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Artykuły w czasopismach na temat „World drama”

Autor: Grafiati

Data publikacji: 2 czerwca 2025

Data aktualizacji: 31 lipca 2025

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1

Hajdu, Péter. "World drama." Neohelicon 46, no. 1 (2019): 1–6. http://dx.doi.org/10.1007/s11059-019-00482-5.

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Roach, Joseph. "World–Bank Drama." ESQ: A Journal of the American Renaissance 50, no. 1-3 (2004): 157–76. http://dx.doi.org/10.1353/esq.2004.0001.

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Xoun, Chuan Pom, Do Tien Dat, and Ming Nguyen Trinh. "Drama with Unique Setting and Profession based on the Point of View of Korean Drama Connoisseurs." Journal of Asian Multicultural Research for Social Sciences Study 3, no. 2 (2022): 21–25. http://dx.doi.org/10.47616/jamrsss.v3i2.271.

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This article aims to discuss K-Drama with a unique work profession background through the abstinence point of k-drama fans. The modern Korean entertainment landscape would not be complete without K-drama. Millions of people around the world enjoy watching Korean dramas. Many parallels are made between the characters, allowing viewers to gain a better understanding of Korean culture. K-drama fans will be paired with Korean drama works to write here. They are not your ordinary doctors, lawyers or professors, but people from all walks of life

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Carey, Phyllis. "Contemporary World Drama 101." Thought 66, no. 3 (1991): 317–28. http://dx.doi.org/10.5840/thought199166328.

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Haley, Madigan. "Modernism's World Drama: Joyce, Wagner, and the Anti-Systemic Stirrings of a Global Artwork." Journal of Modern Literature 46, no. 3 (2023): 1–19. http://dx.doi.org/10.2979/jmodelite.46.3.01.

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Abstract: Two of James Joyce's earliest essays identify a kind of artwork that would remain a model for his fiction: the world drama. Joyce's notion of the world drama built upon an aspect of Richard Wagner's theoretical writing that has been largely forgotten: the program for a revolutionary, nonnational artwork. Joyce reimagined this program within the conditions of colonial Ireland and an increasingly international print culture, conceiving of a work that is oriented toward the world at large and meant to articulate a revolutionary consciousness for its audience. Joyce's works of fiction ca

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Haley, Madigan. "Modernism's World Drama: Joyce, Wagner, and the Anti-Systemic Stirrings of a Global Artwork." Journal of Modern Literature 46, no. 3 (2023): 1–19. http://dx.doi.org/10.2979/jml.2023.a901928.

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Abstract: Two of James Joyce's earliest essays identify a kind of artwork that would remain a model for his fiction: the world drama. Joyce's notion of the world drama built upon an aspect of Richard Wagner's theoretical writing that has been largely forgotten: the program for a revolutionary, nonnational artwork. Joyce reimagined this program within the conditions of colonial Ireland and an increasingly international print culture, conceiving of a work that is oriented toward the world at large and meant to articulate a revolutionary consciousness for its audience. Joyce's works of fiction ca

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Yu, Minghuang. "A Critical Study of The Emperor Jones and The Yama Chao from the Perspective of Expressionism." Journal of Social Science and Humanities 7, no. 3 (2025): 12–14. https://doi.org/10.53469/jssh.2025.7(03).03.

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Expressionism is an important genre of modernism that comes arise at the beginning of 20th Century in Europe. It is a philosophical movement due to the modern industrialization, urbanization, social transformation and the World War which brought the shock to traditional culture and humanity from late 19th century to early 20th century in Western society. Expressionism generally includes the activities and creations of art, literature, drama, philosophy, architecture that fit the new culture, economic, society, politic of modern industrialize world. In China, after the New Cultural Movement in

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Josephine Elvira, Dwi Setyo Riani, Irma Rasita Gloria Barus, and Ira Resmayasari. "WOMEN SELF-IMAGE ON JI SUN WOO'S CHARACTER IN KOREAN DRAMA ”THE WORLD OF THE MARRIED”." Jurnal Pendidikan dan Kebudayaan 2, no. 1 (2022): 40–44. http://dx.doi.org/10.55606/jurdikbud.v2i1.126.

