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Libri sul tema "Transformations musicales"

Autore: Grafiati

Pubblicato: 1 giugno 2024

Ultima modifica: 31 luglio 2025

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1

Guldbrandsen, Erling E., and Julian Johnson, eds. Transformations of Musical Modernism. Cambridge University Press, 2015. http://dx.doi.org/10.1017/cbo9781316411766.

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2

David, Lewin. Generalizedmusical intervals and transformations. Yale University Press, 1987.

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3

Granger, Charissa, Eva-Maria Alexandra van Straaten, and Gerlinde Feller. Music moves: Musical dynamics of relation, knowledge and transformation. Georg Olms Verlag, 2016.

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4

Searby, Michael D. Ligeti's stylistic crisis: Transformation in his musical style, 1974-1985. Scarecrow Press, 2010.

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5

Siglind, Bruhn, ed. Sonic transformations of literary texts: From program music to musical ekphrasis : ten essays. Pendragon Press, 2008.

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6

editor, Gill Jeremy, ed. A dance of polar opposites: The continuing transformation of our musical language. University of Rochester Press, 2012.

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7

William, Weber. The great transformation of musical taste: Concert programming from Haydn to Brahms. Cambridge University Press, 2008.

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8

Hetta, Potgieter, ed. The transformation of musical arts education: Local and global perspectives from South Africa. North-West University, 2006.

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9

A, Rice John. Emperor and impresario: Leopold II and the transformation of Viennese musical theatre, 1790-1792. University Microfilms International, 1993.

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10

Boston Early Music Festival & Exhibition (2011). Boston Early Music Festival: June 12-19, 2011 : metamorphoses : change and transformation. Boston Early Music Festival], 2011.

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11

Johnson, Jeffrey. Graph theoretical models of abstract musical transformation: An introduction and compendium for composers and theorists. Greenwood Press, 1997.

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12

Han, Jungmin Grace. Restoring the Malleable Inner Self: A Journey of Lifelong Transformation and Growth Through Musical Performance. [publisher not identified], 2021.

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13

Boulanger, Richard Charles. The transformation of speech into music: A musical exploration and interpretation of two recent digital filtering techniques. [s.n.], 1985.

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14

Shipovskaya, Lyudmila. Music as an element of spiritual culture is a powerful factor of integration and universalization of the entire spiritual life of society. INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/2052437.

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The monograph is devoted to the ability of music in different phases of its functioning (creation, performance, perception) to convincingly demonstrate the associative and code principles of consciousness — mutual connection, induction and "translation" (encoding and decoding) of its various aspects, structures (in particular, emotional and rational) and levels (for example, individual and general, concrete and abstract). It is highlighted that music unites people, helps to resist disunity, indifference, feelings of loss and uselessness in the big world. It is revealed that the unifying power

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15

Jacono, Jean-Marie. Les révisions de Boris Godounov de Moussorgski: Transformations musicales et transformations sociales. 1992.

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16

Atlas, Rafael. Musical Transformation and Musical Intuition. Ovenbird Press, 1994.

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17

Transformations of Musical Modernism. Cambridge University Press, 2015.

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18

Johnson, Julian, and Erling E. Guldbrandsen. Transformations of Musical Modernism. Cambridge University Press, 2015.

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19

Transformations of Musical Modernism. Cambridge University Press, 2023.

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20

Generalized musical intervals and transformations. Oxford University Press, 2007.

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21

Lewin, David. Generalized Musical Intervals and Transformations. Oxford University Press, USA, 2007.

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22

Lewin, David. Generalized Musical Intervals and Transformations. Oxford University Press, 2010.

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23

Lewin, David. Generalized Musical Intervals and Transformations. Oxford University Press, 2007.

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24

Generalized musical intervals and transformations. Yale University Press, 1987.

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25

Rings, Steven. Tonality and Transformation. Oxford University Press, 2011.

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26

Rings, Steven. Tonality and Transformation. Oxford University Press, Incorporated, 2011.

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27

Schoenberg's transformation of musical language. Cambridge University Press, 2006.

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28

Lluis-Puebla, Emilio, Octavio A. Agustín-Aquino, Gabriel Pareyon, and Silvia Pina-Romero. The Musical-Mathematical Mind: Patterns and Transformations. Springer, 2018.

