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Articoli di riviste sul tema "Revolutionary romanticism"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 7 luglio 2024

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1

Lefebvre, Henri, and Gavin Grindon. "Revolutionary Romanticism." Art in Translation 4, no. 3 (2012): 287–99. http://dx.doi.org/10.2752/175613112x13376070683270.

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Grindon, Gavin. "Revolutionary Romanticism." Third Text 27, no. 2 (2013): 208–20. http://dx.doi.org/10.1080/09528822.2013.772348.

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Bovsunivska, Tetyana. "DMITRY CHIZHEVSKY`S CONCEPT OF ROMANTICISM AND CANONS OF THE SOVIET LITERARY CRITICISM." Polish Studies of Kyiv, no. 35 (2019): 70–78. http://dx.doi.org/10.17721/psk.2019.35.70-78.

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The article talks about the role of D. Chyzhevsky in redefining the paradigm of Ukrainian romanticism, since Soviet canons are still being explored in his theory and history. In particular, emphasis was placed on confronting such ideological basis as: avoiding any mysticism; refusal of psycho-intimate immersion; the imposition of revolutionary and democratic tendencies; pan-realism; the militant nature of romanticism and the genesis of its origins from German idealism. Chizhevsky proposed instead: the recognition of the heart as the center of romantic aesthetics; peculiarity and singularity of

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Vardoshvili, Eka. "Romanticism as an Expression of Rebel Ideas in Literature." Balkanistic Forum 33, no. 1 (2024): 266–74. http://dx.doi.org/10.37708/bf.swu.v33i1.20.

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The best manifestation of rebel romanticist poetry is in the works of Byron in England, H. Heine – in Germany, J. Leopard – in Italy, N. Baratashvili – in Georgia, A. Mickie-wicz – in Poland. However, the socio-political situation of the country somewhat de-fined the nature of romanticism. The rebellious Romanticists put the following issues on the agenda: criticism of the bourgeois order, aspiration from singularity to gen-eral, thus they confronted rationalism, the attitude to ideal and reality, development of new literary genres, collecting, processing and publication of literary and folklo

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5

Löwy, Michael. "The Revolutionary Romanticism of May 1968." Thesis Eleven 68, no. 1 (2002): 95–100. http://dx.doi.org/10.1177/0725513602068001008.

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Cantor, Renan Vega. "ROMANTICISMO, CRITICA DEL PROGRESO Y ECOSOCIALISMO." Caderno CRH 31, no. 83 (2019): 303–20. http://dx.doi.org/10.9771/ccrh.v31i83.26152.

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El objetivo de este artículo radica en mostrar que la propuesta ecosocialista se inscribe dentro de un conjunto de preocupaciones, relacionadas con el romanticismo revolucionario y la crítica al progreso. Se trata, para utilizar una noción tan cara a Löwy, de encontrar las afinidades electivas que existen entre el romanticismo revolucionario, la crítica al progreso y el ecosocialismo. Por ello, en esta exposición, siempre recalcamos las implicaciones ecológicas de las reflexiones de M. Löwy o que se derivan de los autores y problemas que él ha estudiado. ROMANTISMO, CRÍTICA DO PROGRESSO E ECOS

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Vallianos, Pericles S. "Romanticism and Politics: from Heinrich Heine to Carl Schmitt – and Back Again." Historical Review/La Revue Historique 10 (December 13, 2013): 189. http://dx.doi.org/10.12681/hr.311.

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<p>After a reference to the debate concerning the concept of Romanticism (Lovejoy vs Wellek), the article briefly evokes certain key stances of English and French literary<br />Romanticism. It then points to the distinguishing features of German Romanticism, namely the enlargement of the doctrine into an integral metaphysics with the concept of the “organic state” at its core (A. Müller). The critique of political Romanticism by two revolutionary democrats (H. Heine and A. Ruge) is then presented. The article closes with a critique of C. Schmitt’s interpretation of political Romant

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Korzhova, I. N. "REVOLUTIONARY OR NEW? ROMANTICISM IN K. SIMONOV’s POEM “THE RETURN”." Bulletin of Udmurt University. Series History and Philology 31, no. 6 (2021): 1299–305. http://dx.doi.org/10.35634/2412-9534-2021-31-6-1299-1305.

