Articoli di riviste: "Semiotica"

1

Vaitiekūnas, Dainius. "For Algirdas Julius Greimas: Two Issues of Semiotica". Colloquia 41 (20 dicembre 2018): 199–215. http://dx.doi.org/10.51554/col.2018.28678.

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Salupere, Silvi. "Acta Semiotica Estica". Sign Systems Studies 50, n. 4 (31 dicembre 2022): 517–20. http://dx.doi.org/10.12697/sss.2022.50.4.05.

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Acta Semiotica Estica is an annually published peer-reviewed Estonian-language journal of semiotics based in Tartu, that has been published since 2001. This article gives a brief overview of the history and development of the journal.

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Jiuhanteng, Markus, Acep Iwan Saidi e R. Drajatno Widi Utomo. "ANALISIS SEMIOTIKA POS STRUKTURAL PADA FOTO RHEIN II (A POST-STRUCTURAL SEMIOTICS ANALYSIS OF THE PHOTOGRAPH RHEIN II)". Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain 4, n. 1 (1 agosto 2021): 37. http://dx.doi.org/10.25105/jsrr.v4i1.10095.

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Abstract This paper is a study of Andreas Gursky’s photo Rhein II. In this study, the post-structural semiotic analysis method is used to interpret meaning based on signs on the Rhein II. The post-structural semiotic analysis becomes the basis for interpreting meanings using related references. In the study of Rhein II photo objects, visual text analysis is expected to provide positive benefits for the development of photography, especially academically. Rhein II is a photo by Andreas Gursky. In Rhein II’s photograph, a contemporary photo is presented as a multi-reality representation analyzed using the post-structural semiotic method. The object of research is interpreted as a text that has a layer of meaning that is squeezed out of its essence by semiotics. The deconstruction of the signification system in the visual element is identified by reading the structural postal semiotic theory codes: text analysis process, creation process. The results of semiotic extraction produce an interpretive study of Rhein II which is full of meaning.Keyword: imagery, photography, semioticaAbstrak Makalah ini merupakan kajian dari foto Rhein II karya Andreas Gursky. Dalam kajian ini digunakan metode analisis semiotika post struktural untuk menginterpretasikan makna berdasarkan tanda-tanda pada Rhein. Analisis semiotika post struktural menjadi landasan dalam menginterpretasikan makna-makna dengan menggunakan referensi terkait. analisis teks visual, dalam kajian objek foto Rhein II diharapkan dapat memberikan kebermanfaatan yang positif bagi perkembangan fotografi khususnya secara akademis. Rhein II adalah foto karya Andreas Gursky. Dalam karya Rhein II, sebuah foto kontemporer dihadirkan sebagai representasi multi realitas yang dianalisis menggunakan metode semiotika post struktural. Objek penelitian dimaknai sebagai teks yang memiliki lapisan makna yang terperas esensinya oleh semiotika. Dekonstruksi sistem penandaan dalam elemen visual diidentifikasikan dengan pembacaan kode-kode teori semiotika pos struktural. Proses analisis teks, proses penciptaan. Hasil ekstraksi semiotika menghasilkan kajian interpretatif Rhein II yang sarat makna.Kata kunci: citra imaji, fotografi, semiotika

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Violi, Patrizia. "Due vie per la semiotica o un incrocio di sguardi? Algirdas Greimas e Umberto Eco a confronto". Entornos 30, n. 1 (30 giugno 2017): 25. http://dx.doi.org/10.25054/01247905.1420.

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Questo articolo intende confrontare criticamente il pensiero di due grandi semiotici scomparsi: Algirdas Greimas e Umberto Eco. Spesso contrapposti come caposcuola di due teorie semiotiche antagoniste - la semiotica generativa e quella interpretativa - ad uno sguardo più attento rivelano invece una comune base epistemologica. In particolare è l’assunto strutturalista di fondo ciò che costituisce l’orizzonte condiviso delle loro semiotiche, da cui discendono posizioni simili su molti altri punti, dall’anti essenzialsimo alla narratività. Su altri aspetti invece, come l’enunciazione e il metalinguaggio, gli approcci divergono, pur all’interno di una stessa indagine sul senso e i linguaggi che al fondo li accomuna.

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Petrilli, Susan. "Learning and education in the global sign network". Semiotica 2020, n. 234 (25 ottobre 2020): 317–420. http://dx.doi.org/10.1515/sem-2020-0043.

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AbstractThe contribution that may come from the general science of signs, semiotics, to the planning and development of education and learning at all levels, from early schooling through to university education and learning should not be neglected. As Umberto Eco claims in the “Introduction” to the Italian edition of his book Semiotica and Philosophy of Language (1984: xii, my trans.), “[general semiotics] is Semiotica e filosofia del linguaggio. Turin: Einaudi; in nature, because it does not study a particular system, but posits the general categories in light of which different systems can be compared. And for general semiotics philosophical discourse is neither advisable nor urgent: it is simply constitutive.” To the title of their book Semiotic Theory of Learning, at the centre of our attention in the present text, Andrew Stables, Winfried Nöth, Alin Olteanu, Sébastien Pesce, and Eetu Pikkarainen, rightly add the subtitle New Perspectives in the Philosophy of Education. This multivoiced contribution to research in learning and education in a semiotic framework has a unifying reference in the semiotics of Charles S. Peirce, but without disregarding an array of other distinguished exponents of the teaching and education sciences from different disciplines, semioticians and philosophers alike. This book, a polyphonic effort, with its appeal to “act otherwise,” and to do so investing in learning and education, no doubt makes a significant contribution in such a direction: education for transformation, for humanizing social change. Beyond evidencing what to us are particularly interesting aspects of the topics under discussion in Semiotic Theory of Learning, we also propose to continue and amplify this multivoiced dialogue. While highlighting still other aspects and contributions made by the same semioticians and philosophers presented by the authors of this book, involving such figures as Charles Peirce, Charles Morris, Thomas Sebeok, John Deely, etc., we have further introduced other voices made to resound throughout, whether directly or indirectly, like that of Victoria Welby, Mikhail Bakhtin, Emmanuel Levinas, Adam Schaff, Ferruccio Rossi-Landi, Marcel Danesi, Augusto Ponzio, and Genevieve Vaughan.