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Korean dramas are very popular with audiences from various mass media and social media. With a very interesting storyline, it is able to hypnotize Indonesian audiences to become active viewers and bring up various assumptions about Korean drama content. The Korean drama adopted in this study is entitled The World of the Married. The drama that was broadcast by Trans TV a few months ago was very successful in anesthetizing the general public and making viewers adopt drama in their daily lives. This study aims to describe the female self-image of the main character, Ji Sun Woo’s in the Korean dr

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Mouton, M. "Fiksionaliteit in die Dramawêreld." Literator 7, no. 3 (1986): 39–51. http://dx.doi.org/10.4102/lit.v7i3.887.

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The fictional drama world differs from the fictional world encountered in other literary genres, and the difference can be traced back to the link of the text with the performance.A general, traditional view is that the fictional world of the dramatic text takes place in a fictional “here and now” .Elam has postulated a theory following a study of the fictional drama world. He uses a term from logical semantics, viz. the “theory of possible worlds” and adjusts this to enable him to speak of a dramatic possible world. Elam mentions three aspects which help towards the establishment of the ficti

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Kirwan, Michael Joseph. "The Drama of the World, the Drama of Theology." Religions 13, no. 11 (2022): 1093. http://dx.doi.org/10.3390/rel13111093.

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Hans Urs von Balthasar speaks of a diversity of contemporary philosophies moving ‘concentrically’ toward a ‘dramatic theology’. This article affirms the coherence of this claim, by establishing some of these convergences, beginning with Gaudium et Spes, and a number of theologians, pre-eminently Balthasar. Attention is then turned to the ‘Dramatic Theology’ project of the Innsbruck School, inspired by Raymund Schwager; a conception of theodrama which builds on Balthasar’s insight, while also utilising the mimetic theory of René Girard. The third section considers ways in which the insights of

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Erwin Permana, Deani Nabila Faiza, Novita Sari Dewi, and Syamsurizal Syamsurizal. "Analisis Pemanfaatan Entertainment Drama Korea Sebagai Strategi Pemasaran Produk Lokal Merek Kopiko." Jurnal Ilmiah Ekonomi, Akuntansi, dan Pajak 1, no. 3 (2024): 38–51. http://dx.doi.org/10.61132/jieap.v1i3.314.

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Kopiko's positive reputation as a global brand is a consideration for PT Mayora Indah Tbk in innovating its marketing by choosing a product placement strategy. Product placement is a form of brand placement, product packaging or certain logos that are integrated with the film plot. PT Mayora Indah Tbk chose to market Kopiko in Korean drama series considering that Korean dramas are currently popular and have many fans in the world. This research aims to analyze the use of Korean drama entertainment as a marketing strategy for local Kopiko products. The research was conducted using a descriptive

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y, Hou Jue, and Jeongmin Ko. "A Study on the Q Methodology on the Factors of Korean Viewers’ Preference for Watching Chinese Drama: Focusing on Costume Drama." Academic Association of Global Cultural Contents 57 (November 30, 2023): 267–90. http://dx.doi.org/10.32611/jgcc.2023.11.57.267.

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With the continued development of the media, the spread of multicultural dramas has become a common concern of the drama industry, and the export of dramas has become an important way to improve the culture of countries around the world. Currently, Chinese costume drama is actively consumed through OTT platforms, such as remakes in Korea. In order to maintain this desire of Korean viewers, the subjective viewing preference factors of Korean viewers were analyzed using the Q methodology and based on this, implications for the entry of Chinese costume drama into Korea were presented. As a

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M, Vadivel, and Amitha Darwin J. "The Expression of Music in the Theatre." International Research Journal of Tamil 4, S-19 (2022): 79–83. http://dx.doi.org/10.34256/irjt224s1913.

