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Letteratura scientifica selezionata sul tema "Religious art"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 29 luglio 2024

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Articoli di riviste sul tema "Religious art"

1

Gorringe, Tim. "Rembrandt's Religious Art." Theology 98, no. 781 (January 1995): 15–19. http://dx.doi.org/10.1177/0040571x9509800104.

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2

Wang, Xiaoyong. "Between the Religious Act and Art Commodity." Re:Locations - Journal of the Asia-Pacific World 2, no. 1 (May 15, 2019): 1–22. http://dx.doi.org/10.33137/relocations.v2i1.31674.

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Rebgong, located in Huangnan Tibetan Autonomous Prefecture in Qinghai, China, has become one of the most productive areas of Tibetan Thangka painting since the 1980s. Why has Rebgong, a place outside the Tibet Autonomous Region (TAR), become the stronghold of Thangka commercialization? How have Thangka Buddhist painters reacted to the commercialization of their work? I chose to focus on the changes in the past decades in the transmission and commercialization models of Rebgong Thangka. Based on my analysis of both Chinese and English textual sources as well as three weeks of fieldwork conducte

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3

Schieppati, Sara Valentina, Cinzia Di Dio, and Gabriella Gilli. "Religious and sacred art: Recent psychological perspectives." RICERCHE DI PSICOLOGIA, no. 1 (May 2022): 1–12. http://dx.doi.org/10.3280/rip2022oa13589.

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The psychology of art has had an enormous development since the middle of the last century; however, no much work has been done in association with religious and sacred art. This paper aims to provide a brief history of the use of images in the three great monotheistic religions, i.e., Judaism, Christianity, and Islam.All three religions have been influenced by the commandment (Exodus, 20:4), which prohibits idolatry. Nevertheless, when it comes to the use of images with religious content, the commandment is interpreted differently by the three. If in Judaism and Islam the use of images is not

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4

Trott, Elizabeth. "Is Religious and Political Art Really Art?" Études maritainiennes / Maritain Studies 29 (2013): 3–14. http://dx.doi.org/10.5840/maritain2013291.

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5

Yao, Kaishuo. "Monumentality in Religious Art." Art and Design 4, no. 4 (2021): 33. http://dx.doi.org/10.31058/j.ad.2021.44006.

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6

Guip, David, Lynda Lowe, Vas Prabhu, and Judith Sloane Blocker. "Instructional Resources: Religious Art." Art Education 40, no. 5 (September 1987): 27. http://dx.doi.org/10.2307/3193013.

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Thiessen, Gesa. "Religious Art is Expressionistic." Irish Theological Quarterly 59, no. 4 (December 1993): 302–11. http://dx.doi.org/10.1177/002114009305900404.

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Coburn, T. B. "The Act and the Art of Being Religious." OAH Magazine of History 6, no. 3 (January 1, 1992): 19–22. http://dx.doi.org/10.1093/maghis/6.3.19.

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Farrer, Claire R., and Nancy J. Parezo. "Navajo Sandpainting: From Religious Act to Commercial Art." Journal of American Folklore 98, no. 388 (April 1985): 218. http://dx.doi.org/10.2307/540448.

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Yang, Shu. "Development of Art and Religion Through Compromise: Medieval Christian Art and Chinese Religious Art." Communications in Humanities Research 29, no. 1 (April 19, 2024): 28–34. http://dx.doi.org/10.54254/2753-7064/29/20230521.

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The significance of this paper lies in the analysis of medieval religious art in China and Europe, which sheds light on how the intersection of religion and art reflects cultural and societal values. To understand the delicate balance between artistic expression and religious influence, this study delves into the development and evolution of religious art during the medieval period. The comprehensive comparative analysis is conducted using an interdisciplinary and cross-cultural approach that integrates perspectives from art history, history, religious studies, and aesthetics. The findings rev

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Tesi sul tema "Religious art"

1

D'Elia, Una Roman. "The poetics of Titian's religious paintings /." Cambridge : Cambridge University Press, 2005. http://catalogue.bnf.fr/ark:/12148/cb39938959v.

