Добірка наукової літератури з теми "Aesthetics"

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Пов'язані теми наукових робіт:

Статті в журналах з теми "Aesthetics":

1
Morgan, Benjamin. "Aesthetics." Victorian Literature and Culture 46, no. 3-4 (2018): 559–62. http://dx.doi.org/10.1017/s1060150318000232.
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2
Brielmann, Aenne A., and Denis G. Pelli. "Aesthetics." Current Biology 28, no. 16 (August 2018): R859—R863. http://dx.doi.org/10.1016/j.cub.2018.06.004.
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Predelli, Stefano. "Aesthetics." Philosophical Books 45, no. 3 (July 2004): 274–77. http://dx.doi.org/10.1111/j.1468-0149.2004.00354.x.
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Min, Susette. "Aesthetics." Social Text 27, no. 3 (2009): 27–34. http://dx.doi.org/10.1215/01642472-2009-003.
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Bates, Stanley, and Andy Hamilton. "AESTHETICS." Philosophical Books 44, no. 2 (April 2003): 187–92. http://dx.doi.org/10.1111/1468-0149.00294_6.
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Beards, Andrew. "Aesthetics." Modern Schoolman 87, no. 2 (2010): 143–78. http://dx.doi.org/10.5840/schoolman20108723.
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Selk, Eugene E. "Aesthetics." Teaching Philosophy 13, no. 2 (1990): 170–72. http://dx.doi.org/10.5840/teachphil199013224.
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Sparshott, Francis, and Edward A. Lippman. "Aesthetics." Musical Times 128, no. 1732 (June 1987): 332. http://dx.doi.org/10.2307/1193739.
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Deokule, Amit. "Aesthetics." Journal of Psychology & Behavior Research 2, no. 2 (June 2020): p1. http://dx.doi.org/10.22158/jpbr.v2n2p1.
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In this Article the author has focused on aesthetical outlook to lead a fantastic life! There will be handful number of people who find aesthetics in every small thing which can be beautified by their own way where that will help them to stay focused and confident in life. The author has absolutely identified and explained everything in a metaphoric way and by way of his imagination where mindfully this subject becomes very effective! The author has given multiple examples in an illustrious manner because of which this small world becomes subjective with appropriate spaces used by him. He has also taken care that this word will not be misused by the people but will be utilized diligently by understanding the concept for their own betterment and the whole life, too!
10
Wood, Robert E. "Aesthetics." American Catholic Philosophical Quarterly 87, no. 2 (2013): 245–66. http://dx.doi.org/10.5840/acpq201387220.
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Дисертації з теми "Aesthetics":