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Sangam Tamil consists of three major parts viz., Poetry, Music, and Drama. This is something that no other language in the world has. Hence, Tamil can also be called Muthamizh (The three kinds of literature in Tamil). Drama, along with music, has been developing gradually since time immemorial. Theatrical music is a mirror of worldly events. The literature also makes it clear that the Tamils excelled in art and culture. Therefore, on the basis of literary references, Poetic Tamil, Music Tamil, and Drama Tamil are the three Tamils that make history in many aspects. This approach seeks to explai

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Maryam, Siti. "STUDI KOMPARASI EMIK DAN ETIK MASYARAKAT TERHADAP MENJAMURNYA TAYANGAN DRAMA ASING DI INDONESIA: KAJIAN ANTROPOLOGI KONTEMPORER." GENTA BAHTERA: Jurnal Ilmiah Kebahasaan dan Kesastraan 3, no. 1 (2018): 91–105. http://dx.doi.org/10.47269/gb.v3i1.8.

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AbstrakBahasa merupakan suatu hal yang telah membuat manusia menjadi makhluk istimewa. Sejak lahir, setiap manusia telah dibekali dengan alat akuisisi bahasa yang sering diistilahkan dengan Language Acquisition Device (LAD). Seiring dengan berkembangnya zaman dan teknologi yang semakin maju, semakin berkembang pula dunia perfilman di setiap negara, terutama negara India, Korea, Amerika Latin, Filipina, dan Turki. Seperti yang kita lihat, belakangan ini sekitar tahun 2014 sampai sekarang, drama-drama India, Korea, Amerika Latin, Filipina, dan Turki yang sedang marak di layar kaca Indonesia. Dal

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15

Wang, Ning. "World drama and modern Chinese drama in its broad context." Neohelicon 46, no. 1 (2019): 7–20. http://dx.doi.org/10.1007/s11059-019-00483-4.

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Della Cahyaningrum, Della, Maya May Syarah, and Susilowati Susilowati. "Pesan Moral Dalam Drama Page Turner (Analisis Semiotika Model Charles Sanders Peirce)." Brand Communication 3, no. 4 (2024): 386–402. https://doi.org/10.70704/bc.v3i4.334.

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Korean drama or often called K-Drama (Korean Drama) is a South Korean cultural product that is popular in various parts of the world, such as in Indonesia. Korean dramas have a great opportunity to convey messages through long storylines in each episode. The Page Turner drama tells the story of someone who almost gave up in facing the challenges of his life, but still struggled through every obstacle to achieve his dreams despite his limitations. The purpose of this study is to determine the moral message contained in the Page Turner drama based on Charles Sanders Peirce's semiotic analysis. T

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Lintang Ratu Wastika and Ranu Iskandar. "PENGARUH DRAMA KOREA TERHADAP LITERASI DIGITAL DAN KEMANUSIAAN." Jurnal Ilmiah Multidisiplin Ilmu 2, no. 3 (2025): 83–89. https://doi.org/10.69714/dkr3fw90.

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Korean drama, or K-Drama, has become a widespread popular cultural phenomenon in many countries, including Indonesia, and has a significant influence on media consumption patterns and digital literacy among young people. This study uses a descriptive-qualitative approach based on a literature review to further explore the influence of Korean drama on digital literacy and humanitarian values among the younger generation. The study focuses on how Korean drama affects these aspects. The findings indicate that watching Korean dramas encourages young people to actively use digital media and technol

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Vasić Rakočević, Branislava V. "„LIPTONOV ČAJ“ RADOMIRA KONSTANTINOVIĆA I IZAZOV RADIO-DRAME." Nasledje Kragujevac XIX, no. 52 (2022): 299–309. http://dx.doi.org/10.46793/naskg2252.299vr.

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This paper begins with an overview of the history of radio drama as well as its charac- teristics. Radio dramas of Radomir Konstantinović represent a very specific part of his work mostly due to the historical position of this genre. The central part of the paper is the analysis of his radio drama called The Lipton Tea. There are some characteristic poetic elements in it which are connected to his novels. The crucial problems are problems of identity in a modern world and a dream of happiness and friendship. Since his radio dramas are fully published in 2019 for the first time, this paper trac

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Haddad, Fadi G., and Alexander Dhoest. "Cosmopolitanism in Dubai’s Pan-Arab Drama." Middle East Journal of Culture and Communication 13, no. 2 (2020): 190–209. http://dx.doi.org/10.1163/18739865-01302002.