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2

Andreopoulos, Andreas. "The death of art : the transformation of art from a religious perspective." Thesis, Durham University, 1998. http://etheses.dur.ac.uk/4089/.

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The hypothesis put forth in this dissertation is twofold. The first part is based on a view (supported by writers such as Hans Belting) that maintains that art lost its sacred character in the late Middle Ages, when art was emancipated from religion and the artist was recognized as an original Creator. The two first chapters examine this issue: The first chapter (A Religious View of the History of the Arts) discusses theories of religious art from the ancient Jewish drama and the Greek tragedy to the late Middle Ages. Psychological material, mostly drawn from Lacan and Jung, is used to explore

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3

Bernasconi, Gina. "Art and religious education: Seeking meaning in the sacred seriousness of art." Thesis, Australian Catholic University, 2006. https://acuresearchbank.acu.edu.au/download/4866d8aeffa87aa911cd9ec0550330f1da5a5413861095d66dc5812ac891d9b1/3609586/Bernasconi_2006_Art_and_religious_education_seeking_meaning_in.pdf.

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In relation to the post-compulsory religious education program of a Catholic secondary college for boys, this research study set out to ascertain the role of art as a medium for the self-revelation of God in the linking of aesthetic and religious experience. In other words, this research study proposed to provide a group of students with a space and opportunity for a ‘calling to attend’ experience of God; that is, an experience that was compelling. The theoretical framework called on two types of concepts: first, those related to the theological investigation of revelation and its connection w

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Moore, Ede Minna. "Religious art and Catholic reform in Italy, 1527-1546." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395234.

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Berdini, Paolo. "The religious art of Jacopo Bassano : painting as visual exegesis /." Cambridge : Cambridge university press, 1997. http://catalogue.bnf.fr/ark:/12148/cb37516663d.

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Haynes, Clare. "Pictures and Popery : religious art in England c. 1680-c. 1760." Thesis, University of East Anglia, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365024.

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During the first half of the `long' eighteenth century the English were, as a nation, vehemently anti-Catholic, yet the art that was most admired, collected and talked about, was Catholic in origin and subject matter (pictures showing the intercession of saints or the figure of God, for example). Such art might have been rejected by English collectors, certainly idolatry was chief among the heresies ascribed to the Papists, but the belief in the supremacy of Italian art was long-standing and tenacious in pan-European culture. The thesis demonstrates that rather than rejecting it, elaborate str

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Amirmostofian, Parisa. "Art Therapy and Complex Trauma Related to Political and Religious Violence." Digital Commons at Loyola Marymount University and Loyola Law School, 2012. https://digitalcommons.lmu.edu/etd/113.

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This study uses heuristic research as the basis for an art exploration into the experience of exposure to traumatic events leading to complex trauma, from early adolescence to adulthood. This paper reviews the existing literature about Islamic religious fundamentalism, political violence and war. The literature on risk factors and the effect on this type of trauma psychology, human rights and women’s rights are discussed. The literature review considers psychological treatment considerations and existing art therapy literature. In the data gathering phase the researcher employs the Art Therapy

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Steinmetz, Mayumi Takanashi. "Artistic and Religious Aspects of Nosatsu (Senjafuda)." Thesis, University of Oregon, 1985. http://hdl.handle.net/1794/22962.

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195 pages<br>Nosatsu is both a graphic art object and a religious object. Until very recently, scholars have ignored nosatsu because of its associations with superstition and low-class, uneducated hobbyists. Recently, however, a new interest in nosatsu has revived because of its connections to ukiyo-e. Early in its history, nosatsu was regarded as a means of showing devotion toward the bodhisattva Kannon. However, during the Edo period, producing artistic nosatsu was emphasized more than religious devotion. There was a revival of interest in nosatsu during the Meiji and Taisho periods,

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Jones, Ariane. "Giacomo Manzù as a religious artist." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=55606.

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Jobbins, Robert. "The city of Jerusalem as an enduring metaphor in Western religious art." Thesis, University of Essex, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.701866.

