Bibliografie tematiche / Stereoscopic photography

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Letteratura scientifica selezionata sul tema "Stereoscopic photography"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 29 luglio 2024

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Articoli di riviste sul tema "Stereoscopic photography"

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Šejbl, Jan. "Čína ve třech rozměrech. Nejstarší fotografie z Číny ve sbírce stereoskopů Náprstkova muzea v Praze." Muzeum Muzejní a vlastivedná práce 60, no. 1 (2022): 14–27. http://dx.doi.org/10.37520/mmvp.2022.003.

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The study deals with the representation of photographs from China in the Náprstek Museum’s stereoscope collection. A brief summary of the historical development of the Náprstek Museum’s photographic collections and the phenomenon of stereoscopic photography in the 19th century is followed by the results of a survey itself. The images were categorised by an authorship and analysed both technically and thematically. It turned out that the stereoscope collection contains the oldest photographs of China, which can be dated to the turn of the 1850’s and 1860’s.
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Klahr, Douglas M. "Stereoscopic Architectural Photography and Merleau-Ponty’s Phenomenology." ZARCH, no. 9 (December 4, 2017): 84–105. http://dx.doi.org/10.26754/ojs_zarch/zarch.201792269.

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Stereoscopic photography utilizes dual camera lenses that are placed at approximately the interocular distance of human beings in order to replicate the slight difference between what each eye sees and therefore the effect of parallax. The pair of images that results is then viewed through a stereoscope. By adjusting the device, the user eventually sees the two photographs merge into a single one that has receding planes of depth, often producing a vivid illusion of intense depth. Stereoscopy was used by photographers throughout the second half of the Nineteenth Century to document every build
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Wade, Nicholas J. "On Stereoscopic Art." i-Perception 12, no. 3 (May 2021): 204166952110071. http://dx.doi.org/10.1177/20416695211007146.

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Pictorial art is typically viewed with two eyes, but it is not binocular in the sense that it requires two eyes to appreciate the art. Two-dimensional representational art works allude to depth that they do not contain, and a variety of stratagems is enlisted to convey the impression that surfaces on the picture plane are at different distances from the viewer. With the invention of the stereoscope by Wheatstone in the 1830s, it was possible to produce two pictures with defined horizontal disparities between them to create a novel impression of depth. Stereoscopy and photography were made publ
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Pavlov, V. I. "Aerial photography of the water area." Geodesy and Cartography 956, no. 2 (March 20, 2020): 18–24. http://dx.doi.org/10.22389/0016-7126-2020-956-2-18-24.

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During the development of water resources the characteristics of excitement, direction, and flow velocity, depth, points of bottom, temperature and chemical composition of water is to be taken into account. Some of these indicators are determined through the results of measuring single aerial photographs and their stereoscopic pairs. Making aerial photography (APS) of water surface on technology for topographic land survey enables obtaining only single overlapping aerial photographs, as the water surface is in constant motion. Stereoscopic pairs of aerial photographs can be obtained if photogr
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Sommer, Bjorn. "Hybrid Stereoscopic Photography - Analogue Stereo Photography meets the Digital Age with the StereoCompass app." Electronic Imaging 2021, no. 2 (January 18, 2021): 58–1. http://dx.doi.org/10.2352/issn.2470-1173.2021.2.sda-058.

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Stereoscopic photography has a long history which started just a few years after the first known photo was taken: 1849 Sir David Brewster introduced the first binocular camera. Whereas mobile photography is omnipresent because of the wide distribution of smart phones, stereoscopic photography is only used by a very small set of enthusiasts or professional (stereo) photographers. One important aspect of professional stereoscopic photography is that the required technology is usually quite expensive. Here, we present an alternative approach, uniting easily affordable vintage analogue SLR cameras
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Hoffman, Jesse. "ARTHUR HALLAM’S SPIRIT PHOTOGRAPH AND TENNYSON’S ELEGIAC TRACE." Victorian Literature and Culture 42, no. 4 (September 19, 2014): 611–36. http://dx.doi.org/10.1017/s1060150314000229.