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Abstract Pan-Arab dramas (Ar. al-drama al-ʿarabiyya al-mushtaraka) are a recent trend in Arabic drama series (Ar. musalsalat); they portray an ensemble of characters of various Arab nationalities in a transnational narrative setting. By considering transnational television a factor that contributes to the cosmopolitan imagination, and given the argument that Gulf cities are replacing historical Arab capitals and becoming ‘new centers’ for Arab culture, education and business, we explore the manner in which cosmopolitanism is represented in transnational Arab drama content. We do this through a

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OGUZ NAMDAR, AYSEGUL, AYSE NUR BULBUL, and AHMET OSMAN CANKAL. "INTO THE WORLD OF LIVING THINGS THROUGH CREATIVE DRAMA." KIRŞEHİR EĞİTİM FAKÜLTESİ DERGİSİ 19, no. 2 (2018): 1405–22. http://dx.doi.org/10.29299/kefad.2018.19.02.009.

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.V, Praveen S. "Shakespeare-The Brand." International Journal of Emerging Research in Management and Technology 6, no. 8 (2018): 179. http://dx.doi.org/10.23956/ijermt.v6i8.135.

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William Shakespeare is known to the world as one of the greatest dramatist in the history of English Literature. It is unusual to attribute either Shakespeare or his works in the world of marketing, yet it is the fact that, even after 450 years, Shakespeare is still a recognizable and powerful brand in the world of today. Shakespearean festival was still being celebrated all over the world. Royal Society of Shakespeare still performs Shakespearean dramas every year, in more than twenty languages. It shows the brand image of Shakespeare, having in the world today. Aristotle, a Greek Philosopher

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Courtney, Richard, and Karen Bamford. "Shakespeare’s World of Death: The Early Tragedies, Drama and Feeling." Canadian Theatre Review 86 (March 1996): 65–66. http://dx.doi.org/10.3138/ctr.86.015.

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Richard Courtney, Professor Emeritus at the Ontario Institute for Studies in Education, has published widely in the fields of drama and education. The two books under consideration illustrate diverse aspects of his work. Shakespeare’s World of Death provides an introduction to the early tragedies of Shakespeare; Drama and Feeling develops an aesthetic theory of drama as a primary human activity, central to the creation of consciousness and self-consciousness.

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Irianto, Gilang Pratama, Junita Budi Rachman, and Deasy Sylviasari. "SOUTH KOREA’S SOFT POWER IN THE DRAMA SERIES “CRASH LANDING ON YOU”: PROPAGANDA AGAINST NORTH KOREA." JWP (Jurnal Wacana Politik) 9, no. 3 (2024): 247–55. http://dx.doi.org/10.24198/jwp.v9i3.55852.

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This article examines South Korean propaganda aimed at influencing the public towards North Korea through the military-themed drama series Crash Landing on You interspersed with romantic stories typical of Korean dramas. The propaganda techniques used in the drama use glorification and demonization techniques. The purpose of this paper is to analyze South Korean soft power propaganda in the drama series Crash Landing on You. Propaganda in international relations is used as an analytical tool in this study, as well as the meaning of propaganda and propaganda techniques as supporting concepts fo

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Strejčková, Hana. "Site-Specific Author’s Drama." Amfiteater 9, no. 2021-2 (2022): 216–32. http://dx.doi.org/10.51937/amfiteater-2022-1/216-232.

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The article discusses the role of the playwright in contemporary site-specific drama and the role of the director of site-specific performance. The study aims at three main areas: the author’s drama based on the recent history of the 20th century; the performative potential of the commonness and of oral history; and contemporary site-specific drama. As a playwright, the author focuses on the memories of witnesses and socially taboo topics. As a theatre director, she examines approaches for transforming into theatrical language the memory of place, the collection of data from oral history and b

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Gozansky, Yuval. "Fifty Years of Drama on Israeli Children’s Television." Israel Studies Review 33, no. 2 (2018): 123–47. http://dx.doi.org/10.3167/isr.2018.330208.

