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Thematische Bibliographien / 1882-1941 Criticism and interpretation / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „1882-1941 Criticism and interpretation“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 29. Januar 2023

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1

Avram, Virtop Sorin. "Philosophy and education: The predicament of Ion Petrovici (1882–1972) work at Romania’s centennial (1918–2018)." New Trends and Issues Proceedings on Humanities and Social Sciences 6, no. 1 (May 10, 2019): 286–95. http://dx.doi.org/10.18844/prosoc.v6i1.4180.

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As one of the disciples of Titu Maiorescu (1840–1917) together with Constantin Radulescu–Motru (1868–1957) and Petre Paul Negulescu (1872–1951), they are regarded as the most prolific thinkers in Romanian modern thought and founders of the Romanian modern culture. History changes which they could not foresee have left the marks upon the perception, reception and interpretation of their work and Ion Petrovici is no exception to that. In order to understand and interpret his work reflected in his writings on philosophy, logic, philosophical monographs, travel diaries, speeches and notes, biograp

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2

Ashizu, Kaori. "‘Hamlet through your legs’." Critical Survey 33, no. 1 (March 1, 2021): 85–102. http://dx.doi.org/10.3167/cs.2021.330107.

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This article discusses four Hamlet adaptations produced in twentieth-century Japan: Naoya Shiga’s ‘Claudius’s Diary’ (1912), Hideo Kobayashi’s ‘Ophelia’s Testament’ (1931), Osamu Dazai’s New Hamlet (1941) and Shohei Ooka’s Hamlet’s Diary (1955). Though differently motivated, and written in different styles, they collectively make something of a tradition, each revealing a unique, unexpected interpretation of the famous tragedy. Read as a group, they thoroughly disprove the stereotypical view that Japan has generally taken a highly respectful, imitative attitude to Western culture and Shakespea

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Vasic, Aleksandar. "Engagement in musical criticism: Pavle Stefanovic’s texts in The Music Herald (1938-1940)." Muzikologija, no. 27 (2019): 203–20. http://dx.doi.org/10.2298/muz1927203v.

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Pavle Stefanovic (1901-1985) is one of the most prominent Serbian music critics and essayists. He created extensive musicographic work, largely scattered in periodicals. A philosopher by education, he had an excellent knowledge of music and its history. His style was marked by eloquence, associativity and plasticity of expression. Between 1938 and 1940 he published eighteen music reviews in The Music Herald, the longest-running Belgrade music magazine in the interwar period (1928-1941, with interruption from 1934 to 1938). Stefanovic wrote about concerts, opera and ballet performances in Belgr

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Fathoni, Rifa'i Shodiq. "Medikalisasi dan Sosial Kontrol: Kebijakan terhadap Difabel di Hindia-Belanda Abad XVII-XIX." INKLUSI 8, no. 1 (September 29, 2021): 63. http://dx.doi.org/10.14421/ijds.080105.

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This study aims to explore the policies of the Dutch colonial government towards people with disabilities. Nowadays, the practice of medicalization of disability remains being carried out, and it causes many losses. This paper explores the historical roots of the problem: why did disability medicalization occur and how? Historiographical studies on disability during the colonial period were still minimal. For this reason, the researcher uses historical research methods (heuristics, source criticism, and interpretation) in this article. This study found that the medicalization of the disability

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Rodiah, Ita. "New Historicism: Kajian Sejarah dalam Karya Imajinatif Ukhruj Minha Ya Mal’un Saddam Hussein." Jurnal Kajian Islam Interdisipliner 4, no. 2 (November 28, 2020): 125. http://dx.doi.org/10.14421/jkii.v4i2.1102.

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Penelitian ini membuktikan bahwa kajian kesusastraan dengan menggunakan new historicism mampu mengungkap pelbagai kekuatan budaya, sosial, ekonomi, dan politik yang menyetubuh dan menyelinap dalam setiap sela teks sastra yang merupakan ranah estetik (aesthetic richness). Penelitian ini mengungkapkan bahwa karya sastra tidak dapat dipisahkan dengan pelbagai konteks zaman dan praksis budaya, sosial, ekonomi, serta politik yang melingkupinya. Penelitian ini tidak sependapat dengan konsep new criticism John Crowe Ransom (The New Criticism, 1941 dan Criticism as Pure Speculation, 1971) dan William

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Avram, Virtop Sorin. "An educational perspective on the philosophy of Petre Paul Negulescu (1872–1951) at the Romania Centennial’s (1918–2018)." New Trends and Issues Proceedings on Humanities and Social Sciences 5, no. 1 (May 8, 2018): 57–67. http://dx.doi.org/10.18844/prosoc.v5i1.3383.