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Fossali, Pierluigi Basso. "La semiotica tra scienza e filosofia. Una duplicità epistemologica strategica". Estudos Semióticos 19, n. 3 (20 dicembre 2023): 99–121. http://dx.doi.org/10.11606/issn.1980-4016.esse.2023.214894.

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La semiotica ha una posizione epistemologica complessa e delicata: ascritta al novero delle scienze del linguaggio, o talora alle scienze dell'informazione e della comunicazione, emerge spesso come una disciplina con accenti o pretese filosofiche, anche se per alcuni dovrebbe limitarsi a un ruolo ancillare, offrendosi come puro apporto metodologico per altre discipline. I contributi “sproporzionati” della semiotica – debordanti nei temi e troppo sofisticati e gergali nelle argomentazioni – possono suggerire l’idea di rinunciare infine all'istituzionalizzazione di una disciplina autonoma; d'altra parte, si ritiene che il compito di prendere in considerazione tutti i linguaggi e i loro usi intrecciati sarebbe di per sé eccessivo. Questa rinuncia favorirebbe il riconoscimento del semiotico come dominio antropologico delle mediazioni simboliche, un dominio che può essere affrontato da diverse prospettive disciplinari classiche, o almeno da quelle che sono in grado di specificare meglio il loro oggetto e i limiti delle loro pertinenze descrittive. In questo contributo, cerchiamo di proporre alcuni argomenti per muoversi in una direzione opposta, al fine di riaffermare il progetto della semiotica come disciplina sui generis che cerca di articolare la filosofia e la scienza da una specifica angolatura, quella per cui una critica semiotica del pensiero dovrebbe articolarsi con un pensiero critico delle mediazioni.

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Salomoni, Antonella. "Storici e semiotica della storia". MEMORIA E RICERCA, n. 40 (settembre 2012): 23–38. http://dx.doi.org/10.3280/mer2012-040003.

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The twentieth century has seen the qualitative explosion and the quantitative spreading of the semiotic theories and the sign systems. Taking their first steps with analyses that very rarely called up on history in their argumentation, such disciplines - most of all when dealing with cultural semiotics - have seen "history" enter into their researches. The essay intends to examine the specific contribution of the Tartu-Moscow school and, above all, of the work of Jurij M. Lotman (1922-1993), verifying the impact and the applicability of the Russian semiotics. After recalling the lotmanian scheme that sums up his work in the sixties, the author questions on what cultural semiotics means for "history" and on how the historian may avail himself of it in his work.

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Jiuhanteng, Markus, Acep Iwan Saidi e Drajatno Widi Utomo. "ANALISIS SEMIOTIKA POS STRUKTURAL PADA FOTO RHEIN II A POST-STRUCTURAL SEMITOCS ANALYSIS OF THE PHOTOGRAPH RHEIN II". Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain 4, n. 1 (1 agosto 2021): 37. http://dx.doi.org/10.25105/jsrr.v4i1.9969.

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AbstractThis paper is a study of Andreas Gursky's photo Rhein II. In this study, the post-structural semiotic analysis method is used to interpret meaning based on signs on the Rhein II. The post-structural semiotic analysis becomes the basis for interpreting meanings using related references. In the study of Rhein II photo objects, visual text analysis is expected to provide positive benefits for the development of photography, especially academically. Rhein II is a photo by Andreas Gursky. In Rhein II's photograph, a contemporary photo is presented as a multi-reality representation analyzed using the post-structural semiotic method.The object of research is interpreted as a text that has a layer of meaning that is squeezed out of its essence by semiotics. The deconstruction of the signification system in the visual element is identified by reading the structural postal semiotic theory codes: text analysis process, creation process. The results of semiotic extraction produce an interpretive study of Rhein II which is full of meaning.Keyword:Imagery, Photography, Semiotica AbstrakMakalah ini merupakan kajian dari foto Rhein II karya Andreas Gursky. Dalam kajian ini digunakan metode analisis semiotika post struktural untuk menginterpretasikan makna berdasarkan tanda-tanda pada Rhein. Analisis semiotika post struktural menjadi landasan dalam menginterpretasikan makna-makna dengan menggunakan referensi terkait. analisis teks visual, dalam kajian objek foto Rhein II diharapkan dapat memberikan kebermanfaatan yang positif bagi perkembangan fotografi khususnya secara akademis. Rhein II adalah foto karya Andreas Gursky. Dalam karya Rhein II, sebuah foto kontemporer dihadirkan sebagai representasi multi realitas yang dianalisis menggunakan metode semiotika post struktural.Objek penelitian dimaknai sebagai teks yang memiliki lapisan makna yang terperas esensinya oleh semiotika. Dekonstruksi sistem penandaan dalam elemen visual diidentifikasikan dengan pembacaan kode-kode teori semiotika pos struktural. Proses analisis teks, proses penciptaan. Hasil ekstraksi semiotika menghasilkan kajian interpretatif Rhein II yang sarat makna. Kata kunci : Citra imaji, Fotografi, Semiotika

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Ardiyansah, Kharis, e Sapto Hudoyo. "KEHIDUPAN KELOMPOK MARGINAL MASYARAKAT PESISIR PADA SETTING KAMPUNG TIRANG DALAM FILM TURAH (Analisis Semiotika Charles Sander Peirce)". Texture:Art and Culture Journal 2, n. 2 (17 gennaio 2020): 120–36. http://dx.doi.org/10.33153/texture.v2i2.2785.

