronormativity. In Gender Trouble, Judith Butler asks "From where does the performative draw its force, and what happens to the performative whose task it is to undo" that discursively legitimated enacting? (Bodies That Matter 224-5). While queer theory offers a compelling account of how the normative fictions of identity privilege heterosexuality, the first part of Butler�s question remains relatively under-theorised. This thesis addresses this gap and argues that to understand the source

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2

Lee, Juwon. "The Globality of the Seoul Queer Culture Festival: Subverting the Neocolonial Queer Narrative." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555520368932493.

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3

Maddison, Stephen. "Queer sisters : gay male culture, women and gender dissent." Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362271.

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Gay male culture is suffused with indications of the importance of women and bonds with women. Indeed the Stonewall riots, mythologised moment of the birth of modern gay politics, are often said to have been catalysed by gay male grief at the death of Judy Garland. Why should a culture apparently founded on same-sex desire be so preoccupied with relationships across gender difference? The thesis attempts to map the shape and effects of bonds with women by using a materialist analytical framework in relation to texts and their critical retinue. The first chapter looks at A Streetcar Named Desir

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4

Hannan-Leith, Madeline Naomi. ""That's how I found queer culture in so many ways" : narratives of online dating in queer women." Thesis, University of British Columbia, 2017. http://hdl.handle.net/2429/61850.

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The past few decades have seen a rise in the visibility and legal rights of lesbian, gay, bisexual, transgender and queer (LGBTQ) people, yet persistent stigmatization has left many searching for alternate ways of seeking connection. An increasingly popular means for LGBTQ individuals to find relationships is through online dating. While the Internet has been prolific in connecting LGBTQ communities, existing research on the use of Internet-dating sites in sexual minorities has focused primarily on gay men’s dating practices, overlooking queer women. The present study used a narrative approach

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5

Adair, David Francis, and n/a. "'Queer Theory': Intellectual and Ethical Milieux of 1990s Sexual Dissidence." Griffith University. School of Arts, Media and Culture, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20041014.102015.

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The main problem addressed by this thesis is the question of how to assess the politics and the cultural effects and implications of 'Queer Theory' during the period of the 1990s. 'Queer' was invoked in numerous institutions, spaces, and cultural practices over this period, and yet queer-identified theorists and many of their critics have often assumed that this term refers to a relatively unified object. I ask if it is appropriate to treat these 'queer' occasions in this manner, and whether this 'dispersed' object requires a different approach: one that sets out to describe means and ro

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6

Adair, David Francis. "'Queer Theory': Intellectual and Ethical Milieux of 1990s Sexual Dissidence." Thesis, Griffith University, 2003. http://hdl.handle.net/10072/367520.

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Abstract (sommario):

The main problem addressed by this thesis is the question of how to assess the politics and the cultural effects and implications of 'Queer Theory' during the period of the 1990s. 'Queer' was invoked in numerous institutions, spaces, and cultural practices over this period, and yet queer-identified theorists – and many of their critics – have often assumed that this term refers to a relatively unified object. I ask if it is appropriate to treat these 'queer' occasions in this manner, and whether this 'dispersed' object requires a different approach: one that sets out to describe means and ro

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7

Robertson, Megan. "Called and Queer Exploring the lived experiences of queer clergy in the Methodist Church of Southern Africa." university of western cape, 2020. http://hdl.handle.net/11394/7306.

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Doctor Theologiae - DTh<br>In South Africa anti-queer attitudes are propped up by religious moral claims and by strong assertions that queer sexualities are un-African and a secular Western import. This study contributes to the growing body of literature which challenge these claims, and at the same time interrupts scholarly trends in the field of religion and sexuality which either characterises institutional religion as singularly oppressive or homogenises queer Christians as inherently subversive. In this thesis, I explored the lived experiences of six queer clergy (one of whom was disconti

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8

Patel, Alpesh Kantilal. "Queer Desi visual culture across the 'Brown Atlantic' (US/UK)." Thesis, University of Manchester, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494299.