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The article presents an analysis of Simonov's poem “The Return” in the aspect of interaction with the literary tradition. In the poem, the motifs and values of revolutionary romanticism, neo-romanticism and romanticism coexist in conflict. Thus, the romantic motif of flight structurally equates the city of childhood with a vulgar reality and calls into question the ideas of camaraderie and labor exploits that are important for Soviet literature. In the story of the hero's brief return to the city of his childhood, a "secondary phase of alienation" (Mann's term) is realized. The myth of the bel

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Schey, Taylor. "Race-Making and Romanticism: Notes on Pedagogy and the Position of Whiteness." Eighteenth-Century Fiction 36, no. 2 (2024): 337–45. http://dx.doi.org/10.3138/ecf.36.2.337.

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Recent discussions often conflate the project of developing an antiracist Romantic studies with the project of discovering an antiracist Romanticism, the elements of which could be culled from its revolutionary texts and radical figurations. This essay considers the risks of this conflation and the critical investments it protects. First, I discuss how and why some scholars are liable to skip over the task of considering the extent of Romanticism’s racism. Next, I relate my experience teaching an upper-level undergraduate course titled “Race-Making and Romanticism,” in which we explored how Ro

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S. V., Mosolkin. "Revolutionary Romanticism in the Early Works of A. Grin." Series History. International Relations 17, no. 4 (2017): 452–55. http://dx.doi.org/10.18500/1819-4907-2017-17-4-452-455.

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Molodiakov, Vassili. "The Romantic Ideal of Alexander Blok in his Late Years." Almanac “Essays on Conservatism” 2 (August 15, 2023): 153–64. http://dx.doi.org/10.24030/24092517-2023-0-2-153-164.

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In the article the author attempts to give a concrete description of the positive spiritual, ethical, aesthetic and political ideal of Alexander Blok (1880–1921) in his late years, which he himself called “romanticism”. The author examines the evolution of that ideal on the basis of Blok’s three fundamentally important texts, directly related to each other: “Catilina. A Page from the History of the World Revolution” (1918), “The Collapse of Humanism” (1919) and “On Romanticism” (1919). The article reveals the particular features of Blok’s understanding of “romanticism”, in which the concepts o

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Kucich, Greg. "Inventing Revolutionary History: Romanticism and the Politics of Literary Tradition." Wordsworth Circle 25, no. 3 (1994): 138–45. http://dx.doi.org/10.1086/twc24042461.

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Mutmainah, Mia, та Tatik Mariyatut Tasnimah. "Pengaruh Romantisisme terhadap Tren Psikologis Maḥmūd ‘Abbās al-‘Aqqād dalam Kritik Sastra Arab Modern". Al-Ma‘rifah 19, № 1 (2022): 93–102. http://dx.doi.org/10.21009/almakrifah.19.01.08.

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This study aims to reveal the influence of the Western romanticism movement on the psychological style developed by Maḥmūd ‘Abbās al-‘Aqqād in assessing and understanding Arabic literary works in the modern era. This research is library research using the analytical-descriptive method. The result of this study shows that the psychological trend of al-‘Aqqād’s criticism is strongly influenced by the romanticism movement. Romanticism is a revolutionary movement in the artistic, literary, and intellectual fields that emerged in Europe as a form of resistance to the conditions around the 18th cent

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Kitchen, Will. "Paul Dave, Revolutionary Romanticism and Cinema: Country, Land, People." Journal of British Cinema and Television 19, no. 3 (2022): 428–30. http://dx.doi.org/10.3366/jbctv.2022.0634.

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Vahabzadeh, Peyman. "Mostafā Sho‘aiyān va Romāntism-e Enqelābi [Mostafa Sho‘aiyan and Revolutionary Romanticism]." Iranian Studies 49, no. 2 (2016): 311–14. http://dx.doi.org/10.1080/00210862.2016.1118921.

