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Tesi sul tema "Satires in verse"

Autore: Grafiati
Pubblicato: 29 luglio 2024
Ultima modifica: 30 luglio 2024

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1

Crozier, James H. "Telling stories : Aristotelian dramatic character in Juvenal's satires /." free to MU campus, to others for purchase, 2002. http://wwwlib.umi.com/cr/mo/fullcit?p3074393.

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2

Forshaw, Clifford A. "The chameleon muse : satirical personae in the formal verse satires of Marston, Guilpin and others." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310510.

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3

McDayter, Mark Alan. "This evasive way of abuse, satiric voices in English verse satire, 1640-1700." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ28292.pdf.

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4

Buchanan, David. "Augustan women's verse satire." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0012/NQ34742.pdf.

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5

Bicak, Ivana. "Roman satiric modes in English verse satire, 1660-1740, with special reference to Swift's Horace and Pope's Juvenal." Thesis, University of Leeds, 2015. http://etheses.whiterose.ac.uk/10736/.

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Abstract (sommario):
This thesis questions the traditional dichotomy between the satires of Horace and Juvenal, a binary satiric theory that has strongly influenced twentieth-century readings of Alexander Pope and Jonathan Swift. It is argued that the works of both Horace and Juvenal are too complex to be reduced to a single well-defined ‘type’ of satire. Hence, the popular labelling of Pope as a ‘Horatian’ satirist and Swift as a ‘Juvenalian’ satirist is shown to be as synthetic as the duality between Horace and Juvenal itself. Chapter 1 provides an overview of the Restoration theory of satire as a background for
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6

Hudson, Nicola Anne. "Food : a suitable subject for Roman verse satire." Thesis, University of Leicester, 1991. http://hdl.handle.net/2381/8236.

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Abstract (sommario):
This thesis looks in particular at a number of satires by the Roman poets Horace and Juvenal in which food is prominent: Horace's Satires 2.2, 2.4 and 2.8 and Juvenal's satires 4, 5, 11 and 15. Where relevant the works of Lucilius and Persius have also been brought into the scope of the study. It begins with a discussion of the reasons why food might be considered a suitable subject for Roman verse satire (considering the nature of food and of eating, and the nature of the genre), and a brief survey of the forms which food takes in the genre. This is followed by an analysis of the gastronomic
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7

Goh, Ian. "Lucilius and the archaeology of Roman satire." Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283889.

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8

Porter, David Andrew. "Neo-Latin formal verse satire from 1420 to 1616." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708254.

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9

Wheeler, Angela J. "English verse satire from Donne to Dryden : imitation of classical models /." Heidelberg : C. Winter, 1992. http://catalogue.bnf.fr/ark:/12148/cb35716182c.

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10

Klein, Kaitlyn Marie. "Literary Love(r)s: Recognizing the Female Outline and its implications in Roman Verse Satire." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2825.

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Abstract (sommario):
The existence of a metaphoric female standing in for poetic style was only plainly discussed in a paper from 1987 concerned with Roman elegiac poetry. This figure is given the title of scripta puella or written woman, since her existence depends solely on the writings of an author. These females often appear to have basis in reality; however there is insufficient evidence to allow them to cross out of the realm of fantasy. The term scripta puella in poetry refers to a perfected poetic form, one the author prefers over all others, and a human form creates the illusion of a mistress. Using this
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11

Kohlhepp, Adam John. ""Tis nature's law to change" : the Earl of Rochester in the hands of his readers /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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12

Fahey, Kathleen Agnes. "Some shorter satirical poems in English from the thirteenth to the early sixteenth centuries." Thesis, University of Oxford, 1993. http://ora.ox.ac.uk/objects/uuid:15454664-6d83-483e-93ac-025843416231.

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Abstract (sommario):
The aim of this thesis is to provide a thorough introduction to shorter satirical poetry in Middle English, and also to provide stimulus and material for further study in this somewhat neglected area of medieval English literature. The thesis presents 83 newly transcribed, edited and annotated shorter (approximately 200 ll. or less) poems, which have never before been collected. Strictly political poems, more properly the subject of a separate study, are not included, nor are the poems of Dunbar, Skelton, Henryson and Hoccleve, which are available in excellent editions. The poems are loosely g
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13

Pelling, Richard Alexander. "Identity in the early works of John Marston, 1575-1634." Thesis, University of Oxford, 1994. http://ora.ox.ac.uk/objects/uuid:d4e24f67-17e2-4da3-9969-9bc446ab93fe.