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ABSTRACTOne of Indonesia's drama-genre films is Turah. Great attention to marginality is evident from the selection and depiction of Tirang village as the main setting. A settlement that stands on land arises in the coastal area. The life of marginal groups of coastal communities that are raised through signs uses the complex Charles Sanders Peirce semiotic approach by relating three main components, namely: representamen, object and interpretant. Keywords : Film Turah, Setting, Semiotica Charles Sanders Peirce, Marginal Group, Beach Society.ABSTRAKSalah satu film Indonesia ber-genre drama adalah Turah. Perhatian besar pada marginalitas tampak sekali dari pemilihan dan penggambaran kampung Tirang sebagai setting utama. Sebuah perkampungan yang berdiri di atas tanah timbul di daerah pesisir. Kehidupan kelompok marginal masyarakat pesisir yang dimunculkan melalui tanda-tanda menggunakan pendekatan semiotika Charles Sanders Peirce yang kompleks dengan mangaitkan tiga komponen utama, yaitu: representamen, object dan interpretant.Kata Kunci: Film Turah, Setting, Semiotika Charles Sanders Peirce, Kelompok Marginal, Masyarakat Pesisir

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Sedda, Franciscu. "Nello specchio dell’antropologia: la natura, la cultura, il semiotico". Estudos Semióticos 17, n. 2 (13 agosto 2021): 44–67. http://dx.doi.org/10.11606/issn.1980-4016.esse.2021.182112.

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Il saggio analizza una serie di prese di posizione antropologiche – quelle di Lévi-Strauss, Geertz, Clifford, Appadurai, Latour, Viveiros de Castro, Descola in particolare – che hanno al centro il rapporto natura/cultura. Esso mostra la ricchezza di visioni e strategie insite in queste posizioni, quanto le loro complesse e spesso inavvertite correlazioni. Il saggio mostra come i raddoppiamenti della natura e della cultura, così come i tentativi di trovare scappatoie all’opposizione, assumano significato in relazione alla semiotica e possano ispirare nuovi modelli per pensare la cultura. In particolare il lavoro antropologico ci darà modo di individuare nel semiotico quella dimensione relazionale che sta al fondo tanto della natura quanto della cultura, che attraversa l’umano e il non umano, che ci sfida come semiotici a ripensare il valore e la forma del nostro stesso relazionalismo.

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Burke, James, e Aldo Ruffinatto. "Semiotica ispanica: Cinque esercizi". Hispanic Review 55, n. 3 (1987): 375. http://dx.doi.org/10.2307/473697.

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Montero, Humberto. "La Semiotica del HDR". deSignis, n. 28 (1 gennaio 2018): 189–97. http://dx.doi.org/10.35659/designis.i28p189-197.

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La fotografía de alto rango dinámico, HDR en inglés ‘High Dynamic Range’ es una técnica de producción fotográfica de múltiple exposición que conforma una única imagen final con mayor riqueza cromática y detalle figurativo a diferencia de la clásica fotografía de una sola exposición. Su cualidad técnica diferenciada por sobre la fotografía clásica de una sola exposición, hace de ella un artificio semiótico de amplia versatilidad de expresión y profunda capacidad de contenido. En este texto analizamos el principio semiótico de su articulación y su institución convencional en el mundo actual de la fotografía.

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Nastopka, Kęstutis. "Ars Semiotica. Editor’s Introduction". Semiotika 12 (22 dicembre 2016): 5–8. http://dx.doi.org/10.15388/semiotika.2016.16730.

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Boyko, Taras. "Reading Uspenskij: Soviet ‘semiotics of history’ in the West". Sign Systems Studies 45, n. 3/4 (31 dicembre 2017): 380–94. http://dx.doi.org/10.12697/sss.2017.45.3-4.10.

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The article explores the reception of Boris Uspenskij’s writings and ideas outside of the Soviet Union, primarily in Western European and North American academic contexts. The present brief overview of Uspenskij’s academic reception covers the translations of his best-known scholarly works [first and foremost “Historia sub specie semioticae” and “Istoriya i semiotika (Vospriyatie vremeni kak semioticheskaya problema)”] into English, French, Spanish, German and other European languages, as well as various references to Uspenskij’s ideas on what nowadays would be categorized as ‘semiotics of history’, or thoughts at least in some way related to the ‘cultural-semiotic approach to history’ of the Tartu-Moscow School of Semiotics.

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Di Cesnola (book author), Maurizio Palma, e Antonio Franceschetti (review author). "Semiotica dantesca: Profetismo e diacronia". Quaderni d'italianistica 17, n. 2 (1 ottobre 1996): 153. http://dx.doi.org/10.33137/q.i..v17i2.10121.

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Gibbons, David, e Maurizio Palma di Cesnola. "Semiotica dantesca: Profetismo e diacronia". Modern Language Review 93, n. 4 (ottobre 1998): 1122. http://dx.doi.org/10.2307/3736326.

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Ponzio, Augusto. "Semiotica della metafora in Vico". PARADIGMI, n. 1 (maggio 2009): 27–40. http://dx.doi.org/10.3280/para2009-001003.

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- According to Vico metaphor is a fundamental and primary instrument of thought. This concept was further developed by Du Marsais and Rousseau. Particularly important is Vico's concept of poetical logic. Linguistic creativity is the capacity to form new metaphorical associations, to propose new cognitive combinations, and invent new figurations. The species-specific trait of the human being is a modelling device capable of inventing an indeterminate number of worlds. This species-specific human modelling capacity is the lingua mutola, the mute language discussed by Vico: gesture or body language spoken by mankind in its origins. Keywords: Language, Metaphor, Modeling, Poetic Logic, Semiotics, Vico.