1
Cubitt, Sean. "Digital aesthetics." Electronic Thesis or Dissertation, Liverpool John Moores University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402843.
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2
Berrios, Ruben Ernesto. "Nietzsche's aesthetics." Electronic Thesis or Dissertation, University of Southampton, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327365.
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3
Fulmer, Tracy. "BLIND AESTHETICS." Text, Miami University / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=miami1002992074.
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Vollbrecht, Tracy. "Adaptive Aesthetics." Text, Kent State University Honors College / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1525685379561019.
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5
Costello, Diarmuid. "Aesthetics after modernism." Electronic Thesis or Dissertation, University of Essex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395872.
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Pfenningstorff, Barbara. "Aesthetics of immanence." Electronic Thesis or Dissertation, Goldsmiths College (University of London), 2014. http://research.gold.ac.uk/11035/.
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This thesis is concerned with the spatial contingencies which affect the production and reception of art. The initial argument is premised on 19th century museum architecture and its role in the aesthetic judgement and containment of art. As an idealist formation, the art museum has survived to this day. However, the thesis claims that art is an immanent space which makes sense of the contingencies it contains, and not the other way round. Since the late 1960s, then, artists such as Robert Smithson and Donald Judd have recovered what they term 'architectural afterthought' and 'space as a main aspect of art'. Building on Miwon Kwon's and James Meyer's theories on site-specificity, it is shown that today, the force of this impulse has given way to spatial dispersal, institutional immersion and corporate assimilation. Museums, in turn, have changed with these developments and have incorporated them accordingly. After a short discussion of relevant philosophical spatial concepts, it is further assessed how contemporary art practices make sense of their own space today. It is found, that artists as diverse as Gerhard Richter, James Turrell and Andrea Zittel have set up architectural sites which imbue their constructions with affective contingencies such as analogy, atmosphere and relation. The agency of these works thus furthers the impulse of Smithson and Judd and embodies an immanence of ideal and contingent space. The practice section, finally, stands on its own. It explores experimental sites which exemplify their process, economy of labour and the site-specific or -responsive nature of their display. Their formal configuration is re-organised in the event of each categorical site. In keeping with the claim of the thesis, the forms and (re-)presentations of the work are not awaiting or finalising content but become active productions in themselves.
7
Swalwell, Melanie. "Aesthetics and hyper/aesthetics: rethinking the senses in contemporary media contexts." University of Technology, Sydney. Faculty of Humanities and Social Sciences, 2002. http://hdl.handle.net/2100/386.
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This thesis addresses the escalation of interest in the senses, across a range of media technological contexts, dating from the mid 1990s. Much of this discourse has focussed on the experiential, particularly intense, multisensory experience of the present. As there are numerous discourses on the senses, technology and affect individually, my concern is to examine some of the intersections between these, in order to reconsider the contemporary significance of aesthetics in media contexts. I develop a ‘hyper/aesthetic’ approach to try to think about aesthetic relations with technology in a nuanced way, opening up a space from which to investigate a variety of relations with technology. Walter Benjamin’s work on the senses and modern technology is useful in this, as is that of two of his commentators, Susan BuckMorss and Miriam Hansen. In providing the outlines of a hyper/aesthetic approach in this thesis, I am, in particular, seeking to complexify understandings of audience reception and meaningmaking, to return some ambivalence to conceptions of the sensory encounter with technology. Hyper/aesthetics is a term that draws together ambivalence, doubling, virtuality, unfamiliarity, innervation, and moving beyond, all concepts that are relevant to the senses and subjectivity. In close readings of case studies drawn from the areas of advertising, computer gaming practices, and new media art, I argue that as well as critiquing their claims to newness, it is also important to attend to the ways in which particular relations with technology exceed or refuse the logic of instrumentality. In particular, these cases consider the emerging aesthetic experiences that technologies of computer gaming and new media art facilitate, and the new subjective possibilities that follow from each. Approaching these studies hyper/aesthetically enables me to go beyond other accounts in appreciating the more experimental character of some of these relations with technology. I particularly focus on the effects and affects generated by encounters with the unfamiliar, including that which is considered strange, ‘unnatural’ or ‘inhuman’, and critically appraise the significance of encounters such as these for the manner in which subjectivity is conceived.
8
Swalwell, Melanie. "Aesthetics and hyper/aesthetics: rethinking the senses in contemporary media contexts." University of Technology, Sydney. Faculty of Humanities and Social Sciences, 2002. http://hdl.handle.net/2100/386.
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This thesis addresses the escalation of interest in the senses, across a range of media technological contexts, dating from the mid 1990s. Much of this discourse has focussed on the experiential, particularly intense, multisensory experience of the present. As there are numerous discourses on the senses, technology and affect individually, my concern is to examine some of the intersections between these, in order to reconsider the contemporary significance of aesthetics in media contexts. I develop a ‘hyper/aesthetic’ approach to try to think about aesthetic relations with technology in a nuanced way, opening up a space from which to investigate a variety of relations with technology. Walter Benjamin’s work on the senses and modern technology is useful in this, as is that of two of his commentators, Susan BuckMorss and Miriam Hansen. In providing the outlines of a hyper/aesthetic approach in this thesis, I am, in particular, seeking to complexify understandings of audience reception and meaningmaking, to return some ambivalence to conceptions of the sensory encounter with technology. Hyper/aesthetics is a term that draws together ambivalence, doubling, virtuality, unfamiliarity, innervation, and moving beyond, all concepts that are relevant to the senses and subjectivity. In close readings of case studies drawn from the areas of advertising, computer gaming practices, and new media art, I argue that as well as critiquing their claims to newness, it is also important to attend to the ways in which particular relations with technology exceed or refuse the logic of instrumentality. In particular, these cases consider the emerging aesthetic experiences that technologies of computer gaming and new media art facilitate, and the new subjective possibilities that follow from each. Approaching these studies hyper/aesthetically enables me to go beyond other accounts in appreciating the more experimental character of some of these relations with technology. I particularly focus on the effects and affects generated by encounters with the unfamiliar, including that which is considered strange, ‘unnatural’ or ‘inhuman’, and critically appraise the significance of encounters such as these for the manner in which subjectivity is conceived.
9
Buchanan, D. A. "Aesthetics, art and Utopia : the philosophical significance of the discourse of aesthetics." Electronic Thesis or Dissertation, University of Reading, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296698.
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10
Sampath, Krishna. "Visual aesthetics and Usability." Student thesis, Linköpings universitet, Interaktiva och kognitiva system, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-97706.
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Анотація:
In the field of Human computer interaction, currently aesthetics has become one of the most frequently research dimension. Most of the researchers have found the correlation between aesthetics and usability, while some other could not discover the correlation between aesthetics and usability. This irregularity to find the correlation between aesthetics andusability makes to further research on this topic.Also based on the previous studies and empirical analysis, it is unclear the factors and issues that are affecting usability and aesthetics while analyzing the correlation. This thesis clearly discusses about the previous empirical studies on aesthetics and usability, methods followed by authors to find the correlation and the results obtained by the authors. In this study, systematic review method [12] was followed to extract the knowledge from the databases (ACM and Science Direct). Two persons have participated in the review and 13 articles from 1995-2012 are taken into the study. Three research questions are discussed in detail to analyze the correlation between aesthetics and usability and the factors affecting the correlation between aesthetics and usability. Finally this study is concluded, by discussing the reasons for irregularity in the correlation results.

