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Letteratura scientifica selezionata sul tema "Theater"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 luglio 2025

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Articoli di riviste sul tema "Theater"

Zabalueva, Tatiana, and Arkady Zakharov. "Formation of adaptive spaces: a technological transformation of theater architecture." Revista Gestão & Tecnologia 24, Special (2024): 39–59. https://doi.org/10.20397/2177-6652/2024.v24i00.2761.

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Objective: The article explores the historical evolution and technological transformation of theater architecture. The primary goal is to analyze how technological advancements and changing societal needs have impacted the design and functionality of theaters across different periods and regions. Methods: The study uses a historical retrospective approach, comparative analysis, and architectural documentation to trace the transformation of theater architecture. Data was gathered through the examination of historical records, architectural plans, and modern theater projects. The integration of

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Veksler, Asya F. "Nadezhda Bromley and Boris Sushkevich: Actors, Directors, Vakhtangov Followers (Materials for a Creative Biography)." Observatory of Culture 17, no. 5 (2020): 526–37. http://dx.doi.org/10.25281/2072-3156-2020-17-5-526-537.

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Boris Sushkevich and Nadezhda Bromley (Sushkevich-Bromley) are remarkable theatrical figures, actors and directors whose lot was connected with the bright and dramatic periods of our country’s theatrical life from the beginning to the middle of the 20th century. They devoted a part of their professional life to the 1st Studio of the Moscow Art Theatre (from 1919 — Moscow Art Academic Theatre), which later became a separate theater (Moscow Art Academic Theatre II, 1924—1936). Since the middle of the 1930s, they worked in leading Leningrad theaters — the Leningrad State Academic Drama Theater (A

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Morozova, Irina Pavlovna. "Theatre activity in the southern Urals at the initial period of the thaw." Samara Journal of Science 6, no. 4 (2017): 169–73. http://dx.doi.org/10.17816/snv201764211.

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The paper deals with the problems of theatre activity development in the southern Urals at the initial period of the thaw. The research objective is to define what changes happened in the theatre activity in the Southern Urals after Stalins repressions in 1953-1964. For the research the author used periodicals, archival documents, books about the theater. The research has shown that after Stalins personality cult exposure there were big theater changes in the southern Urals. People became more interested in the theatre. It was in Bashkiria where the theater developed greatly. The paper examine

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Gbè, Junias. "Novarina’s Theatre: The Revolution of the Word or the Decline of the Body." Uirtus 3, no. 2 (2023): 203. https://doi.org/10.59384/uirtus.2023.2696.

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The 1950s marked a decisive turning point in contemporary French dramaturgy. Indeed Samuel, Beckett, Ionesco, Jean Genet, to name but a few, incorporate new theatrical writing techniques centered on the body and speech. The rules of traditional theater are put in the drawer to make way for a theater that wants to be revolutionary with the inert body, the disarticulated dialogical discourse, the drama disappears, the characters without psychology. Clearly certain theaters that disavow classical theatre. It is in this vein of Valère Novarina to revolutionize this theatrical technique while addin

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Piddubnyi, Ihor. "Theatrical activities in Bukovyna during World War II (1941-1944)." Scientific Papers of the Kamianets-Podilskyi National Ivan Ohiienko University. History 42 (January 12, 2024): 297–321. http://dx.doi.org/10.32626/2309-2254.2023-42.297-321.

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The purpose of the study is to analyze the conditions of theater activities in Bukovyna during the German-Soviet war, based on the available sources and existing developments of theater history researchers. The methodology of the study is based on the principles of historicism, objectivity, system and the use of methods of analysis and synthesis, problem-chronological, biographical, historical-genetic ones. The scientific novelty lies in the fact that for the first time in Ukrainian historiography, the state of theatre activities during World War II, specifically the period of the German-Sovie

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Agaeva, Ekaterina V., Tikhon S. Sergeev, and Renata V. Mikhailova. "THE PROBLEM OF TRAINING THEATER PERSONNEL FOR CHUVASHIA IN THE 20–30s OF THE XX CENTURY." Vestnik Chuvashskogo universiteta, no. 2 (June 25, 2021): 5–10. http://dx.doi.org/10.47026/1810-1909-2021-2-5-10.

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In the 1920s Chuvashia was developing rapidly, and the growth in the number of cultural institutions was observed. The cadres of the creative intelligentsia were in demand, but there were no field-oriented specialized educational institutions in the republic. The issue of training specialists began to be dealt with at the level of state and party bodies. One of the first to open was the theater studio, which gave the opportunity to strengthen the staff of two republican theaters. Moderate funding allocated to support the theater arts, and the entire culture as a whole, of course affected its q

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Khubulova, Svetlana. "FORMATION OF THE NEW THEATER IN TIMES OF THE REVOLUTION AND CIVIL WAR ON TEREK." History, Archeology and Ethnography of the Caucasus 15, no. 1 (2019): 22–27. http://dx.doi.org/10.32653/ch15122-27.

