Bibliografie tematiche / Sacred songs

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Letteratura scientifica selezionata sul tema "Sacred songs"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 29 luglio 2024

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Articoli di riviste sul tema "Sacred songs"

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Caldwell, Mary Channen. "Troping Time: Refrain Interpolation in Sacred Latin Song, ca. 1140–1853." Journal of the American Musicological Society 74, no. 1 (2021): 91–156. http://dx.doi.org/10.1525/jams.2021.74.1.91.

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Abstract This article explores a practice in evidence across Europe from the twelfth to the nineteenth century involving the singing of a brief refrain within sacred Latin songs and hymns. Tracing the circulation of the two-part refrain “Fulget dies … Fulget dies ista” across multiple centuries, in both song-form tropes of the office versicle Benedicamus Domino and as a trope interpolated into hymns, I chart its unique movement between genres and in and out of written record. Examining the unusual origins, transmission, and function of the refrain, I begin with its emergence in twelfth-century
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Moreira Vieira, Caroline, and Joana Bahia. "Yaô africano: the orixá in the voice of Patricio Teixeira." Religiones y religiosidades en América Latina, no. 26 (December 31, 2020): 39–62. http://dx.doi.org/10.36551/2081-1160.2020.26.39-62.

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Patricio Teixeira was an important voice in Brazilian music, particularly during the 1920s and 1930s. His career in radio broadcasting extended into the mid-1950s. Teixeira’s work gave visibility to black subjects and their cultural identities. This article analyzes the sacred elements that overflow into the musical and recreational universe of Rio through some of the songs recorded by Teixeira. With varied appropriations, these recordings of chants for orixá, Afro-Brazilian practices, and rituals mark the presence of the Afro-Brazilian sacred in Brazilian popular song.
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Ivanytskyi, Anatolii. "Sacred Foundations of Folk Song Art." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 5, no. 1 (June 6, 2022): 14–23. http://dx.doi.org/10.31866/2616-7581.5.1.2022.258134.

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The purpose of the research is to determine the influence on the spontaneous and creative formation of song symbolism (in particular, musical-typological), which took place through instincts. The research methodology uses scientific methods to emphasise that folklore is an extremely complex and much more difficult system to be systematized than literature and music. Therefore, the criteria of genre classification of written works to folklore can be used in part, aware of their conditionality. In folklore, which is the bearer of the pre-written experience of mankind, in addition to mental forma
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Robert, Jörg, and Moritz Strohschneider. "Spracharbeit und interkonfessionelle Liedtradition." Artes 2, no. 2 (September 18, 2023): 299–342. http://dx.doi.org/10.30965/27727629-20230013.

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Abstract This article deals with the numerous psalm songs that Martin Opitz composed between 1626 and 1638 to melodies from the Geneva Psalter. It discusses them in the context of the great tradition of Protestant psalm songs which had flourished since the Reformation and considers their role for Opitz’s poetics and linguistic reflection (‘Spracharbeit’). In the first part, the essay presents Opitz’s translation work on the Psalter showing that the poet wanted to create a normative example of German-language sacred poetry. We then reconstruct Opitz’s poetics on the basis of his songs on Psalm
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MONGE, LUIGI. "Their eyes were watching God: African-American topical songs on the 1928 Florida hurricanes and floods." Popular Music 26, no. 1 (January 2006): 129–40. http://dx.doi.org/10.1017/s0261143007001171.

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This study focuses on the five known African-American topical songs dealing with the two hurricanes and ensuing floods that took place in Florida in the summer of 1928. The first is a commercially recorded blues song and the others are unreleased Library of Congress sacred recordings, which are transcribed and analysed here for the first time.
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Kroeger, Karl, and Eve R. Meyer. "Benjamin Carr. Selected Secular and Sacred Songs." Notes 45, no. 1 (September 1988): 149. http://dx.doi.org/10.2307/941407.

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Clark, J. Bunker, and Eve R. Meyer. "Benjamin Carr: Selected Secular and Sacred Songs." American Music 6, no. 4 (1988): 460. http://dx.doi.org/10.2307/3051703.

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Sánchez Gutiérrez, Adriana. "Cantos sagrados y voces colectivas descoloniales desde la voz de Elvira Espejo Ayca. Kirki Qhañi. Petaca de las poéticas andinas (2022)." Bolivian Studies Journal 28 (December 2, 2022): 19–33. http://dx.doi.org/10.5195/bsj.2022.279.