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Blanche Warre Cornish's 1921–22tripartite memoir, “Memories of Tennyson,” begins in 1869 when she meets the poet by way of her parents’ friendship with Tennyson's neighbor, the photographer Julia Margaret Cameron (145) (Figure 1). The photograph that Cornish recalls as “psychophotography” is one instance of a trend in Victorian England of spirit photography that was first practiced around 1872 after it was imported from America, where William Mumler had developed it (Tucker 68; Doyle 2: 128). Reactions to these spirit photographs took various forms: while some viewers regarded them as a credib
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Häsler, Leonie. "Stereo Imaging In Fashion Photography." Networking Knowledge: Journal of the MeCCSA Postgraduate Network 11, no. 1 (April 30, 2018): 38–55. http://dx.doi.org/10.31165/nk.2018.111.528.

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Fashion photographs are generally two-dimensional images showing one side of a three-dimensional model. This paper, however, deals with far less well-known stereoscopic fashion photographs. Stereoscopy is a technique that creates the illusion of a 3-D image. Based on the image collection of Swiss textile and clothes company HANRO, the article analyzes the composition of 3-D pictures by putting them in a broader media-historical context. The archived stereoscopic photographs date back to the 1950s and show a series of women’s fashion. In the same period, Hollywood experienced a 3-D-boom that ma
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Kyram, Dan. "Early stereoscopic photography in Palestine." History of Photography 19, no. 3 (September 1995): 228–30. http://dx.doi.org/10.1080/03087298.1995.10443560.

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Nicholson, Paul T. "Three-dimensional imaging in archaeology: its history and future." Antiquity 75, no. 288 (June 2001): 402–9. http://dx.doi.org/10.1017/s0003598x00061056.

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Whilst digital cameras and computer graphics are starting to be used in archaeological recording, stereoscopic photography tends to be overlooked. This technique has been used successfully in three recent projects and could be beneficial as a means of 3D photographic recording.
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Sturm, Robert. "Stereoscopic Photography in Transmitted Light Microscopy." Microscopy Today 25, no. 4 (July 2017): 46–49. http://dx.doi.org/10.1017/s1551929517000621.

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Tesi sul tema "Stereoscopic photography"

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Selmanovic, Elmedin. "Stereoscopic high dynamic range imaging." Thesis, University of Warwick, 2013. http://wrap.warwick.ac.uk/58125/.

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Two modern technologies show promise to dramatically increase immersion in virtual environments. Stereoscopic imaging captures two images representing the views of both eyes and allows for better depth perception. High dynamic range (HDR) imaging accurately represents real world lighting as opposed to traditional low dynamic range (LDR) imaging. HDR provides a better contrast and more natural looking scenes. The combination of the two technologies in order to gain advantages of both has been, until now, mostly unexplored due to the current limitations in the imaging pipeline. This thesis revie
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Prentice, Helen Jane. "Development of stereoscopic speckle photography techniques for studies of dynamic plate deformation." Thesis, University of Cambridge, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.614341.

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Nadella, Suman. "Multi camera stereo and tracking patient motion for SPECT scanning systems." Link to electronic thesis, 2005. http://www.wpi.edu/Pubs/ETD/Available/etd-082905-161037/.

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Thesis (M.S.)--Worcester Polytechnic Institute.<br>Keywords: Feature matching in multiple cameras; Multi camera stereo computation; Patient Motion Tracking; SPECT Imaging Includes bibliographical references. (p.84-88)
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Ivanov, Georgi. "Freedom of Interpretation." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2808.

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The photographic series Ideal Cities that I started in 2011 is inspired by the conflict between my idea of the “west” and my evolving experience in the United States. What struck me was the popularity of what I see as model experience – a spatial experience controlled by the Spectacle. In the terms of the Situationist International and its most prominent figure Guy Debord, the Spectacle is the collapse of reality into the streams of images, products and activities sanctioned by centralized monopolist business or state bureaucracy. Thus, personal experience is replaced with preconceived notions
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Schemali, Leila. "Interaction, édition et visualisation stéréoscopiques." Electronic Thesis or Diss., Paris, ENST, 2015. http://www.theses.fr/2015ENST0007.