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Through an intersectional, embodied (psycho-spatial and synaesthetic), and processual theoretical matrix, my thesis unpacks the complex mechanisms underpinning the visual identification of subjects and artworks as "Desi" - the Hindi word meaning "from my country" - within the geographical and conceptual space that roughly includes the US, UK, and the South Asian subcontinent. To add further traction to my investigation, I yoke "queer" to Desi. The latter as two overlapping, and at other times competing, sets of visual identifications, serve to bring to the fore, rather than subsume, the comple

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9

Dawson, Leanne. "Femme : Representations of queer femininities in post-war German culture." Thesis, University of Manchester, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.511248.

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10

Pereira, Cristiano Fabrício Lopes. "Rhiz'hommes: redes de subjetividades." Universidade do Estado do Rio de Janeiro, 2012. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4443.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Com a profusão de imagens fotográficas do mundo capitalista e o incentivo para que todos sejamos produtores, o modo de fruição das fotografias e a nossa relação com esses simulacros vão se alterando. A necessidade que a web traz de nos apresentarmos em imagens faz com que tenhamos que fabricá-las e através delas passamos a nos relacionar de maneira narcísica. Com o projeto artístico Rhiz'hommes vão se discutindo as construções desses avatares nos sites de relacionamento e a (des)construção da figura masculina heteronormativa como o

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11

Jerome, Collin. "Queer Melayu : queer sexualities and the politics of Malay identity and nationalism in contemporary Malaysian literature and culture." Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/39644/.

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This thesis examines Malay identity construction by focusing on the complex processes of self-identification among queer-identified Malays living in Malaysia and beyond. By analysing representations of queer Malays in the works of contemporary Malaysian Malay writers, scholars, and filmmakers, as well as queer Malays on the internet and in the diaspora, the thesis demonstrates how self-identifying gay, lesbian, bisexual, and transgendered Malays create and express their identities, and the ways in which hegemonic Malay culture, religion, and the state affect their creation and expression. This

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12

Gonzatti, Christian. "Bicha, a senhora é performática mesmo: Sentidos queer nas redes digitais do jornalismo pop." Universidade do Vale do Rio dos Sinos, 2017. http://www.repositorio.jesuita.org.br/handle/UNISINOS/6902.

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Submitted by JOSIANE SANTOS DE OLIVEIRA (josianeso) on 2018-02-22T15:18:49Z No. of bitstreams: 1 Christian Gonzatti_.pdf: 8588470 bytes, checksum: f0c4e125d9c7332b4d1cadb2cc10ff37 (MD5)<br>Made available in DSpace on 2018-02-22T15:18:49Z (GMT). No. of bitstreams: 1 Christian Gonzatti_.pdf: 8588470 bytes, checksum: f0c4e125d9c7332b4d1cadb2cc10ff37 (MD5) Previous issue date: 2017-12-19<br>CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>A pesquisa visa entender, através dos sentidos acionados pelo Papel Pop, as relações entre o jornalismo, a cultura pop e os estudos q

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13

Stielau, Anna. "Double agents : queer citizenship(s) in contemporary South African visual culture." Master's thesis, University of Cape Town, 2016. http://hdl.handle.net/11427/20625.

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South Africa claims the most progressive constitution on the African continent, extending protections to all citizens regardless of race, gender, ability or sexual orientation. Much has been published in recent years about the induction of LGBTIQ persons into this inclusive post-1994 human rights framework, often with a particular focus on the role of the state in instituting non-discrimination legislation and promoting equality. This document reflects my belief that South African sexuality scholarship too often presents incorporation into a unified nation-state as the only desirable outcome f

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14

Davis, Glyn Peter. "New queer cinema : the work of five gay directors in the context of queer culture and its politics of representation." Thesis, University of Sussex, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496465.