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This article-interview with the poet Elvira Espejo Ayca discusses the process of recovering the sacred songs of the Aymara and Quechua indigenous communities through the oral tradition from her grandmother Gregoria Mamani and her great-great-grandmother Martina Pumala. The song-poems preserve Inca meanings and aesthetics that the indigenous people used during Colonization to maintain good relations with the Spanish domain and, in turn, mask those referring to the Inca deities. Some songs have been taken up to unravel the lyrical resources of colonial times and recreate the original songs of th
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Ramsten, Märta. "En muntlig sångkultur kopplad till skrift." Puls - musik- och dansetnologisk tidskrift 9 (May 22, 2024): 10–26. http://dx.doi.org/10.62779/puls.9.2024.23731.

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An oral song culture connected to printed worksThe aim of this article is to investigate the process of diachronic transmission with reference to oral material. Departing from field recordings from the very north of Sweden this article intends to account for the transmitting of oral song traditions connected with two pious song books, Sions sånger/Sion’s Songs and Sions nya sånger/Sion’s New Songs from the 18th century. The song books were published in numerous editions up until 1975 and foremost used by religious dissenters. Only song texts were provided in the books – as for melodies the con
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Sopacoly, Mick Mordekhai. "Merayakan Cinta Berdasarkan Kidung Agung 1:9-17." DUNAMIS: Jurnal Teologi dan Pendidikan Kristiani 4, no. 2 (April 13, 2020): 234–53. http://dx.doi.org/10.30648/dun.v4i2.290.

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Abstract. At a glance reading the Song of Songs gives the impression as a book that displays mere sensuality. Therefore raising the question why the Song of Songs was included in the canonization of the Bible which is the Word of God. This paper aimed to explore the meaning of the great love found in the Song of Songs text that seems vulgar and sensual. The method used in this study was a historical criticism of the Song of Songs 1: 9-17. Through this study, it could be concluded that the love texts in Song of Songs display the power of love that is unique, creative, and contains a sacred dime
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Tesi sul tema "Sacred songs"

1

Ballinger, Rebecca. "Sacred songs of Dvořák, Menotti, Ravel and Wolf." Kansas State University, 2012. http://hdl.handle.net/2097/13747.

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Master of Music<br>Department of Music<br>Amy Rosine<br>This report examines the sacred works of four composers that were intended for performance in a secular environment, rather than for any portion of a liturgical service. It will discuss the theoretical, stylistic and performance considerations of each work, as well as biographical information about each composer, their compositional style, and how the work was initially developed. These works include the Biblické písně, Op. 99 of Antonín Dvořák, selections from the Möricke Lieder and Spanisches Liederbuch of Hugo Wolf, Maurice Ravel’s Deu
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Dahlenburg, Jane Elizabeth. "The motet c.1580-1630 : sacred music based on the Song of Songs /." Ann Arbor (Mich.) : UMI, 2006. http://catalogue.bnf.fr/ark:/12148/cb40063407z.

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Holland, Amanda L. "Wandayarra a-yabala = Following the road : searching for indigenous perspectives of sacred song /." St Lucia, Qld, 2003. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe17854.pdf.

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Nguyễn, Xuân-Thaʼo Joseph. "Music ministry the inculturation of liturgical vocal music in Vietnam /." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p033-0807.

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Forbes, Anne-Marie H., and Johann Sebastian 1685-1750 Vergnügte Ruh beliebte Seelenlust Vergnügte Ruh beliebte Seelenlust Bach. "A master's recital and analytical programme notes." Thesis, Kansas State University, 1985. http://hdl.handle.net/2097/9839.

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Title from accompanying document.<br>A.M. Forbes, soprano ; J. Anschutz, piano, organ ; K. Irwin, oboe ; D. Bakke, T. McClure, violins ; E. Takehana, viola ; V. Pugh, violoncello ; J. Langenkamp, tenor ; S. Rushing, narrator.<br>Digitized by Kansas Correctional Industries
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Jeffreys, Catherine Mary. "Melodia et rhetorica : the devotional-song repertory of Hildegard of Bingen /." Connect to thesis, 2000. http://eprints.unimelb.edu.au/archive/00000422.

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Reagan, Mark C. "John Cosyn's Musike in six and fiue partes newly notated and completed." Pullman, Wash. : Washington State University, 2010. http://www.dissertations.wsu.edu/Thesis/Spring2010/m_reagan_1030410.pdf.

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Monroe, Deborah Jean. "Prayers of adoration, confession, thanksgiving and supplication a composition for soprano and chamber ensemble /." connect to online resource, 2004. http://www.unt.edu/etd/all/Aug2004/monroe%5Fdeborah%5Fjean/index.htm.