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Okorokova, V. B., and G. G. Filippov. "Platon Oyunsky as a writer of romanticism: to his 130th anniversary." Issues of National Literature 11, no. 3 (2023): 28–37. http://dx.doi.org/10.25587/2782-6635-2023-3-28-37.

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Platon Alekseevich Oyunsky (1893 – 1939) was the founder of Yakut Soviet literature, a revolutionary, and a major statesman. Considering the Russian writer of revolutionary-romantic style Maksim Gorky as his teacher, Oyunsky founded the poetry of struggle and storm. Oyunsky was a bearer of the Yakut folklore and an olonkhohut storyteller. That is why his works at the levels of language, images and plots are closely connected with the oral folk art. As a scholar, he was the first to conduct a research on the Yakut heroic epic "Yakut tale (olonkho), its plot and content" (1927). He was also the

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Boon, David La. "Romanticism in North Korea : Reconceiving North Korean Revolutionary Art for State Construction." International Journal of Foreign Studies 11, no. 2 (2018): 23–38. http://dx.doi.org/10.18327/ijfs.2018.12.11.23.

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18

Qian, Ying. "When Taylorism Met Revolutionary Romanticism: Documentary Cinema in China’s Great Leap Forward." Critical Inquiry 46, no. 3 (2020): 578–604. http://dx.doi.org/10.1086/708075.

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Lane, Tora. "Heroism or Tragedy: The Sublime in the Revolutionary Romanticism of Soviet Aesthetics." Revolutionary Russia 30, no. 2 (2017): 247–67. http://dx.doi.org/10.1080/09546545.2017.1402986.

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Junkiert, Maciej. "Ancient Revolutions in the Literature of Polish Romanticism." Comparative Critical Studies 15, no. 2 (2018): 207–26. http://dx.doi.org/10.3366/ccs.2018.0289.

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This article aims to examine the Polish literary reception of the French Revolution during the period of Romanticism. Its main focus is on how Polish writers displaced their more immediate experiences of revolutionary events onto a backdrop of ‘ancient revolutions’, in which revolution was described indirectly by drawing on classical traditions, particularly the history of ancient Greeks and Romans. As this classical tradition was mediated by key works of German and French thinkers, this European context is crucial for understanding the literary strategies adopted by Polish authors. Three main

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Bradshaw, Michael. "“Its Own Concentred Recompense”: The Impact of Critical Disability Studies on Romanticism." Humanities 8, no. 2 (2019): 103. http://dx.doi.org/10.3390/h8020103.

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The field of Critical Disability Studies (CDS) includes a diverse range of methodologies for the ethical re-evaluation of literary texts. CDS has a growing relationship with Romanticism, addressing themes such as sublime aesthetics and poetic symbolism. A major function of CDS is the re-reading of texts in terms authors’ lived experience of disability, and the social environments in which they produced. To that extent, CDS is a continuation of the process of re-historicizing Romantic literature. Complementary to the historicizing function, a range of more conceptual theories continues to impac

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Belikova, Valentina. "THE SIGNIFICANCE OF M. V. LYSENKO'S COMPOSITION AND CONCERT-PERFORMANCE ACTIVITIES IN THE FORMATION OF THE MUSIC-CULTURAL CONTEXT UKRAINE." Academic Notes Series Pedagogical Science 1, no. 195 (2021): 55–60. http://dx.doi.org/10.36550/2415-7988-2021-1-195-55-60.

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The article summarizes the significance of M. V. Lysenko's compositional and concert-performance activity in the formation of the musical and cultural context in Ukraine. The general Ukrainian culture in the years of the second half of the XIX century reaches a new qualitative level of its development. During this period, created a galaxy of prominent writers, artists and musicians, whose activities were aimed at the processes of national and cultural revival of society associated with the national liberation movement in the country. Under this approach, the study of composition and concert-pe

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23

Blanco, Angel. "From the Dedillo to the Plectrodedo: How an Unusual Technique Became the Stepping Stone of a Modern Revolutionary Guitar School." IKONI / ICONI, no. 1 (2022): 67–78. http://dx.doi.org/10.33779/2658-4824.2022.1.067-078.

