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Tesi sul tema "Space (Art)"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 luglio 2025

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1

Pinsky, Michael. "Space dictates art > art dictates space." Thesis, University of East London, 2000. http://roar.uel.ac.uk/3609/.

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The thesis highlights five projects undertaken during the doctorate. Each project attempts to break down preconceived notions of time and space both physically and politically. For Transparent Room'the gallery's external views are filmed and then projected on a structure within the gallery. This immersive environment allows viewers to reassess their surroundings. Speeding up the films highlights the functionality of the space around the gallery. Progressive enlargement of the films from pictorial to abstract questions the authenticity of the digitally mediated image. In 'Feedback' a room is fi

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2

Vasilenko, Anastasia. "Op-art in the art space." Thesis, Київський національний університет технологій та дизайну, 2020. https://er.knutd.edu.ua/handle/123456789/15275.

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3

Galyna, Agieieva, Агєєва Галина Миколаївна, Агеева Галина Николаевна, Nickolchuk Bogdana S, Нікольчук Богдана Сергіївна, and Никольчук Богдана Сергеевна. "Airports as art-space." Thesis, Natuonal Aviation University, 2019. http://er.nau.edu.ua/handle/NAU/38532.

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1. У Києві літак перетворять в арт-простір. – Access mode: https://styler.rbc.ua/ukr/zhizn/kieve-samolet-prevratyat-art-prostranstvo-1457017654.html 2. Свентах А. «Галерея національної гордості». В аеропорту «Бориспіль» відкрили унікальну виставку робіт відомої української художниці Марії Примаченко. – Access mode: https://kbp.aero/news/galereya-nacionalnoyi-gordosti/ 3. Exposition "Revolution of Dignity. The future is made by free people". – Access mode: https://www.facebook.com/pg/airportboryspil/photos/?ref=page_internal 4. В аэропорту «Борисполь» покажут, как летали знаменитости. – A

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4

King, Barbara Amelia. "Space Art + Space Science a polymathic paradigm shift in the art/science dialogue." Master's thesis, Faculty of Engineering and the Built Environment, 2021. http://hdl.handle.net/11427/32739.

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Perhaps no other field of scientific endeavor has been more influenced by the arts than space exploration. The artistic visions of yesteryear are the technological realities of today. These realities in turn create new possibilities for artistic expression. However, Space Art and Space Science have shared a convoluted history. Their forerunner disciplines of the Humanities and Natural Sciences and their practitioners were entrenched as polar opposites for centuries. Recent research, however, has revealed the reverse; that the psychological profile and the creative processes of artists and scie

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5

Kortenhoeven, Nicola. "Expressive space textile art centre /." Diss., Pretoria : [s.n.], 2005. http://upetd.up.ac.za/thesis/available/etd-05182005-112346.

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6

Fong, Ching-to Solomon, and 方正道. "Metamorphosis of city: art space." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B3198387X.

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7

Fong, Ching-to Solomon. "Metamorphosis of city : art space /." Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25946262.

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8

Floyd, Tiffany. "Mental Space." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2674.

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I create process-oriented, mixed media work in an intuitive manner. I develop compositions by choosing from a wide range of materials and media. I have established a visual vocabulary that I use formally and, on occasion, symbolically to express my personal thoughts. My prints are primarily collagraphs pulled from plates that are constructed using foam, rope, sticks, cardboard, or screen prints. My fiber works are mixed media and often combine soft and stiff fabrics, dyes, pigments, embroidery, quilting, and screen printing. At times I find ways to integrate hard, rigid materials such as ki

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9

Yes, Melissa R. "Space Program." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1494286481799127.

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10

Sand, Monica. "Space in motion : the art of activating space in-between." Doctoral thesis, KTH, Arkitektur, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-4876.

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As a contribution to the emerging field of practice-based research in the arts, this thesis aims to activate space, experience and the concept in-between. As the in-between cannot be defined ahead of the rhythmic process it carries out and of which it is a part – a rhythm inherent in the city itself and in knowledge production – it is necessary to produce rhythmic relations between bodies, sites and concepts. An art experiment, a forty-two meter high swing mounted on the bridge, Älvborgsbron, in Gothenburg harbour, Sweden, serves as the point of entry to the thesis. A dancer in the swing moved

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11

MASSON, MICHEL NUNES LOPES. "SPACE IN THE ART OBJECT EXHIBITION." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2004. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=5715@1.

