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Thematische Bibliographien / 1810-1856 Criticism and interpretation

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Auswahl der wissenschaftlichen Literatur zum Thema „1810-1856 Criticism and interpretation“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 11. Februar 2022

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Zeitschriftenartikel zum Thema "1810-1856 Criticism and interpretation"

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Tronch Pérez, Jesús. "Vindicating Pablo Avecilla’s Spanish ‘Imitation’ of Hamlet (1856)." Revista Alicantina de Estudios Ingleses, no. 25 (November 15, 2012): 241. http://dx.doi.org/10.14198/raei.2012.25.18.

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This essay examines Pablo Avecilla’s Hamlet, an ‘imitation’ of Shakespeare’s tragedy of the prince of Denmark published in 1856, both in its own terms and in the historical context of its publication. This Shakespearean adaptation has been negatively judged as preposterous and unworthy of comment, but it deserves to be approached as what it claimed to be, a free handling of the Shakespearean model, and as responding to its own cultural moment. Avecilla turns the Shakespearean sacrificial prince into a righteous sovereign that has kept the love of a lower-ranked lady and, by pursuing revenge, h

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Klotz, Christian. "Leben – Bild – Besonnenheit." Fichte-Studien 47 (2019): 44–57. http://dx.doi.org/10.5840/fichte2019476.

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Also in the latest versions of the Science of Knowledge Fichte considers explanation of the structure of consciousness a central task of philosophy. In his late explanation of consciousness, the concepts of life and image (or schema) play a central role – two concepts that in Fichte’s account are inseparable and mutually elucidate each other. By interpreting the 1810 Science of Knowledge and Fichte’s introductory lecture The facts of Consciousness from 1810/11, this article aims to show that the pair of concepts “life” and ‘image’ occur on two different theoretical levels in Fichte’s late phil

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Høirup, Henning. "Nekrolog over Uffe Hansen." Grundtvig-Studier 46, no. 1 (January 1, 1995): 18–25. http://dx.doi.org/10.7146/grs.v46i1.16174.

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Uffe Hansen 14.12. 1894 - 11.9. 1994By Henning HøirupThe obituary begins with a description of Uffe Hansen’s background as an Independent Congregation clergyman (from 1925) to the Grundtvigian Independent Congregation (Danish valgmenighed, i.e. a congregation within the National Church, claiming the right to employ their own minister) of Ubberup, where the prominent clergymen V.J.Hoff and Carl Koch were his predecessors. Carl Koch’s extensive writings, theologically erudite, but .popular. in their language, and thus accessible to the layman, were to become the model for Uffe Hansen’s studies i

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Grane, Leif. "Grundtvigs forhold til Luther og den lutherske tradition." Grundtvig-Studier 49, no. 1 (January 1, 1998): 21–41. http://dx.doi.org/10.7146/grs.v49i1.16265.

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Grundtvig's Relations with Luther and the Lutheran TraditionBy Leif GraneGrundtvig’s relations with Luther and the Lutheran tradition are essential in nearly the whole of Grundtvig’s lifetime. The key position that he attributed to Luther in connection with his religious crisis 1810-11, remained with the Reformer until the very last, though there were changes on the way in his evaluation of the Reformation.The source material is overwhelming. It comprises all Grundtvig’s historical and church historical works, but also a large number of his theological writings, besides a number of his poems a

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ONG, S. P. "Jurisdictional Politics in Canton and the First English Translation of the Qing Penal Code (1810) Winner of the 2nd Sir George Staunton Award." Journal of the Royal Asiatic Society of Great Britain & Ireland 20, no. 2 (March 5, 2010): 141–65. http://dx.doi.org/10.1017/s1356186309990472.

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AbstractThis article criticises the conventional interpretation of the first English translation of the Qing penal code by George Thomas Staunton, and proposes a different reading that stresses its role in promoting a positive image of the legal order in Canton on behalf of the East India Company. It suggests that in viewing the translation as a product of growing confrontation between two incompatible legal and cultural systems, our historical literature has radically diminished the scope of Staunton's comparative enterprise and his method of translation. Not only did Staunton exploit contemp

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Donik, Kseniia. "On the history of the title and surname inheritance of Counts Perovsky by Mikhail Mikhailovich Petrovo-Solovovo in 1907: legal norms and archival reconstruction of circumstances." Tambov University Review. Series: Humanities, no. 182 (2019): 250–59. http://dx.doi.org/10.20310/1810-0201-2019-24-182-250-259.