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The twin aspects of Jerusalem, the backdrop to the life of Christ and the setting for the end of time, co-existed in western Christian art from the earliest days. For much of the time one image captured both concepts and contained them in a tension that emphasised the decisive position of the city in Christian thought. Jerusalem, in all its possible meanings literal and metaphorical, was deeply embedded in the culture of the Medieval and early Renaissance West. Representations in the visual arts, including sculpture and architecture, drew inspiration from religious texts, meditations, liturgy,

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Libri sul tema "Religious art"

1

Gallery, Mika. Japanese religious art. New York: Mika Gallery, 2011.

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1945-, Adams Doug, and Apostolos-Cappadona Diane, eds. Art as religious studies. New York: Crossroad, 1987.

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Anderlič, Jože. Religious art in Slovenia. [S.l.]: Ognjišče Koper, 1986.

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1925-, Sparrow Simon, Kox Norbert H. 1945-, Le Ravin Mary 1905-, Cubbs Joanne, and John Michael Kohler Arts Center., eds. Religious visionaries. Sheboygan, Wis: John Michael Kohler Arts Center, 1991.

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Billawaria, Anita K. Religious art in Jammu hills. Jammu: Jay Kay Book House, 1990.

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Michael, Mazur Eric, ed. Art and the religious impulse. Lewisburg, PA: Bucknell University Press, 2002.

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Vuković, Kosta. Serbian religious art in Hungary. Novi Sad: Galerija Matice Srpske, 2012.

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Collection, Draiflessen, ed. Credo: Masterpieces of religious art. Mettingen: Draiflessen Collection, 2010.

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Parezo, Nancy J. Navajo sandpainting: From religious act to commercial art. Albuquerque: University of New Mexico Press, 1991.

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10

1928-, Warhol Andy, ed. The religious art of Andy Warhol. New York: Continuum, 1998.

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Capitoli di libri sul tema "Religious art"

1

Hands, Timothy. "Hardy’s Religious Art." In Thomas Hardy: Distracted Preacher?, 106–40. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20033-7_6.

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2

Leishman, J. B. "‘Religious’ Poems." In The Art of Marvell's Poetry, 193–220. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003214571-4.

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3

Brown, Frank Burch. "Art, Religion, and the Aesthetic Milieu." In Religious Aesthetics, 47–76. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-10021-7_3.

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Evans, Jean M. "Religious Architecture." In A Companion to Ancient Near Eastern Art, 433–56. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118336779.ch18.

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McLaughlin, Michael. "Religious space in public art." In The Routledge Handbook of Religion and Cities, 209–20. Abingdon, Oxon; New York: Routledge, 2021. | Series: Routledge handbooks in religion: Routledge, 2020. http://dx.doi.org/10.4324/9780429351181-17.

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Brown, Frank Burch. "Questioning the Classics: Norms and Canons in Religion and Art." In Religious Aesthetics, 158–84. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-10021-7_7.

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Debby, Nirit Ben-Aryeh. "Italian Pulpits: Preaching, Art, and Spectacle." In Charisma and Religious Authority, 123–43. Turnhout: Brepols Publishers, 2010. http://dx.doi.org/10.1484/m.es-eb.3.3337.

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Walsh, Sylvia. "Kierkegaard: Poet of the Religious." In Kierkegaard on Art and Communication, 1–22. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22472-2_1.

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Pattison, George. "The Genealogy of Art." In Kierkegaard: The Aesthetic and the Religious, 35–62. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-11818-2_2.

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Loosley, Emma. "Religious Expression in Art and Architecture." In A Companion to Religion in Late Antiquity, 591–610. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118968130.ch28.

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Atti di convegni sul tema "Religious art"

1

Dimitrakopoulou, Georgia. "WILLIAM BLAKE AND JACOB BOEHME. AN INTRIGUING APPROACH TO CHRISTIANITY." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.20.