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O Espaço na Exibição de Obras de Arte é um estudo que visa entender o papel do espaço expositivo nas exibições de obras de arte. Assume sua interferência na fruição das obras como uma ação nos limites do campo do design. Parte de um estudo histórico e social das exibições para construir as bases para suas conjecturas, buscando entender em que medida o design de exibições pode se constituir como linguagem. Para isso, se vale da dicotomia existente nesse espaço, a do espaço neutro e ativo, como um de seus principais pontos de apoio.<br>The Space in Works of Art Exhibition is a study tha

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12

Conklin, Tiffany Renée. "Street Art, Ideology, and Public Space." PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/761.

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The concept of the city has come to play a central role in the practices of a new generation of artists for whom the city is their canvas. Street art is a complex social issue. For decades, its presence has fueled intense debate among residents of modern cities. Street art is considered by some to be a natural expression that exercises a collective right to the city, and by others, it is seen as a destructive attack upon an otherwise clean and orderly society. This research focuses on various forms of street art from the perspective of the urban audience. The general aim is to further an under

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13

Coats, Mary Frances. "Cataloguing space." Thesis, University of Iowa, 2013. https://ir.uiowa.edu/etd/2462.

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Over the course of my time here at Iowa, my work has taken a turn I never anticipated. I will reflect on the reasons for my transition from looking out the window to looking in. Although the work has shifted drastically, my motivations to create have remained the same. I owe the limited understanding I have of these motivations to the reading I engage in alongside my creating. If I had to identify the most seminal books of my time in graduate school, I would single out A Place of My Own, by Michael Pollan and Invisible Cit

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14

Mataraga, Francesca School of Arts UNSW. "The empty space." Awarded by:University of New South Wales. School of Arts, 2007. http://handle.unsw.edu.au/1959.4/31945.

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The Empty Space project aims to explore the interior and exterior space of an object through the use of Perspex. The solidity of the concrete or minimalist art object and the space that it physically occupies will be challenged by the use of visually ambiguous material. Physically solid yet visually transparent or reflective, perspex challenges our perception of solidity - what is internal and what is external. It is by nature a subversive and ambiguous material. The visual transparency of the material contradicts the physical presence of the object it creates. It creates a play between presen

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15

Bundy, Dallin J. "Magical Realism and the Space Between Spaces." DigitalCommons@USU, 2012. https://digitalcommons.usu.edu/etd/1309.

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Magical realism comes from Franz Roh, a german art historian and critic, who first used the term to describe the Post-Expressionism movement in visual art. His seminal writings and definitions on Post-Expressionism, then known as magical realism, were translated into Spanish and made available to Latin America in the mid twentieth century. Authors like Jorge Luis Borges and Gabriel Garcia Marquez adopted Roh's writings and re-appropriated magical realism into literary art, and from there the new genre proliferated through the Latin American Boom and magical realism in literary fiction reached

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16

Terne, Clara. "Space + Poetics." Thesis, Konstfack, Grafisk Design & Illustration, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-123.

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I often ponder over the physical limitations of everyday life. The sense of my body being trapped in the here and now, in being able to imagine so much and experience so little in comparison, and the downhearted disappointment of it all. In my Master project Space + Poetics at Konstfack (2010) I have confronted these issues. I have tried to find ways to bridge the gap between the physical place and the mental space. I strive to create escapes from our rigid surroundings – to create little holes in the everyday where the void creates content.

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17

Valente, Liz Fagundes Oliveira. "Space and art – interrelations between architecture and contemporary art at Inhotim." Universidade Federal de Viçosa, 2016. http://www.locus.ufv.br/handle/123456789/8449.

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Submitted by Reginaldo Soares de Freitas (reginaldo.freitas@ufv.br) on 2016-09-02T13:13:13Z No. of bitstreams: 1 texto completo.pdf: 3929198 bytes, checksum: 97d1e9f437e559874e88219c5ebee761 (MD5)<br>Made available in DSpace on 2016-09-02T13:13:13Z (GMT). No. of bitstreams: 1 texto completo.pdf: 3929198 bytes, checksum: 97d1e9f437e559874e88219c5ebee761 (MD5) Previous issue date: 2016-04-18<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>A presente dissertação é o resultado de uma pesquisa fenomenológica, onde o objeto de pesquisa são as inter-relações entre a arquitetur

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18

Lee, Ileana C. "Living space." Connect to this title online, 1986. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1106598599.