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Di Santo, Federico. "Per una semiotica della rima". Romanistisches Jahrbuch 70, n. 1 (18 novembre 2019): 158–85. http://dx.doi.org/10.1515/roja-2019-0006.

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Abstract The article, following a suggestion of Barthes, attempts to outline a semiotics of the technique of rhyming considered as a sub-code of poetic language, in order to better understand the important contribution provided by rhyme, on many levels, to the strategies of signification of the literary text. This semiotic approach is inscribed in a general theory of rhyme under development by the author, which aims at explaining the raison d’être and fortune of this poetic device in relation to its decisive contribution to the rhetorical and figurative elaboration of the poetic text. In a semiotic perspective, three fundamental levels of structuring rhyme as a sign can be distinguished: its signifier (the partial phonic identity which, in the current view, is considered to be rhyme’s exhaustive definition), its meaning (the semantic interference between rhyming words only) and its sense (the relation between rhyme’s meaning and context). A short reference is also made to further aspects of the the sub-code of rhyme, such as its syntax (strophic patterns) and the role of pools of rhymes. This leads to a reappraisal of some significant questions raised by the technique of rhyme, e. g. whether or not it always makes a semantic contribution, or what the interplay between its limitations to freedom of expression and its contribution to the expressiveness and poetic value of the text is. The theoretical tools are finally put to the test in a short analysis of the rhyme-words in the form of the sestine.

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Carugati, Giuliana, e Maurizio Palma di Cesnola. "Semiotica dantesca. Profetismo e diacronia". Italica 74, n. 3 (1997): 414. http://dx.doi.org/10.2307/479945.

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Bianchi, Cinzia. "Thresholds, boundaries, limits: Ideological analysis in the semiotics of Umberto Eco". Semiotica 2015, n. 206 (1 agosto 2015): 109–27. http://dx.doi.org/10.1515/sem-2015-0015.

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AbstractThis essay traces the evolution of Umberto Eco’s thinking from a particular point of view, that of his reflections on ideology and ideological discourse. The reason for this choice is that ideology is one of the themes that is associated with the mature phase of Eco’s work, generally regarded as beginning with the Trattato di semiotica generale (1975, A Theory of Semiotics). Moreover, by examining ideology it is possible to piece together a complex path of intellectual reconsiderations and redefinitions involving both the discipline of semiotics and the broader cultural context. To tackle this topic it is in fact necessary to refer both to the general ambit of Eco’s semiotics and the historic and cultural context in which these studies originated.

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Perreiah, Alan R. "Semiotica e Linguaggio nella Scolastica: Parigi, Bologna, Erfurt, 1270- 1330. La Semiotica dei Modisti.Constantino Marmo". Speculum 71, n. 4 (ottobre 1996): 978–80. http://dx.doi.org/10.2307/2865756.

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Lancioni, Tarcisio. "Dietro la maschera. Verità in semiotica". Estudos Semióticos 18, n. 2 (26 agosto 2022): 216–36. http://dx.doi.org/10.11606/issn.1980-4016.esse.2022.194353.

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L’articolo propone una riflessione, condotta con gli strumenti della semiotica, sulla verità e sui suoi travisamenti (maschere, segreti), attraverso l’analisi di un racconto: Doppio sogno (Traumnovelle, 1926) di Arthur Schnitzler. Dopo un excursus su alcune concezioni della verità, derivate sia dal discorso filosofico che dalla prassi quotidiana, l’analisi testuale è volta a mostrare come i processi discorsivi, quali sono messi in scena dal racconto, presentano un ampio intreccio di pratiche “veritative” diverse, quali la constatazione, la confessione, l’inchiesta, la messa alla prova, lo smascheramento, la simulazione e la dissimulazione. Pratiche che sono a loro volta correlate a concezioni e valorizzazioni diverse della verità. Infine, l’articolo si concentra sul ruolo della “maschera”, nei processi di tematizzazione e di attorializzazione, come mezzo di nascondimento e rivelazione.

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Moreno Barreneche, Sebastián. "Semiotica de las formas de vida". Semióticas cognitivas: nuevos paradigmas, n. 35 (2021): 267–69. http://dx.doi.org/10.35659/designis.i35p267-269.

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Volli, Ugo. "Analisi semiotica della comunicazione iconica (1975)". IKON, n. 60 (ottobre 2013): 159–86. http://dx.doi.org/10.3280/ikr2013-060014.

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Frascari, Marco. ""Semiotica ab Edendo," Taste in Architecture". Journal of Architectural Education (1984-) 40, n. 1 (1986): 2. http://dx.doi.org/10.2307/1424841.

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Frascari, Marco. "Semiotica Ab Edendo, Taste in Architecture". Journal of Architectural Education 40, n. 1 (ottobre 1986): 2–7. http://dx.doi.org/10.1080/10464883.1986.11102648.

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Bogoşel, Ramona. "Ziua şi noaptea în semiotica muzicală". Lucrări de Muzicologie 37, n. 2 (9 febbraio 2024): 39–49. http://dx.doi.org/10.47809/lm.2022.37.02.04.

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Polidoro, Piero. "Umberto Eco and the problem of iconism". Semiotica 2015, n. 206 (1 agosto 2015): 129–60. http://dx.doi.org/10.1515/sem-2015-0020.