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In this paper, William Blake�s religious system, the relationship between Natural Religion (Deism) and Art will be discussed. Blake rejected Natural Religion because Deism, which he considered Atheism and the tree of mystery, that is the dichotomy of good and evil, is false religion. �Natural religion�s impossible absurdity� urged him to allege The Marriage of Heaven and Hell. Catholicism and Orthodoxy, which proclaim that nature is God�s creation, follow Urizen�s cruel practices. Deism, Druidism is responsible for human slavery, war, and spiritual backwardness. Blake�s Protestant Jesus, that

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2

Indah, Rohmani Nur, and Galuh Nur Rohmah. "Indonesian Local Wisdom: State of the Art." In International Symposium on Religious Literature and Heritage (ISLAGE 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220206.032.

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Anggraeni, Khurotin, Lutfia Okta Riwayati, and Aminatul Zahroh. "Da’wah Behavior through Sholawat Art." In International Symposium on Religious Literature and Heritage (ISLAGE 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220206.029.

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Kukel, Viktor Evgenievich. "The place of religious art in modern Russian society." In Церковь, государство и общество: исторические, политико-правовые и идеологические аспекты взаимодействия. Межрегиональная общественная организация "Межрегиональная ассоциация теоретиков государства и права", 2020. http://dx.doi.org/10.25839/x3332-9206-5468-s.

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Tomassoni, Rosella, Stefania Liburdi, and Annalisa Marsella. "THE ROLE OF WOMEN IN THE HISTORY OF ROMAN RELIGION: FROM VESTALE TO MADONNA." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs06.07.

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Introduction: Within the concept of women in the archaic Roman era, the present paper will attempt a believable reconstruction of the passage of the vestal woman figure, subjected to the male �potestas� of the �pontfex maximus� in which Eros was sacrificed to the Civitas due to the blackmail of equal rights, to the recovery of the woman as an object of Christian contemplation. Objective and Method: The aim of this article, through the analysis of recognized sources, is to study the axiom according to which the Roman woman was considered equal to the man in society (for roles, reputation, legal

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Yan, Liang, and Zhenzhen Sun. "The Religious Fanaticism and lOdd Coincidencesr of Gothic Architectural Art." In 2018 International Conference on Sports, Arts, Education and Management Engineering (SAEME 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/saeme-18.2018.59.

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Wahyudie, Prasetyo, Antariksa Antariksa, Lisa Wulandari, and Herry Santosa. "Place Attachment Framework In Preservation Religious Built Environment." In Proceedings of the 1st Conference of Visual Art, Design, and Social Humanities by Faculty of Art and Design, CONVASH 2019, 2 November 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.2-11-2019.2294717.

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Nizhnikov, Sergei, and Le Thi Hong Phuong. "Specificity of Mahayana Buddhism in Vietnamese Intracultural Religious Communication." In 7th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.351.

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Shen, Lin. "The Influence of Ancient Rus Religious Art Elements on Russian Modern Paintings." In International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-14). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icelaic-14.2014.153.

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Wang, Ya’nan. "The Religious Consciousness in “Povest vremennykh let” (Tale of Bygone Years)." In 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.028.

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Rapporti di organizzazioni sul tema "Religious art"

1

Avis, William. Role of Faith and Belief in Environmental Engagement and Action in MENA Region. Institute of Development Studies (IDS), May 2021. http://dx.doi.org/10.19088/k4d.2021.086.

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This helpdesk report provides a critical review of the literature on the role of faith and religious values in environmental engagement and action. Contemporary studies have examined the relationship between religion and climate change including the ongoing “greening” process of religions. The review focuses on the responses of the Islamic faith in the MENA region to climate-related issues. MENA is considered one of the region’s most vulnerable to the impacts of climate change. The rapid review drawing from empirical findings notes that religious organizations have great potential in the prote

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Tadros, Mariz, ed. What About Us? Global Perspectives on Redressing Religious Inequalities. Institute of Development Studies, October 2022. http://dx.doi.org/10.19088/creid.2021.005.