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Abstract. The article is devoted to the problem of the state of theatre life in the Terek region in 1917-1920, which is little studied in the regional historiography. The author introduces into the scientific circulation a corpus of new archival documents, which makes it possible to reconstruct the main activities of local theaters, to consider the influence of Moscow touring groups on the theatrical repertoire and audience preferences in the Terek region. The author dwelled on the difficulties experienced by theater companies in the difficult conditions of the revolution, the Civil War and th

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Szuster, Magdalena. "Theater Without a Script—Improvisation and the Experimental Stage of the Early Mid-Twentieth Century in the United States." Text Matters, no. 9 (December 30, 2019): 374–92. http://dx.doi.org/10.18778/2083-2931.09.23.

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It was in the mid-twentieth century that the independent theatrical form based entirely on improvisation, known now as improvisational/improvised theatre, impro or improv, came into existence and took shape. Viola Spolin, the intellectual and the logician behind the improvisational movement, first used her improvised games as a WPA worker running theater classes for underprivileged youth in Chicago in 1939. But it was not until 1955 that her son, Paul Sills, together with a college theater group, the Compass Players, used Spolin’s games on stage. In the 1970s Sills made the format famous with

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Lkhagvasuren, Damdinsuren, and Batsaikhan Dashdondog. "On the issue of establishing the origins of the State Academic Opera and Ballet Theater." Mongolian Journal of Arts and Culture 25, no. 49 (2024): 122–30. https://doi.org/10.69561/mjac.v25i49.3835.

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The State Central Theater, founded in 1931, was a traditional drama theater. In 1943, the theater was renamed the State Musical Drama Theater. In 1963, the party and government decided to reorganize the theater into two new professional theaters: the Opera and Ballet Theater and the Drama Theater, and the theater was divided into two independent theaters. The current Academic Opera and Ballet Theater (ADBOT) has been counting its age since 1963, which is a mistake. However, it is reasonable and historically significant to start counting its age from 1943, when the Musical Theater was founded.

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Agratina, Elena E. "Jean-Honoré Fragonard’s Work and the Theatre Culture of the 18th Century." Observatory of Culture 16, no. 4 (2019): 406–17. http://dx.doi.org/10.25281/2072-3156-2019-16-4-406-417.

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The article, for the first time, examines the work of the master of the 18th century Jean-Honoré Fragonard (1732—1806) within the context of the theatre culture of that time. Being a student of François Boucher (1703—1770), who was working as a theater decorator for a long time, Fragonard from his youth had the opportunity to join the world of theater. The painter’s passion for the stage greatly influenced the thematic and figurative composition of his works. Early historical paintings of Fragonard, such as “Jeroboam Sacrificing to Idols” (1752, School of Fine Arts, Paris), were create

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Più fonti

Tesi sul tema "Theater"

Recklies, Donald F. "Spectacle and illusion : the mechanics of the horse race on the theatrical stage, 1883-1923 /." The Ohio State University, 1985. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487259580263868.

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Fantasia, Josephine Vita. "Entrepreneurs, empires and pantomimes : J. C. Williamson's pantomime productions as a site to review the cultural construction of an Australian theatre industry, 1882 to 1914." Thesis, The University of Sydney, 1996. http://hdl.handle.net/2123/1617.

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'Entrepreneurs, Empires and Pantomimes' examines how Williamson influenced the form and content of one theatrical genre within his theatrical empire between 1882 and 1914. As the frontispiece signals in spectacular fashion, the pantomime was a vitally popular dramatic form. I believe that my findings have serious implcations for the formation of an Australian theatre industry with regard to the 'development'of Australian drama. Ironically, as J.W. Gough points out in 'The Rise of the Entrepreneur' (1969), the word 'entrepreneur' first appeared in the 'Oxford English Dictionary' in 1897 as refe

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Fantasia, Josephine Vita. "Entrepreneurs, empires and pantomimes : J. C. Williamson's pantomime productions as a site to review the cultural construction of an Australian theatre industry, 1882 to 1914." University of Sydney, 1996. http://hdl.handle.net/2123/1617.

