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Gotowe bibliografie tematyczne / Messianic Portraits

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Gotowa bibliografia na temat „Messianic Portraits”

Autor: Grafiati

Data publikacji: 2 czerwca 2025

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Messianic Portraits"

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Katz, Maya Balakirsky. "On the Master-Disciple Relationship in Hasidic Visual Culture: The Life and Afterlife of Rebbe Portraits in Habad, 1798–2006." IMAGES 1, no. 1 (2007): 55–79. http://dx.doi.org/10.1163/187180007782347683.

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AbstractScholarship on Hasidism typically utilizes literary source material of the dynastic leaders and their top disciples, while the more typical master/disciple relationship has escaped attention. Hasidic movements have produced, distributed, and voraciously consumed visual portraits of their leaders throughout the nineteenth and twentieth centuries. The most visually productive Hasidic community is the Belarusian HabadLubavitch, which has produced images of five of its seven generations of leaders. Indeed, portraits of its leaders have been integral to the development of Habad both in East

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Victor, Onyango Ouno. "Misunderstood Saviours: Messianic Portraits in the Gospel of Luke and Ngugi's the River Between." International Journal of Social Science and Human Research 08, no. 05 (2025): 2951–59. https://doi.org/10.5281/zenodo.15421408.

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Redeeming a society, and bearing its burden, can be a gruelling mission. It becomes even more demanding when one’s mission is misconstrued. Beyond the dangers that such arduous tasks attract, the saviour must demonstrate the urgency of his mission and the need for solidarity in executing it. Unfettering societies from impending danger calls for great personality. In this study, I employ a post-modern intertextual literary theory in my critical analysis of the artistic vision projected in Ngugi wa Thiong’o’s The River Between. I argue that Ngugi’s novel leverages the mes

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Watts, Rikk. "The Lord's House and David's Lord: The Psalms and Mark's Perspective on Jesus and the Temple." Biblical Interpretation 15, no. 3 (2007): 307–22. http://dx.doi.org/10.1163/156851507x184937.

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AbstractFour Davidic Psalms (2, 118, 110, and 22), each cited or alluded to at least twice, in this order, and at critical junctures in Mark's narrative, play a key role in his Gospel. In contemporary understanding Psalm 2 was associated with the future messianic purging of Jerusalem and especially the temple (e.g.4QFlor, Pss Sol 17). Psalm 118, concluding the Egyptian Hallel, spoke of Israel's future deliverance under a Davidic king with the restored temple as the goal of Israel's return from exile. Psalm 110's surprisingly elevated royal designation, uniquely expressed in Melchizedekian prie

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Brenner, Rachel Feldhay. "The Jews and the Messianic Ethos of the Second Polish Republic. Stanisław Rembek’s Interwar Literary Writings." Przegląd Humanistyczny 62, no. 4 (463) (2019): 23–30. http://dx.doi.org/10.5604/01.3001.0013.2632.

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Rembek’s conviction of Polish “chosenness” is expressed in the characterizations of the Jewish protagonists in his fiction. While Rembek’s diaristic writing reveals his antiSemitic prejudices, in his novella Dojrzałe kłosy [Ripe spikes], and novel Nagan [Revolver] he portrays the Jews as patriotic officers fighting for Poland. These characterizations of the Jews highlighted Poland’s democratic open-mindedness toward its Jewish citizens. Nonetheless, as Jews they were excluded from the nation’s Christian destiny. Time and again, the Jewish officers in Rembek’s fiction articulate their desponden

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Paglinawan, Dindo. "Jesus's redefinition of Psalm 110:1 in Mark: an intertextual study." Journal of Asia Adventist Seminary 23, no. 1-2 (2022): 111–44. https://doi.org/10.63201/rsjn3858.

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Psalm 110:1 portrays an enthroned king to whom the Lord has pledged victory. It stands out as the most frequently quoted and alluded passage in the New Testament. Many scholars, acknowledging the NT’s utilization of Ps 110:1, focus on establishing how this psalm aligns with and finds fulfillment in Jesus, the Messiah. Jesus Himself referenced this passage in Mark 12:36 and 14:62 when addressing questions about His messianic identity. While this article follows this common trajectory, it also diverges by exploring the nuance that, while Jesus applied Ps 110:1 to His messianic vocation, His self

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Lima, Rainério dos Santos. "A mancha roxa, o teatro da peste e o direito à violência." Aletria: Revista de Estudos de Literatura 33, no. 4 (2024): 76–95. https://doi.org/10.35699/2317-2096.2023.44887.