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AbstractThis paper focuses on the main features and evolution of the so-called “debate on iconism,” in which Eco was deeply involved. This discussion (one of the most important in general and visual semiotics) began at the end of the 1960s and dealt with the problem of reality and image perception. It was characterized by the contrast between the supporters of visual language “naturality” and those of its “conventionality.” In La Struttura assente (1968) and Trattato di semiotica generale (1975, A Theory of Semiotics), Eco elaborated a moderate conventionalist theory. More than 20 years later, in Kant e l’ornitorinco (1997, Kant and the Platypus), he focused his attention on the link between reality and visual language. The article aims to understand what has really changed in Eco’s theory and how far the reflections in Kant e l’ornitorinco were already implied in his first ideas. Besides, the article underlines the importance of perceptive modalities theory, Eco’s most recent contribution to visual semiotics.

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Nanni, Luciano. "Estetica e semiotica: il "ribaltone" post-strutturalista". Quaderni d'italianistica 16, n. 1 (1 aprile 1995): 7–15. http://dx.doi.org/10.33137/q.i..v16i1.10380.

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Bacigalupo, Giuliano. "Semiotica e semantica in Martinak e Meinong". PARADIGMI, n. 2 (agosto 2012): 77–91. http://dx.doi.org/10.3280/para2012-002006.

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L'articolo analizza le ricerche semiotico-semantiche di A. Meinong e del suo allievo E. Martinak. La prima parte dell'articolo č dedicata alla teoria generale dei segni sviluppata da Martinak, mentre la seconda parte si concentra sul suo trattamento dei segni linguistici. La terza parte espone le modifiche apportate da Meinong alla teoria di Martinak. Queste modifiche conducono Meinong a confrontarsi con il paradosso semantico della non esistenza, tema questo che costituisce l'oggetto della quarta parte. Infine, nella quinta parte, l'autore critica la soluzione meinonghiana del paradosso della non esistenza.

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Brioschi, Maria Regina. "Peirce cent'anni dopo. pragmatismo, semiotica e filosofia". RIVISTA DI STORIA DELLA FILOSOFIA, n. 3 (settembre 2015): 647–50. http://dx.doi.org/10.3280/sf2015-003011.

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Delahaye, Pauline. "The world, the body and the sign: Group μ at the sources of meaning". Sign Systems Studies 50, n. 2-3 (5 dicembre 2022): 453–57. http://dx.doi.org/10.12697/sss.2022.50.2-3.08.

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Sandin, Gunnar. "Construing Scandinavia: A semiotic account of intercultural exchange in theme park design". Semiotica 2020, n. 232 (25 febbraio 2020): 79–102. http://dx.doi.org/10.1515/sem-2019-0031.

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AbstractEvaluation of other cultures is a strong force in a culture’s definition of itself. Cultures are formed in encounters that include domination, conflict, and dismissal as much as appreciation and smooth exchange. In this paper, the construction of cultural identity is discussed, with reference to a Scandinavian Theme Park proposal made in cooperation between American design consultants and a local Swedish team of planners and visionaries. The image production in this design proposal, which never came to be realised in architectural production, shows that “Scandinavia” appears as a two-some dialogic construction that adopts stereotyped cultural identities, and that it was not brought to any wider public dialogue. In a semiotic account of this architectural decision-making, models of culture (Lotman. 1990. Universe of the mind: A semiotic theory of culture. London: Tauris.) are discussed in terms of the tripartition of culture into Ego-culture, Alter-culture and Alius-culture (Sonesson. 2000. Ego meets alter: The meaning of otherness in cultural semiotics. Semiotica 128(3/4). 537–559.; Cabak Rédei, Anna. 2007. An inquiry into cultural semiotics: Germaine de Staël’s autobiographical travel accounts. Lund: Lund University Press.), considered as a basic abstracted backdrop of what is meant by cultural difference. In this paper it is suggested that this tripartite view on culture, can be further discussed in reflection of post-colonial studies, notably through terms such as “mimicry” (Bhabha. 1984. Of mimicry and man: The ambivalence of colonial discourse. October 28. 125–133.) and “subalterity” (Spivak. 1988. Can the subaltern speak?. In Cary Nelson & Lawrence Grossberg (eds.), Marxism and the interpretation of culture, 271–313. Urbana & Chicago: University of Illinois Press.). The model of culture can furthermore be discussed through Peirce’s distinction between different stages and carriers of representation, adding to the cultural model an understanding of what it means, over time, for a culture to relate to an admired as well as to a neglected other cultural actor.

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Makmur, Testiani, e Dafrizal Samsudin. "Perspektif semiotika dalam penelitian sain informasi dan kepustakaan di Indonesia". Al-Kuttab : Jurnal Kajian Perpustakaan, Informasi dan Kearsipan 2, n. 2 (30 novembre 2020): 11–20. http://dx.doi.org/10.24952/ktb.v2i2.2513.

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ABSTRACTThis study aims to diagnose the application of semiotic perspectives in various forms of information and literature study in Indonesia. Literature-based literature that discusses semiotics consists of scientific work in information and literature science in Indonesia. The implications include (1) seen from anytime semiotics began to be studied by library and information science scholars, (2) then what was the increase from year to year, (3) how the epistemological development of the development of semiotic theories in accordance with library science and Indonesia, (4) as well as from many semiotic theories, which are dominantly used as a framework. ABSTRAKKajian ini bertujuan untuk mengdiagnosa penerapan perspektif semiotika dalam berbagai bentuk kajian sain informasi dan kepustakaan di Indonesia. Metodologi berbasis literature terutama yang berhubungan kajian semiotika berupa karya ilmiah dalam Sain informasi dan kepustakaan di Indonesia. Implikasinya antara lain (1) diketahui sejak kapan semiotika mulai dikaji oleh sarjana ilmu perpustakaan dan informasi,(2) lalu seperti apa peningkatannya dari tahun ketahun, (3) bagaimana perkembangan epistimologi terutama teori semiotik yang dikaitkan dengan ilmu perpustakaan dan Indonesia, (4) serta dari sekian banyak teori semiotika, yang mana dominan digunakan sebagai kerangka kerja.