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In this short essay the history of a very little understood classical guitar performance technique is analyzed in an accessible but rigorous way. This essay explores various sources from the first books on the vihuela of the European Renaissance, where the technique was known as the dedillo, passing through the well-known classics of Romanticism such as Dionisio Aguado’s until reaching the revolutionary 20th century with the relevant case of William Foden, to the present day with the innovation of Carlos Reyes and his plectrodedo school.

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Kossakowski, Przemysław. "Patrie, contrerévolution, romantisme. Xavier de Maistre et la Savoie perdue." Cahiers ERTA, no. 24 (2020): 67–87. http://dx.doi.org/10.4467/23538953ce.20.018.13220.

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Fatherland, counterrevolution, romanticism. Xavier de Maistre and his lost Savoy The literary works of Xavier de Maistre, savoyard writer and painter of the turn of 18th and 19th centuries, are strictly connected to the era in which the author has lived, particularly in the way of considering concepts of fatherland and nature, landscape. A trauma, related to the invasion of French revolutionary forces in Savoy pushed de Maistre into the counterrevolutionary camp and stimulated narrative reflections upon the themes of homeland, nature, and political change. His works, such as Voyage autour de m

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Koroleva, Vera V. "А. Blok’s comprehension of the principles of Romanticism during his work at the Bolshoi Drama Theater (1919–1921)". Vestnik of Kostroma State University 28, № 2 (2022): 141–46. http://dx.doi.org/10.34216/1998-0817-2022-28-2-141-146.

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The article raises the issue of Alexander Blok’s participation in the creation of the repertoire for Petrograd's Bolshoi Drama Theatre in the period from 1919 to 1921, the theoretical basis of which includes the idea of reviving the classics and returning to romanticism. In the process of work, the poet came to expand the category of romanticism, asserting the idea of its timelessness. As a result, the entire repertoire of the Bolshoi Drama Theatre acquired a single system, the purpose of which was to provide the viewer with the opportunity to look at the classics with new eyes in the light of

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Maver, Igor. "From Albion's shore: Lord Byron' poetry in Slovene translations until 1945." Acta Neophilologica 22 (December 15, 1989): 51–59. http://dx.doi.org/10.4312/an.22.0.51-59.

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The publication in 1830 of the early poems of the doyen of Slovene poetry - Dr France Prešeren in Kranjska čbelica (The Carniola Bee) - marks the beginning of Slovene Romanticism, which ends in 1848, -with the last of his poems published in the fifth volume of the same literary magazine. The period from 1830 to the »revolutionary« year of 1848 is thus committed to Romanticism as the leading movement of Slovene literature, artfully embodied in Prešeren's fine lyrical poetry that aimed at and considerably contributed to national unification and identification, as well as in the Europe-oriented l

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Maver, Igor. "From Albion's shore: Lord Byron' poetry in Slovene translations until 1945." Acta Neophilologica 22 (December 15, 1989): 51–59. http://dx.doi.org/10.4312/an.22.1.51-59.

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Abstract (sommario):

The publication in 1830 of the early poems of the doyen of Slovene poetry - Dr France Prešeren in Kranjska čbelica (The Carniola Bee) - marks the beginning of Slovene Romanticism, which ends in 1848, -with the last of his poems published in the fifth volume of the same literary magazine. The period from 1830 to the »revolutionary« year of 1848 is thus committed to Romanticism as the leading movement of Slovene literature, artfully embodied in Prešeren's fine lyrical poetry that aimed at and considerably contributed to national unification and identification, as well as in the Europe-oriented l

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Kossakowski, Przemysław. "Patrie, contrerévolution, romantisme. Xavier de Maistre et la Savoie perdue." Cahiers ERTA, no. 24 (2020): 67–87. http://dx.doi.org/10.4467/23538953ce.20.018.13220.

