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Livros sobre o tema "Painting"

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1

Insoll, Chris. Paintings about painting - Chris Insoll. Falmouth Art Gallery, 2001.

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2

Takeda, Teppei. Paintings of painting: Teppei Takeda. United Vagabonds, 2019.

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3

Canoilas, Hugo. HCPP: Hugo Canoilas, paintings against painting. Centro Cultural Vila Flor, 2011.

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4

Lambie, Jim. Painting not painting. Tate St. Ives, 2003.

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5

Bower, Jane. Painting. Children's Press, 1998.

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6

Thomas, Isabel. Painting. Heinemann Library, 2011.

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7

Robins, Deri. Painting. Two-Can, 2006.

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8

America, Boy Scouts of, ed. Painting. 2nd ed. Boy Scouts of America, 2002.

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9

1909-, Wijesekera Nandadeva, Sri Lanka. Commissioner of Archaeology., and Sri Lanka Purāvidyā Depārtamēntuva, eds. Painting. Commissioner of Archaeology], 1990.

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10

Stocks, Sue. Painting. Thomson Learning, 1994.

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11

Hodge, Anthony. Painting. Stargazer Books, 2004.

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12

S, Burroughs William. Painting. Suzanne Biederberg Gallery, 1988.

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13

Papikʹi͡an, R. Painting. AO "Vneshtorgizdat", 1994.

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14

Cowley, Joy. Painting. Arnold-Wheaton, 1985.

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15

Ruth, Thomson. Painting. Childrens Press, 1994.

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16

Henry, Sally. Painting. PowerKids Press, 2009.

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17

Haq, Saqiba. [Painting]. Hamail Art Galleries, 2008.

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18

Feagin, Susan. Painting. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0029.

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This article identifies four categories of issues that arise in relation to painting as an art. The first concerns the ontological status of paintings as physical objects: the importance of different types of paint and their material support, the values contingent on them, and the conservation and restoration issues that arise because anything physical is subject to decay. The second category concerns the perception and valuation of visual form and attempts to define painting's nature and value in purely visual terms. The third explores ontological and interpretive issues raised by the differe
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19

Painting Paintings 1975. Gagosian / Rizzoli, 2017.

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20

Rudd, Anthony. Painting and Presence. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192856289.001.0001.

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Abstract This book is concerned with why (or whether) paintings have value: why they might be worth creating and attending to. I start from the challenge expressed in Plato’s critique of the arts generally according to which they do not lead us to what is true and good, and may take us away from them. I try to show that this Platonic challenge can be answered in its own terms, that painting is good because it does lead us to truth. What paintings can give us is a non-discursive ‘knowledge by acquaintance’ in which the essence of the painting’s subject matter is made present to the viewer. I tr
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21

Dickins, Rosie. Famous Paintings Magic Painting Book. Usborne Publishing, Limited, 2023.

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22

Rudd, Anthony. Painting and Presence : : Why Paintings Matter. Oxford University Press, 2022.

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23

Yu, Xingxing. Painting: The Painting. YU, XINGXING, 2024.

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24

Yu, Xingxing. Painting: The Painting. YU, XINGXING, 2024.

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25

Yu, Xingxing. Painting: The Painting. YU, XINGXING, 2024.

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26

Painting Not Painting. Tate Publishing, 2003.

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27

Staff, Craig. After Modernist Painting. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350363861.

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This book presents both a historical survey and a critical re-evaluation of the contested and contingent nature of the medium of painting over the last 60 years.Offering a critical account of painting specifically, rather than art more generally,After Modernist Paintingprovides a timely exploration of what has remained a persistent and protean medium. Taking Clement Greenberg's “Modernist Painting” as its starting point, the book focuses on certain developments, including the relationship of painting to Conceptual Art and Minimalism, the pronouncement of painting’s alleged death, its response
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28

Painting: Painting (Action Art). Heinemann, 2005.

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29

Painting & Frills (Decorative Painting). 9th ed. Plaid, 2004.

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30

Moore, George. Modern Painting: Modern Painting. BiblioBazaar, 2007.

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31

British Abstract Painting: Painting. Flowers East, 1994.

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32

Bhatia, Aashirya. Paintings by Aashirya Bhatia: Unique Word Painting. Lulu Press, Inc., 2021.

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33

Shing-chien, Ch'ien. Painting Waterfowls (Chinese Paintings for Beginners #19). ART Book Co., Ltd., 1990.

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34

Brown, Christopher. Dutch Paintings (National Gallery Schools of Painting). Univ of Washington Pr, 1990.

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35

Painting : Painting Top Guide for Beginners: Acrylic Painting. Independently Published, 2022.

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36

Decorative Painting Techniques: Whisper Painting (Decorative Painting Techniques). Sterling/Chapelle, 2007.

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37

VanVoorst, Jenny Fretland. Painting. Jump! Incorporated, 2016.

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38

Booth, Alison. Painting. RedDoor Publishing Limited, 2021.

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39

Calver, Paul. Painting. Penguin Random House, 2014.

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40

Pattison, George. Painting. Edited by Joel D. S. Rasmussen, Judith Wolfe, and Johannes Zachhuber. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198718406.013.22.

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In the wake of the Romantic movement, Christian theologians gave renewed attention to the arts, including painting, which entered one of its most turbulent phases in the nineteenth century. The chapter examines the revalorization of the Middle Ages as the epitome of a Christian culture; symbolism, especially as represented in the English painter G. F. Watts; and the emergence of French modernism as a secularizing tendency. Constructively, the chapter demonstrates that the nineteenth century can still provide a significant resource for reflection on theology and painting. Critically, it finds n
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41

Fremon, Jean. Painting. Black Square Editions, 2000.

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42

Gasser, H. Painting. Golden books, 2000.

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43

Scrace, Carolyn. Painting. Book House, 2020.

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44

Moore. Painting. Franklin Watts, Incorporated, 2000.

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45

Tigg, Geoff R. Painting. Wyatt-MacKenzie Publishing, 2013.

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46

Beschastnov, N. P. Painting. Book on Demand Ltd., 2018.

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47

Painting. Rosen Publishing Group, 2009.

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48

Painting. Scholastic Paperback, 2009.

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49
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50

Painting. RedDoor Publishing Limited, 2021.

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