Bibliografie tematiche / Soap operas Television programs Television serials

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Letteratura scientifica selezionata sul tema "Soap operas Television programs Television serials"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 16 febbraio 2022

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Articoli di riviste sul tema "Soap operas Television programs Television serials"

1

Arias, Cuauhtémoc Blanco, Greg Haddrick e Gillian Arnold. "Creating Social Reality: Template or Mirror? An Industry Perspective". Media International Australia 106, n. 1 (febbraio 2003): 61–70. http://dx.doi.org/10.1177/1329878x0310600108.

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Abstract (sommario):
While much has been written by academics about television strip serials and telenovelas, a perspective less frequently discussed is that of these programs' writers and creators. What aspects of social realities do the writers, story editors and script producers of soap operas and telenovelas invest in their writing? This article draws together the views of practitioners from three very different backgrounds. Cuauhtémoc Blanco, a leading Mexican writer of telenovelas, Felicity Packard and Greg Haddrick of Home and Away, and Gillian Arnold of Going Home discuss their understanding of the ways they create social reality on television.
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2

Yasir, Yasir. "Ekonomi Politik Eksploitasi Khalayak Sebagai Buruh Dalam Serial Sinetron Tukang Bubur Naik Haji". MIMBAR, Jurnal Sosial dan Pembangunan 31, n. 1 (8 giugno 2015): 191. http://dx.doi.org/10.29313/mimbar.v31i1.1310.

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Television is a very important tool to accumulate the capital. Among many kinds of television programs, soap opera is the most popular and watched by the people. The purpose of this study was to reveal the exploitation of audience who consumes the Tukang Bubur Naik Haji (TBNH) soap opera at RCTI. This research uses a political economy of communication. To collect the data, the researcher used in-depth interview, observation, documentation, and literature study. The result shows that the main audience of this soap opera is dominantly women Moslem. The audience’s activity in consumming was commodified to be exploited by the capital owner. This activity of consuming is also as a main means of production through the rating system to produce the soap opera continuously. So that the audience work as labor to accumulate the capital.
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DAS, SHASWATI. "The Image of Bharatiya Nari as Projected by Indian Television Soap-Operas". Dev Sanskriti Interdisciplinary International Journal 7 (31 gennaio 2016): 72–79. http://dx.doi.org/10.36018/dsiij.v7i0.78.

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Television soaps and serials in private television channels have swept the Indian market in the last few decades. These soap operas have been upholding the socio-cultural patterns of the country through their contents. In the construction of Indian cultural landscape Indian women and their roles in society are the most vulnerable sites. The linkage of national identity and tradition with Indian women’s roles in society places them in a problematic position, given the patriarchal nature of Indian society. Soap operas on Indian television mostly depict women as homely and tradition-bound. Though there are portrayals of educated, professional women but they are also shown to find solace in the family. This paper tries to trace the image of the Indian Woman that has been endorsed by the Indian soap operas since its beginning and in doing so it tries to explore the implications of certain myths and ideologies that drive the story writers and the producers to de-recognize the changes in the contemporary society and to fall back on projecting stereotypical images; thus giving preference to social identity while ignoring individual identity of a woman.
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Cardini, Daniela. "A Slippery Slope". VIEW Journal of European Television History and Culture 6, n. 11 (22 settembre 2017): 22. http://dx.doi.org/10.18146/2213-0969.2017.jethc120.

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Prior to the mid-nineties, Italian television did not produce any soap operas. Daytime serials were imported mainly from the USA. Unexpectedly, the most commercial television genre was produced for the first time by the public service broadcaster: Un posto al sole was aired by RAI in 1996. The commercial competitor Mediaset immediately responded with Vivere in 1998 and CentoVetrine in 2001. Today, Un posto al sole is still on air, while both Mediaset’s soaps were cancelled. The paper will focus on the rise and fall of domestic long-running daytime serials, on the different choices taken by the two competitors and on the perspectives of the genre in Italian schedules.
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Bicer, Ramazan. "The Interactive Relation between Religious TV Programs and People in Turkey". International Journal of Online Pedagogy and Course Design 3, n. 3 (luglio 2013): 76–84. http://dx.doi.org/10.4018/ijopcd.2013070105.