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We highlight unknown circumstances of the title and surname transfer of Counts Perovsky to M.M. Petrovo-Solovovo – a statesman, a representative of an ancient aristocratic family who owned an estate in the Kirsanovsky County of the Tambov Governorate on the basis of new archive sources that were not previously introduced into scientific circulation. In various local history interpretations, modern periodicals that somehow transmit a historical narrative about the last owner of the Karay-Saltykovsky estate, there is a wide variety of versions of how M.M. Petrovo-Solovovo became Count Perovsky (

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Albeck, Gustav. "Den unge Grundtvig og Norge." Grundtvig-Studier 37, no. 1 (January 1, 1985): 47–66. http://dx.doi.org/10.7146/grs.v37i1.15941.

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The Young Grundtvig and NorwayBy Gustav AlbeckThis article is a revised and extended version of the lecture given by Professor Albeck on April 30th 1984 at the annual general meeting of the Grundtvig Society in Oslo. It describes Grundtvig’s close relationship to a number of Norwegian friends he made during his residence at the Walkendorf hostel in Copenhagen in the years 1808-11; this circle of friends lasted and widened to include other Norwegians in his later life.Grundtvig was 67 before he set foot on Norwegian soil, but from his early youth he had familiarised himself with the Norwegian l

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Bugge, K. E. "Menneske først - Grundtvig og hedningemissionen." Grundtvig-Studier 52, no. 1 (January 1, 2001): 115–65. http://dx.doi.org/10.7146/grs.v52i1.16400.

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First a Man - then a Christian. Grundtvig and Missonary ActivityBy K.E. BuggeThe aim of this paper is to clarify Grundtvig’s ideas on missionary activity in the socalled »heathen parts«. The point of departure is taken in a brief presentation of the poem »Man first - and then a Christian« (1838), an often quoted text, whenever this theme is discussed. The most extensive among earlier studies on the subject is the book published by Georg Thaning: »The Grundtvigian Movement and the Mission among Heathen« (1922). The author provides valuable insights also into Grundtvig’s ideas, but has, of cours

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Brien, Donna Lee. "Bringing a Taste of Abroad to Australian Readers: Australian Wines & Food Quarterly 1956–1960." M/C Journal 19, no. 5 (October 13, 2016). http://dx.doi.org/10.5204/mcj.1145.

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IntroductionFood Studies is a relatively recent area of research enquiry in Australia and Magazine Studies is even newer (Le Masurier and Johinke), with the consequence that Australian culinary magazines are only just beginning to be investigated. Moreover, although many major libraries have not thought such popular magazines worthy of sustained collection (Fox and Sornil), considering these publications is important. As de Certeau argues, it can be of considerable consequence to identify and analyse everyday practices (such as producing and reading popular magazines) that seem so minor and in

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Dissertationen zum Thema "1810-1856 Criticism and interpretation"

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Moon, Geoffrey. "The inner musical workings of Robert Schumann, 1828-1840 : in two volumes." Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phm817.pdf.

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A thesis which examines Schumann's secret musical language and the development of that language into a highly complex system of extra-musical meanings expressed in tones, special motifs, harmonic progressions and keys. This study traces the development of Schumann's procedures by first analysing the songs of 1840 to see which repeated musical devices connected with texts. Once they have been identified, the application of these devices is then examined, retrospectively, in selected works for solo piano. Relying heavily on Schumann's diaries and letters, as well as a detailed analysis of select

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Landeck, Jeffrey. "The vine and the rose : towards an aesthetics of incompleteness in Melville's sketch pieces, 1853-1856." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0025/MQ50534.pdf.

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Eve, Vivian Jeanette. "An "unobtrusive art" : Elizabeth Gaskell's use of place in Ruth, North and South, and Wives and Daughters." Thesis, Rhodes University, 1989. http://hdl.handle.net/10962/d1001824.

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The purpose of this study is to show how Elizabeth Gaskell creates a sense of place and why place is important in her novels. Gaskell's life and works indicate an interest in place and an ability to recreate it, but, although most critics mention her descriptive powers, few examine how a sense of place is achieved. Indeed, setting as a tool of analysis has received critical attention only fairly recently. Here the term 'place' has been chosen because it embraces the social, physical, and personal aspects of setting as well as the objects with which spaces are furnished, and for the purpose of

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Findlay, Isobel. "Reading for reform : history, theology, and interpretation and the work of Elizabeth Gaskell and Charles Kingsley." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ29935.pdf.

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Roux, Catharina. "Obedient daughter, silenced witch: the hysteric in Freudian psychoanalysis." Thesis, Rhodes University, 1989. http://hdl.handle.net/10962/d1004637.