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Abstract (sommario):

Fatherland, counterrevolution, romanticism. Xavier de Maistre and his lost Savoy The literary works of Xavier de Maistre, savoyard writer and painter of the turn of 18th and 19th centuries, are strictly connected to the era in which the author has lived, particularly in the way of considering concepts of fatherland and nature, landscape. A trauma, related to the invasion of French revolutionary forces in Savoy pushed de Maistre into the counterrevolutionary camp and stimulated narrative reflections upon the themes of homeland, nature, and political change. His works, such as Voyage autour de m

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Kantor, Jamison. "Immortality, Romanticism, and the Limit of the Liberal Imagination." PMLA/Publications of the Modern Language Association of America 133, no. 3 (2018): 508–25. http://dx.doi.org/10.1632/pmla.2018.133.3.508.

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At Margaret hatcher's funeral, in 2013, attendees received a program with William Wordsworth's Immortality Ode printed on the back. This was unsurprising. he ode has always been popular with igures who champion liberal capitalist democracy as the most efective form of governance, one that delivers reform through incremental change and pragmatic policies rather than revolutionary idealism. Framed by the current unrest in Western civic life, this essay paints a darker picture of this reigning political order. Considering readings of the ode by John Stuart Mill, Cleanth Brooks, and Lionel Trillin

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Astrakhan, N. "TRANSFORMATION OF ROMANTIC MOTIFS IN J. SCHUMACHER’S MUSICAL FILM THE PHANTOM OF THE OPERA." Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, no. 2(100) (July 5, 2023): 7–17. http://dx.doi.org/10.35433/philology.2(100).2023.7-17.

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The article analyses how J. Schumacher’s musical film The Phantom of the Opera (2004), based on A. L. Webber’s musical, revises some elements of the artistic and aesthetic system of Romanticism. Since the musical was based on the novel of the same name (1910) by a French Romantic writer Gaston Leroux, this multi-step reinterpretation allows one to observe a special perspective of the "end of a century" – to track how the postmodern film adaptation reflects the artistic and aesthetic shifts of the late 18th – early 19th century (when Romanticism emerged) and late 19th – early 20th century (Neo-

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Bowie, Andrew. "German Philosophy Today: Between Idealism, Romanticism, and Pragmatism." Royal Institute of Philosophy Supplement 44 (March 1999): 357–98. http://dx.doi.org/10.1017/s1358246100006809.

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In his essayOn the History of Religion and Philosophy in Germany, of 1834, Heinrich Heine suggested to his French audience that the German propensity for ‘metaphysical abstractions’ had led many people to condemn philosophy for its failure to have a practical effect, Germany having only had its revolution in thought, while France had its in reality. Heine, albeit somewhat ironically, refuses to join those who condemn philosophy: ‘German philosophy is an important matter, which concerns the whole of humanity, and only the last grandchildren will be able to judge whether we should be blamed or p

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Tupan, Maria-Ana. "Romantic Healers in Old and in New Worlds." Volume-1: Issue-9 (November, 2019) 1, no. 9 (2019): 1–12. http://dx.doi.org/10.36099/ajahss.1.9.1.

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The revision of Romanticism in the last two or three decades went deeper than any other revolution in the canonization of western literature. Tom Wein (British Identities, Heroic Nationalisms and the Gothic Novel.1764-1824), Gary Kelly (English Fiction of the Romantic Period), Virgil Nemoianu (Taming Romanticism), or Michael Löwy and Robert Sayre (Romanticism Against the Tide of Modernity) demystified the uncritical association of this literary trend with the revolutionary political ethos in 1789 France, casting light on the conservative, pastoriented yearnings of the major representatives. Su

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Gainutdinova, L. A. "Innovative Ideas of Jean-Jacques Rousseau and Radicalization of Modern Political Transformations." Public administration aspects 6, no. 10 (2018): 74–80. http://dx.doi.org/10.15421/151867.