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The aim of the topic is to deal with role of television on the lifestyle of people and their cultural and religious understanding. TV programs will be shown to change according to lifestyle, education and cultural understanding. Nevertheless, television has a great importance on the lifestyle of people. The religious understanding is a part of the lifestyle. Many Turks shape their cultural and religious understanding by watching television. The authors will deal with cultural and religious understanding from a socio-cultural perspective, exemplifying this by two Turkish television programs called 'Ekmek Teknesi' (Means of Livelihood) and 'Sir Kapisi’ (Door to Secret). The authors aim to examine the dimensions of these soap operas in the context of religious education, cultural and theological perspectives.
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Martin, Amaya. "NAJI ATTALLAH’S CREW: STEREOTYPES OF JEWS, ARABS, AND AMERICANS IN EGYPT’S MOST-­‐WATCHED RAMADAN 2012 SOAP OPERA". Levantine Review 4, n. 1 (1 maggio 2015): 8. http://dx.doi.org/10.6017/lev.v4i1.8717.

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Abstract (sommario):
In addition to its strict fasting regiments, observed by practicing Muslims, the month of Ramadan has become known for its high viewership of serialized television programs throughout the Arabic-speaking world. During Ramadan - a month during which millions partake of festive fast breaking (Iftaar) gatherings after sundown - competition among television stations pull all the stops to attract the largest audiences possible, often by offering compelling seasonal soap operas featuring major local and pan-Arab actors.
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Heryanto, Gun Gun. "Ekonomi Politik Media Penyiaran: Rivalitas Idealisme Nilai Islami dan Mekanisme Pasar". Communicatus: Jurnal Ilmu komunikasi 1, n. 1 (25 febbraio 2017): 85–98. http://dx.doi.org/10.15575/cjik.v1i1.1212.

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Broadcast television in Indonesia increasingly prevalent with various packaging program specifically religious character of Islamic events. The programs are varied, ranging from reality shows, soap operas, talk shows, comedy, religious lectures and others. Gait television stations keislama program includes phenomena on one side commendable. Because it could be, exposure (exposure) of a religious program a chance to form a strong impact in most Muslim audiences for media to apply the principles konsonansi. This paper discusses the political economy television relation to public space and the ideals of the Islamic program.
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Ashifa, K. M. "Behavior Analysis Matrix for Women Soap Opera Viewers: A Structural Analysis". GATR Journal of Management and Marketing Review 3, n. 4 (11 dicembre 2018): 206–12. http://dx.doi.org/10.35609/jmmr.2018.3.4(5).

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Abstract (sommario):
Objective - In modern times, soap operas are thought to be a good source of leisure and are considered a powerful medium for propagating specific attitudes, ideas and different cultures within society. They are also useful for educating, informing and entertaining audiences, particularly women and children. The present investigation examines behavioural changes in women who watch soap operas. The Behaviour Analysis Matrix is used to assess changes in socio-cultural, psychological, economic, physiological and functional traits. Methodology/Technique - The present paper develops a global model for behavioural analysis of women who view soap operas using structural equation modelling. Findings - The present SEM model on behavioural analysis of soap opera viewers can be adopted as a global model for intervention. Novelty - The present study is useful for medical personal, social workers, academics and researchers in understanding the positive and negative effects of television shows on women, specifically, whether these serials create attitude changes among modern day women and the extent of the effect of their inter-personal relationships with family members and society. It is believed that this study will assist satellite media personnel in the development of their future programmes with social consciousness. Type of Paper: Empirical Keywords: Structural Equation Modelling; Performance; Socio-cultural Traits; Economical Traits; Psychological Traits; Physiological Traits. JEL Classification: M30, M31, M39.
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Yusuf, Muhamad Fahrudin. "KOMODIFIKASI: CERMIN RETAK AGAMA DI TELEVISI: PERSPEKTIF EKONOMI POLITIK MEDIA". INJECT (Interdisciplinary Journal of Communication) 1, n. 1 (1 giugno 2016): 25. http://dx.doi.org/10.18326/inject.v1i1.25-42.