Книги з теми "Aesthetics":

1
Lyas, Colin. Aesthetics. London: UCL Press, 1997.
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2
Maynard, Patrick, and Susan L. Feagin. Aesthetics. Oxford: Oxford University Press, 1997.
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3
Manns, James W. Aesthetics. Armonk, N.Y: M.E. Sharpe, 1998.
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4
Goldblatt, David, Lee B. Brown, and Stephanie Patridge. Aesthetics. Edited by David Goldblatt, Lee B. Brown, and Stephanie Patridge. 4 [edition]. | New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315303673.
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5
McMahon, Jennifer A. Aesthetics and material beauty: Aesthetics naturalized. London: Routledge, 2007.
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6
Sastri, P. S. Ṛgvedic aesthetics. Delhi, India: Bharatiya Vidya Prakashan, 1988.
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7
Haug, Wolfgang Fritz. Commodity aesthetics. Pullman, Wash: Dept. of Comparative American Cultures, Washington State University, 2000.
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8
Rutten, Luc. Implant aesthetics. Fuchstal: teamwork media, 2001.
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9
name, No. Evolutionary aesthetics. Berlin: Springer Verlag, 2003.
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10
White, Boyd. Aesthetics primer. New York: Peter Lang, 2009.
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Частини книг з теми "Aesthetics":

1
García-Rivera, Alejandro. "Aesthetics." In The Blackwell Companion to Christian Spirituality, 345–62. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996713.ch21.
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2
Mascia-Lees, Frances E. "Aesthetics." In A Companion to the Anthropology of the Body and Embodiment, 3–23. Oxford, UK: Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444340488.ch1.
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3
Wills, Graham. "Aesthetics." In Statistics and Computing, 151–67. New York, NY: Springer New York, 2010. http://dx.doi.org/10.1007/978-0-387-77907-2_7.
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4
Mazzocut-Mis, Maddalena. "Aesthetics." In The Palgrave Encyclopedia of the Possible, 1–8. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-98390-5_146-1.
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Schnugg, Claudia. "Aesthetics." In Palgrave Studies in Business, Arts and Humanities, 113–35. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-04549-4_7.
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Francis, Penny. "Aesthetics." In Puppetry: A Reader in Theatre Practice, 121–44. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-0-230-35683-2_7.
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Kozloff, Sarah. "Aesthetics." In The Best Years of Our Lives, 61–78. London: British Film Institute, 2011. http://dx.doi.org/10.1007/978-1-84457-566-4_5.
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Marenbon, John. "Aesthetics." In Encyclopedia of Medieval Philosophy, 1–8. Dordrecht: Springer Netherlands, 2018. http://dx.doi.org/10.1007/978-94-024-1151-5_13-2.
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Gooch, Jan W. "Aesthetics." In Encyclopedic Dictionary of Polymers, 22. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_306.
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Klinger, Cornelia. "Aesthetics." In A Companion to Feminist Philosophy, 341–52. Oxford, UK: Blackwell Publishing Ltd, 2017. http://dx.doi.org/10.1002/9781405164498.ch34.
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Тези доповідей конференцій з теми "Aesthetics":