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   A disciple of Titu Maiorescu (1840–1917), Petre Paul Negulescu, along with Constantin Radulescu-Motru (1868–1957) and Ion Petrovici (1882–1972), is regarded as being among the most prolific thinkers in Romanian modern thought and one of the founders of the modern Romanian culture. Historical changes he could never envisage have left their mark upon the perception, reception and interpretation of his work. The paper reviews the key characteristics of Petre Paul Negulescu’s work as reflected in his studies on the origin of culture, the philosophy of Renaissance and two magni

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Vasic, Aleksandar. "Serbian music criticism in the first half of the twentieth century: Its canon, its method and its educational role." Muzikologija, no. 8 (2008): 185–202. http://dx.doi.org/10.2298/muz0808185v.

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Serbian music criticism became a subject of professional music critics at the beginning of the twentieth century, after being developed by music amateurs throughout the whole previous century. The Serbian Literary Magazine (1901- 1914, 1920-1941), the forum of the Serbian modernist writers in the early 1900s, had a crucial role in shaping the Serbian music criticism and essayistics of the modern era. The Serbian elite musicians wrote for the SLM and therefore it reflects the most important issues of the early twentieth century Serbian music. The SLM undertook the mission of educating its reade

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Hidayat, Angga Pusaka, and Widyo Nugrahanto. "DINA MANGSA TAHAPAN KATILU: BIOGRAFI POLITIK EMMA POERADIREDJA, 1935-1941." Patanjala : Jurnal Penelitian Sejarah dan Budaya 10, no. 3 (November 8, 2018): 385. http://dx.doi.org/10.30959/patanjala.v10i3.422.

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Tulisan ini bermaksud menunjukkan pemikiran dan peranan Émma Poeradiredja dalam pergerakan politik perempuan Indonesia. Émma Poeradiredja merupakan perempuan Sunda yang terlibat dalam pergerakan perempuan Indonesia sejak tahun 1920-an. Dia dikenal sebagai salah satu pendiri dan ketua Pasundan Istri, serta merupakan perempuan Sunda pertama yang terpilih sebagai anggota gemeenteraad. Penelitian ini menggunakan metode sejarah. Metode sejarah mencakup tahapan menemukan dan mengumpulkan sumber serta data (heuristic), kritik sumber, interpretasi dan historiografi. Pendekatan sejarah politik digunaka

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Yanpol’skaya, Yana G. "EMERGING FROM QUARANTINE. THE NIGHT OF THE INTELLECTUALS." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 2 (2022): 23–39. http://dx.doi.org/10.28995/2073-6401-2022-3-23-39.

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The article deals with the pandemic as an episode of intellectual history and a situation of reflection against the background of the “death of an intellectual”. The author proposes to question the very conditions of the possibility for philosophy’s response to the challenge of this or that current crisis in principle and the coronavirus pandemic in particular. The question is closely related to the phenomenon of the Intellectual, the crisis of which was announced by French researchers about forty years ago. Today one can talk about the simulation of its role and place in modern “reactions”, a

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Perović, Željko. "Was Saint Bishop Nicholai a Fascist? A Review of His Addresses from March 1935 to April 1941." Nicholai Studies: International Journal for Research of Theological and Ecclesiastical Contribution of Nicholai Velimirovich I, no. 2 (July 26, 2021): 395–434. http://dx.doi.org/10.46825/nicholaistudies/ns.2021.1.2.395-434.

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Abstract: The author addresses the issue of Nicholai Velimirovich’s attitude towards fascism, responding to the criticism of Bishop Nicholai as a sympathizer of Adolph Hitler’s policy and the interpretation of Velimirovich’s thoughts that enabled such constructions. In the present article, special attention is paid to the public addresses of Nicholai Velimirovich during the period of the rise of the Nazi state, i.e. from 1935 to 1941. The main topic of this article is to deconstruct the great myth of Bishop Nicholai’s critics, which reads: Saint Bishop Nicholai is a fascist because he received

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Vasic, Aleksandar. "Serbian musical criticism and essay writings during the XIXth and the first half of the XXth century as a subject of musicology research." Muzikologija, no. 6 (2006): 317–42. http://dx.doi.org/10.2298/muz0606317v.

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The beginning of 2006 marked two decades since the death of Stana Djuric-Klajn, the first historian of Serbian musical literature. This is the exterior motive for presenting a summary of the state and results of up-to-date musicology research into Serbian musical criticism and essay writings during the XIXth and the first half of the XXth century, alongside the many works dedicated to this branch of national musical history, recently published. In this way the reader is given a detailed background of these studies ? mainly the authors' names, books, studies, articles, as well as the problems o

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Gersh, K. V., and A. A. Kuznetsov. "On the Correspondence between I.M. Grevs and S.I. Arkhangelsky (1920s): The Aspects of Personal Biography and Historiography." Uchenye Zapiski Kazanskogo Universiteta. Seriya Gumanitarnye Nauki 164, no. 3 (2022): 48–74. http://dx.doi.org/10.26907/2541-7738.2022.3.48-74.