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Abstract (sommario):
Co-modification of religion has been penetrating on commercial television in Indonesia for long time. The program produced by Indosiar “Mamah dan Aa Beraksi”, “Islam itu Indah” launched by Trans TV, a soap opera entitled “Tukang Bubur Naik Haji” played on RCTI, an Indian serial film entitled “Jodha Akbar” and imported Turkish Film “Abad Kejayaan” played on ANTV, and similar drama entitled “Cermin Kehidupan” played on Trans 7 are some examples of the programs. Based on the observation and writer’s thought, it was found that the preacher, contents of program, even the audiences includethe religion into the program and it was interrupted with capitalism. In the other hand, Religion should be avoided from this case
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Yusuf, Muhamad Fahrudin. "KOMODIFIKASI: CERMIN RETAK AGAMA DI TELEVISI: PERSPEKTIF EKONOMI POLITIK MEDIA". INJECT (Interdisciplinary Journal of Communication) 1, n. 1 (1 giugno 2016): 25. http://dx.doi.org/10.18326/inject.v1i1.672.

Testo completo
Abstract (sommario):
Co-modification of religion has been penetrating on commercial television in Indonesia for long time. The program produced by Indosiar “Mamah dan Aa Beraksi”, “Islam itu Indah” launched by Trans TV, a soap opera entitled “Tukang Bubur Naik Haji” played on RCTI, an Indian serial film entitled “Jodha Akbar” and imported Turkish Film “Abad Kejayaan” played on ANTV, and similar drama entitled “Cermin Kehidupan” played on Trans 7 are some examples of the programs. Based on the observation and writer’s thought, it was found that the preacher, contents of program, even the audiences includethe religion into the program and it was interrupted with capitalism. In the other hand, Religion should be avoided from this case
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Più fonti

Tesi sul tema "Soap operas Television programs Television serials"

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Hernández, Omar Danilo. "A case of global love telenovelas in transnational times /". Access restricted to users with UT Austin EID Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3037498.

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Brown, Mary Ellen. "The colonization of prime time : soaps and the question of pleasure /". Access via Murdoch University Digital Theses Project, 1990. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20061122.154001.

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Livingstone, Sonia M. "Social knowledge and programme structure in representations of television characters". Thesis, University of Oxford, 1987. http://ora.ox.ac.uk/objects/uuid:2adf1878-f117-4c32-870c-9d0ec539bb11.

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Abstract (sommario):
It was argued that the social psychology of person perception, mass communications and cultural studies can be related to viewers' representations of television characters. Mass communications needs to incorporate viewers' interpretations and programme structure. Social cognition could satisfy the former need and cultural studies the latter. A literature review showed little research on viewers' interpretations of television programmes. There is a considerable body of research on person perception, gender stereotypes, the effects of viewing and programme structure. A study of viewers' accounts of viewing soap opera showed that they become involved with the characters and find the programmes realistic. Soap opera plays an important role in their lives. Viewers' representations of soap opera characters were examined using multidimensional scaling. This revealed stable, replicable character representations for Dallas, Coronation Street and EastEnders. The representations were compared with the oppositions which structure the programmes, Implicit Personality Theory and Gender Schema Theory. Dallas characters were represented by themes of morality and power/activity. Power was correlated with gender, with some counter-stereotypic females. Coronation Street characters were organised around morality/potency, gender (matriarchal) and approach to life. This related to person prototypes and contrasted with interaction patterns between characters. EastEnders characters were represented by themes of morality/power, gender and approach to life/centrality. Free descriptions validated the attribute ratings and showed further features of the representation. No socio-structural group differences in representation were found. Viewers' character representations were a constructive integration of programme structure and social knowledge. The application of abstract knowledge to a structured domain was discussed. Textual analysis of a narrative identified the 'role of the reader' and textual openness. This was related to stereotypes, narrative expectancies, myth and character representation. Distinct types of divergence in viewers' interpretations of narrative were discovered. Further, a narrative containing two readings was interpreted in four distinct ways by viewers, depending on their perceived relationships with characters. The conclusions and limitations of the research were discussed. Implications for person perception, stereotyping and textual analysis were examined. A taxonomy of factors relating to the interpretation and representation of television drama was presented.
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McEachern, Charmaine. "Down on the farm : soap opera, rural politics and Thatcherism". Title page, table of contents and synopsis only, 1990. http://web4.library.adelaide.edu.au/theses/09PH/09phm141.pdf.

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Hernández, Omar Danilo. "A case of global love : telenovelas in transnational times". 2001. http://hdl.handle.net/2152/10530.

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Hamburger, Esther I. "Politics and intimacy in Brazilian telenovelas /". 1999. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:9920144.