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Barbosa de M. Batísta, Maria de Fátima. "A Acta Semiotica et Lingvistica entrevista pessoas que estudaram os escritos de Chiara Lubich ou participaram de sua trajetória como personalidade do mundo contemporâneo." Acta Semiótica et Lingvistica 25, n. 3 (18 dicembre 2020): 222–39. http://dx.doi.org/10.22478/ufpb.2446-7006.44v25n3.56791.

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Nascimento, Flaviano Batistado. "Entrevista o Prof. Dr. Flaviano Batista do Nascimento, da rede pública do Estado da Paraíba, semioticista e estudioso do Sistema Braille". Acta Semiótica et Lingvistica 25, n. 2 (28 agosto 2020): 199–207. http://dx.doi.org/10.22478/ufpb.2446-7006.44v25n2.54833.

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WEISS, JULIAN. "Aldo Ruffinatto, "Semiotica ispanica: cinque esercizi" (Book Review)". Bulletin of Hispanic Studies 65, n. 2 (aprile 1988): 180. http://dx.doi.org/10.3828/bhs.65.2.180b.

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Strudsholm, Erling. "Semiotica e Linguistica: Per Ricordare Maria-Elisabeth Conte". Journal of Pragmatics 36, n. 11 (novembre 2004): 2081–83. http://dx.doi.org/10.1016/j.pragma.2003.10.022.

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Sukam, Ernando, Dini Valdiani e Imani Satriani. "REPRESENTASI HOMOSEKSUALITAS DALAM FILM SAUSAGE PARTY". Jurnal Penelitian Sosial Ilmu Komunikasi 3, n. 2 (1 giugno 2019): 134–44. http://dx.doi.org/10.33751/jpsik.v3i2.1297.

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AbstractThe objective of this research is to know signs and meanings (sign, object, interpretant) of homoxeksual that exist in Sausage Party. This research used Semiotica Charles Sanders Peirce’s theory that famous with his triangle meanings and also used Azhari and Kencana’s homoxeksual theory that included in sexual behavior. This research uses a qualitative descriptive research approach. In this research, researchers used data source triangulation thecnique. According Bungin (2007:257), data source triangulation doing by comparing and measuring level of trust an information that obtained by interview result and document that related to each other. Key informant in this research is a psychology and the triangulan is movie watcher. The result shows that some scenes in Sausage Party represents adjusted homoxesual and secret homoxeksual. Keywords : Homoxeksual, Sexual Behavior, Semiotic, Movie

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Panico, Mario. "Longevità della cultura. La memoria al vaglio semiotico". Estudos Semióticos 17, n. 2 (13 agosto 2021): 203–18. http://dx.doi.org/10.11606/issn.1980-4016.esse.2021.180824.

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L’obiettivo di questo articolo è di indagare la correlazione tra cultura e memoria così come proposta nella teoria semiotica di Juri M. Lotman e dagli altri studiosi della scuola di Tartu-Mosca. In queste pagine, particolare spazio è dato alla disamina del concetto di “longevità della cultura”, intesa come la “durata” semantica di testi e codici. Questo concetto, proposto per la prima volta da Lotman e Uspenskij, viene messo in dialogo con specifici aspetti comuni al binomio cultura/memoria: il carattere relazionale e retrospettivo, la comune diacronia. Inoltre, con l’obiettivo finale di enfatizzare la componente politica nella teoria semiotica della memoria e della cultura, in questo articolo la longevità è posta in relazione ai processi traduttivi del filtraggio e della dimenticanza.

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Sant'Anna, Arlene Lopes. "A marca símbolo da campanha de prevenção as drogas". Significação: Revista de Cultura Audiovisual 30, n. 20 (23 dicembre 2003): 205–20. http://dx.doi.org/10.11606/issn.2316-7114.sig.2003.159023.

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Este artigo se propoe a analisar a marca-simbolo, instituida pela APCD (Associa^ao Parceria Contra Drogas), na campanha de preven^ao as drogas veiculadas pela televisao. Esta analise leva em conta que a marca-simbolo e o texto do discurso sintetico, o que identifica o objetivo dos amincios que se apresentam para conter o consumo de drogas entre osjovens no Brasil. A marca-simbolo pertence aos dommios da semiotica visual, assim, este estudo se fundamenta na semiotica greimasiana. Podemos mostrar, por meio das relagoes semi-simbolicas, que a dimensao plastica se articula, por um lado com a dimensao figurativa e, por outro lado, com o enunciado linginstico que o slogan comporta, o que instaura uma nova visao, uma nova leitura.

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Caputo, Cosimo. "Oggetto e meta-oggetto in semiotica: un rapporto unico". Estudos Semióticos 19, n. 3 (20 dicembre 2023): 122–36. http://dx.doi.org/10.11606/issn.1980-4016.esse.2023.212633.

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In semiotica e in linguistica la necessità di un oggetto epistemologicamente definito e specifico rispetto al vasto campo dei vari fenomeni comunicativi, e di uno specifico meta-oggetto o metalinguaggio, si rafforza con l’approccio strutturale che porta con sé anche un mutamento dell’idea di scienza del linguaggio, porta a una scienza duale: “uno formato da due”. Si tratta di una scienza che non considera le sue categorie come autonome, ma le considera “per altro”, in relazione con altre categorie. Nella dualità la storicità si prospetta come compartecipazione di strati di tempi asimmetrici, come attualizzazione di potenzialità semantiche: l’oggetto teorico si palesa come un “cronotopo” per cui lo spazio della teoria s’intreccia col movimento del tempo. La lingua utilizza sempre la stessa materia antica per le sue innovazioni, è capace di parlare di se stessa, di essere oggetto e condizione del suo meta-oggetto; parla di se stessa producendo un metalinguaggio aperto, risultante da un processo di traduzione o di autotraduzione, di metariflessione. Il rapporto fra oggetto e meta oggetto è ambivalente ed è costitutivo della scienza del linguaggio: l’oggetto (il linguaggio) contiene la sua teoria, ragion per cui il loro è un “rapporto unico”.