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Thesis (M.M.)--University of North Texas, 2004.<br>For soprano, clarinet, bassoon, trumpet, trombone, violin, double bass, and percussion. Duration: 14:00. Includes commentary by composer. Includes bibliographical references (p. 33-35).
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Ramsey, Michael W. Shakespeare William Shakespeare William Shakespeare William Mobberley James. "In praise of fathers three pictures from Shakespeare /." Diss., UMK access, 2008.

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Thesis (D.M.A.)--Conservatory of Music and Dance. University of Missouri--Kansas City, 2008.<br>A three movement work for orchestra and bass-baritone soloist using texts from three Shakespeare plays: Hamlet, Titus Andronicus and King Lear. "A dissertation in music composition." Advisor: James Mobberley. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Aug. 07, 2009. Online version of the print edition.
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Eglite, Sarma A. "The sacred songs of the followers of the lamb an examination of Latvian Brudergemeine hymns from 1739 /." Theological Research Exchange Network (TREN), 2002. http://www.tren.com.

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Libri sul tema "Sacred songs"

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1930-, Subramanian V. K., ed. Sacred songs of India. New Delhi: Abhinav Publications, 1996.

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Topping, Eva C. Sacred songs: Studies in Byzantine hymnography. Minneapolis, Minn: Light and Life Pub., 1997.

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Fallows, David. A catalogue of polyphonic songs, 1415-1480. Oxford: Oxford University Press, 1999.

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Price, Florence. Two songs. San Antonio, Tex: Southern Music Co., 1994.

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ill, Pfeiffer Judith, and Delman Elliott, eds. Bible songs. Lincolnwood, Ill: Publications International, 2003.

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1838-1876, Bliss P. P., and Sankey Ira D. 1840-1908, eds. Gospel hymns and sacred songs, words only. Toronto: Copp, Clark, 1986.

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1840-1908, Sankey Ira D., ed. Sacred songs and solos: Twelve hundred hymns. London: Marshall Pickering, 1998.

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Brumley, Albert E. Albert E. Brumley's book of sacred songs. Whitefish, MT: Kessinger Pub., 2009.

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Jenkins, Karl. Sacred Songs. Leonard Corporation, Hal, 2009.

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cottle, ernest. Sacred Songs. Lulu Press, Inc., 2008.

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Capitoli di libri sul tema "Sacred songs"

1

"Sacred Songs." In The Singing Bourgeois, 103–19. Routledge, 2017. http://dx.doi.org/10.4324/9781315085258-5.

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Thomas, Adrian. "SACRED SONGS." In Gorecki, 69–100. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198163930.003.0005.

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Abstract THE 1960s were years of maturation for many Polish composers, as their individual styles and outlooks crystallized. Lutostawski and Penderecki were seen abroad as the symbols of the Polish avant-garde, of the so-called ‘Polish school’. This tag held a grain of truth, but like most labels it undervalued diversity in trying to quantify a new phe¬nomenon: the emergence of vital new music from an unexpected source. The Poles were challenging the domination of composers of other nationalities, many of whom were perceived in the West as holding the key to the future of music. As unexpected newcomers, Polish composers had played briefly in the late 1950s and early 1960s with new idioms and technical ploys from the West before discarding or dismantling them as they sought their own path.
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Nissinen, Martti. "Song of Songs and Sacred Marriage." In Sacred Marriages, 173–218. Penn State University Press, 2008. http://dx.doi.org/10.5325/j.ctv1bxgzv8.10.

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"Front Matter." In Sacred Songs, i—ii. Langaa RPCIG, 2019. http://dx.doi.org/10.2307/j.ctvx0781h.1.

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"LSS VII." In Sacred Songs, 7. Langaa RPCIG, 2019. http://dx.doi.org/10.2307/j.ctvx0781h.10.

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"Back Matter." In Sacred Songs, 97. Langaa RPCIG, 2019. http://dx.doi.org/10.2307/j.ctvx0781h.100.

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"LSS VIII." In Sacred Songs, 8. Langaa RPCIG, 2019. http://dx.doi.org/10.2307/j.ctvx0781h.11.

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"LSS IX." In Sacred Songs, 9. Langaa RPCIG, 2019. http://dx.doi.org/10.2307/j.ctvx0781h.12.

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"LSS X." In Sacred Songs, 10. Langaa RPCIG, 2019. http://dx.doi.org/10.2307/j.ctvx0781h.13.

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"LSS XI." In Sacred Songs, 11. Langaa RPCIG, 2019. http://dx.doi.org/10.2307/j.ctvx0781h.14.