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19

Vahtar, Marta. "Art as integral part of architectural space." Thesis, Massachusetts Institute of Technology, 1993. http://hdl.handle.net/1721.1/70223.

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Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1993.<br>Includes bibliographical references (leaves 93-97).<br>To integrate art with architecture is the intention of every architect. However, many times other requirements overwhelm artistic potential. There are numerous good, simple examples in the history of architecture where solutions to a variety of often functional requirements have produced exceptional artistic expressions, which in tum have inspired contemporary architectural practice. Pre-industrial architecture not only responded to natural conditions

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20

Oketch, Francis Onyango. "Art and conversation : disturbation in public space." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:7b5abb31-0fed-44fb-bcd1-91e1fa96bd58.

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Arthur C. Danto introduced the term “disturbation” in 1985 to denote artworks that confront audiences with the materials of reality in order to produce reactions that are continuous with those of real life. Danto argued that disturbational art dissolve the distance between representation and reality opened up by Platonic metaphysics and by the insertion of theatrical distance, returning art to its mimetic and magical phase. The thesis uses Danto’s conceptual framework to develop a critical account of artworks that use politics as the medium for their disturbational content by creating relation

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21

Krenn, Martin. "The political space in social art practices." Thesis, Ulster University, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.692824.

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This research contributes to knowledge by conceptualising a post-foundational theoretical base to assess the significance of social art practices and their political dimension, whilst allowing, at the same time, for such a foundation to remain permanently contingent. Thereby, I discus the key terms: society, the social and the political in relation to art. In so doing I identify the two main criteria for social art practices namely non-identitarian solidarity and minimal politics which, I argue, constitute and define the possibility for the political in social art practice. The (post-foundatio

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22

Wagner, Julia E. "Cube forms of continuity in space /." Connect to online version, 2008. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2008/291.pdf.

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23

Perego, Federica <1994&gt. "VENICE ART STOPS. Contemporary art in the public space: projects and externalities." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21772.

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This essay investigates the possibilities for a Public Art project in Venice and its feasibility, with an analysis over the positive impact of Contemporary Art and Public Art in the urban environment and transportation system, taking into account the project already done in Naples of the same kind. The paper illustrates the contemporary characteristic of the Public Art sphere and its tight connection to the urban space of the city, defining the interdisciplinary tools between artistic production and urban planning that could be useful to create aesthetic value and social and economic positive

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24

Ouzounian, Gascia. "Sound art and spatial practices situating sound installation art since 1958 /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3291983.

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Thesis (Ph. D.)--University of California, San Diego, 2008.<br>Title from first page of PDF file (viewed May 14, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references P. 359-373.

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25

Reishus, John William. "Demarcating space : barriers and screens." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/864906.

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The problem addressed by the student was the creation of private, separate spaces within a larger area. It was determined that folding screens could be utilized in a variety of settings and situations thereby providing a flexible solution.As the creation of the folding screens progressed, the student was exposed to ideas and motivating concepts within the artworld which influenced him to consider a more sculptural response to the problem. A shift of the emphasis from the purely functional to a viewer oriented. perceptual interaction with the sculptural space was the result; although the sculpt

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26

McComas, Magers Robyn. "Interactions in the space of one tree /." View thesis View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030331.152733/index.html.

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27

Smith, Craig. "Structuring interactivity : space and time in relational art." Thesis, Goldsmiths College (University of London), 2006. http://research.gold.ac.uk/11018/.

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This thesis describes the concepts of space, time and interactivity in Relational Art. Relational Art is an interdisciplinary art practice described by the art critic and curator Nicolas Bourriaud in his book Relational Aesthetics (1998/2002). For Bourriaud, Relational Art consists of a location (space) in which viewers endure a physical encounter with the artist and artworks exhibited (time). Bourriaud describes this encounter as `interactivity; ' a term borrowed from digital aesthetics and 20'h Century performance art to describe `viewer-participation' with artworks. This thesis tests the ca

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28

Higgins, Darcy. "Marked Space: Public Art and the Public Sphere." Ohio University Honors Tutorial College / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1307382998.

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29

Castronovo, Anthony Joseph. "Lift: Public Art and the Activation of Space." The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1418835875.

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30

Lochner, Eben. "The democratisation of art CAP as an alternative art space in South Africa." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002205.