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Msibi, Bongumusa Collen. "Transvaluative analysis of Zulu terms that relate to women : a case study of a TV drama series, Kwakhalanyonini, with reference to gender stereotypes". Thesis, 1996. http://hdl.handle.net/10413/6173.

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Abstract (sommario):
The aim of this study is to explore the relationship between media, language and gender stereotypes. It assumes that language usage in mass media creates and reproduces gender inequalities. Its main objectives are firstly, to randomly select terms for Zulu women from the chosen TV case study, Kwakhalanyonini. Secondly, selected terms will be analyzed, using the 'transvaluative analysis technique', in order to explain their meaning and hierarchy. This having been done, an attempt will be made to show how the usage of these terms reflect gender stereotypes, by locating women into subordinate positions. A question may well be asked; why Zulu language? I am a native Zulu speaker, with Zulu speaking parents.
Thesis (M.A.)-University of Natal, Durban, 1996.
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Pitout, Magriet. "Televisie en resepsiestudie : 'n analise van kykersinterpretasie van die seep-opera Egoli - Plek van Goud". 1996. http://hdl.handle.net/10500/15793.

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Abstract (sommario):
Hierdie proefskrif is 'n verkennende ondersoek na kykers se interpretasie van die seep-opera Egoli - Piek van Goud. Die basiese vertrekpunt van die studie is die teks-leserontmoeting waar gelyke status aan die boodskap ('n teks) en die ontvanger ('n kyker) gegee word. Uit so 'n ontmoeting ontstaan kykers se interpretasies. Die tweeledige ondersoek plaas die proefskrif binne die teoretiese en metodologiese raamwerk van resepsiestudie om die komplekse interaksie tussen 'n teks en die ontvanger te ondersoek. Die twee komponente word binne spesifieke historiese en kulturele kontekste geplaas, te wete die veranderende politieke en ideologiese klimaat in Suid-Afrika asook die sosio-kulturele en politieke kontekste van die deelnemers. Die deelnemers van hierdie studie is groepe bruin-, swart- en witvroue. Groeponderhoude (fokusgroepe) is met ses groepe vroue tydens hul etensuur by die werkplek gevoer. Die onderhoude is rondom die volgende temas gestruktureer: romanse, identifikasie, parasosiale interaksie, sosiale interaksie, intertekstualiteit en Egoli as 'n forum vir die uitbeelding van Suid-Afrikaanse werklikhede. Kykers se interpretasie van die temas is ontleed aan die hand van referensiele, onderhandelde en kritiese interpretasierame. Daar is gevind dat die verskillende kultuurgroepe in 'n groat mate dieselfde interpretasierame gebruik in hul interpretasie van die verskillende temas. Die opvallendste verskil tussen die groepe is die wyse waarop die deelnemers die tema Egoli as 'n forum vir die uitbeelding van die SuidAfrikaanse werklikhede vertolk: as gevolg van verskillende sosio-kulturele en politieke omstandighede in Suid-Afrika het die deelnemers waarskynlik interpretasierame ontwikkel wat aan daardie omstandighede gekoppel kan word. In die studie is aangetoon dat die hermeneutiek en resepsieteorie nuttige verklarings gee van die elemente in die seep-operateks wat kykersbetrokkenheid stimuleer en die proses van interpretasie. Die proses verloop soos volg: deelnemers het bepaalde verwagtings oor 'n program; hulle moet die uitgebeelde werklikheid(e) herken en die boodskappe dan toe-eien. Hierna word boodskappe 'n kultuur binnegedra deur middel van sosiale diskoers. Die teoretiese onderbou het voorts aan die lig gebring dat deelnemers se interaksie met en interpretasie van Egoli 'n vorm van spel is. Empiriese bewyse is gevind dat die deelnemers op speelse wyse • oor karakters 'skinder'; • spekuleer oor romantiese assosiasie; • met karakters identifiseer; en • parasosiale verhoudings met karakters aanknoop.
Text in Afrikaans
This thesis is an exploratory study of viewers' interpretation of the soap opera Egoli - Place of Gold. The basic point of departure is the text-viewer encounter where equal status is given to the message (text) and the recipient (viewer). Viewers' interpretations develop from this encounter. This dichotomous investigation places the thesis within the theoretical and methodological framework of reception study where the complex interaction between a text and the recipient is examined. The two components are placed within specific historical and cultural contexts, namely the changing political and ideological climate in South Africa, as well as the socio-cultural and political contexts of the participants. The groups participating in this study consisted of coloured, black and white women. Six group interviews (focus groups) were held with these women during their lunch-hour at the workplace. The interviews were structured around the following themes: romance, identification, parasocial interaction, social interaction,intertextuality and Egoli as a forum for the portrayal of South African realities. Viewers' interpretations of these themes were analysed according to referential, negotiated and critical interpretative frames. It was largely found that the various cultural groups use the same interpretative frames to interpret the various themes. The exception was the way participants interpreted Egoli as a forum for the portrayal of South African realities: because of different socio-cultural and political circumstances in South Africa the participants may have developed interpretation frames that could be linked to these circumstances. Hermeneutics and reception theory provide useful explanations of these elements in a soap opera text that stimulate viewers' involvement and the process of interpretation. This process proceeds as follows: participants have specific expectations regarding a programme; they must recognise the realities depicted and then appropriate the messages. Thereafter messages are incorporated into a culture by means of social discourse. A further important theoretical finding was that the participants' interaction with and interpretation of Egoli takes the form of play. It was empirically determined in this study that participants playfully • speculate about romantic association; • engage in gossip about characters; • identify with characters; and • develop parasocial relationships with characters.
Summaries in English and Afrikaans
Communication Science
D. Litt. et Phil. (Communication Science)
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Kohaly, Dawn Felicity. "The Nollybook phenomenon". Diss., 2015. http://hdl.handle.net/10500/19843.