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Atti di convegni sul tema "Sacred songs"

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Butnaru, Tatiana. "An Archetypal Symbol of Immortality." In Conferinta stiintifica nationala "Lecturi în memoriam acad. Silviu Berejan", Ediția 6. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/lecturi.2023.06.22.

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In the present article - the archetypal meaning of the bird - cuckoo, a folkloric topos of wide distribution in the novelistic epic, with obvious sacred meanings and springs of maximum inner concentration, found expression. The image of the bird - cuckoo is present in several folklore texts, lyrical songs, ballad subjects, being placed in the context of ritual situations, with openness to new ontological dimensions, it expresses different postures of the human spirit, with an orientation towards a dramatic contemplation of human joints, of vital life problems. The cuckoo bird participates in t
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Galaicu, Violina. "Th e autochthonous element in Byzantine pew singing from the Romanian area in the XVI - XVII centuries." In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.16.

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A fi rst and precious Romanian contribution to the Byzantine musical heritage of the designated period is contained in the codices from medieval Putna (most of them date from the XVI century). Th e psalters of Putna, led by Evstatie Protopsaltu, developed, through joint eff ort, a special melodic style, recognizable in the landscape of Eastern European Byzantine sound art. Th e songs written or transcribed in Putna (with texts in Greek and Slavonic) stand out for their melismatic luxuriance, the variety of rhythmic structures, the improvisational momentum in the melodic proliferation. Even if
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Jasim MOHAMMED, Ahmed, and Hussein Ismael KADHIM. "THE IMPACT OF THE JEWISH FAITH IN MODERN HEBREW POETRY "SHABBAT FOR EXAMPLE." In I V . I N T E R N A T I O N A L C O N G R E S S O F L A N G U A G E A N D L I T E R A T U R E. Rimar Academy, 2022. http://dx.doi.org/10.47832/lan.con4-14.

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This study is an attempt to shed light on a central and important issue in the lives of any nation or society or group of people, and it is the issue of "faith". One of the most important foundations in the Jewish faith is the "Sabbath" or day of rest for the Jews, which they respect and sanctify from all the other six days of the week. This study discusses the different representations of Saturday in Hebrew poetry. This study examined different representations of the theme of Saturday in Hebrew poetry with special emphasis on the significance of these representations shaped their worldview of
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Galaicu, Violina. "The historical trajectory of Byzantine religious music in the Romanian space: volutes and milestones." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.04.

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The trajectory of the Romanian cult music is intertwined with the trajectory of the Byzantine cult music, the mega-phenomenon and its zonal manifestation conditioning and enhancing each other. Respectively, any attempt to stage the evolution of sacred singing in the reference area refers to the transformations supported by Byzantine music as a whole. In the historiography of the field, we found several variants of systematization of the Byzantine ecclesiastical music on the Romanian territories: according to historical epochs, according to the stages of consolidation of the national Church, ac
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Minnullina, Fatyma. "THE GREAT PATRIOTIC WAR IN THE TATAR DRAMA OF THE 1940S-1950S." In FIRST KULAKOV READINGS: ON THE FIELDS OF RUSSIA'S MILITARY. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3640.khmelita-19/194-201.

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The article examines Tatar plays written in the 1940s-1950s of the XX century. The defense of the Motherland from enemies activated the sound of the patriotic spirit in Tatar drama. Playwrights, referring to the events of the war in their plays, praise the courage, patriotism of fighters, home front workers. The paper identifies the main themes, conflict situations, revealing the characters of the characters. The object of the study were the plays “Shakir Shigaev” by F. Karim, “Sacred Commission” by T. Gizzat, “Maryam” by N. Isanbet, “Minnikamal”, “Return” by R. Ishmurat, etc. After the Great
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Radisavljević, Dejan S. "KRALj MILUTIN I NjEGOVO DOBA U ISTORIJI, ARHEOLOGIJI I NARODNOJ TRADICIJI KRUŠEVAČKOG KRAJA." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.177r.

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In this paper, through a multidisciplinary approach and analysis of available written material and material remains, we tried to shed light on the period of King Milutin's rule in the Kruševac area, laying the foundations for some future comprehensive research. According to the Žitije kralja Milutina (1324) by Archbishop Danilo II, this Serbian ruler stayed in the Kruševac area during a meeting with his brother King Dragutin in Mačkovac in the župa of Rasina, before the decisive attack on the state of Drman and Kudelin, most likely in the first half of 1292. Mačkovac can be reliably identified
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