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The ideological romanticism of freedom and equality, having its origins in the political philosophy of Zh. J. Russo, does not lose its relevance today. The revolutionary ideas of J.J.Russault, which laid the foundations for a radical democratic paradigm, inspire new reformist and revolutionary movements around the world. The practical implementation of these ideas often leads to a radicalization of the order of political transformation, substantially reducing the line between democracy and dictatorship.This has been repeatedly observed in political history, beginning with the French Revolution

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Mofidi, Sabah. "The Left Movement and National Question; From Romanticism to Realism." Journal of Ethnic and Cultural Studies 3, no. 1 (2016): 20. http://dx.doi.org/10.29333/ejecs/48.

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This article studies the ‘national question’ and its importance in the Left thought and movement from a realistic and pragmatic perspective. It insists that during the history of this movement, the nationalistic reading on the Left thought even in main socialist countries led to confiscating Marxism in favor of the nationalistic interests, though it apparently emphasized on the internationalist slogans. And the theoreticians and pragmatic Marxist leaders of any country according to the different conditions and priorities had a special interpretation of Marxism. While in some third world countr

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Folkmann, Mads Nygaard. "»Ein Roman ist ein romantisches Buch«." K&K - Kultur og Klasse 35, no. 103 (2007): 188–207. http://dx.doi.org/10.7146/kok.v35i103.22305.

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Umulige fiktioner i den romantiske roman »Ein Roman ist ein romantisches Buch«. Impossible Fictions in the Romantic NovelIn the Romantic period, the novel is regarded as a literary form that, by poetological necessity, makes experiments by means of literary representation possible. Seen in an European perspective this is almost solely a matter of early German Romanticism, Frühromantik, where Friedrich Schlegel and Novalis by formulating the novel as a specific, modern genre, try to state a new, revolutionary aesthetics. The article thus points at three characteristic features of the novel’s po

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Guliev, O. E. "The evolution of Iran's geopolitics after the 1979 islamic revolution." Sovremennaya nauka i innovatsii, no. 2 (42) (2023): 203–11. http://dx.doi.org/10.37493/2307-910x.2023.2.22.

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The events of 1978-1979, which brought Khomeini and his supporters to power, completely changes the foreign and domestic policy of Iran. This phenomenon becomes one of the factors that form the modern geopolitical configuration of the region. Indicative of the historical scale of the revolution was the fact that the Persian monarchy with 2500 years of history, represented by many dynasties along with the Pahlavi dynasty, ceased to exist politically. The existing system was replaced by a clerical Shiite clergy with the teachings of Imam Khomeini's Wilayat al-Faqih. In the early years of the Isl

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Aryan, Ayaz Ahmad, Rafiq Nawab, and Liaqat Iqbal. "Politics as Morality: A Study of Keats' Poetry." Global Political Review V, no. I (2020): 361–69. http://dx.doi.org/10.31703/gpr.2020(v-i).39.

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The purpose of the present research is to explore the works of Keats from the uncommon and untraditional perspective, the perspective of Keats as a revolutionary poet fighting for the cause of politics and morality. For this purpose, his selected poems were taken for analysis. His works reveal not only the aspects of Romanticism but also of revolution. Most of his poems plead for political and social reforms in a constructive irony of the upheavals through intentionality. Swept up with the current of revolution and sanguinity, on one hand, he deplores the contemporary restlessness and stagnati

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Aryan, Ayaz Ahmad, Liaqat Iqbal, and Rafiq Nawab. "Moral and Political System as Objects of Aesthetic Beauty and the Case of Shelly." Global Language Review V, no. II (2020): 72–82. http://dx.doi.org/10.31703/glr.2020(v-ii).08.

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Researchers and critics, most of the time, have drawn the poets of revolutionary and political ideologies and ideals to the description of aesthetics qualification. Percy Bysshe Shelley's aesthetics of Romanticism tackles a new dimension in appraising and understanding the Romantic spur of poetry. The aspect is aesthetics as a moral and political system of Romantic poetry. In this study, Shelley has been studied from the lens of moral and political dimensions as to how through moral and political engagements, he resisted the prevailed system. The method used for such investigation was textual

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Radakovic, Vanja. "Self-portrait of the philosopher in the context of the enlightement." Filozofija i drustvo 23, no. 3 (2012): 199–217. http://dx.doi.org/10.2298/fid1203199r.