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Abstract: In A mancha roxa, Plínio Marcos portrays women plagued by an unnameable scourge, perceptible only in the stains of the epidermis and in the clinical symptoms. In the drama, exploited by imprisonment, the characters are condemned to extermination by illness and oblivion in the punitive apparatus. Thus, this text analyzes the extermination policies – the administered violence, the generalized phobia, the imagery of the plague –, the dystopian images of the epidemic disaster and the characters’ ways of survival. In the second part, after the composition of the theatrical fable and the e

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Wolfson, Elliot R. "Asceticism, Mysticism, and Messianism: A Reappraisal of Schechter’s Portrait of Sixteenth-Century Safed." Jewish Quarterly Review 106, no. 2 (2016): 165–77. http://dx.doi.org/10.1353/jqr.2016.0007.

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Mezzabotta, Pietro. "«Rimettere in moto la Storia». Edoardo Sanguineti e la “redenzione messianica” di Gian Pietro Lucini." L'ospite ingrato 15, no. I (2024): 317–34. http://dx.doi.org/10.36253/oi-16374.

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The purpose of the article is to investigate the process by which Edoardo Sanguineti, during the 1960s, pursued the ideological and poetical re-actualization of Gian Pietro Lucini. I will try to highlight how, exploiting Lucini’s disagreements with Marinetti and his ideological differences with the founder of Futurism, Sanguineti was able to produce a contemporary portrait of a poet who was, in reality, strictly embodied into nineteenth-century’s mentality. I will attempt, contextually, to contextualize this cultural backwardness of Lucini, explaining how the poet was, after all, characterized

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Tan, Matthew John Paul. "Loss in Light of the Last Things: Christianity, Eschatology, and Grief in Inside Out." Religions 15, no. 8 (2024): 897. http://dx.doi.org/10.3390/rel15080897.

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With reference to the film Inside Out, we show how Christian eschatology helps us understand the personal experience of grieving loss, generated by capital’s demands for labor hypermobility and its resultant disjunctures in a person’s biography. Inside Out cinematically portrays, in seemingly unremarkable moments, an inbreaking of a redemptive eschatological moment. We organize our case around two eschatological themes, those of judgement and death. The first section links a person’s affective experience, the structures that generate those experiences, and the last things; we make our case usi

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Smyth, Bryan. "Bensaïd’s Jeanne: Strategic Mythopoesis for Difficult Times." Philosophies 8, no. 1 (2023): 12. http://dx.doi.org/10.3390/philosophies8010012.

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In this essay, I consider the significance of Daniel Bensaïd’s work on Jeanne d’Arc with regard to dealing with the “difficult times” in which we live. (1) I first consider some of the background in early critical theory in order to show that Bensaïd’s aim to recover Benjamin’s notion of a “weak messianic power” requires following through with Horkheimer and Adorno’s critique of enlightenment, and that this implies a critical rehabilitation of myth and mythopoesis. (2) Approaching Bensaïd’s account of Jeanne in the light of Blumenberg’s notion of “work on myth”, I show how he portrays her in a

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Książki na temat "Messianic Portraits"

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Klorman, Bat-Zion Eraqi. The Jews of Yemen in the nineteenth century: A portrait of a Messianic community. E.J. Brill, 1993.

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Reeves, John C., and Annette Yoshiko Reed. Stock Epithets and Cross-Cultural Cognomens. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198718413.003.0002.

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This chapter assembles sources which utilize several popular epithets that accompany the figure of Enoch and serve to identify him even in those literary contexts which do not explicitly use the name “Enoch.” These include distinctive phraseology like “seventh from Adam,” “righteous,” “scribe of righteousness,” and even certain messianic correlations. Included also in this chapter are a series of literary portraits found primarily in Arabic language texts which provide a description of the physical appearance of this antediluvian forefather. Attention is also drawn to certain popular aliases b

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Klorman, B. Z. Eraqi, and Bat-Zion Eraqi Klorman. The Jews of Yemen in the Nineteenth Century: A Portrait of a Messianic Community (Brill's Series in Jewish Studies, Vol. 6). Brill Academic Publishers, 1997.

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Yaniv, Bracha. The Carved Wooden Torah Arks of Eastern Europe. Liverpool University Press, 2017. http://dx.doi.org/10.3828/liverpool/9781906764371.001.0001.