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Barreto, E. Israel Chávez, e Donald Favareau. "Introducing Paul Cobley: a graphic guide". Chinese Semiotic Studies 19, n. 1 (1 febbraio 2023): 3–14. http://dx.doi.org/10.1515/css-2022-2099.

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Abstract Within the discipline of semiotics, written text remains the primary mode of communication and analysis, despite the fact that, as all good semioticians know, signs occur in all modalities – which is why we think of artists and musicians, no less than novelists and poets, as applied semioticians par excellence. In 1997, Paul Cobley and Litza Jansz combined the semiotic tools of words and drawings to produce what is undoubtedly one of the most successful and influential texts for the dissemination of semiotic theory: the illustrated graphic guide called Semiotics for beginners (later published as Introducing semiotics). On the occasion of this well-deserved festschrift honoring Paul’s life of work in semiotics, the authors felt it most appropriate to pay homage to Paul – and to the graphic guide with which he has inspired countless readers across the world to better understand the fundamentals of semiotics – by once again combining the semiotic tools of words and drawings to illustrate the ideas and history of this master semiotician.

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Murphy, Tim. "Elements of a Semiotic Theory of Religion". Method & Theory in the Study of Religion 15, n. 1 (2003): 48–67. http://dx.doi.org/10.1163/15700680360549411.

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AbstractThis work is a synopsis of an argument for a semiotic approach to theorizing religion. The central argument combines Jonathan Z. Smith's notion of "sacred persistence" as the dynamic relationship between a canon and a hermeneute with the work of Roland Barthes, Michel Foucault, Friedrich Nietzsche, and Mikhail Bakhtin. The argument is that religion is a process of on-going semiotic construction and displacement wherein heremeneutes select paradigmatic elements to form syntagmatic combinations. One of the aspects of this process of selection and combination is what Bakhtin refers to as "the speech of the other". Often, though not always, this element of religious semiotica takes the form of an agon, or contest. This work draws upon Foucault and Nietzsche to supplement Smith's and Bakhtin's notion of the production of religious speech/interpretations by further theorizing the concept of the agon. It is argued that this approach is an advance upon both essentialist phenomenological approaches and inductive, explanatory approaches. Religion, it is claimed, is best understood on the model of language, and by means of analogous approaches used in the study of language and language behaviors.

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Ramadhani, Sri, e Ratna Sari Dewi. "Semiotic Analysis of Smoking Prohibition Poster". Jurnal Pendidikan dan Konseling (JPDK) 5, n. 4 (16 agosto 2023): 465–71. http://dx.doi.org/10.31004/jpdk.v5i4.17832.

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This study provided a semiotic analysis of smoking prohibition poster. This research was recommended for future researcher who want to do semiotic sign research. In addition, English Department students were advised to read this research to understand and increase their knowledge of semiotics. All semiotic signs were analyzed based on the type of semiotics proposed by Michael Kroeger for visual signs such as color, shape, line and Agus M. Hardjana for verbal signs, namely written text. The steps taken were to look carefully at the contents of the poster, clarify the contents of the poster and finally look for semiotic signs contained on the poster. The purpose of this research was to find out the types of semiotic signs contained in smoking prohibition poster. In this study using qualitative method. The source of this smoking prohibition poster was taken from the internet. In data collection, the posters were retrieved by searching through internet services as well as several other journal scientific works. In analyzing the data verbally and visually it consists of 3 data from 3 posters, 15 colors, 6 shapes, 5 lines and 11 written texts. Keyword: Verbal and Visual Sign, Smoking Prohibition Poster, Semiotic Analysis. Abstrak Penelitian ini memberikan analisis semiotika poster larangan merokok. Penelitian ini direkomendasikan untuk peneliti selanjutnya yang ingin melakukan penelitian tanda semiotik. Selain itu, mahasiswa Jurusan Bahasa Inggris disarankan untuk membaca penelitian ini untuk memahami dan menambah pengetahuan mereka tentang semiotika. Semua tanda semiotik dianalisis berdasarkan jenis semiotika yang dikemukakan oleh Michael Kroeger untuk tanda visual seperti warna, bentuk, garis dan Agus M. Hardjana untuk tanda verbal yaitu teks tertulis. Langkah-langkah yang dilakukan adalah mencermati isi poster, memperjelas isi poster dan terakhir mencari tanda-tanda semiotik yang terdapat pada poster. Tujuan dari penelitian ini adalah untuk mengetahui jenis-jenis tanda semiotika yang terdapat dalam poster larangan merokok. Dalam penelitian ini menggunakan metode kualitatif. Sumber poster larangan merokok ini diambil dari internet. Dalam pengumpulan data, poster diambil dengan mencari melalui layanan internet serta beberapa karya ilmiah jurnal lainnya. Dalam menganalisis data secara verbal dan visual terdiri dari 3 data dari 3 poster, 15 warna, 6 bentuk, 5 garis dan 11 teks tertulis. Kata Kunci: Tanda Verbal dan Visual, Poster Larangan Merokok, Analisis Semiotika

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Yu, Hongbing. "Editorial: What is semiotics but a series of modeling". Chinese Semiotic Studies 17, n. 4 (1 novembre 2021): 467–71. http://dx.doi.org/10.1515/css-2021-2032.