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Abstract (sommario):
La stéréoscopie s’est développée depuis plus de 150 ans à travers la photographie,les films, la réalité virtuelle et la visualisation scientifique. L’affichage de données stéréoscopiques estaujourd’hui de bien meilleure qualité et le contenu ainsi que les écrans stéréoscopiques sont accessiblesà un large public. De plus, la stéréoscopie est un élément essentiel dans la compréhension d’un modèle3D, notamment dans le cadre de l’enseignement ou de la visualisation de modèles médicaux. Elle permetégalement d’appuyer le message véhiculé par une image. Utilisée à des fins artistiques, la stéréoscopi
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Ebel, Sarah C. "Selling and stereoscopy reading "A Visit to Sears, Roebuck & Co." /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 88 p, 2007. http://proquest.umi.com/pqdweb?did=1338865461&sid=1&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Fernandes, Sandro Roberto. "Ferramenta de visão computacional para processos fotogramétricos." Universidade do Estado do Rio de Janeiro, 2008. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=718.

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Nesta dissertação é apresentado o desenvolvimento de uma ferramenta computacional para o processamento de pares de imagens estereoscópicas obtidos por câmeras aéreas métricas e não métricas. O programa foi desenvolvido na linguagem C++ e foi utilizado a biblioteca OpenGL. O resultado obtido é uma imagem tridimensional de onde pode ser extraídas cotas de altura e formas de terreno. Estas imagens poderão ser usadas no estudo de áreas de risco em encostas.<br>In this dissertation is presented the development of a computational tool for the processing of pairs of images estereoscópicas obtained by
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Bughin, Eric. "Towards automated, precise and validated vectorisation of disparity maps in urban satellites stereoscopy." Phd thesis, École normale supérieure de Cachan - ENS Cachan, 2011. http://tel.archives-ouvertes.fr/tel-00653875.

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Cette thèse se porte sur la segmentation affine par régions des cartes de profondeurs obtenues par stéréoscopie en milieu urbain.Cette détection est constituée de 3 étapes.Tout d'abord, un modèle statistique a contrario est introduit afin de déterminer de manière automatique la valeur de certains paramètres courants dans ce genre de problèmes: seuil de validation d'un groupe comme plan, seuil de rejet des points aberrants. Ce modèle permet de plus la comparaison de plusieurs solutions.Dans un second temps, un algorithme glouton est proposé pour obtenir la segmentation plane par morceaux y comp
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Hennlich, Andrew Joseph. "(un)Fixing the Eye : William Kentridge and the optics of witness." Thesis, University of Manchester, 2011. https://www.research.manchester.ac.uk/portal/en/theses/unfixing-the-eye-william-kentridge-and-the-optics-of-witness(9d9a31ed-43b8-4f5a-9121-8b98cc7e7fde).html.

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South African artist William Kentridge's (b. 1955) work frequently employs optical tools, such as the stereoscope, to highlight the contingency and instability of witness. These visual tools become metaphors for the process of historicization in post-apartheid South Africa. Kentridge is best known for his animations that are filmed by drawing with charcoal, photographing, erasing, redrawing and photographing again, leaving a palimpsest of previous traces on the paper's surface. Kentridge's prints, drawings, puppetry, theatrical projects and performances are also addressed in (un)Fixing the Eye
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Heinz, Marcel. "Kalibrierverfahren und optimierte Bildverarbeitung für Multiprojektorsysteme." Doctoral thesis, Universitätsbibliothek Chemnitz, 2013. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-qucosa-129508.

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Gegenstand der vorliegenden Dissertation ist die Entwicklung von Kalibrierverfahren und Algorithmen zur Bildverarbeitung im Kontext von Multiprojektorsystemen mit dem Ziel, die Einsatzmöglichkeiten von derartigen Anlagen zu erweitern und die Nutzerakzeptanz solcher Systeme zu steigern. Die Arbeit konzentriert sich dabei insbesondere auf (annähernd) planare Mehrsegment-Projektionsanlagen, die aus preisgünstigen, nicht speziell für den Visualisierungbereich konzipierten Consumer- und Office-Projektoren aufgebaut werden. Im ersten Teil der Arbeit werden bestehende Verfahren zur geometrischen Kali
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Libri sul tema "Stereoscopic photography"

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Knuchel, Hans. Stereo. Baden: L. Müller, 1990.