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29

Agustin-Aquino, Octavio A., Emilio Lluis-Puebla, Gabriel Pareyon, and Silvia Pina-Romero. Musical-Mathematical Mind: Mutual Patterns and Transformations. Springer International Publishing AG, 2017.

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30

Almada, Carlos de Lemos. Musical Variation: Toward a Transformational Perspective. Springer, 2023.

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31

Lewin, David. Musical Form and Transformation: Four Analytic Essays. Oxford University Press, Incorporated, 2010.

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32

Lewin, David. Musical Form and Transformation: Four Analytic Essays. Oxford University Press, 2007.

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33

Musical form and transformation: 4 analytic essays. Yale University Press, 1993.

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34

Musical Form and Transformation: Four Analytic Essays. Oxford University Press, USA, 2007.

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35

Lehman, Frank. Expression and Transformation. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190606398.003.0003.

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Abstract (sommario):

This chapter introduces the two core theoretical concepts of this study: expressivity and transformation. These two topics are broached through an initial examination of two highly dissimilar cinematic style topics: whole-tone harmony and stepwise modulations. The stylistic and aesthetic continuity with Romantic Era practices, especially from Wagner, is emphasized. A working model of tonal expressivity is constructed, in which intrinsic and extrinsic musical factors combine to form combinatorial meaning. With these concepts in hand, the notion of transformation—the cornerstone of neo-Riemannia

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36

Sposato, Jeffrey S. Mendelssohn and the Transformation of Leipzig Musical Culture. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190616953.003.0004.

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Abstract (sommario):

This chapter is the third of three chapters to look at the relationship between a Thomaskantor, who oversaw the church music, and a Kapellmeister (music director) of the public concerts. Thomaskantor Moritz Hauptmann and Kapellmeister Felix Mendelssohn Bartholdy are examined. Mendelssohn was hired in 1835 to move the Gewandhaus orchestra away from light, popular fare and toward artistic, canonical music. When Thomaskantor Christian Theodor Weinlig died in 1842, Mendelssohn arranged for his friend Hauptmann to fill the position. Hauptmann shared Mendelsson’s vision of canonical music, so that c

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37

Musical transformation and musical intuition: Eleven essays in honor of David Lewin. Ovenbird Press, 1994.

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38

Reily, Suzel Ana, and Jonathan Dueck. Introduction. Edited by Jonathan Dueck and Suzel Ana Reily. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199859993.013.29.

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This introductory chapter lays the groundwork for the volume, outlining an “ethnomusicology of Christianity” directed at ways of defining and historicizing the relationship between Christianity and its musics in transnational and cross-cultural perspectives. It identifies the movement of Christian musics across space and time, tracking their circulation and transformation over a long historical canvas, as well as the broad range of modalities of encounter and exchange mediated by Christian musicking. The chapter addresses modes of musical imposition, exchange, and transformation in Western mis

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39

Mulder, Catherine P. Unions and Class Transformation. Routledge, 2013.

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40

Unions and Class Transformation. Routledge, 2009.

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41

Ligeti's stylistic crisis: Transformation in his musical style 1974-1985. Scarecrow Press, 2010.

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42

Haimo, Ethan. Schoenberg's Transformation of Musical Language (Music in the Twentieth Century). Cambridge University Press, 2006.

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43

Haimo, Ethan. Schoenberg's Transformation of Musical Language (Music in the Twentieth Century). Cambridge University Press, 2009.

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44

Ligeti's stylistic crisis: Transformation in his musical style, 1974-1985. Scarecrow Press, 2010.

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45

The Philosopher's Stone: Essays in the Transformation of Musical Structure. Pendragon Press, 2000.

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46

Gill, Jeremy, and George Rochberg. Dance of Polar Opposites: The Continuing Transformation of Our Musical Language. University of Rochester Press, 2012.

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47

Weber, William. Great Transformation of Musical Taste: Concert Programming from Haydn to Brahms. Cambridge University Press, 2009.

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48

Stepniak, Michael. More Promising Musical Future: Leading Transformational Change in Music Higher Education. Routledge, 2022.

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49

Stepniak, Michael. More Promising Musical Future: Leading Transformational Change in Music Higher Education. Routledge, 2022.

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50

The Great Transformation of Musical Taste: Concert Programming from Haydn to Brahms. Cambridge University Press, 2008.

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