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Artigos de revistas sobre o tema "Oedipus"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 25 de julho de 2025

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1

Gao, Yonggang, Di Feng, Yiran Dong, and Yue Li. "MATRICIDAL VOLITION AND SELF-SHAPING UNDER THE BONDAGE OF KINDSHIP ETHICS –ON JEAN’S ORESTES COMPLEX IN VIPER IN THE FIST." Diplomatic Economic and Cultural Relations between China and Central and Eastern European countries 7, no. 1 (2022): 388–99. http://dx.doi.org/10.62635/zstn-ee67.

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As the “negative Oedipus Complex”, the Orestes Complex is little known. Orestes’s matricide is not only the opposition of Oedipus’s mother fixation, but also reflects the reflection and transcendence of Oedipus complex. On the basis of tracing the origin of Orestes Complex, this paper takes the autobiographical novel Viper in the Fist by French writer Hervé Bazin as an example to demonstrate As the “negative Oedipus Complex”, the Orestes Complex is little known. Orestes’s matricide is not only the opposition of Oedipus’s mother fixation, but also reflects the reflection and transcendence of Oe

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2

Fuchsman, Kenneth A. "Fathers and Sons: Freud's Discovery of the Oedipus Complex." Psychoanalysis and History 6, no. 1 (2004): 23–36. http://dx.doi.org/10.3366/pah.2004.6.1.23.

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Freud's path to the Oedipus complex reveals conceptual inconsistencies. These uncertainties concern fathers, brothers and sons, and the place of the oedipal triad within the family romance. Freud's uncovering of the Oedipus complex emerged, in large part, from his self-analyis of his childhood years in Freiberg. Freud's father was 20 years older than his third wife, and had two adult sons, all of whom lived in Freiberg. In 1897, when Freud announces the Oedipus complex, he stresses his love of his mother and jealousy of his father. Yet in 1924 Freud wrote that his adult brother, Philipp, had t

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3

Kilborne, Benjamin. "Oedipus and the Oedipal." American Journal of Psychoanalysis 63, no. 4 (2003): 289–97. http://dx.doi.org/10.1023/b:tajp.0000004735.93979.e9.

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4

Nikolarea, Ekaterini. "Oedipus the King: A Greek Tragedy, Philosophy, Politics and Philology." TTR : traduction, terminologie, rédaction 7, no. 1 (2007): 219–67. http://dx.doi.org/10.7202/037174ar.

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Abstract Oedipus the King: A Greek Tragedy, Philosophy, Politics and Philology — This study tries to show that the abundance of translations, imitations and radical re-interpretations of a genre like tragedy is due to various social discourses of target societies. Taking as an example Sophocles' Oedipus the King, the acclaimed tragedy par excellence, this essay discusses how the discourses of philosophy, politics and philology influenced the reception of this classical Greek tragedy by the French and British target systems (TSs) during the late 17th and early 18th century and the late 19th and

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5

Zaslavskii, Oleg B. "OEDIPUS PLOT: PARADOXES OF IDENTIFICATION." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 6, no. 2 (2021): 99–123. http://dx.doi.org/10.18522/2415-8852-2021-2-99-123.

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This article deals with the plot structure of the Oedipus myth. From the set of known sources we select a series of elements that form a plot representing an object of our analysis. The author takes into account the following elements: 1) piercing of Oedipus’s ankles and the subsequent displacement of Oedipus to the mountain Cithaeron, 2) the deadly clash between Oedipus and Laius, 3) the riddle of the Sphinx and the Oedipus’s answer, 4) the suicide of the Sphinx, 5) the accession of Oedipus to the throne in Thebes, 6) Oedipus’s discovery of his own origins, 7) the suicide of Jocasta, 8) the s

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6

Tobin, Robert Deam. "Fixing Freud: The Oedipus Complex in Early Twenty-First Century US American Novels." Psychoanalysis and History 13, no. 2 (2011): 245–64. http://dx.doi.org/10.3366/pah.2011.0091.

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Representations of Sigmund Freud in early 21st century US American novels rely on and respond to the image of Freud that emerged from investigations by Paul Roazen (Brother Animal, 1969) and Jeffrey Moussaieff Masson (The Assault on Truth, 1984), which cast doubt on the validity of the Oedipus complex. Relying on Roazen, Brenda Webster's Vienna Triangle ( 2009 ) links Freud's oedipal thinking to paranoia and male masochism. Working with Masson, Selden Edwards's The Little Book ( 2008 ) takes Freud to task for abandoning the seduction theory in favour of the Oedipus complex. Jed Rubenfeld's The

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7

Ślusarska, Alicja. "Se perdre afin de se retrouver : l'importance du passage entre l’absence et la présence dans Œdipe sur la route de Henry Bauchau." Quêtes littéraires, no. 2 (December 30, 2012): 116–23. http://dx.doi.org/10.31743/ql.4632.