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While formal arts education was inaccessible to many during Apartheid, community-based centres played a significant role in the training of previously disadvantaged artists. By engaging in a socio-political critique of the history of South African art, this thesis argues that even though alternative art spaces are often marginalised, they remain essential to the diversification and democratisation of contemporary South African art today with its re-entry into the international art scene. According to Lize van Robbroeck (2004:52), “some of the fundamental ideals of community arts need to be rev

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31

Mark-Ng, Elsa. "Public Art in Outdoor Space: How Environmental Art Can Influence Notions of Place." Oberlin College Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1559347543553644.

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32

Howell, Amy Beth. "Line, Space and Plane." Kent State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=kent1259177315.

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33

Park, Young Sun. "Defining video space art within video installations in the context of spaces and spectators." Thesis, University of the Arts London, 2005. http://ualresearchonline.arts.ac.uk/2312/.

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This thesis is to introduce and examine Video Space Art as a form of Video Art. Being primarily practice-based research, it offers a theoretical and conceptual framework to find a better understanding for my artistic practices. The thesis studies the classification of Video Art. It contains an extended discussion of the place of Video Space Art in the context of Video Installation. Furthermore, the distinctions are made from Video Sculpture by theorizing space and spectator. The thesis develops the language of Video Installation. It proposes that the two main elements of Video Space Art are sp

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34

McComas, Magers Robyn. "Interactions in the space of one tree." Thesis, View thesis View thesis, 2002. http://handle.uws.edu.au:8081/1959.7/25847.

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This exegesis forms part of a cycle in the author's ongoing journey into the space of one tree, Eucalyptus gummifera. Many previously unchartered zones of experience give rise to experiences which are perceived slowly, with an open mind, in order to communicate an assemblage of experiences, objects and data which have come together to represent a reading of elements of the landscape of the Sydney Basin, one place where Eucalyptus gummifera grows. Each element has a niche within a specific grid of interaction that takes place in this lived environment. The work surveys fields of physical object

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35

Miles, Malcolm Francis Richardson. "Art & social transformation : theories and practices in contemporary art for radical social change." Thesis, Oxford Brookes University, 2000. http://radar.brookes.ac.uk/radar/items/0132de2c-a906-10e2-1e1e-c93c268829e2/1.

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Critical writing on public art in the late 20th century in the UK and USA either legitimized public art as an extension of studio art intended to widen its public, or implied a new relation to public space - as demonstrated in texts by Cork (1995) and Phillips (1988) respectively. This suggests a polarization of art's aesthetic and social dimensions. A deeper understanding of the relation between these dimensions is found in the work of Marcuse, Bloch and Adorno. Marcuse, in his early work, sees art as serving the needs of bourgeois society by displacing ideas of a better world to an independe

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36

Mizrahi, M. X. "Lyrical space : the construction of space in contemporary architecture, art and literature in Argentina." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1425681/.

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This thesis proposes that since 1990 a significant part of contemporary Argentine literature, art and architecture has been characterized by an identifiable quality: spatial lyricism. This new quality manifests in the spatial the aesthetic values that identify the lyric principle, normally related to sound and the verbal. The aim is to define ‘lyrical space’, and to show that space-making processes that validate introspective approaches in literature and visual arts can lead to the emergence of new form and content in architectural space, giving relevance to subjective experience and to the af

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37

Whearty, Lauren Ann. "Making Space: Language, Painting, Poem." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1307394266.

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DeVoe, Timothy D. "Working Space." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/1463.

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By altering the outward appearance of the gallery walls, I address the hidden inner temperaments and characteristics of these seemingly benign facades. Architectural rubble impacts with the gallery space in imagined collisions, exposing and distorting its hidden inner workings and structures. Sometimes my walls grow so fat that they need immediate and temporary structural solutions. They may even slump over in a pathetic heap under their own perceived mass.Using everyday wall building materials like 2x4s and drywall, or even harvesting the material directly from the gallery, I anthropomorphi

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Zuccolo, Michelle University of Ballarat. "Space : contemplating the voids." University of Ballarat, 2006. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/12735.

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This research project into the manipulation of spatial concepts by artists on the two-dimensional surface plane, has involved a selected study into cultural and aesthetic evolution from early civilization through to the present era. I have cast a line of inquiry into eastern, western and primitive art practices, observing the journey of chance accelerated by developments in technology. Traditionally artists utilized modes of spatial convention and techniques according to the specific cultural traditions of the time and place of their production. By contrast, contemporary artists know no such b

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Zuccolo, Michelle. "Space : Contemplating the voids." Thesis, University of Ballarat, 2006. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/31831.