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This article analyzes the changes in drama series in the first five decades (1966–2016) of Israeli children’s television. Based on interviews with 27 central producers, this cultural-historical study seeks to explain the significance attributed to children’s drama over the years. Early children’s drama series in Israel were instructional or educational, but they also sought to control the representation of childhood under the direct supervision of the state. The neo-liberal privatization process in Israeli society led to the creation of locally produced, Hebrew-speaking daily dramas on private

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Cooke, Lez. "A ‘New Wave’ in British Television Drama." Media International Australia 115, no. 1 (2005): 23–32. http://dx.doi.org/10.1177/1329878x0511500104.

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In recent years, American television drama series have been celebrated as ‘quality television’ at the expense of their British counterparts, yet in the 1970s and 1980s British television was frequently proclaimed to be ‘the best television in the world’. This article will consider this critical turnaround and argue that, contrary to critical opinion, the last few years have seen the emergence of a ‘new wave’ in British television drama, comparable in its thematic and stylistic importance to the new wave that emerged in British cinema and television in the early 1960s. While the 1960s new wave

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RAMACHANDRAN, AYESHA. "New World, No World: Seeking Utopia in Padmanabhan's Harvest." Theatre Research International 30, no. 2 (2005): 161–74. http://dx.doi.org/10.1017/s0307883305001161.

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This essay examines the theoretical and practical implications of performance as a utopian gesture, particularly with regard to postcolonial drama. Analyzing Manjula Padmanabhan's futuristic play, Harvest, as a case study, I argue that ‘utopia’ is a crucial critical concept for postcolonial dramatic practice because it stands for the collision and convergence of aesthetic and political interests, using the body itself as a site for representation and resistance. The play explores the extreme outcome of the international trade in human organs as a metaphor for neocolonialism and the constraints

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Doyle, Charlotte L. "Multiple Realities: The Changing Life Worlds of Actors." Journal of Phenomenological Psychology 47, no. 2 (2016): 107–33. http://dx.doi.org/10.1163/15691624-12341310.

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This is an empirical phenomenological interview study into the experiences of professional actors as they create and perform roles for the stage. Prior research was inadequate for capturing actors’ changing life worlds over time. Analyzing the interviews using the descriptive phenomenological method yielded general structural descriptions and pointed to the relevance of Schütz’s description of multiple realities. Being cast in a role changes the pace and goals of actors’ everyday worlds and leads the actors intermittently and with intention to enter other realities—fictional, theoretical, and/

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Kelso, Margaret Thomas, Peter Weyhrauch, and Joseph Bates. "Dramatic Presence." Presence: Teleoperators and Virtual Environments 2, no. 1 (1993): 1–15. http://dx.doi.org/10.1162/pres.1993.2.1.1.

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Let us consider the presentation by computers of rich, highly interactive worlds that are inhabited by dynamic and complex characters, and shaped by aesthetically pleasing stories. We shall call this interactive drama, and we believe that it requires strong characters, aesthetic presentation, and long-term dramatic structure. This paper describes an experiment designed to help us understand how to create interactive drama. Three principal questions are addressed. One, how does it feel to be immersed in a dramatic virtual world filled with characters and story? Two, what is required of the char

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Viona, Viona, and Suzy Azeharie. "Analisis Semiotika Roland Barthes dalam Komunikasi Koersid Ibu pada Anak dalam Drama Korea The Good Bad Mother." Koneksi 8, no. 2 (2024): 424–32. http://dx.doi.org/10.24912/kn.v8i2.27644.

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Korean dramas are television dramas produced in South Korea in short series film format that tell stories of human life. Korean dramas can be accessed via paid online streaming platforms, one of which is Netflix, which makes it easy for users to watch television shows and films from various corners of the world. Netflix presents a Korean drama entitled The Good Bad Mother which tells the story of the relationship between mother and child as the main theme. In the drama there is a single mother who takes care of and raises her child alone. A mother who has a harsh educational style is different

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Velikova, Galina. "“THE ICEMAN COMETH” IN WORLD DRAMA AND O’NEILL’S CREATIVE WORLD." Годишник на Шуменския университет. Факултет по Хуманитарни науки XXXIIIA, no. 2 (2022): 403–9. http://dx.doi.org/10.46687/wbxy5736.