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Knuchel, Hans. Flatlands: Stereo pictures. Baden: L. Müller, 1995.

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Pellerin, Denis. La photographie stéréoscopique sous le second Empire. Paris: Bibliothèque nationale de France, 1995.

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Palmquist, Peter E. Return to El Dorado: A century of California stereographs from the collection of Peter Palmquist. Riverside, CA: California Museum of Photography, University of California, 1986.

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Kuzʹmichev, Kirill. Tretʹe izmerenie: Rossii︠a︡ Aleksandra II vo frant︠s︡uzskoĭ stereofotografii. Sankt-Peterburg: "Izdatelʹstvo Kriga", 2018.

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Sanguin, Joseph. Photographies, 1860-1903. Saint-Chamas: Les Amis du Vieux Saint-Chamas, 1995.

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Przybyło, Jerzy. Kraków przez uchylone drzwi: Stereoskopowy obraz miasta na zdjęciach z XIX i XX wieku. Kraków: Towarzystwo Autorów i Wydawców Prac Naukowych "Universitas", 2019.

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(Paris, France) Stéréo-club français. Images en relief d'aujourd'hui: Une collection des meilleures images stéréoscopiques des photographes du Stéréo-club français. Sommières: Romain pages, 2003.

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Kuzmichev, Kirill. The third dimension: Russia of Alexander II in the French stereography. [United States?]: www.stereoviewme, 2017.

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A, Dudnikov I͡U. Rastrovye sistemy dli͡a poluchenii͡a obʺemnykh izobrazheniĭ. Moskva: "Mashinostroenie," Leningradskoe otd-nie, 1986.

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Capitoli di libri sul tema "Stereoscopic photography"

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Kontou, Tatiana, Victoria Mills, and Richard Menke. "Stereoscope and stereoscopic photography." In Victorian Material Culture, 259–68. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315400303-58.

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Wigoder, Meir. "The Surface-Depth of Photography’s Stereoscopic Imagination." In Photography and Imagination, 15–35. New York, NY: Routledge, 2020. | Series: Routledge history of photography: Routledge, 2019. http://dx.doi.org/10.4324/9780429457005-2.

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Lee, Yu-Hua, and Tai-Pao Chuang. "Finding Object Depth Using Stereoscopic Photography." In Algorithms and Architectures for Parallel Processing, 651–60. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-03095-6_61.

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Chen, Xv, Xi-Cai Li, Bang-Peng Xiao, and Yuan-Qing Wang. "Research on Production of Stereoscopic UAV Aerial Photography Based on Optical Flow Image Migration Technology." In Advances in 3D Image and Graphics Representation, Analysis, Computing and Information Technology, 297–306. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-3863-6_33.

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Potter, Jonathan. "“Hocus Focus”: The Stereoscope and Photography." In Discourses of Vision in Nineteenth-Century Britain, 145–82. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-89737-0_6.

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Marchesini, Ivan, Michele Santangelo, Federica Fiorucci, Mauro Cardinali, Mauro Rossi, Francesco Bucci, and Fausto Guzzetti. "TXT-tool 1.039-1.2 Bedding Attitude Information Through the Interpretation of Stereoscopic Aerial Photographs and GIS Modeling." In Landslide Dynamics: ISDR-ICL Landslide Interactive Teaching Tools, 175–86. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57774-6_13.

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"Stereoscopic (3D) photography." In Scientific Photography and Applied Imaging, 272–94. Routledge, 1999. http://dx.doi.org/10.4324/9780080516707-23.

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"Principles of Stereoscopic Vision." In Aerial Photography and Image Interpretation, 44–67. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2012. http://dx.doi.org/10.1002/9781118110997.ch3.