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Galvão, Joana Ramalho Pereira. "O impacto do product placement em telenovelas no comportamento dos consumidores : estudo de caso : sumo Compal Amor Maior". Master's thesis, 2018. http://hdl.handle.net/10400.14/27050.

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Abstract (sommario):
Atualmente, existe uma grande variedade de marcas no mercado, criando-se assim um clima mais competitivo entre elas e é neste âmbito que a aposta na publicidade, por parte das mesmas, é cada vez maior. No entanto, embora ainda se invista muito na publicidade tradicional, cada vez mais surgem alternativas aliciantes para as marcas se promoverem. O product placement, é um exemplo disso e tem-se tornado num grande aliado das marcas, aumentando a sua notoriedade. A inserção desta técnica de comunicação é bastante visível na ficção televisiva, nomeadamente nas telenovelas e nesse sentido, o objetivo desta investigação é perceber o impacto que o product placement, inserido nas telenovelas, exerce nos consumidores, na forma como estes reagem a esta inserção e como percecionam as marcas que apostam nesta forma de comunicação. Para perceber este impacto no comportamento dos consumidores, foi selecionado um estudo de caso: Sumo Compal Amor Maior, conseguindo aferir de forma mais aprofundada em que dimensões ou aspetos é que a técnica de product placement, na telenovela Amor Maior, foi benéfica para a marca Compal. As conclusões obtidas demonstram que cada vez mais as marcas apostam nesta técnica de comunicação, sendo no geral do agrado da maioria dos telespectadores, embora algumas vezes seja considerada pouco natural e demasiado intrusiva. Neste caso específico, da marca Compal, o facto de ter sido inserida numa telenovela em prime-time permitiu chegar a uma grande quantidade de telespectadores, ajudando a marca em termos de notoriedade.
Currently, there is a wide variety of brands in the market, creating a more competitive atmosphere among them and this is why investments on advertising are increasing. However, while much is still being invested in traditional advertising, more and more appealing alternatives are emerging in brand communication. Product placement, is an example of this and has become a great ally of the brands, increasing their notoriety. The use of this technique of communication is frequent in television fiction, namely in soap operas. It is the purpose and, in this sense, the objective of this investigation to assess the impact that product placement, inserted in soap operas, exerts on consumers, the way in which they react to this insertion and how they perceive brands that invest on this form of communication. To understand this impact on consumer behavior, a case study was selected: Compal Amor Maior juice. The specific question to address was in which dimensions or aspects the product placement technique in the soap opera Amor Maior was beneficial to Compal brand. The conclusions reached show that an increasing number of brands are investing on this technique of communication, being generally appreciated by most viewers, although sometimes it is considered unnatural and too intrusive. In this specific case, Compal brand, the fact that it was inserted in a soap opera in prime time allowed the brand to reach a large number of viewers, helping the brand to increase of notoriety.
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Libri sul tema "Soap operas Television programs Television serials"

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Le formule del racconto televisivo: La sovversione del tempo nelle narrative seriali. Milano: Sansoni, 2002.