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In the history of philosophy, Jean-Jacques Rousseau is mainly considered as an atypical philosopher of the Enlightenment, as a pioneer of the revolutionary idea of a free civilian state and natural law; in literary history, he is considered the forerunner of Romanticism, the writer who perfected the form of an epistolary novel, as well as a sentimentalist. However, this paper focuses on the biographical approach, which was mostly excluded in observation of those works revealing Rousseau as the originator of the autobiographical novelistic genre. The subject of this paper is the issue of credib

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Choi, Taesook. "Wordsworth's “The Ruined Cottage” and English Romanticism: Focusing on Nature, Suffering and the Meditative Mind." British and American Language and Literature Association of Korea 150 (September 30, 2023): 85–102. http://dx.doi.org/10.21297/ballak.2023.150.85.

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This paper explores how Wordsworth’s “The Ruined Cottage” embodies and directs the course that Romantic poetry will take, predating his poetic world, the meaning of his poetry, and the essence of poetic theory proclaimed in the Preface to his poetry collection, Lyrical Ballads. In doing so, this paper shall focus on the representation of nature and suffering, considering the dramatic frame as the focal point through which we can glimpse the transformation of Wordsworth’s thought. In “The Ruined Cottage” Wordsworth chooses an ordinary person, Margaret, as the subject matter for a tragic poem, a

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Mrugalski, Michał. "Ukraine as the Hub of Postimperial Formalism. Ukrainness, Revolutionary Populism, and the Theory of Poetical Language ‘in’ Russia and ‘in’ Poland." Linguistic Frontiers 6, no. 1 (2023): 8–17. http://dx.doi.org/10.2478/lf-2023-0004.

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Abstract The notion of ‘postimperial formalism’ accounts of the interconnectedness of Russian, Ukrainian, and Polish variants of formalism, whose distinctive character is contingent on the dialectics of liberation and subjugation (or autonomy and heteronomy) operating in the multinational entity of the Russian empire. Specifically, the theory of poetic language – the pars pro toto of early literary theory – carries with itself the survivals of the conditions of the multinational empire. This is most eloquently expressed in the writings of Polish and Jewish-Ukrainian populist activists turned e

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Maroshi, Valery V. "“Extinguished Torches” of the Generation of the 1880s." Izvestia of the Ural federal university. Series 2. Humanities and Arts 24, no. 3 (2022): 26–40. http://dx.doi.org/10.15826/izv2.2022.24.3.042.

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This article deals with the collective myth of the generation of Russian intellectuals in the 1880s. This generation inherits the myth from Enlightenment and Romanticism about the hero Prometheus, the Christian martyr created in the “civil poetry” and journalism of the 1840s–1860s. The hero resists the surrounding “darkness” of social passivity and a repressive regime. The socially passive outsider becomes his antipode. The 1880s generation embodies a similar collision, with an active heroic nucleus standing out (the Narodnaya Volya radicals, “torches”) and the periphery that sympathises with

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Coelho, Victor de Oliveira Pinto. "Ernst Jünger e o demônio da técnica: modernidade e reacionarismo." Topoi (Rio de Janeiro) 18, no. 35 (2017): 246–73. http://dx.doi.org/10.1590/2237-101x01803502.

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ABSTRACT The theme of this article is Ernst Jünger’s work in the interwar period, especially the essay The Worker (1932). Our focus is to point out, in the Jüngerian appropriation of technique, its character of anti-liberal political mythology. We dialogue with the political and intellectual horizon of the time (including authors such as Simmel, Kracauer and Benjamin), seeking to establish a problematization framework about the technique in Germany, where also emerges the so-called “Conservative Revolutionary Movement.” We point out in Jünger’s work the relationship between the “type” or “figu

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Moruno, Dolores Martín. "Romantický život zasvěcený vědě: autobiografie André-Marie Ampèra." Teorie vědy / Theory of Science 33, no. 2 (2011): 299–322. http://dx.doi.org/10.46938/tv.2011.96.