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The term 'New Queer Cinema' was coined by critic B. Ruby Rich in 1992, in an attempt to mark a flourishing of independent lesbian and gay film and video work that she observed occurring at the time. Key films of the (rather short-lived) movement included My Own Private Idaho (Van Sant, 1991), Poison (Haynes, 1991), Swoon (Kalin, 1992), and The Living End (Araki, 1992). To date, very little has been written about New Queer Cinema. This thesis is an attempt to fill this gap in scholarship. Chapter One offers an overview of three main perspectives on New Queer Cinema that have been taken to date,

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15

Webb, Brock F. "This side of midnight: Recovering a queer politics of disco club culture." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363615857.

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16

Nordling, Madonna Paulina. "Started from the Internet, Now We're Queer. The usage of SNS to explore, build and communicate queer identities." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21227.

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This study has examined how young queer people are using SNS for exploring, buildingand communicating their identities and how this may differ in the different stages ofcoming out. The aim of the study has been to broaden the field with and obtain a deeperunderstanding of how a marginalized group in society can use social media as a part inexploring and building an identity. The study was conducted with a method of semistructuredpersonal in-depth interviews with a sample of five Swedish queer people in theage span of 23-27. The result was analyzed along previous research within the field andwi

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17

Dempsey, Danielle. "Envisioning Queer Culture: Toward a Theological Framework for Reimagining Sexuality and Sexual Orientation." Digital Commons at Loyola Marymount University and Loyola Law School, 2014. https://digitalcommons.lmu.edu/etd/140.

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In this thesis, I argue that the both the Church and the Queer Community will benefit from a reexamination of Church teachings on sexuality. I argue that Church’s current position on sexuality does not uphold its own teaching on the importance human dignity, because a sexual ethic that opposes homosexuality contributes to the marginalization of members of the Queer Community. I then argue that Michael Lawler’s and Todd Salzman’s The Sexual Person: Toward a Renewed Catholic Anthropology provides a revisionist theory on sexual ethics that is inclusive of same-sex couples while also paying defere

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18

Dasgupta, Rohit K. "Digital queer spaces : interrogating identity, belonging and nationalism in contemporary India." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/8960/.

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Contemporary Indian sexual identities are constructed out of the multiple effects of tradition, modernity, globalisation and colonialism. The nation as we understand it is constructed on the basis of a commonality which ‘binds’ its citizens, and also banishes and expels those who do not conform to this commonality. Within this logic of disenfranchisement I firmly place the Indian queer male. This thesis examines the online ‘queer’ male community in India that has been formed as a result of the intersection and ruptures caused by the shifting political, media and social landscapes of urban Indi

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19

Lorenzi, Marie-Emilie. "Activisme rose : cultures et arts féministes queer en France." Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010578/document.

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Le terme "Queer" ne résonne pas de la même façon en version originale - le contexte anglo-saxon d'émergence - qu'en version française. L'objectif principal de cette recherche est de questionner les phénomènes de transferts culturels dans le contexte français du féminisme queer, à la fois mouvement de pensée critique, activisme et subculture apparus au milieu des années 1980 aux Etats-Unis. De cette traduction culturelle du mouvement queer en France est né un activisme rose qui à l'inverse du contexte anglo-saxon a développé une politique basée sur une forte affirmation identitaire, à la fois c

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20

Peach, Ricardo. "Queer cinema as a fifth cinema in South Africa and Australia." University of Technology, Sydney. Faculty of Humanities and Social Sciences, 2005. http://hdl.handle.net/2100/425.

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Australia had the world’s first gay film festival at the Sydney Filmmakers Co-op in June 1976, part of a larger commemoration of the Stonewall Riots in New York City of 1969. In 1994, South Africa became the first country in the world to prohibit discrimination in its constitution on the basis of sexual orientation, whilst allowing for positive discrimination to benefit persons disadvantaged by unfair discrimination. South Africa and Australia, both ex-British colonies, are used in this analysis to explore the way local Queer Cinematic Cultures have negotiated and continue to negotiate dominan

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21

Bernthal, James Carl. "A queer approach to Agatha Christie, 1920-1952." Thesis, University of Exeter, 2015. http://hdl.handle.net/10871/18196.