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Abstract The present issue of Chinese Semiotic Studies is published in memory of Thomas A. Sebeok. Sebeok was not only a master semiotician, but more importantly a grand artist in semiotics. As one of the most important contemporary figures in semiotics, linguistics, ethnology, and cultural studies, Sebeok made profound contributions to the progress of global semiotics through his distinguished theoretical achievements and promotional activities. His works have proven to be so relevant that they continue to exert a determinative influence and provide directions for the development of semiotics and its many subdivisions, especially biosemiotics, beyond the 20th century. Now, 21 years into the present century, during which semiotic studies around the world have made remarkable progress, it is about time to highlight some specific ways in which his contributions will continue to shape and guide semiotic studies, demonstrating the relevance of these contributions to the 21st century challenges. To this end, this special issue presents some up-to-date and informed studies that explore Sebeok’s contributions to semiotics and their vital implications for fundamental problems relevant to humanity as a semiotic animal in the present day and in the rest of this century and beyond.

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Beduschi, Lidia. "Il testo, la scena. Appunti di semiotica del testo orale". La Ricerca Folklorica, n. 15 (aprile 1987): 49. http://dx.doi.org/10.2307/1479484.

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Noble, Cinzia Donatelli. "IL TRUE-MAN E UMBERTO ECO: SEMIOTICA DI UN FILM". Forum Italicum: A Journal of Italian Studies 34, n. 2 (settembre 2000): 528–35. http://dx.doi.org/10.1177/001458580003400211.

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Casini, Simone. "Questioni di teoria linguistica: Per un paradigma teorico della creatività semiotica". Forum Italicum: A Journal of Italian Studies 53, n. 1 (6 dicembre 2018): 69–89. http://dx.doi.org/10.1177/0014585818816667.

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Il contributo delinea il paradigma teorico della creatività intesa, da una prospettiva semiotica e di linguistica teorica, come il quadro di riferimento formale per la variazione e il cambiamento linguistico sia nei processi di generale interazione che, su piani quantitativamente maggiori, nei fenomeni in cui lingue e identità in contatto interagiscono per negoziare il senso comunicativo. Il percorso propone una analisi della creatività che spazia dagli ambiti della Filosofia antica sino alla riflessione linguistica contemporanea che si è avuta nel Novecento tra le due sponde dell’Oceano e individua nella dimensione dell’uso e della condivisione sociale tra i parlanti il principio primo capace di guidare le forme di creatività linguistica potenzialmente illimitate verso un fine che è identitario e comunicativo, al di là e molto oltre rispetto ai modelli di regolarità e norma (in senso prescrittivo) grammaticale. Interpretare secondo questo modello il paradigma della creatività significa porre la proprietà semiotica in una posizione di prima inter pares, in cui le viene affidato non solo il “ruolo” di formatore di segni (parole, frasi, testi), ma la funzione di primaria arbitrarietà, causa ed effetto della discretizzazione delle lingue storico-naturali.

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Falah, Zulfikar, e Miftahur Rohmah. "Aplikasi Semiotika Roland Barthes terhadap Makna Takwa dalam QS. al-Hajj [22]: 37". Al-Dzikra: Jurnal Studi Ilmu al-Qur'an dan al-Hadits 17, n. 1 (30 giugno 2023): 119–40. http://dx.doi.org/10.24042/al-dzikra.v17i1.15834.

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AbstractThis article examines how Roland Barthes' semiotics can be used to understand the meaning of piety in QS. Al-Hajj: 37. The author's background involves the application of the definition of piety as it pertains to the role of the physical and spiritual as it has existed in humans. This study aims to ascertain the true meaning of the word "piety" as it appears in QS. Al-Hajj: 37 from a semiotic standpoint. The descriptive analysis used in this article's research was discovered through library research. Before helping one comprehend how Roland Barthes' semiotics can be applied to the meaning of piety in QS. Al-Hajj: 37. Following a description of Roland Barthes' semiotic theory, the author then discusses the meaning of "piety" in the Qur'an. When Roland Barthes' semiotics are applied to parse the meaning of piety in QS, it leads to the conclusion that there are two levels of the signification of Al-Hajj: 37. In summary, the relational interpretation between the signifiers lafaz al-taqwa and al-wiqayah has been known to be central to the denotative and connotative meanings of piety.Keywords: QS. al-Hajj: 37; Roland Barthes; Semiotics; The meaning of piety. AbstrakArtikel ini menganalisa tentang aplikasi semiotika Roland Barthes terhadap makna takwa dalam QS. al-H{ajj: 37. Latar belakang yang diambil penulis adalah implementasi makna takwa yang disebutkan telah melibatkan peran jasmani dan rohani sebagaimana telah bersemayam dalam diri manusia. Penelitian ini bertujuan untuk mengetahui makna hakiki terma takwa pada QS. al-H{ajj: 37 perspektif semiotika Roland Barthes. Metode penelitian dalam artikel ini menggunakan deskriptif analisis yang diperoleh melalui library research. Sebelum mengarah kepada pemahaman perihal aplikasinya semiotika Roland Barthes terhadap makna takwa dalam QS. al-H{ajj: 37, penulis memaparkan dahulu terkait teori semiotika Roland Barthes, dilanjutkan pembahasan terma takwa dalam al-Qur’an. Sehingga menghasilkan bahwa terdapat dua tingkatan signifikasi pada pengaplikasian semiotika Roland Barthes dalam mengurai makna takwa dalam QS. al-H{ajj: 37. Singkatnya, makna denotatif dan konotatif makna takwa telah diketahui terfokus pada interpretasi relasional antara lafaz al-taqwa sebagai penanda dan al-wiqayah sebagai petanda. Kata Kunci: Makna takwa; QS. al-H{ajj: 37; Roland Barthes; Semiotika.

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