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Retracing in his novel the labyrinthine journey that leads Oedipus from the place of his abomination (Thebes) to the city of his future glory (Colonus), Henry Bauchau fills the emptiness between Sophocles’s Oedipus the King and Oedipus at Colonus. Bauchau’s hero, a powerful king, loses everything and stabs his eyes out when the cruel truth about his real identity is revealed. Blind, homeless, devoid of meaning of life, Oedipus leaves on a journey to pass away anywhere. However, his way to death turns out to be, thanks to benevolent presence of others and art’s liberating power, the road to per

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8

García Pérez, David. "La peste del tirano Edipo: política, medicina y desmesura." Nova Tellus 39, no. 1 (2021): 27–43. http://dx.doi.org/10.19130/iifl.nt.2021.39.1.27542.

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This paper exposes the thematic relationship between politics and medicine which can be inferred from the Oedipus Tyranus by Sophocles. We can find the concept of excess (ὕβρις) as a common thread between both arts (τέχναι) as it is the cause of the wrecking plague in 430 BC Attica, just as it is formulated in the Tragic version of Oedipus̓ myth. We resort to the History of Thucydides to help us approaching Sophocles̓ tragedy from historiography and, thus, configurating Oedipus as a tyrant, conception linked to the theme of the aforementioned plague.

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9

Farley, Lisa. ""An Oedipus for Our Time": On the Un-Discipline of Historical Relations." Journal of Curriculum Theorizing 30, no. 3 (2008): 20–31. https://doi.org/10.63997/jct.v30i3.5.

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This paper explores the psychoanalytic concept of the Oedipus conflict as representing ambivalent and fragile tensions between generations. While the Oedipal conflict typically refers to the young child's ambivalent feelings towards the parents, here I consider how Oedipus is reprised in adolescence with respect to markers of history. The paper considers the unconscious uses of historical representation in the making of a self and suggests why teens can be so ready to dismiss the past, sometimes toying with its destruction. The analysis is grounded in a current event that the author reads as,

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10

Pimonov, V. I. "WHAT IS THE MYTH OF OEDIPUS: TO THE QUESTION OF THE STRUCTURE OF THE PLOT." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 23 (2021): 110–15. http://dx.doi.org/10.37313/2413-9645-2021-23-76-110-115.

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Object of the article:the myth of Oedipus. Subject of the article:the structure of the Oedipus story. Purpose of research: the analysis of the specific characteristics of the story of Oedipus which distinguish it from a traditional folklore story. Research methods:methods of the structural and semantic analysis applied. Results: The author argues that the specific nature of the story of Oedipus is characterised by the “prophetic” function of the combination of two interrelated motifs: the number motif and motif of feet. Those motifs, which are conveyed in the riddle of the Sphinx by the words

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11

Posèq, Avigdor W. G. "INGRES'S OEDIPAL "OEDIPUS AND THE SPHINX"." Source: Notes in the History of Art 21, no. 1 (2001): 24–32. http://dx.doi.org/10.1086/sou.21.1.23206972.

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12

Quinodoz, Danielle. "THE OEDIPUS COMPLEX REVISITED: OEDIPUS ABANDONED, OEDIPUS ADOPTED." International Journal of Psychoanalysis 80, no. 1 (1999): 15–30. http://dx.doi.org/10.1516/0020757991598549.

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13

ROTIROTI, GIOVANNI. "REZONANŢE ÎNTRE CONCEPŢIA NON-OEDIPIANĂ A LUI GHERASIM LUCA ȘI POSTUMANISMUL CRITIC." Analele Universității București. Limba și literatură română 72, no. 1/2023 (2023): 141–55. http://dx.doi.org/10.62229/aubllrlxxii/23/9.

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The article aims to point out that Gherasim Luca’s concept of non-oedipal existence resonates with the work of Gilles Deleuze and Félix Guattari, anticipating the nomad thought and the contemporary posthuman critical theory – as formulated by Rosi Braidotti – centred on a critical posthumanism and an affirmative politics. The key-concept of Gherasim Luca, already present in his Romanian work, is that of “Non-Oedipus”. It’s a radical view of existence that anticipates by almost 30 years the theoretical achievements of Deleuze and Guattari’s works Anti-Oedipus and A Thousand Plateaus.