1
Hoffart, Johannes, Dragan Milchevski, and Gerhard Weikum. "AESTHETICS." In CIKM '14: 2014 ACM Conference on Information and Knowledge Management. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2661829.2661835.
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Gromala, Diane, and Rebecca Allen. "Surround aesthetics." In the ACM symposium. New York, New York, USA: ACM Press, 2001. http://dx.doi.org/10.1145/505008.505031.
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Evers, Lucas, and Frank Nack. "Data Aesthetics." In MM '16: ACM Multimedia Conference. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2964284.2993205.
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Miniukovich, Aliaksei, and Antonella De Angeli. "Webpage Aesthetics." In NordiCHI '16: 9th Nordic Conference on Human-Computer Interaction. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2971485.2971544.
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Harrison, Lane, Katharina Reinecke, and Remco Chang. "Infographic Aesthetics." In CHI '15: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2702123.2702545.
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Torres, Cesar, Jasper O'Leary, Molly Nicholas, and Eric Paulos. "Illumination Aesthetics." In CHI '17: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3025453.3025466.
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Torres, Cesar. "Hybrid Aesthetics." In DIS '18: Designing Interactive Systems Conference 2018. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3197391.3205381.
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Wang, Tsen. "Interactive aesthetics." In the 9th international conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1377999.1378049.
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Li, Congcong, Alexander C. Loui, and Tsuhan Chen. "Towards aesthetics." In the international conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1873951.1874089.
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Yang, Yeonsoo, and Scott R. Klemmer. "Aesthetics matter." In the 27th international conference extended abstracts. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1520340.1520637.
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Звіти організацій з теми "Aesthetics":

1
Harris, M. Environmental Baseline File: Aesthetics. Office of Scientific and Technical Information (OSTI), February 1999. http://dx.doi.org/10.2172/761994.
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2
Bierma, Tineke. Concrete poetry : the influence of design and marketing on aesthetics. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5321.
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3
Goetzmann, William, Elena Mamonova, and Christophe Spaenjers. The Economics of Aesthetics and Three Centuries of Art Price Records. Cambridge, MA: National Bureau of Economic Research, August 2014. http://dx.doi.org/10.3386/w20440.
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Esposito, Christine. Fuels planning: science synthesis and integration; social issues fact sheet 15: Landscape change and aesthetics. Ft. Collins, CO: U.S. Department of Agriculture, Forest Service, Rocky Mountain Research Station, 2006. http://dx.doi.org/10.2737/rmrs-rn-21-v15.
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Ryan, Robert L. Social science to improve fuels management: a synthesis of research on aesthetics and fuels management. St. Paul, MN: U.S. Department of Agriculture, Forest Service, North Central Research Station, 2005. http://dx.doi.org/10.2737/nc-gtr-261.
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Best, Kelly L. Reddy, Kelsie N. Doty, and Denise Nicole Green. Fashioned Bodies in Roller Derby League Logos: An Intersectional Analysis of Race, Gender, Body Size, and Aesthetics. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8420.
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Lapolla, Kendra, Jaclyn Gordyan, and Brian Lapolla. Critiquing Design Aesthetics in Collaborative Fashion Creation: Design Conversations with a Fashion Designer, an Architect, and Art Director. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-901.
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Jestratijevic, Iva, and Nancy Ann Ann Rudd. The Body to Die for: Appearance Aesthetics, Body Measurements, and BMI Analysis of a Female and Male Runway Models (2012�2018). Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8427.
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Reddy-Best, Kelly L., Tameka N. Ellington, Eulanda A. Sanders, Arienne McCracken, and Mary Lynn Damhorst. Inequalities around fashioned bodies, style, and beauty: A seminar examining social injustices related to the apparel industry, discipline, and/or personal aesthetics. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-340.
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