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Jurga, Martin. Fernsehtextualität und Rezeption. Oplanden: Westdeutscher Verlag, 1999.

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3

Musée de la civilisation (Québec), a cura di. De La famille Plouffe à La petite vie: Les Québécois et leurs téléromans. [Québec]: Musée de la civilisation, 1996.

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4

Telenovela e representação social: Benedito Ruy Barbosa e a representação do popular na telenovela Renascer. Rio de Janeiro: e-papers, 2004.

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5

Kim, In-gyu. Tŭrama sŭk'aendŭl: Drama scandal. Kyŏnggito Koyang-si: Paper Books, 2013.

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6

Speaking of soap operas. Chapel Hill: University of North Carolina Press, 1985.

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Rouverol, Jean. Writing for daytime drama. Boston: Focal Press, 1992.

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The soap opera encyclopedia. New York: Ballantine Books, 1988.

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The soap opera encyclopedia. New York: Ballantine Books, 1985.

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Prime time network serials: Episode guides, casts, and credits for 37 continuing television dramas, 1964-1993. Jefferson, N.C: McFarland & Co., 1997.

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Capitoli di libri sul tema "Soap operas Television programs Television serials"

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"37). Indeed, rumour had it that one of them, En cas de bonheur, was nicknamed En cas de déprogrammation (In Case of Happiness/In Case of Cutting from the Schedules) (Pélégrin 1989: 37). The third and least powerful element in this force field is the British contribution to French TV serial fiction. As the French preference for the high(er) cultural mini-series might lead one to expect, British production is represented by BBC-style middle-brow costume dramas such as The Forsyte Saga, rather than by such soaps as Coronation Street or EastEnders, neither of which had been screened in France when Neighbours opened. This triangular force field of high-gloss prime-time American soaps and high(er) cultural French and British costume and psychological dramas afforded no familiar televisual footholds for a Neighbours. It landed in a limbo, possibly ahead of its time, but certainly lost in 1989. Whereas its register of the everyday proved readily assimilable to the British aesthetic discourse of social realism exemplified by such community-based soaps as Brookside, EastEnders, and even Coronation Street, such a discourse is in France found less in soaps than in quite another genre, the policier. Simultaneously, Neighbours fails to measure up to two key expectations of French television serial fiction: its psychological characterization with psychologically oriented mise-en-scène, and its polished, articulate dialog involving word-games and verbal topping (Bianchi 1990: 100–101). The second and third factors working against Neighbours’s French success are linguistic and to do with television imports. Both the unfamiliarities of the English language and of other Australian televisual product doubtless played their part in Neighbours’s failure in France. Linguistically, France is more chauvinist than such European countries as Holland, Belgium, and Germany, where Australian and British soap operas and mini-series are much more widely screened. And apart from short runs of Young Doctors, A Country Practice, and a few oddball exports, Australian televisual material is known best through the mini-series All the Rivers Run, The Thornbirds, and Return to Eden (which was successful enough on TF1 in 1989 for La Cinq to rescreen it in 1991). This is a far cry from the legion Australian soaps which paved the way for Neighbours in Britain. All in all, the prospects for Neighbours in France were not promising. In the event, as in the USA, it secured no opportunity to build up its audience. Antenne 2 declined to discuss the brevity of its run or its (too) frequent rescheduling. Catherine Humblot, Le Monde’s television commentator, sees a “French mania for change in television scheduling” as a widespread phenomenon: “if a programme has no immediate success, then they move it” (Humblot 1992). Rolande Cousin, the passionate advocate of Neighbours who had previously sold Santa Barbara and Dallas in France, adds that Antenne 2’s lack of confidence in the Australian soap may have been exacerbated by its employment policy of the time of offering golden handshakes to its experienced management and installing young blood. This would have arisen from Antenne 2’s difficulties finding adequate advertising revenue to support its". In To Be Continued..., 127. Routledge, 2002. http://dx.doi.org/10.4324/9780203131855-29.

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