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This article considers an important source on the evolution of Russian historical science. These are four letters written in 1926–1928 by the leading historian I.M. Grevs (1860–1941) to his colleague S.I. Archangelsky (1882–1958), a future corresponding member of the Academy of Sciences of the USSR. Unfortunately, the response letters of S.I. Arkhangelsky have been lost. The letters under study focus on two main problems. I.M. Grevs unsuccessfully helped S.I. Arkhangelsky to publish the historical source he had translated – “The Edict on Maximum Prices” of Emperor Diocletian. In this connectio

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Hernández Roura, Sergio Armando. "E.T.A. Hoffmann en ópera. Sobre la recepción de su obra en México (1882-1922)." Signa: Revista de la Asociación Española de Semiótica 28 (June 28, 2019): 813. http://dx.doi.org/10.5944/signa.vol28.2019.25095.

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El estreno de Les Contes d’Hoffmann, ópera de Jacques Offenbach, fue central para la difusión de la obra literaria de Hoffmann en México. A partir de la interpretación de las notas, críticas y anuncios aparecidos en la prensa se ha reconstruido el proceso de recepción de esta obra; un ejemplo ilustrativo de la forma en la que esta clase de espectáculos llegó a formar parte del gusto del público y un fenómeno que permite entender cómo se leyó la obra del alemán y dar cuenta del proceso de asimilación de su obra en México.The premiere of Les Contes d’Hoffmann, Jacques Offenbach’s opera, was cent

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Holc, Janine P. "Working through Jan Gross'sNeighbors." Slavic Review 61, no. 3 (2002): 453–59. http://dx.doi.org/10.2307/3090294.

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In this forum onNeighborsby Jan T. Gross (Princeton, 2001), four scholars respond to the book and to the issues of evidence, causality, and interpretation that it raises. Janine P. Holc summarizes the contents and the book's approach and explores the roles of individual choice, on the one hand, and ethnic identity categories, on the other, in Gross's presentation of the causes of the massacre of the Jewish residents of Jedwabne by their non-Jewish neighbors. She argues for an approach to readingNeighborsthat links the emotive mode in which some of the narrative is expressed to a productive eng

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Roszkowski, Wojciech. "After Neighbors: Seeking Universal Standards." Slavic Review 61, no. 3 (2002): 460–65. http://dx.doi.org/10.2307/3090295.

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In this forum on Neighbors by Jan T. Gross (Princeton, 2001), four scholars respond to the book and to the issues of evidence, causality, and interpretation that it raises. Janine P. Holc summarizes the contents and the book's approach and explores the roles of individual choice, on the one hand, and ethnic identity categories, on the other, in Gross's presentation of the causes of the massacre of the Jewish residents of Jedwabne by their non-Jewish neighbors. She argues for an approach to reading Neighbors that links the emotive mode in which some of the narrative is expressed to a productive

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Hagen, William W. "A “Potent, Devilish Mixture” of Motives: Explanatory Strategy and Assignment of Meaning in Jan Gross'sNeighbors." Slavic Review 61, no. 3 (2002): 466–75. http://dx.doi.org/10.2307/3090296.

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In this forum onNeighborsby Jan T. Gross (Princeton, 2001), four scholars respond to the book and to the issues of evidence, causality, and interpretation that it raises. Janine P. Holc summarizes the contents and the book's approach and explores the roles of individual choice, on the one hand, and ethnic identity categories, on the other, in Gross's presentation of the causes of the massacre of the Jewish residents of Jedwabne by their non-Jewish neighbors. She argues for an approach to readingNeighborsthat links the emotive mode in which some of the narrative is expressed to a productive eng

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Naimark, Norman M. "The Nazis and “The East”: Jedwabne's Circle of Hell." Slavic Review 61, no. 3 (2002): 476–82. http://dx.doi.org/10.2307/3090297.

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In this forum onNeighborsby Jan T. Gross (Princeton, 2001), four scholars respond to the book and to the issues of evidence, causality, and interpretation that it raises. Janine P. Holc summarizes the contents and the book's approach and explores the roles of individual choice, on the one hand, and ethnic identity categories, on the other, in Gross's presentation of the causes of the massacre of the Jewish residents of Jedwabne by their non-Jewish neighbors. She argues for an approach to readingNeighborsthat links the emotive mode in which some of the narrative is expressed to a productive eng

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Gross, Jan T. "A Response." Slavic Review 61, no. 3 (2002): 483–89. http://dx.doi.org/10.2307/3090298.