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This article explores Andr-Marie Ampre's autobiography in order to analyse the dynamics of science in early 19th century French institutions. According to recent works that have emphasised the value of biographies in the history of science, this study examines Ampre's public self-representation to show the cultural transformations of a life dedicated to science in post-revolutionary French society. With this aim, I have interpreted this manuscript as an outstanding example of the scientific rhetoric flourishing in early 19th century French Romanticism, which celebrated the life and works of me

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Spiridonova, Lidia A. "On innovativeness of Maksim Gorky." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 62 (2021): 211–20. http://dx.doi.org/10.37816/2073-9567-2021-62-211-220.

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In Soviet literary criticism, Gorky's innovation was usually associated with his revolutionary activity, calling him “the first proletarian writer in time and rank” and “the founder of socialist realism”. The cliches of Marxist-Leninist aesthetics were so tightly attached to the writer that they survived to this day. The paper considers the work of Gorky from new methodological standpoint, since the writer from the very beginning of his activity sought to create his own method of depicting life from the perspective of the future. Analyzing the novel “Mother”, which was considered the first wor

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Cronin, Richard. "Unfettering Poetry: Fancy in British Romanticism. Jeffrey C. Robinson.Romantic Theory: Forms of Reflexivity in the Revolutionary Era. Leon Chai." Wordsworth Circle 37, no. 4 (2006): 210–12. http://dx.doi.org/10.1086/twc24045150.

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Daut, Marlene L. ""Nothing in Nature is Mute": Reading Revolutionary Romanticism in L'Haïtiade and Hérard Dumesle's Voyage dans le nord d'Hayti (1824)." New Literary History 49, no. 4 (2018): 493–520. http://dx.doi.org/10.1353/nlh.2018.0033.

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Khan, Saima Yousaf, Dr Saima Manzoor, and Dr Zainab Akram. "Poetical Contribution of Shelley in the French Renaissance." International Journal of Social Science & Entrepreneurship 2, no. 2 (2022): 375–82. http://dx.doi.org/10.58661/ijsse.v2i2.67.

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Political injustice, absolute power, and an economic catastrophe contributed to the French Revolution in 1789. The French society attacked the Bastille prison in July 1789, marking the beginning of the French Revolution. The Liberte, Egalite, and Fraternize values that the society fervently upholds create a republican state inspired by J.J. Rousseau. The idea was swiftly abandoned since it made people thinks of warfare. That becomes the ethos of democrats and liberals who promote democracy to defeat tyranny and an oppressive government. English Romantic poets were influenced by this idea to dr

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Yakimenko, Oksana. "“March was but a moment”: 15 March, the Revolution Day from Sándor Petöffy to György Petri." A day in the calendar. Celebrations and memorial days as an instrument of national consolidation in Central, Eastern and South-Eastern Europe from the nineteenth to the twenty-first century, no. 1 (2019): 47–66. http://dx.doi.org/10.31168/2619-0877.2018.1.2.

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The article traces the transformation of the way Hungarian poetry has treated one of Hungary’s main national holidays — 15 March, the Day of the Hungarian Revolution of 1848 — starting from the late nineteenth century up to the early twenty-first century. Over this period, the Revolution of 1848 became a part of the national historical mythology while poets shifted from praising the heroic deeds of the past to reflecting on the role of this memorial day in national, as well as personal history. Such a shift might be explained not only by new political and ideological contexts that have emerged

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Tarr, Clayton Carlyle. "Stillborn Plots." Nineteenth-Century Literature 74, no. 4 (2020): 415–47. http://dx.doi.org/10.1525/ncl.2020.74.4.415.

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Clayton Carlyle Tarr, “Stillborn Plots: Revolution, Imagination, and the Failure of Romanticism” (pp. 415–447) The metaphor “fell stillborn from the press” was used frequently by Romantic-era critics to disparage unsuccessful literary productions. Stillbirth statistics began to be collected in earnest in the late eighteenth century alongside an explosion of midwifery texts and obstetric advances. Since Romantic authors often referred to their texts as offspring, it is useful to understand stillbirth plots in these texts as evidence of the authors’ anxiety over imaginative or revolutionary fail

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