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This study explores the theoretical consequences of Freud's renunciation of the seduction theory. The dissertation defends the thesis that the seduction theory was shaped as much by Freud's adherence to the nomonological model as by the empirical evidence of child sexual abuse. A renunciation of the seduction theory was inevitable, not because the accounts of the daughters were lies, but because the methodology was inappropriate. The nomonological model obscured the emotional structure of the nuclear family in which the structure itself, through which sexuality emerged, directed the girl's ent

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Barnes, Jennifer Michelle. "Images of distant lands : a comparison of the compositional techniques used by Georges Bizet and Felicien David to portray the exotic in their operatic works." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1221301.

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Georges Bizet (1838-1875) is best known for his operatic masterpiece, Carmen, but his other works have received much criticism. Much of this criticism stems from the belief that his work was simply derivative of other composers, including the father of French musical exoticism, Felicien David (1810-1876). However, there has never been any formal study comparing the two composers' compositional techniques.The purpose of this study is to compare the approaches that both Bizet and David took to portray the exotic in their operatic works, and to categorize any differences or similarities between t

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Adam, Huguette. "Les romans préhistoriques de J.-H. Rosny Aîné /." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65470.

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Milton, Christopher. "A phenomenological hermeneutic investigation into the psychoanalytic psychotherapist's experience of using the psychoanalytic couch." Thesis, Rhodes University, 2004. http://hdl.handle.net/10962/d1007655.

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The aim of this study was to describe and critically explore the psychoanalytic, psychotherapist's lived experience of the technique of using the couch. Through examination of the literature a question was formulated that would disclose the analyst's experience of the technique of using the couch. Four experienced psychoanalytic practitioners who could be operationally defined as 'analysts' were interviewed. Using a phenomenological method the protocols were comprehensively analyzed to produce descriptions of the general structure of the experience. These were then texturally enhanced using in

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Kling, Jutta Cornelia. "On knowingness : irony and queerness in the works of Byron, Heine, Fontane, and Wilde." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/11824.

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This thesis identifies strategies of queer/irony in the writings of Lord Byron, Heinrich Heine, Theodor Fontane, and Oscar Wilde. Key to the understanding of irony is Friedrich Schlegel's re-evaluation of the concept. The thesis establishes an approach to the multifaceted concept of irony and identify key concepts of queer theory. The focus, however, is close reading. First, Lord Byron's epic satire Don Juan is read with regards to the interplay of narrative strategies and the depiction of gender, homoeroticism and the concept of the child. Furthermore, reviews published at the time of the pub

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Van, der Merwe Petrus Lodewikus. "Lacan and Freud : beyond the pleasure principle." Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/4262.

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Thesis (MA (Psychology))--University of Stellenbosch, 2010.<br>ENGLISH ABSTRACT: Jacques Lacan and Sigmund Freud‟s ideas are presented with specific emphasis on the themes presented in Freud‟s (1920a) Beyond the Pleasure Principle. Freud‟s Project for a Scientific Psychology (1950) provides important clues to describe the pleasure principle in terms of Quantity (Q), facilitations [Bahnung] and contact-barriers. Therefore, the implications of the pleasure principle relate greatly to 1) Freud‟s notion of the unconscious, 2) Lacan‟s explanation of das Ding, 3) the difference between jouissance an

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Bücher zum Thema "1810-1856 Criticism and interpretation"

1

Todd, R. Larry. Schumann and his world. Princeton, New Jersey: Princeton University Press, 2014.

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2

Købke, Christen. Christen Købke: 1810-1848. Edited by Nørregård-Nielsen Hans Edvard, Monrad Kasper, and Statens museum for kunst (Denmark). [Copenhagen]: Statens museum for kunst, 1996.

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Edvard, Nørregård-Nielsen Hans, Monrad Kasper, and Statens museum for kunst (Denmark), eds. Christen Købke: 1810-1848. Copenhagen: Statens museum for kunst, 1996.

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German, Mikhail I︠U︡rʹevich. Mikhail Vrubelʹ, 1856-1910. Sankt-Peterburg: "Avrora", 1996.

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German, Mikhail I︠u︡rʹevich. Mikhail Vrubelʹ (1856-1910): Alʹbom. Sankt Peterburg: Avrora, 2001.

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Marrey, Bernard. Louis Bonnier: 1856-1946. Liège: Mardaga, 1988.

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Fondazione Cassa di risparmio di Perugia., ed. Baldassarre Orsini: L'attività pittorica, 1732-1810. [Perugia, Italy]: Effe, 2008.

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Rodolfo Vantini (1792-1856). San Zeno Naviglio (BS) [i. e. Brescia, Italy]: Grafo, 2011.

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Seim, Andreas. Volkskundliche Skizzen von Rudolf Koch (1856-1921). Marburg: Jonas, 2000.

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Georg-Weerth-Chronik (1822-1856). Bielefeld: Aisthesis, 2006.

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