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The carved wooden Torah arks found in eastern Europe from the seventeenth to nineteenth centuries were magnificent structures, unparalleled in their beauty and mystical significance. The work of Jewish artisans, they dominated the synagogues of numerous towns both large and small throughout the former Polish–Lithuanian Commonwealth, inspiring worshippers with their monumental scale and intricate motifs. Virtually none of these pieces survived the devastation of the two world wars. This book breathes new life into a lost genre, making it accessible to scholars and students of Jewish art, Jewish

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OP, Aidan Nichols. Deep Mysteries. The Rowman & Littlefield Publishing Group, Inc., 2018. https://doi.org/10.5040/9781978719965.

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This study explores the way in which, by way of the Christian mysteries, divine action impacts human life. The triune God acts in Jesus Christ by means of historical events whose effects transcend time and which are mediated through their celebration in memorial and worship. Drawing on both Evangelical and Catholic writers, Nichols provides evidence that the general portrait of Jesus found in the Pauline letters and the four Gospels rests on reliable historical witness. On this basis, he offers a concise Christology which presents Jesus Christ as the fulfillment of the Messianic hope of the Ol

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Części książek na temat "Messianic Portraits"

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Mcdougall, Joy Ann. "The Human Pilgrimage in the Messianic Life of Faith." In Pilgrimage of Love. Oxford University PressNew York, NY, 2005. http://dx.doi.org/10.1093/oso/9780195177053.003.0005.

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Abstract In chapter 4 I laid the cornerstone for Moltmann’s vision of the Christian life by analyzing the author’s messianic and social trinitarian reconstruction of an imago Dei anthropology. There I described how Moltmann draws upon his social trinitarian theology of love to reconceive the imago Dei in terms of an “analogia relationis,” an analogy of interpersonal relationships in human community. In keeping with his Reformed tradition, Moltmann portrays the imago Dei not as a quality or an attribute with which human beings are permanently endowed. It signifies a relationship to God, which G

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Omer-Sherman, Ranen. "Slaying A Biblical Archetype." In Comics and Sacred Texts. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819215.003.0007.

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This chapter discusses how Tom Gauld’sGoliath places the reader in the position of a hapless Philistine in a visually and textually poetic rendering of 1 Samuel that ultimately challenges the mythic portentousness of all messianic/nationalist narratives. Goliath’s two-color panels counter the traditional ways that the story has been construed in Gauld’s appealing portrait of a gentle giant who is entirely content to spend his days poring over official paperwork. Gauld’s disruptive text may be usefully considered alongside new scholarly interventions that assess the inconvenient material and hi

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Adelgeym, Irina. "“He Who is Busy With the Affairs of the Messiahs … Even if He Only Tells Their Story...”: The System of Characters and Narrators in Olga Tokarczuk’s Books of Jacob." In “End Times” in the Slavic and Jewish Cultural Traditions. Institute of Slavic Studies, Russian Academy of Sciences, 2023. http://dx.doi.org/10.31168/2658-3356.2022.15.

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This article examines the complex structure of narrators and characters in Olga Tokarczuk’s novel “The Books of Jacob” (2014), which tells the story of the mystical-messianic Jewish sect led by Jacob Frank (1726–1791), the successor of Shabtai Zvi (1626–1676). The analysis focuses on the use of multiple perspectives, written and oral narratives, and the connections between the author, narrators, and characters. The article explores how Tokarczuk portrays the controversial figure of Jacob Frank, his evolving ideas and strategies, and different forms of self-identification and communication, and

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Adelgeym, Irina. "“He Who is Busy With the Affairs of the Messiahs … Even if He Only Tells Their Story...”: The System of Characters and Narrators in Olga Tokarczuk’s Books of Jacob." In “End Times” in the Slavic and Jewish Cultural Traditions. https://slavsjewsculture.org/index.php/sjc/issue/view/15, 2023. http://dx.doi.org/10.31168/2658-3356.2023.15.

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This article examines the complex structure of narrators and characters in Olga Tokarczuk’s novel “The Books of Jacob” (2014), which tells the story of the mystical-messianic Jewish sect led by Jacob Frank (1726–1791), the successor of Shabtai Zvi (1626–1676). The analysis focuses on the use of multiple perspectives, written and oral narratives, and the connections between the author, narrators, and characters. The article explores how Tokarczuk portrays the controversial figure of Jacob Frank, his evolving ideas and strategies, and different forms of self-identification and communication, and

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