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This thesis provides the first extensive queer reading of a 'Golden Age' British detective fiction writer. The aim of this thesis is to assess queer potential in texts published by Agatha Christie between 1920 and 1952. Human identity can be read as self-consciously constructed in Christie's novels, which were written in a context of two world wars, advances in technology and communication, and what Michel Foucault called the 'medicalization' of Western culture. The self-conscious stereotyping in Christie's prose undermines her texts' conservative appeal to the status quo. Chapter One justifie

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22

Director, Elliot Aaron. "Something Queer in His Make-Up: Genderbending, Omegaverses, and Fandom's Discontents." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1494803296589862.

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23

Johnston, Dawn Elizabeth B. "Sites of resistance, sites of strength the construction and experience of queer space in Calgary /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0020/MQ47950.pdf.

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24

Evans, Alexander Robert. "Cultural politics and the gay fantasia : transcending and ending queer crises in 90's North American and British culture." Thesis, University of Sussex, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.407064.

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25

Pearson, Wendy Gay. "Calling home queer responses to discourses of nation and citizenship in contemporary Canadian literary and visual culture /." Access electronically, 2004. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060123.143327/index.html.

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26

Means, Michael M. "Adaptive Acts: Queer Voices and Radical Adaptation in Multi-Ethnic American Literary and Visual Culture." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5773.

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Adaptation Studies suffers from a deficiency in the study of black, brown, yellow, and red adaptive texts, adaptive actors, and their practices. Adaptive Acts intervenes in this Eurocentric discourse as a study of adaptation with a (queer) POC perspective. My dissertation reveals that artists of color (re)create texts via dynamic modes of adaptation such as hyper-literary allusion, the use of meta-narratives as framing devices, and on-site collaborative re-writes that speak to/from specific cultural discourses that Eurocentric models alone cannot account for. I examine multi-ethnic American ad

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27

Maynard, Tonya A. "A Matrix of Marginalization: LGBT and Queer Women's Experiences in Nerd Spaces." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1493893323935791.

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28

Cocarla, Sasha. "Straddling (In)Visibility: Representations of Bisexual Women in Twenty-First Century Popular Culture." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/34608.

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Throughout the first decade of the 2000s, LGBTQ+ visibility has steadily increased in North American popular culture, allowing for not only more LGBTQ+ characters/figures to surface, but also establishing more diverse and nuanced representations and storylines. Bisexuality, while being part of the increasingly popular phrase of inclusivity (LGBTQ+), however, is one sexuality that not only continues to be overlooked within popular culture but that also continues to be represented in limited ways. In this doctoral thesis I examine how bisexual women are represented within mainstream popular cu

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29

Pearson, Wendy G. "Calling home queer responses to discourses of nation and citizenship in contemporary Canadian literary and visual culture /." Connect to this title online, 2004. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060123.143327/.

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Thesis (Ph. D.)--University of Wollongong, 2004.<br>Title from PDF title page (viewed on Mar. 6, 2006). Includes bibliographical references (p. 299-323). Also issued as a print manuscript. Print manuscript includes ill. omitted from online version.

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30

Stephens, David F. "A Family of One's Own: Reconstructing Queer Families of Color in Film." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2187.

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I will focus on the resistance to white heteronormative depictions of the American family occurring within two contemporary films directed by gay black men—The Skinny, directed by Patrik-Ian Polk, and The Happy Sad, directed by Rodney Evans. These movies complicate understandings of black gay male relationships by humanizing the characters and providing clarity about the motivations behind the decisions these characters make. As opposed to simply associating their queerness and immorality, the directors of these films explore what brings people to the various social positions they occupy. In t

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31

Loist, Skadi [Verfasser], and Joan Kristin [Akademischer Betreuer] Bleicher. "Queer Film Culture : Performative Aspects of LGBT/Q Film Festivals / Skadi Loist. Betreuer: Joan Kristin Bleicher." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2015. http://d-nb.info/1071948296/34.