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Doctor of Philosophy<br>'Entrepreneurs, Empires and Pantomimes' examines how Williamson influenced the form and content of one theatrical genre within his theatrical empire between 1882 and 1914. As the frontispiece signals in spectacular fashion, the pantomime was a vitally popular dramatic form. I believe that my findings have serious implcations for the formation of an Australian theatre industry with regard to the 'development'of Australian drama. Ironically, as J.W. Gough points out in 'The Rise of the Entrepreneur' (1969), the word 'entrepreneur' first appeared in the 'Oxford English Dic

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Metzger, Stephanie. "Theater und Fiktion : Spielräume des Fiktiven in Inszenierungen der Gegenwart /." Bielefeld : Transcript, 2010. http://deposit.d-nb.de/cgi-bin/dokserv?id=3391365&prov=M&dok_var=1&dok_ext=htm.

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Crouch, Kristin A. "Shared Experience Theatre exploring the boundaries of performance /." Columbus, Ohio : Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1054738772.

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Thesis (Ph. D.)--Ohio State University, 2003.<br>Title from first page of PDF file. Document formatted into pages; contains xi, 365 p.; also includes graphics. Includes abstract and vita. Advisor: Lesley K. Ferris, Dept. of Theatre. Includes bibliographical references (p. 353-365).

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Gallagher, Kelsey B. "So Much Better: A Lighting Design Approach for a Production of Legally Blonde: The Musical." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555414324698267.

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Midthun, Amy L. "Manipulating the Stage: A Comparison of the Government-Sponsored Theaters of the United States and Nazi Germany." Ohio : Ohio University, 2002. http://www.ohiolink.edu/etd/view.cgi?ohiou1040072155.

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Harris, John Rogers Sr. "The performance of black masculinity in contemporary black drama." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1054742668.

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Rutherford, Cassandra. "Building theatres/theatre buildings : reinventing Mull Theatre." Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5254/.

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Mull Theatre is a professional touring theatre company based on a small island off the west coast of Scotland. In 2008 the company relocated from a small converted cow byre which seated 42 people to a new purpose-built venue –Druimfin - on a different part of the island. The move was made possible through a grant from the Scottish Arts Council in 2006, which was awarded on the expectation that the new building would be a ‘production centre’ as opposed to a theatre. That is to say the emphasis in the design of the new space was to be placed on the production rather than the reception of the the

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Shelton, Rebecca S. "Paint manager for 2008-2009 academic year and paint charge for three sisters and twelfth night." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1241724077.

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Libri sul tema "Theater"

Hertzberger, Herman. Chassé Theater Breda =: Theatre Breda. Uitgeverij 010 Publishers, 1995.

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Georges, Aperghis, ed. Theater und Musik =: Theatre and music. Kaaitheater, 1995.

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Yann, Chateigné, Museu d'Art Contemporani (Barcelona, Spain), and Colecção Berardo, eds. A theater without theater. Museu d'Art Contemporani de Barcelona, MACBA, 2007.

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Handwerg, Ute. Theater über Leben: Entwicklungsbezogene Theaterarbeit = Theatre of relevance : theater work focusing on development. Schibri-Verlag, 2006.

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Girshausen, Theo. Ursprungszeiten des Theaters: Das Theater der Antike. Vorwerk 8, 1999.

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Breton, Gaëlle. Theater. Karl Krämer, 1991.

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Roca, Núria. Theater. Barron's, 2004.

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Little, Jean. Theater. Steck-Vaughn Library, 1990.

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Knigge, Adolph Franz Friedrich Ludwig von. Theater. Fackelträger, 1993.

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Malam, John. Theater. Peter Bedrick Books, 2000.

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Capitoli di libri sul tema "Theater"

Burghardt, Charlotte. "Stadt- und Staatstheater in Bewegung? Zur Rolle von öffentlich subventionierten Theatern in der Stadtgesellschaft und den veränderten Erwartungen des Publikums." In Cultural Governance. Springer Fachmedien Wiesbaden, 2021. http://dx.doi.org/10.1007/978-3-658-32159-8_19.

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ZusammenfassungAngesichts einer vielfältiger werdenden Gesellschaft und gleichzeitig stetig rückläufiger Besuchszahlen stellt sich die Frage, welche Bedeutung Theater in der Stadtgesellschaft haben. Wer ist der Motor für mögliche Veränderungen in den Häusern und welche Erwartungen und Wünsche richtet das Publikum an seine Theater? Anhand von qualitativen Interviews mit Mitarbeitenden aus denStädtischen Theatern Chemnitz,demTheater für Niedersachsenin Hildesheim und demMaxim Gorki Theaterin Berlin und unterstützt durch eine Spielzeitanalyse, beleuchtet dieser Beitrag die Binnenperspektive der T

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Sood, Sara Owsley, and Athanasios V. Vasilakos. "Digital Theater: Dynamic Theatre Spaces." In Handbook of Multimedia for Digital Entertainment and Arts. Springer US, 2009. http://dx.doi.org/10.1007/978-0-387-89024-1_19.

