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Letteratura scientifica selezionata sul tema "Ubu Films – History"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 15 febbraio 2022

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Articoli di riviste sul tema "Ubu Films – History"

1

Moutafidou, Lona. "“Daddy, can’t you see we are burning?” Traumatic Time and Parental Responsibility in Kenneth Lonergan’s Manchester by the Sea." University of Bucharest Review. Literary and Cultural Studies Series 9, no. 1 (November 19, 2020): 42–52. http://dx.doi.org/10.31178/ubr.9.1.5.

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Abstract (sommario):

In Kenneth Lonergan’s film Manchester by the Sea, screened in 2016, Lee commits a life-changing mistake: on his way to the mini-market, he forgets to put the screen on the fireplace. Upon his return, he becomes a numbed witness to the spectacle of his own family tragedy as the authorities remove his children’s bodies from the burning house scene. This significant event is represented through a sequence of flashbacks, which designates said cinematic device as one of the film’s most important features. Indeed, in The Trauma Question, Roger Luckhurst approaches the flashback as “the cinema’s rend

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2

Petzke, Ingo. "Alternative Entrances: Phillip Noyce and Sydney’s Counterculture." M/C Journal 17, no. 6 (August 7, 2014). http://dx.doi.org/10.5204/mcj.863.

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Phillip Noyce is one of Australia’s most prominent film makers—a successful feature film director with both iconic Australian narratives and many a Hollywood blockbuster under his belt. Still, his beginnings were quite humble and far from his role today when he grew up in the midst of the counterculture of the late sixties. Millions of young people his age joined the various ‘movements’ of the day after experiences that changed their lives—mostly music but also drugs or fashion. The counterculture was a turbulent time in Sydney artistic circles as elsewhere. Everything looked possible, you sim

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Tesi sul tema "Ubu Films – History"

1

Sanner, Helge. "Economy vs. history : What does actually determine the distribution of firms' locations in cities?" Universität Potsdam, 2004. http://opus.kobv.de/ubp/volltexte/2007/1413/.

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Abstract (sommario):

The aim of this study is to examine in which cases economic forces or historical singularities prevail in the determination of the long-run distribution of firms. We develop a relatively general model of heterogenous firms' location choice in discrete space. The main force towards an agglomerated structure is the reduction of transaction costs for consumers if firms are located closely, whilst competition and transport costs work towards a more disperse structure. We then assess the importance of the initial conditions by simulating and comparing the resulting distribution of firms for identic

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2

Heikaus, Ulrike. "Deutschsprachige Filme als Kulturinsel : zur kulturellen Integration der deutschsprachigen Juden in Palästina 1933-1945." Universität Potsdam, 2008. http://opus.kobv.de/ubp/volltexte/2009/1705/.

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Abstract (sommario):

Im sechsten Band der Reihe Pri ha-Pardes untersucht Ulrike Heikaus die deutschsprachigen Filme, die zwischen 1933 und 1945 aus Mitteleuropa nach Palästina importiert und einer breiten Öffentlichkeit vorgeführt wurden. Im Mittelpunkt der Analyse steht die Bedeutung und Repräsentation dieser deutschsprachigen Filme in der palästinensischen Filmkultur, ihre Wahrnehmung und Rezeption, vor allem durch die deutschsprachigen Einwanderer selbst. Mehr als zweihundert deutschsprachige Filme wurden in den palästinensischen Kinotheatern während der Jahre 1930 bis 1945 in Palästina zum Teil über Jahre hin

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3

Hooton, Fiona Art History &amp Art Education College of Fine Arts UNSW. "The impact of the counterculture on Australian cinema in the mid to late 20th century." 2007. http://handle.unsw.edu.au/1959.4/41008.

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Abstract (sommario):

This thesis discusses the impact of the counterculture on Australian cinema in the late 20thcentury through the work of the Sydney Underground Film group, Ubu. This group, active between 1965 -1970, was a significant part of an underground counter culture, to which many young Australians subscribed. As a group, Ubu was more than a rat bag assemblage of University students. It was an antipodean aspect of an ongoing artistic and political movement that began with the European avant-garde at the beginning of the 20th century and that radically transformed artistic conventions in theatre, painting

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Libri sul tema "Ubu Films – History"

1

Mudie, Peter. Ubu Films: Sydney underground movies, 1965-1970. Sydney: University of New South Wales Press, 1997.

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2

Dworkin, Craig. Helicography. punctum books, 2021. http://dx.doi.org/10.53288/0352.1.00.

Testo completo

Abstract (sommario):

Part art history essay, part experimental fiction, part theoretical manifesto on the politics of equivalence, Helicography examines questions of scale in relation to Robert Smithson’s iconic 1970 artwork Spiral Jetty. In an essay and film made to accompany the earthwork, Smithson invites us to imagine the stone helix of his structure at various orders of magnitude, from microscopic molecules to entire galaxies. Taking up this invitation with an unrelenting and literal enthusiasm, Helicography pursues the implications of such transformations all the way to the limits of logic. If other spirals,

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