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32

Douglas, Erin Joan. "Queer Makings of Femininities in the Twentieth Century." Miami University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=miami1283298119.

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33

Cavcic, Antonija. "Boys' Love for the Love of it: Progressive prosumers and the proliferation of queer culture through Manga." Thesis, Cavcic, Antonija (2017) Boys' Love for the Love of it: Progressive prosumers and the proliferation of queer culture through Manga. PhD thesis, Murdoch University, 2017. https://researchrepository.murdoch.edu.au/id/eprint/37969/.

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Boys’ love (BL) manga (as a genre of Japanese comics) with either homoerotic or homosocial graphics and content, is largely produced by and for female readers. Much like the audacious women writers in Victorian Britain, these amateur female BL artists (dōjin) and their respective consumers in Japan have arguably empowered themselves as a subcultural community, as well as the represented LGBT community, through progressive and often radical means. Although much scholarly attention has focused on the readers’ gratifications and why BL has such a large female readership, little attention has been

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34

Watanabe, Yukina. "Queer som doujinshi : En fallstudie av Yonezawa Yoshihiro Memorial Library." Thesis, Uppsala universitet, Institutionen för ABM, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-323868.

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This thesis investigates how libraries can build a collection of doujinshi – Japanese fanzines – with a focus on the problematic connection between doujinshi, queer sexualities and pornography. Yonezawa Yoshihiro Memorial Library is one of the few libraries collecting and providing access to doujinshi, including those with extreme pornographic imagery. I conducted qualitative interviews with four library employees to study their views and attitudes towards collection, age regulations, shelving and classification of doujinshi. In addition, I apply queer theory to elucidate how sexual norms are

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35

Isoke, Saidah K. "“Thank God for Hip-hop”: Black Female Masculinity in Hip-hop Culture." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492775852958055.

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36

Dowman, Sarah. "Mapeando la cultura Kruda: Hip-Hop, Punk Rock y performances queer latino contemporáneo." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363463760.

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Campisi, Caitlin. "Homonationalism on TV?: A Critical Discourse Analysis of Queer and Trans* Youth Representations on Mainstream Teen Television Shows." Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/24263.

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As representations of queer and trans* youth become increasingly numerous and diverse in mainstream teen television, this thesis explores the social processes of normalization present in the elaboration of queer and trans* youth characters in the 2010-2011 seasons of Pretty Little Liars and Degrassi. The methodology involves a critical discourse analysis of racialized queer youth identities on Pretty Little Liars and white trans* youth identities on Degrassi, complemented by an analysis of their political economy of production and their circulation of discourse surrounding sexuality and gender

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38

Alegria, Sharla N. "Queer identity? Discussing identity and appearance in an on-line "Genderqueer" community." [Tampa, Fla] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0001939.

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39

Douglas, Erin. "Femme fem(me)ininities a performative queering /." Oxford, Ohio : Miami University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1091803962.

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40

Sheehan, Brieanne M. "Aging on Wheels: The Role of Age in a Queer Female Biker Community." Oxford, Ohio : Miami University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1260824565.

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41

Ryerson, Rachael. "Queering Writing Pedagogy: A Multimodal Archive of Composing Queer(ly) in the Writing Classroom." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1501671833271702.

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42

Marburger, Anna C. "Queer Content in Science Fiction Allegory and Analogue: Is It In Disguise?" Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/609.

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This thesis performs a textual analysis of two for-profit science fiction texts in which the authors implanted queer content: Bryan Singer's X-Men films and James Robert's Transformers comic series, "More Than Meets the Eye". The argument incorporates queer (referring to attraction and gender variance) media representation and western identity politics lenses into its critique. By interrogating reality through the masquerade of an impossible universe, science fiction affects how subversive a text can be. When authors designate the natural and the unnatural in a strange universe, they designate

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43

Maaouia, Zakia. "Le posthumanisme exposé : une étude sociosémiotique du corps extrême dans la culture visuelle." Paris 1, 2012. http://www.theses.fr/2012PA010592.