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The play “The Iceman Cometh” is central to Eugene O’Neill’s creative world as it represents the parable of man’s ability to live with or without illusions in terms of the perennial antithesis: reality vs illusion. Developing one of the eternal themes in world literature, the play finds common ground with a number of literary and philosophical works which in turn draw the line of literary continuity. The present paper explores cross-references of "The Iceman Cometh" with other works and offers a commentary on various interpretations of the play, covering the artistic pursuits of O'Neill’s and o

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Alhajri, Khalifah. "Ritual and Drama." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 2, no. 1 (2019): 8–26. https://doi.org/10.31866/2616-759x.2.1.2019.170745.

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The purpose of the article is to study the nature of the ritual relationship and theater on the example of the Muslim ceremonial theatrical performance of the Ta’zijah – the Shi’i passion play. The chosen problem caused the broad context of the study. In particular, the author draws attention to the peculiarities of the combination of ritual and theater in ancient Greece, as well as in the European and American culture of the twentieth century. In addition, the specificity of ritual and theater connections in other cultures, including Chinese and Japanese, is monitored. Consi

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Babelyuk, Oksana, and Aleksandra Więcek. "LANGUAGE MEANS IN POSTMODERN DRAMA AND SHAKESPEAREAN DRAMA: COMPARATIVE ASPECT." Scientific Journal of Polonia University 35, no. 4 (2019): 79–85. http://dx.doi.org/10.23856/3509.

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The article is focused on the similarities and differences in language means in postmodern drama and Shakespearean drama. It deals with the development of drama in the sixteenth century till the twentieth century. The aim of this article is to investigate characters and language means in the drama world and to compare them to those of the contemporary drama and the drama of the Renaissance.

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Muzakiah, Azka, and Wulan Trigartanti. "Hubungan antara Tayangan Drama Serial Korea X dengan Minat Mahasiswa menjadi Reporter." Jurnal Riset Public Relations 1, no. 2 (2021): 104–11. http://dx.doi.org/10.29313/jrpr.v1i2.410.

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Abstract. The world has been faced with changes in the digital era, especially in the field of information communication which makes it easier for humans to access various information. whether in the form of news, advertisements, radio broadcasts, film shows to dramas. Drama shows, especially dramas from Korea, are very popular among the public, seen from the birth of the term Korean wave. The various themes raised made the storyline more diverse, one of which was the Times drama series which picked up a reporter's story. So the researchers are interested in researching the Times drama shows w

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Soe'oed, Destaria Verani, and Prudensius Maring. "Resepsi Khalayak Wanita atas Karakter Ji Sun Woo dalam Drama Korea The World of the Married." Warta ISKI 3, no. 02 (2020): 85–90. http://dx.doi.org/10.25008/wartaiski.v3i02.58.

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Drama korea merupakan fenomena baru yang kuat di masyarakat Indonesia. Drama korea membanjiri khalayak dari berbagai media massa. Dengan plot cerita yang menarik, penonton Indonesia akhirnya menjadi penonton aktif dan memproduksi berbagai arti dari sajian drama korea terebut. Drama korea yang diangkat dalam penelitian ini adalah The World of the Married. Drama tersebut ditayangkan di TransTV dianggap berhasil menghipnotis khalayak wanita, serta membuat para khalayak tersebut mengadopsi cerita tersebut kedalam kehidupan sehari-hari mereka. Penelitian ini bertujuan untuk mendeskripsikan resepsi

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Andres, Rok. "Existentialism in Slovenian Drama and Theatre in the Period after the World War II." Res novae: revija za celovito znanost 6, no. 2 (2021): 7–34. http://dx.doi.org/10.62983/rn2865.212.1.

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The artistic poetics that significantly define Slovenian drama and theatre after World War II were existentialism and existentialist drama. Authorial influences from the western side of the Iron Curtain were, above all, of Francophone or Anglo-American origin appeared in various directions within Slovenian drama. Existentialist drama experienced a sharp response from the political establishment, along with several polemics in mainstream magazines. The political establishment always had a say and opinion about artistic disciplines and genres. One of the most prominent examples that led the ideo

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BRALA-MUDROVČIĆ, Jasminka. "PERO BUDAK’S DRAMA WORKS." Lingua Montenegrina 11, no. 1 (2013): 301–46. https://doi.org/10.46584/lm.v11i1.326.