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Weber, Ulrich. "Theater." In Dürrenmatt-Handbuch. J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05314-5_5.

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Lenz, Achim. "Theater." In Traum und Schlaf. J.B. Metzler, 2018. http://dx.doi.org/10.1007/978-3-476-05356-5_8.

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Immer, Nikolas. "Theater." In Faust-Handbuch. J.B. Metzler, 2018. http://dx.doi.org/10.1007/978-3-476-05363-3_19.

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Rohde, Carsten. "Theater." In Faust-Handbuch. J.B. Metzler, 2018. http://dx.doi.org/10.1007/978-3-476-05363-3_33.

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Eke, Norbert Otto. "Theater." In Faust-Handbuch. J.B. Metzler, 2018. http://dx.doi.org/10.1007/978-3-476-05363-3_51.

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Martin, Dieter. "Theater." In Faust-Handbuch. J.B. Metzler, 2018. http://dx.doi.org/10.1007/978-3-476-05363-3_8.

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Weixler, Antonius. "Theater." In Erzählen. J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05364-0_17.

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Koch, Hans-Albrecht. "Theater." In Hofmannsthal-Handbuch. J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05407-4_149.

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Atti di convegni sul tema "Theater"

Harry, John. "Moisture in Historic Commercial Building Walls – Approaches to Assessment and Restoration." In SSPC 2013 Greencoat. SSPC, 2013. https://doi.org/10.5006/s2013-00026.

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The City of Rocky Mount, NC has several historic brick buildings throughout downtown areas, built during the early to mid 1900’s. These buildings were constructed during times when segregation was rampant in the southern states and African-Americans were treated unequally. African-Americans faced race-inspired violence and harsh treatment causing them to live a different type of lifestyle from the rest of society. Many were barred from classrooms, bathrooms, theaters and other public facilities during this era. The City of Rocky Mount wanted to restore 6 of their historic buildings that were l

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Oosthuizen, Patrick H. "A Numerical Study of the Effect of Inlet Vent Position and Size on the Velocity and Temperature Distributions in a Smaller Naturally Ventilated Theater in Canada." In ASME 2014 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/imece2014-36781.

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Many smaller churches and similar buildings in Canada have been converted into small theaters. Such theatres are often not fitted with an air-conditioning system. For performances in the fall these theaters sometimes rely on buoyancy driven natural ventilation to moderate the indoor air temperature. Such ventilation systems usually involve near floor inlet vents and a roof level air discharge system. A preliminary numerical study of the effect of inlet vent position and size on the performance of such a system has been undertaken. A simple model of a typical theater building of the type consid

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Ivanova, K. S. "ORGANIZATION OF PUBLISHING ACTIVITIES IN REGIONAL THEATERS (ON THE EXAMPLE OF SIBERIAN THEATERS)." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. TSU Press, 2023. https://doi.org/10.17223/978-5-907572-02-7-2023-129.

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The organization of publishing activities in Siberian theaters is considered in the example of the Tomsk Drama Theater, the Novosibirsk Musical Theater, and the Seversky Musical Theater. The purpose is to review the editorial and publishing process in cultural institutions. The study reveals the theater as a special space engaged in the publication of printed products; there is a comparison of the theater with «small» publishing houses.

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Koroliova, Elfrida. "The book on theater – an element of cultural heritage." In Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.07.

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The article “The book on theater – an element of cultural heritage” includes publications on Moldovan Drama Theater, from the late 60s of the XX century to the 20s of the XXI century. Books signed by D. Prilepov, L. Cemortan, E. Coroliova, N. Bătrânu, V. Tăzlăuanu, N. Rojkovskaia, B. Zavatin, P. Proca, P. Pelin, A. Manoil, A. Ghilaș, A. Roșca, I. Nechit, L. Ungureanu, V. Fedorenco, T. Kotovici and others analyze the evolution processes of the Moldovan theater during the decades, of personalities – directors, actors, who worked in the theaters of the republic “Mihai Eminescu” National Theater,

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Starciuc, Mariana. "Traditional theater versus documentary theater: theoretical references and conceptual boundaries." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.15.