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"That ‘spoof of visibility’: stereoscopic ‘realism’ in Stephen Hero to Finnegans Wake." In James Joyce and Photography. Bloomsbury Academic, 2022. http://dx.doi.org/10.5040/9781350136991.ch-002.

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"Introduction – Stereoscopic visions: reading colonial and contemporary African photography." In Photography in and out of Africa, 15–25. Routledge, 2018. http://dx.doi.org/10.4324/9781315667485-7.

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Atti di convegni sul tema "Stereoscopic photography"

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Ferreira, Michel, Hugo Conceição, Ricardo Fernandes, and Ozan K. Tonguz. "Stereoscopic aerial photography." In the sixth ACM international workshop. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1614269.1614279.

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Toeppen, John, and David Sykes. "Digital stereoscopic photography using StereoData Maker." In IS&T/SPIE Electronic Imaging, edited by Andrew J. Woods, Nicolas S. Holliman, and John O. Merritt. SPIE, 2009. http://dx.doi.org/10.1117/12.807422.

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Albe, Felix, and Paul Smigielski. "Stereoscopic holographic cinematography." In 19th Intl Congress on High-Speed Photography and Photonics, edited by Peter W. W. Fuller. SPIE, 1991. http://dx.doi.org/10.1117/12.23947.

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Wang, Jian, Tianfan Xue, Jonathan T. Barron, and Jiawen Chen. "Stereoscopic Dark Flash for Low-light Photography." In 2019 IEEE International Conference on Computational Photography (ICCP). IEEE, 2019. http://dx.doi.org/10.1109/iccphot.2019.8747337.

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Wang, Lei, Zining Zhen, Xiaolin Zhang, and Makoto Sato. "Adaptive camera control method for efficient stereoscopic photography." In 2016 IEEE International Conference on Industrial Technology (ICIT). IEEE, 2016. http://dx.doi.org/10.1109/icit.2016.7474840.

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László, Noémi, and Pál Tóth. "3D Reconstruction of Turbulent Flames by Stereoscopic Photography." In MultiScience - XXIX. microCAD International Multidisciplinary Scientific Conference. University of Miskolc, 2015. http://dx.doi.org/10.26649/musci.2015.022.

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Ferreira, Michel, Hugo Conceicao, Ricardo Fernandes, and O. K. Tonguz. "Urban Connectivity Analysis of VANETs through Stereoscopic Aerial Photography." In 2009 IEEE Vehicular Technology Conference (VTC 2009-Fall). IEEE, 2009. http://dx.doi.org/10.1109/vetecf.2009.5378962.

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Niu, Yuzhen, Qingyang Zheng, Wenxi Liu, and Wenzhong Guo. "Recurrent Enhancement of Visual Comfort for Casual Stereoscopic Photography." In 2020 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). IEEE, 2020. http://dx.doi.org/10.1109/vr46266.2020.00061.

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Niu, Yuzhen, Qingyang Zheng, Wenxi Liu, and Wenzhong Guo. "Recurrent Enhancement of Visual Comfort for Casual Stereoscopic Photography." In 2020 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). IEEE, 2020. http://dx.doi.org/10.1109/vr46266.2020.1580821588705.

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Murynin, Alexander B., Ivan A. Matveev, and Victor D. Kuznetsov. "Automatic stereoscopic system for person recognition." In Twenty-Third International Congress on High-Speed Photography and Photonics, edited by Valentina P. Degtyareva, Mikhail A. Monastyrski, Mikhail Y. Schelev, and Alexander V. Smirnov. SPIE, 1999. http://dx.doi.org/10.1117/12.350520.

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Rapporti di organizzazioni sul tema "Stereoscopic photography"

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Frazier, John W., Joe W. McDaniel, Vance D. Skowronski, Nilss M. Aume, and Donald F. Stewart. Body Displacement Measured during Sustained +GZ, -GZ and + or -GY Acceleration Using a Stereoscopic Photographic System. Fort Belvoir, VA: Defense Technical Information Center, March 1988. http://dx.doi.org/10.21236/ada197988.

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