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Pero Budak’s rich oeuvre reveals a poet, a playwright and a novelist. However, it is the drama work that is most prominent. Budak is a dramatist who expresses himself through a realistic style procedure, and the authentic speech of a hero, while he is characterized by familiarity with dramatic technique and poetic features. Covering all areas of life, through the themes of love, hatred, jealousy, inheritance and the desire for it, the impact of politics on the people, issues of economic emigration to the psychological analysis of characters, art to rivalry, etc., he looked into every corner of

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Jabborova, Dilafruz. "Interpretation of Fitrat Dramas in Literary Criticism." International Journal for Research in Applied Science and Engineering Technology 9, no. 12 (2021): 2437–40. http://dx.doi.org/10.22214/ijraset.2021.39332.

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Abstract: This article examines the fact that after the independence of Uzbekistan, the works of modern literature began to be reevaluated on the basis of new approaches. Literary scholar Ilhom Ganiev's monograph "Poetics of Fitrat dramas" is analyzed and the poetic world of the playwright is covered. The article is based on the analysis of the physicist's focus on Fitrat's character creation skills, the symbolic and figurative motives used in dramas, and the use of artistic language. Keywords and word expressions: drama, jadid literature, criticism, natural science, jadid studies, jadid write

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Gotrick, Kacke, and Benedict M. Ibitokun. "African Drama and the Yoruba World-View." African Studies Review 40, no. 3 (1997): 188. http://dx.doi.org/10.2307/524976.

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Landers, Fred. "Teaching drama therapy in a moving world." Drama Therapy Review 6, no. 2 (2020): 75–79. http://dx.doi.org/10.1386/dtr_00047_1.

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Rawski, Jakub. "Błędni rycerze Juliusza Słowackiego — Zawisza Czarny i Beniowski." Prace Literackie 56 (June 29, 2017): 33–49. http://dx.doi.org/10.19195/0079-4767.56.3.

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Knights-errant by Juliusz Słowacki — Zawisza the Black and Beniowski„Zawisza the Black” and „Beniowski” drama there are one of poorly discussed works by Juliusz Słowacki. The unfinished dramas by the poet, dating from the late, mystical phase of his literature, opens awide field of research. It appears advisable to place the thesis of apossible inspiration Słowacki „Don Quixote” by Miguel de Cervantes Saavedra when writing drama „Zawisza the Black” and „Beniowski” drama. Spanish novel, which is amockery of chivalric romances and epics, perhaps, has become for author of „Kordian” point of refe

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O'Connor, Peter, and Moema Gregorzewski. "The intellectual whakapapa informing the New Zealand Drama Curriculum." Teachers and Curriculum 22, no. 1 (2022): 9–19. http://dx.doi.org/10.15663/tandc.v22i1.415.

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Underpinning drama education in New Zealand is the desire to improve the lives of individuals, communities and societies by catalysing embodied learning in and through the art form of theatre. Learning in drama is intended to foster well-being, social cohesion and active citizenship. Put another way, drama education in New Zealand has always been about more than training actors for the theatre stage. It has been about fostering the development of actors who engage in, on and with the world. This determination has led to the particular pedagogical and curricular response that frames how drama i

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Safira, Btari Anya. "Resisting Patriarchy through Pop Culture: Stereotypes of Korean Women in a Global Perspective." Devotion : Journal of Research and Community Service 5, no. 5 (2024): 597–605. http://dx.doi.org/10.59188/devotion.v5i5.726.

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Korean dramas have made significant strides in gender representation in the past decade. However, South Korea continues to grapple with the deeply ingrained roots of misogyny and patriarchy. The study aims to explore how Korean women challenge stereotypes through pop culture of Korean women in a global perspective. The research employs a qualitative approach following Lawrence W. Neuman's framework, aiming to explore the underlying mechanisms and reasons behind the phenomenon. Through this approach, the research seeks to provide a nuanced understanding of how Korea's dramas contribute to the e

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Kalna, Baiba. "Latvian Drama and Theatre during World War II." Interlitteraria 16, no. 2 (2011): 391–404. http://dx.doi.org/10.12697/il.2011.16.2.1.