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Le constat sociologique selon lequel le corps est une réalité instable prend tout son sens dans le champ de la culture visuelle. Les imagiers posthumains, qu'ils soient artistes ou publicitaires, inventent des présences corporelles radicales grâce aux différentes potentialités de la société hypermoderne. Les assemblages posthumains sont dès lors les pourvoyeurs de stratégies sociales et culturelles dont la visée est le remodelage incessant des limites du corps et le bouleversement des concepts de « norme » et de « normalité » en tant que catégories hégémoniques. Cette recherche, à travers une

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44

Cooper, Steven. ""In My Church We Don't Believe in Homosexuals": Queer Identity and Dominant Culture in Three Texts of the AIDS Era." Scholar Commons, 2010. http://scholarcommons.usf.edu/etd/3439.

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Abstract (sommario):

My thesis seeks to examine the relationship that exists between queer selfidentification and heterosexual hegemonic/heteronormative power in three works of and about the AIDS era. Working from feminist and queer theory perspectives, I first chart the way in which a problematic identity—be that identity a non-identity of utter invisibility, a sick identity, a dangerous identity, or (most commonly) an identity of utter hedonism disconnected from any notions of attachment, affection, or love beyond the physical sexual act—has been and is still wholly adopted by some. I do this principally with a

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Carrillo, Justine, and Julie Marie Houston. "Exploring Cultural and Linguistic Aspects within the Lesbian, Gay, Bisexual, Transgender, and Queer Youth Community." CSUSB ScholarWorks, 2015. https://scholarworks.lib.csusb.edu/etd/170.

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Abstract (sommario):

The purpose of this study was to explore the cultural and linguistic aspects within the Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ) youth community. A qualitative research design with an exploratory approach was utilized in this study. An interview questionnaire was created to explore participants’ perceptions and experiences to generate an understanding on LGBTQ culture in practice. The study sample consisted of 12 youth who self‑identify as LGBTQ recruited by snowball sampling. One‑on‑one interviews were conducted, audio‑recorded, per participant consent, and transcribed for thema

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Zhao, Jin. "Imagining Queerness: Sexualities in Underground Films in the Contemporary P. R. China." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/communication_theses/73.

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Abstract (sommario):

In response to the globalizing queerness argument and the cultural specificity argument in queer cultural studies, this thesis examines the emerging modern queer identity and culture in the contemporary People’s Republic of China (PRC) in an intercultural context. Recognizing Chinese queer culture as an unstable, transforming and complex collection of congruent and/or contesting meanings, not only originated in China but also traveling across cultures, this thesis aims to exorcise the reified images of Chinese queers, or tongzhi, to contribute to the understanding of a dynamic construction of

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Aaron, Sophie M. "Love in the Time of Corona: Changes to Oberlin Hookup Culture During the COVID-19 Pandemic." Oberlin College Honors Theses / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1623939670177554.

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Adams, Amanda Dalla Villa. "“An Alternative Narrative: Memorial Culture, Mourning, and Death in the Work of Felix Gonzalez-Torres, 1987-1995”." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1305892175.

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Hickey, Anna Germaine. "Genderqueer fashion models and their representations of gender in visual culture." Thesis, Queensland University of Technology, 2019. https://eprints.qut.edu.au/128297/1/Anna_Hickey_Thesis.pdf.

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Abstract (sommario):

Amidst global cultural shifts towards gender diversity, genderqueer fashion models have emerged as an atypical case in a largely heteronormative fashion industry. This project examines the work of four gender diverse models as cultural intermediaries of gender in visual culture. Using methods of interpretive analysis this project provides insights into the genderqueer fashion model's capacity to make social and political agendas visible. Also, the project documents how they facilitate social, cultural and political discussion and influences on the evolving notions of gender, fashion and beauty

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Guzman, Maria J. "Grace Jones in One Man Show: Music and Culture." Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1187633537.

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