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Abstract (sommario):
Among Marston's earliest works are two books of verse satires (Certaine Satyres and The Scourge of Villanie, both 1598) and three plays (Antonio and Mellida, Antonio's Revenge and What You Will, all between 1600-1602) in which he explored the composition of human identity. From the initial premiss that the self is socially constructed and tends always to be dependent on the social and material contexts in which it exists, he developed a conception of existential struggle, in which the individual self either succumbs to the influence of its environment, or else achieves an authentic autonomy by
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14

Randino, Simonetta <1973&gt. "Leopardi e la ricerca della traduzione perfetta: i "Versi morali dal greco" e il "Volgarizzamento della satira di Simonide sopra le donne" (1823-1824)." Doctoral thesis, Università Ca' Foscari Venezia, 2003. http://hdl.handle.net/10579/448.

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Abstract (sommario):
All'interno della pur vastissima bibliografia leopardiana c'è un campo di ricerca che fino a poco tempo fa è rimasto in ombra, vale a dire la traduzione. Negli ultimi anni però l'interesse per le traduzioni sembra avere un nuovo corso, specie per quanto riguarda le lingue antiche. Mi riferisco soprattutto all'edizione dei volgarizzamenti poetici a cura di Franco D'Intino, e al contributo di Novella Bellucci sulla teoria della traduzione.1 La mia ricerca è stata condotta seguendo la strada individuata da questi lavori, prendendo l'avvio dall'ipotesi che l'opera di Leopardi come traduttore e la
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15

Magalhães, Francisca Rodrigues. "Avaliação de condicionadores em solo para uso em telhados verdes com vistas à retenção hídrica." Universidade do Estado do Rio de Janeiro, 2015. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=8517.

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Abstract (sommario):
Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>As inundações são fenômenos naturais que ocorrem devido às chuvas de grande magnitude, agravadas nas áreas urbanas pela impermeabilização do solo e ineficiência dos sistemas de drenagem. Os telhados verdes surgem como uma medida compensatória estrutural que pode reter parte da água precipitada, adiando o pico de escoamento. O objetivo deste trabalho foi de desenvolver uma combinação de solo e condicionadores para telhado verde, promovam um aumento relevante na capacidade de retenção hídrica e um maior adiamento do pico de escoame
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16

Pedrazzini, Ana Mercedes. "La construction de l’image présidentielle dans la presse satirique : vers une grammaire de l’humour. Jacques Chirac dans l’hebdomadaire français Le Canard enchaîné et Carlos Menem dans le supplément argentin Sátira/12." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040203/document.

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Abstract (sommario):
Cette thèse analyse la manière dont le discours satirico-humoristique se constitue lorsqu’il cible la figure présidentielle, en se focalisant sur des dimensions de contenu et de forme qui le structurent, et en faisant attention à leur articulation. A partir d’une étude biculturelle (France-Argentine), qui vise à la conceptualisation d’un humour transculturel, nous supposons qu’au-delà des spécificités locales, il est possible de parvenir à une grammaire, et donc à un système d’invariants, constituée des codes verbaux et visuels.Suivant une approche basée sur les sciences de l’information et de
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17

Liu, Hsin Yi, and 劉幸怡. "A study of verse satire of the Late T''ang." Thesis, 1998. http://ndltd.ncl.edu.tw/handle/80760288999007531196.

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18

Rao, Durga Srinivasa T. "Problems of translating satire from english to telugu and vice versa: An evaluation." Thesis, 2004. http://hdl.handle.net/2009/858.

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19

Newman, Jonathan M. "Satire of Counsel, Counsel of Satire: Representing Advisory Relations in Later Medieval Literature." Thesis, 2008. http://hdl.handle.net/1807/16806.

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Abstract (sommario):
Satire and counsel recur together in the secular literature of the High and Late Middle Ages. I analyze their collocation in Latin, Old Occitan, and Middle English texts from the twelfth to the fifteenth century in works by Walter Map, Alan of Lille, John of Salisbury, Daniel of Beccles, John Gower, William of Poitiers, Thomas Hoccleve, and John Skelton. As types of discourse, satire and counsel resemble each other in the way they reproduce scenarios of social interaction. Authors combine satire and counsel to reproduce these scenarios according to the protocols of real-life social interaction
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