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14

Bemporad, Jules. "Oedipus Rex and Oedipus Complex." Journal of the American Academy of Psychoanalysis 23, no. 3 (1995): 493–500. http://dx.doi.org/10.1521/jaap.1.1995.23.3.493.

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15

Garelli-François, Marie-Hélène. "Le spectacle de l’intime. Espace et circulation de la parole dans l’Oedipe de Sénèque." Vita Latina 187, no. 1 (2013): 164–77. http://dx.doi.org/10.3406/vita.2013.1760.

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The sight of intimacy. Space and motion of speech in Seneca’s Oedipus A study concerning the use of the spatial agreements as well as the internal stage directions in Oedipus shows that Seneca knows and respects the dramatical antique conventions (the ones of his model as well as those of the roman theatre). The comparison of the number, the place and the function of the stage directions in Sophocles’Oedipus tyrannus and Seneca’s Oedipus shows that Seneca makes the choice of stage directions with an emotional value that points out, like «indications » , the scenes of exteriorization of Oedipus

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16

Matroud, Shaima Hassan. "Oedipal Aspect in Sons and Lovers: A Psychoanalytic Study." European Journal of Theoretical and Applied Sciences 2, no. 5 (2024): 225–33. http://dx.doi.org/10.59324/ejtas.2024.2(5).23.

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This research attempts to investigate how gender is seen in Sons and Lovers by D. H. Lawrence, the greatest piece of English literature. An examination of the Oedipal element in D.H. Lawrence's Sons and Lovers can be conducted using a psychoanalytic perspective, notably applying the Oedipus complex theory developed by Sigmund Freud. The writings of Lawrence provide context for the gender issue discussed in this essay. In the book under consideration, gender meaning is emphasized. Lawrence's Sons and Lovers describes how gender is treated. The Oedipus complex and its relation to Freudian though

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17

Zepf, Siegfried, and Judith Zepf. "Little Hans and the “Enigmatic Messages” of His Parents." Psychoanalytic Review 107, no. 6 (2020): 551–81. http://dx.doi.org/10.1521/prev.2020.107.6.551.

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The authors discuss the psychoanalytic treatment of Little Hans, drawing on the perspective offered by Laplanche's concept of “enigmatic messages,” which they believe can contribute to a better understanding of this case history. They conclude that Little Hans's positive Oedipus complex conceals his negative Oedipus complex in which he represents his parents’ oedipal problems in a distorted fashion. They demonstrate the way his parents project aspects of these problems into Hans's psyche, where his subsequent identifications with them lead to substitutive formations. They trace the course of L

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18

Shaima, Hassan Matroud. "Oedipal Aspect in Sons and Lovers: A Psychoanalytic Study." European Journal of Theoretical and Applied Sciences 2, no. 5 (2024): 225–33. https://doi.org/10.59324/ejtas.2024.2(5).23.

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This research attempts to investigate how gender is seen in <em>Sons and Lovers </em>by D. H. Lawrence, the greatest piece of English literature. An examination of the Oedipal element in D.H. Lawrence's <em>Sons and Lovers </em>can be conducted using a psychoanalytic perspective, notably applying the Oedipus complex theory developed by Sigmund Freud. The writings of Lawrence provide context for the gender issue discussed in this essay. In the book under consideration, gender meaning is emphasized. Lawrence's <em>Sons and Lovers </em>describes how gender is treated. The Oedipus complex and

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19

Ko, Joon-seog. "Oedipus’s Diasporic Purification Ritual in Oedipus at Colonus." Literature and Religion 21, no. 1 (2016): 173–86. http://dx.doi.org/10.14376/lar.2016.21.1.173.

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20

Seong, Gi-hyeon. "Typology of Oedipus - Centerung on Anti-Oedipus." Phenomenology and Contemporary Philosoph 88 (March 31, 2021): 155–84. http://dx.doi.org/10.35851/pcp.2021.03.88.155.

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21

Zepf, Siegfried, Burkhard Ullrich, and Dietmar Seel. "Oedipus and the Oedipus complex: a revision." International Journal of Psychoanalysis 97, no. 3 (2016): 685–707. http://dx.doi.org/10.1111/1745-8315.12278.