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The purpose of the author’s approach is to identify the characteristics of the documentary theater by referring to the traditional one. Reflecting on the concepts of theater theorists, we conclude that traditional theater is illusory, the receiver-spectator believes the fictional world produced by the theatrical performance as reality. Dramatic subjects have an integral and logical structure, with „beginning, middle and end”, the stage action succeeds in a canonical order. Unlike traditional theatre, documentary theater is anti-illusory, anti-fiction and stands out for its faithful, exact repr

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Semenov, Igor Vitalievich. "Saratov - theater city." In V International Research-to-practice conference for pupils, chair Vera Alekseevna Pishkova. TSNS Interaktiv Plus, 2019. http://dx.doi.org/10.21661/r-486321.

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The article covers the history of the development of theatrical art in Saratov: from its origins to the present. The theaters of Saratov are listed, prominent theatrical figures are mentioned. Attention is drawn to the fact that the year 2019 is declared the Year of the Theater in Russia.

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BURGHELEA, Gianina Eliza. "A mindfulness-based approach to theater vs a theater approach based on mindfulness." In Educația din perspectiva conceptului Clasei Viitorului: Culegere de articole [ale conferinţei internaţionale]. Ion Creangă Pedagogical State University, 2023. https://doi.org/10.46727/c.cv-2023.p88-97.

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This theme investigates two innovative perspectives on personal development and awareness: a theater-based awareness approach and a theater-based approach to mindfulness. These approaches integrate elements of theater and mindfulness techniques synergistically, with the potential to improve actors' emotional, cognitive, and relational well-being. The mindfulness-based approach to theater combines theatrical techniques with mindfulness practice, encouraging participants to be present in the present moment and explore their thoughts, feelings, and emotions in a creative setting. It can facilitat

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Crump, Evan. "Amputating Shakespeare: Theater Becoming-Theater." In 2021 AERA Annual Meeting. AERA, 2021. http://dx.doi.org/10.3102/1681701.

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JELESCU, Petru, and Marcel TELEUCĂ. "Religious education from the perspective of the resultant concept." In Educația din perspectiva conceptului Clasei Viitorului: Culegere de articole [ale conferinţei internaţionale]. Ion Creangă Pedagogical State University, 2023. https://doi.org/10.46727/c.cv-2023.p99-105.

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Ermicioi, Nina, and Svetlana Tartau. "The means of expression and the essential techniques of the asian theater as components of the performance on the european stage (end of the 20th century - beginning of the 21st century)." In „Cultura şi arta: cercetare, valorificare, promovare”, conferinţă ştiinţifică naţională. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2025. https://doi.org/10.55383/ca2025.10.

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The subject of this article represents the study on the means of expression and essential techniques of the Asian theater which can be found in the performances of Peter Brook, Ariane Mnouchkine, in the dramatic shows of Robert Lepage, as well as in the productions of other theater directors of the late 20th - early 21st centuries. Aiming to intensify the dramatic effect, these directors introduce into the sphere of modern European theater techniques characteristic of Eastern theatre art such as pantomime, mask, ritual, different ways of the actor’s walking on stage, and the use of specific mu

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Rapporti di organizzazioni sul tema "Theater"

Newman, J. L. Theater Missile Defense. Defense Technical Information Center, 1998. http://dx.doi.org/10.21236/ada351808.

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Medlock, Glenn, and Christopher M. Stacy. Pacific Theater Operations. Defense Technical Information Center, 2011. http://dx.doi.org/10.21236/ada559809.

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NICHOLS RESEARCH CORP HUNTSVILLE AL. Theater Missile Defense. Defense Technical Information Center, 1990. http://dx.doi.org/10.21236/ada219432.

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Harmatz, Howard I. Joint Theater Missile Defense. Defense Technical Information Center, 1996. http://dx.doi.org/10.21236/ada309658.

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Meyer, S. Soviet Style Theater Assessments. Defense Technical Information Center, 1989. http://dx.doi.org/10.21236/ada269791.

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Krahling, William M. Expeditionary Theater Opening Strategy. Defense Technical Information Center, 2013. http://dx.doi.org/10.21236/ada589227.

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Nehrkorn, Thomas, Rose N. Hoffman, Jeanne Sparrow, Min Yin, and Stan Ryckman. Theater Analysis Procedures (TAP). Defense Technical Information Center, 1997. http://dx.doi.org/10.21236/ada340975.

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Ramos, Octavio. Nuclear Weapons Theater Experience_V1. Office of Scientific and Technical Information (OSTI), 2022. http://dx.doi.org/10.2172/1903534.

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Brown, Gerald G., and Alan R. Washburn. The Fast Theater Model (FATHM). Defense Technical Information Center, 2002. http://dx.doi.org/10.21236/ada486674.

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Pate, Steven W. Transforming Logistics: Joint Theater Logistics. Defense Technical Information Center, 2006. http://dx.doi.org/10.21236/ada448696.

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