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How can we make religious equality a reality for those on the margins of society and politics? This book is about the individual and collective struggles of the religiously marginalised to be recognised and their inequalities, religious or otherwise, redressed. It is also about the efforts of civil society, governments, multilateral actors, and scholars to promote freedom of religion or belief (FoRB) whatever shape they take. The actors and contexts that feature in this book are as diverse as health workers in Israel, local education authorities in Nigeria, indigenous movements in India, Ugand

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Ochab, Ewelina U. Addressing Religious Inequalities as a Means of Preventing Atrocity Crimes: The Case of the Uyghur Genocide. Institute of Development Studies (IDS), July 2021. http://dx.doi.org/10.19088/creid.2021.009.

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There is a big distance between religious inequalities and atrocity crimes. Indeed, religious inequalities do not necessarily lead to atrocity crimes; however, in certain cases they can. Examples of cases that portray this progression are those of Yazidis and Christian minorities in Iraq, and the Rohingya community in Myanmar. In certain situations, analysing religious inequalities can help to identify risk factors of genocidal atrocities, so a question that naturally arises is: can addressing religious inequalities help to mitigate and prevent atrocity crimes based on religion or belief? This

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Ruprah, Inder J., and Camilo Pecha. Religion as an Unemployment Insurance and the Basis of Support for Public Safety Nets: The Case of Latin America and the Caribbean. Inter-American Development Bank, June 2015. http://dx.doi.org/10.18235/0011699.

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This paper explores the role of religion in mitigating the degree to whichunemployment reduces subjective well-being and it examines its support of social programs. The paper goes beyond existing literature in three ways: It extends existing literature to Latin America and Caribbean countries; it explicitly includes analysis of two confounders (social capital and personal traits) ignored in existing literature; and it moves beyond correlation by using the propensity score method to tease out a causal relation between religion and well-being. We find that religion acts as a buffer: Unemployed r

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Thompson, Stephen, Brigitte Rohwerder, and Clement Arockiasamy. Freedom of Religious Belief and People with Disabilities: A Case Study of People with Disabilities from Religious Minorities in Chennai, India. Institute of Development Studies (IDS), June 2021. http://dx.doi.org/10.19088/creid.2021.003.

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India has a unique and complex religious history, with faith and spirituality playing an important role in everyday life. Hinduism is the majority religion, and there are many minority religions. India also has a complicated class system and entrenched gender structures. Disability is another important identity. Many of these factors determine people’s experiences of social inclusion or exclusion. This paper explores how these intersecting identities influence the experience of inequality and marginalisation, with a particular focus on people with disabilities from minority religious backgroun

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Editors, Intersections. Reporting Religion from Grenada, Spain. Intersections, Social Science Research Council, January 2024. http://dx.doi.org/10.35650/int.4021.d.2024.

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Editors, Intersections. Reporting Religion from Boston. Intersections, Social Science Research Council, January 2024. http://dx.doi.org/10.35650/int.4022.d.2024.

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Howard, Joanna. Vulnerability and Poverty During Covid-19: Religious Minorities in India. Institute of Development Studies (IDS), November 2021. http://dx.doi.org/10.19088/creid.2021.014.

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The Covid-19 pandemic has had direct and indirect effects on religiously marginalised groups, exacerbating existing inequities and undermining the ambitions of Sustainable Development Goals (SDGs) to reach (and include) those ‘furthest behind’. Religious inequalities intersect with other inequalities to compound vulnerabilities, particularly the convergence of low socioeconomic status, gender inequality, and location-specific discrimination and insecurity, to shape how people are experiencing the pandemic. This policy briefing, written by Dr Joanna Howard (IDS) and a co-author (who must remain

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Editors, Intersections. Reinventing How Journalists and Religious Scholars Communicate. Intersections, Social Science Research Council, January 2024. http://dx.doi.org/10.35650/int.4025.d.2024.

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This article summarizes a 2018 conference at Northeastern University dedicated to investigating the relationship between journalists and religious scholars as it relates to reporting on sensitive issues in religion, politics, and society.

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Mehta, Samira, and Tisa Wenger. Anti-abortion laws are an attack on religious freedom. Edited by Sara Phillips. Monash University, July 2022. http://dx.doi.org/10.54377/34fc-dd0f.

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