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22

Edmunds, Lowell. "Oedipus as Tyrant in Sophocles' Oedipus Tyrannus." Syllecta Classica 13, no. 1 (2002): 63–103. http://dx.doi.org/10.1353/syl.2002.0007.

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23

Henao Castro, Andrés Fabián. "Can the subaltern smile? Oedipus without Oedipus." Contemporary Political Theory 14, no. 4 (2015): 315–34. http://dx.doi.org/10.1057/cpt.2014.51.

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24

Lushbaugh, Clarence, Gretchen Humason, and Neal Clapp. "Histology of colon cancer inSaguinus oedipus oedipus." Digestive Diseases and Sciences 30, no. 12 (1985): 119S—125S. http://dx.doi.org/10.1007/bf01296990.

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25

Kahn, Sharon. "Two Terrified Children Versus Oedipus: Oedipus Won." Clio's Psyche 24, Volume 24 - Number 2 (2018): 169. https://doi.org/10.70763/c5bbd980e5ab2c17413ec02bd757a9e5.

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26

Pimonov, V. I. "THE STORY OF OEDIPUS: REVENGE PLOT AND A STATUE OF MITYS." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 22, no. 74 (2020): 121–29. http://dx.doi.org/10.37313/2413-9645-2020-22-74-121-129.

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Object of the article: This study focuses on the revenge plot in the story of Oedipus. Subject of the article: The author argues that the revenge scheme based on the story about “the statue of Mitys at Argos, which killed the man who caused Mitys's death falling on him”, described by Aristotle, is in fact implemented in the story of Oedipus in a hidden way. The author draws a parallel between a role of the statue of Colonus in “Oedipus at Colonus” by Sophocles (which the author considers as an inseparable part of the Oedipus story – along with “Oedipus Tyrannus”) and a role of the statue of Mi

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27

Datan, Nancy. "The Oedipus Cycle: Developmental Mythology, Greek Tragedy, and the Sociology of Knowledge." International Journal of Aging and Human Development 27, no. 1 (1988): 1–10. http://dx.doi.org/10.2190/xap9-uqp1-rnmw-v7r8.

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The Oedipus complex of Freud is based on the inevitability of the tragic fate of a man who fled his home to escape the prophecy of parricide. Thus, he fulfilled it by killing a stranger who proved to be his father. As Freud does, this consideration of the tragedy of Oedipus takes as its point of departure the inevitability of the confrontation between father and son. Where Freud looks to the son, however, I look to the father, who set the tragedy in motion by attempting to murder his infant son. Themes ignored in developmental theory but axiomatic in gerontology are considered in this study of

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28

Steffen, Edith. "The eternal return of the father: The Oedipus complex in Nietzsche." Psychotherapy Section Review 1, no. 48 (2011): 47–55. http://dx.doi.org/10.53841/bpspsr.2011.1.48.47.

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Noting a curious parallel between an incident from Friedrich Nietzsche’s life shortly before his mental breakdown involving the passionate defence of a mistreated horse and a dream recounted in Dostoevsky’s Crime and Punishment which bears Oedipal overtones, this article attempts to offer an interpretation of this incident and other aspects of Nietzsche’s life and work from the perspective of the Oedipus complex as developed by Freud. Drawing on a variety of theoretical and clinical writings such as the case study of ‘Little Hans’, Totem and taboo and Beyond the pleasure principle as well as b

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29

He, Yijun. "A Literature Review Study of the Creative Structure of Oedipus the King." Communications in Humanities Research 15, no. 1 (2023): 106–9. http://dx.doi.org/10.54254/2753-7064/15/20230605.

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Oedipus the King is one of the three great tragedies of ancient Greece, and Aristotle gave it a high evaluation in his work Poetics. The core of this article is to study the creation structure and plots of Oedipus the King from Aristotles theory of tragedy. This article is divided into three parts: introduction, literature review and conclusion. Through these three parts, the author will summarize the current research status, research views and shortage of Oedipus the King. Through the research, the author finds that Oedipus the King has three main characteristics in the plot: the closed drama

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Pope, Maurice. "Addressing Oedipus." Greece and Rome 38, no. 2 (1991): 156–70. http://dx.doi.org/10.1017/s0017383500023548.