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Abstract (sommario):

This research project into the manipulation of spatial concepts by artists on the two-dimensional surface plane, has involved a selected study into cultural and aesthetic evolution from early civilization through to the present era. I have cast a line of inquiry into eastern, western and primitive art practices, observing the journey of chance accelerated by developments in technology. Traditionally artists utilized modes of spatial convention and techniques according to the specific cultural traditions of the time and place of their production. By contrast, contemporary artists know no such b

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Zuccolo, Michelle. "Space : contemplating the voids." University of Ballarat, 2006. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/16226.

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Abstract (sommario):

This research project into the manipulation of spatial concepts by artists on the two-dimensional surface plane, has involved a selected study into cultural and aesthetic evolution from early civilization through to the present era. I have cast a line of inquiry into eastern, western and primitive art practices, observing the journey of chance accelerated by developments in technology. Traditionally artists utilized modes of spatial convention and techniques according to the specific cultural traditions of the time and place of their production. By contrast, contemporary artists know no such b

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42

Pitman, Krista Chandler. "Understanding space the conceptualization and evaluation of display in Dia:Beacon /." Birmingham, Ala. : University of Alabama at Birmingham, 2007. https://www.mhsl.uab.edu/dt/2007m/pitman.pdf.

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43

Baum, Michael B. "Boundaries notions of land, space, and memory /." Pullman, Wash. : Washington State University, 2010. http://www.dissertations.wsu.edu/Thesis/Spring2010/m_baum_041610.pdf.

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44

Hall, Jennifer A. "The human interface in three dimensional computer art space." Thesis, Massachusetts Institute of Technology, 1985. http://hdl.handle.net/1721.1/74325.

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Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1986.<br>MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH<br>Bibliography: leaves 61-68.<br>by Jennifer A. Hall.<br>M.S.V.S.

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Doyle, Denise. "Art and the imagination in avatar-mediated online space." Thesis, University of East London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.536629.

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46

Cerna, Peter J., Pamela R. Klein, and Joy Mullett. "THE ART OF INTERNATIONAL SPACE STATION TELEMETRY BANDWIDTH MANAGEMENT." International Foundation for Telemetering, 2001. http://hdl.handle.net/10150/607670.

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International Telemetering Conference Proceedings / October 22-25, 2001 / Riviera Hotel and Convention Center, Las Vegas, Nevada<br>The technicalities of sharing telemetry bandwidth have been addressed in design and specification for the builders of the International Space Station. But success in sharing bandwidth comes from building relationships, documenting guidelines, negotiating, understanding human nature, peer review and willingness to participate in an evolving process. The station, 240 miles above Earth, moves through space at 17,000 mph, has its mass added to by humans and machines,

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47

Karle, Ryan. "Leveraging Sound, Space and Visual Art in an Installation." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/cmc_theses/1460.

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Because of my distrust for self-expression through verbal language, my pursuit thus far in art has been to discover a satisfactory means of self-expression. In study of the work I’ve created across all mediums, through poetry, music and visual art, this desire for a satisfactory outlet of self-expression has resulted in a drive to create meaning through combining mediums. Throughout this semester, my interest in mixed mediums has resulted largely in experimentation with the combination of music and visual art, as well as exploring the standalone merit of each. This also entails a study of thei

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Douglas, Susan J. (Susan Jane) Carleton University Dissertation Canadian Studies. "Architectural referents in Canadian art: a question of space." Ottawa, 1991.

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49

Eriksson, Kajsa G. "Concrete fashion : dress, art, and engagement in public space /." Göteborg : HDK, School of Design and Crafts, Faculty of Fine, Applied and Performing Arts, University of Gothenburg, 2009. http://hdl.handle.net/2077/21545.

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50

West, Katie. "A Space for the Contemplation of a Sacred Subject." BYU ScholarsArchive, 2015. https://scholarsarchive.byu.edu/etd/5792.

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This paper discusses a Fine Art Master thesis exhibition. The show was on the topic of the Latter-day Saint doctrine of a Mother in Heaven. It contains a project statement detailing the theological meanings and reasons, an overview of the visual elements of the exhibition, and a section contextualizing the exhibition within the art world.

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