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Similar, Anca. "Rhapsody of Modern Drama through." Theatrical Colloquia 9, no. 2 (2019): 138–53. http://dx.doi.org/10.2478/tco-2019-0021.

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Abstract With the Lazarillo published anonymously in Spain in the 16th century, the romantic adventure changed paradigm and emancipated itself from the novels of chivalry. For Jean-Pierre Sarrazac, this picaresque novel brings a new voice to the theatre and modern drama that will evolve into a fundamental novelisation that will take off from 1880. This text was for a long time attributed to the humanist Diego Hurtado de Mendoza y Pacheco and the list of suspects is long akin to this “rhapsodic impulse” those multiple voices that each give a different interpretation to the same text, and that J

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Bekbenbetova, Kazyna, Gaukhar Baltabayeva, Ulbossyn Aimbetova, Kulshat Smagulova, and Rauan Kemerbay. "Social and philosophical research structures of drama and folk narratives: the manifestations of embodied world views." XLinguae 15, no. 1 (2022): 14–22. http://dx.doi.org/10.18355/xl.2022.15.01.02.

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The article analyzes the methodological potential of drama in modern socio-philosophical research. It is shown that the theoretical reconstruction of the drama model allows us to talk about the dramatic approach in the study and explanation of society, and the morphological analysis of the structure reveals its methodological potential for studying crises in society. Our focus is on the socio-philosophical study of drama. The subject allowed us to appreciate philosophy’s complex, contradictory nature and history with its gains and losses. It also overcomes simplistic and excessive ideologizati

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Wolford, Lisa. "Ta'wil of Action: the New World Performance Laboratory's Persian Cycle." New Theatre Quarterly 12, no. 46 (1996): 156–76. http://dx.doi.org/10.1017/s0266464x00009982.

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The New World Performance Laboratory is an experimental theatre company based in Cleveland, Ohio, founded by a number of artists who originally collaborated in the context of Jerzy Grotowski's Objective Drama Programme. NWPL investigates traditional performance techniques of various cultures, conducting private research as well as mounting publicly-accessible productions. Iranian director Massoud Saidpour, a founding member of the company, has developed a series of performances based on Sufi teaching stories which explore the adaptation of traditional Persian materials and performance idioms f

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Seitniyazovna, Ataniyazova Gulshat. "The influence of improvision on the formation of world dramaturgy." American Journal of Philological Sciences 5, no. 1 (2025): 89–91. https://doi.org/10.37547/ajps/volume05issue01-24.

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The influence of improvisation on the emergence of world drama. In the history of culture and literature of the peoples of the world, the sources of the emergence of art forms based on the method of syncretism have been scientifically and theoretically proven.

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Xiong, Xuyi. "The Influence of Youtube Beauty Vloggers’ Drama on The Profit of Cosmetics Brand." Journal of Education, Humanities and Social Sciences 35 (July 4, 2024): 498–503. http://dx.doi.org/10.54097/6rknbt72.

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In the world of YouTube, a place where fame is cherished, stirring up some disputes or conflicts may be one of the best ways for YouTube beauty vloggers to earn publicity. Disputes and conflicts are commonly generated out of individual distinction, benefits, and other reasons. The disputes and conflicts are widely recognized as drama on YouTube. Famous YouTube beauty vloggers are usually caught in dramas. The dramas trigger discussions across the entire network, spread across multiple platforms, and some vloggers even produce long videos to scrutinize the events. Discussions are not limited to

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Liu, Yaqi, and Qianwen Zhang. "The Trend and Reasons for the Shift of Korean Dramas from Romantic Themes to Realistic Themes." Communications in Humanities Research 13, no. 1 (2023): 211–18. http://dx.doi.org/10.54254/2753-7064/13/20230324.

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In recent times, there has been a shift in the manifestations of Korean popular films and television works. With the advent of globalization, the impact and influence of streaming media and transcultural communications have surpassed traditional methods. Additionally, the dynamics between male and female characters in Korean dramas have undergone changes. Against this backdrop, this study explores how local TV dramas, promoted by Netflix, successfully transcend national boundaries while preserving their distinct cultural identity. To accomplish this objective, the study focuses on the Korean d

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