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In Oedipus Tyrannus the other characters regularly call Oedipus ‘tyrannos’. My question is what we should call him. Etymologically the obvious translation is tyrant. But the word tyrant suggests a wickedness of heart, or at any rate a total disregard for the wishes of others, that is far from characteristic of the Oedipus that Sophocles portrays. Moreover Oedipus was elected ‘tyrannos’ and refers to his post as ‘tyrannis’. These are two further obstacles since no-one purposely chooses a tyrant to rule over them and in English tyrantship is not a plausible name for a government office. For thes

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31

Gilmore, Richard. "Oedipus Techs." Film and Philosophy 5 (2002): 35–44. http://dx.doi.org/10.5840/filmphil20025/65.

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Noys, Benjamin. "Oedipus wrecks." Philosophers' Magazine, no. 50 (2010): 121–22. http://dx.doi.org/10.5840/tpm20105087.

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Bower, Bruce. "Oedipus Wrecked." Science News 140, no. 16 (1991): 248. http://dx.doi.org/10.2307/3975708.

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Dillon, Elizabeth Maddock. "Ante-Oedipus." History of the Present 12, no. 1 (2022): 4–33. http://dx.doi.org/10.1215/21599785-9547212.

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Abstract This article argues that Freud’s account of binary sexual difference, articulated in the Oedipus complex, is conditioned by a history of racial capitalism. Turning to the foundational work of Hortense Spillers on gender and Atlantic race slavery, this article proposes that dominant models of binary gender are ineluctably racialized, created by the property regimes and systemic sexual violence of colonial modernity that emerged in the Atlantic World of the eighteenth century—a space defined by the structures of labor, race, sexuality, and capital accumulation that developed in and arou

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Knox, Bernard. "Oedipus Rex." Grand Street 4, no. 2 (1985): 203. http://dx.doi.org/10.2307/25006718.

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Marley, Harlene, Sophocles, Holderlin, and Heiner Muller. "Oedipus Tyrannos." Theatre Journal 42, no. 2 (1990): 254. http://dx.doi.org/10.2307/3207767.

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McCall, Tom, Jean-Joseph Goux, Catherine Porter, and Pietro Pucci. "Oedipus Contemporaneous." Diacritics 25, no. 4 (1995): 2. http://dx.doi.org/10.2307/465178.

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Whittall, Arnold, Stravinsky, Cambridge Music Handbooks, and Stephen Walsh. "Oedipus Rex." Musical Times 134, no. 1808 (1993): 587. http://dx.doi.org/10.2307/1002878.

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Francis, E. D. "Oedipus Achaemenides." American Journal of Philology 113, no. 3 (1992): 333. http://dx.doi.org/10.2307/295458.

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Swartz, Sally. "Oedipus matters." Psychodynamic Practice 13, no. 4 (2007): 361–73. http://dx.doi.org/10.1080/14753630701576989.

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Wolff, Tamsen. "Oedipus (review)." Theatre Journal 51, no. 3 (1999): 333–34. http://dx.doi.org/10.1353/tj.1999.0075.

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Brady, Owen Edward. "Oedipus (review)." Theatre Journal 57, no. 2 (2005): 311–13. http://dx.doi.org/10.1353/tj.2005.0049.

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Chase, Bob. "Oedipus Radicalized." History Workshop Journal 51, no. 1 (2001): 220–25. http://dx.doi.org/10.1093/hwj/2001.51.220.

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Berry, Ellen E., and Rachel Blau Duplessis. "Counter-Oedipus." NOVEL: A Forum on Fiction 20, no. 1 (1986): 78. http://dx.doi.org/10.2307/1345620.

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Neimark, Geoffrey. "Oedipus Today." American Journal of Psychiatry 165, no. 11 (2008): 1394–95. http://dx.doi.org/10.1176/appi.ajp.2008.06111940.

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Izzard, Susannah. "Deconstructing Oedipus." European Journal of Psychotherapy & Counselling 5, no. 1 (2002): 1–12. http://dx.doi.org/10.1080/13642530210159170.

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Schechner, Richard. "Oedipus Clintonius." TDR/The Drama Review 43, no. 1 (1999): 5–7. http://dx.doi.org/10.1162/105420499320582123.

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Hatfield, Frances. "Revisiting Oedipus." Jung Journal 14, no. 3 (2020): 107–30. http://dx.doi.org/10.1080/19342039.2020.1781528.

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Fischer, Nancy L. "Oedipus Wrecked?" Gender & Society 17, no. 1 (2003): 92–110. http://dx.doi.org/10.1177/0891243202238980.

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HITCHCOTT, NICKI. "African Oedipus?" Paragraph 16, no. 1 (1993): 59–66. http://dx.doi.org/10.3366/para.1993.16.1.59.

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