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In this forum on Neighbors by Jan T. Gross (Princeton, 2001), four scholars respond to the book and to the issues of evidence, causality, and interpretation that it raises. Janine P. Holc summarizes the contents and the book's approach and explores the roles of individual choice, on the one hand, and ethnic identity categories, on the other, in Gross's presentation of the causes of the massacre of the Jewish residents of Jedwabne by their non-Jewish neighbors. She argues for an approach to reading Neighbors that links the emotive mode in which some of the narrative is expressed to a productive

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Nielsen, Mikkel Crone. "»At tale med de døde ....« Om sækularisering og hermeneutik i Kaj Thanings forfatterskab." Grundtvig-Studier 53, no. 1 (January 1, 2002): 121–41. http://dx.doi.org/10.7146/grs.v53i1.16425.

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»At tale med de døde ...« Om sækularisering og hermeneutik i Kaj Thanings forfatterskab. Bibliografi over Kaj Thanings forfatterskab[»Talking with the dead« - On secularisation and hermeneutics in the writings of Kaj Thaning]By Mikkel Crone NielsenKaj Thaning’s thesis that Gr.’s visits to England 1829-31 led to his »conversion to life« and emergence as advocate of ‘secularisation’ has proved both influential and controversial, as has his methodological approach to the interpretation of Gr.’s writings with its underpinning thesis that Gr.’s entire literary production is determined by the one ba

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Camacho, Jorge. "The Power of the Archive in El negro Francisco by Antonio Zambrana." Catedral Tomada. Revista de crítica literaria latinoamericana 6, no. 10 (July 31, 2018): 189–211. http://dx.doi.org/10.5195/ct/2018.278.

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During most of the 19th century, an important body of literary works appeared outside of Cuba criticizing the institution of slavery on the island, the system’s inherent violence, its sexual practices, and its repercussions on the white population. Among the most famous works published at the time were Sab (1841), by Gertrudis Gómez de Avellaneda, and Cecilia Valdés ([1839] 1882), by Cirilo Villaverde. In this essay, I would like to explore a lesser known novel that was published by a Cuban writer of the following generation—El negro Francisco (1875), by Antonio Zambrana y Vazquez—in order to

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Baradaran Jamili, Leila, and Razie Arshadi. "Semiology of Culture in James Joyce’s A Portrait of the Artist as a Young Man." Advances in Language and Literary Studies 9, no. 4 (August 31, 2018): 51. http://dx.doi.org/10.7575/aiac.alls.v.9n.4p.51.

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This study sheds new light on the role of city whether real or fictional in modern novel as one of the signs of man’s cultural fate. For the same reason, city is not a mere physical place, but a spatial concept. Not only has city become inseparable from man’s personal and national destiny but also one’s life continues to unfold on city’s streets. James Joyce’s (1882-1941) A Portrait of the Artist as a Young Man (A Portrait, 2000) deals with Joyce’s home, Dublin. Joyce aims to universalize and simultaneously eternalize his home through his art. Accordingly, the reader of his text is to decipher

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Khoshkam, Sara, and Mehdi Amiri. "A Road to Ecocritical Insight in Virginia Woolf’s To the Lighthouse." Studies in Linguistics and Literature 6, no. 4 (November 1, 2022): p92. http://dx.doi.org/10.22158/sll.v6n4p92.

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This article is going to study the ecocritical conception in Virginia Woolf’s (1882-1941) novel, To the Lighthouse (TL) (1927). This is an ecocritical reading which uses Lawrence Buell (1939- ) and Derek Wall’s (1965- ) ideas of ecocriticism. Lawrence Buell defined eco-criticism as the study of the relationships between literature and environment in an environmentalist praxis or as a critical insurgency mainly focused on the issue rather than methodology like what cultural studies of identity and body have done. Writers create their works under the influence of environment and nature and a lit

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"A COMPARISON ON THE WORKS OF EROL DENEC AND ERNST FUCHS." Ulakbilge Dergisi 9, no. 62 (July 30, 2021). http://dx.doi.org/10.7816/ulakbilge-09-62-08.

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Fantastic Realism, rising from the surrealism movement, began with the Vienna Fantastic Realism school, founded in 1945 by Rudolf Hausner, Ernst Fuchs, Wolfgang Hutter, Anton Lehmden and Arik Brauer after World War II. Famous critic Prof. Johann Muschik named this core group "Fantastic Realists" due to the religious, mysterious subjects and symbolist approaches, that they dealt with in their works. In this research, the works of Ernst Fuchs (1930-2015), one of the world's leading representative of the fantastic realist art movement, "The Cross (1950)" and the "Human, Horse, Eagle Trio (1991)"

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Pchelina, Olga. "Полилог религии, культуры и философии: интерпретация Д.С. Мережковского". Philosophical polylogue, № 2 (2021). http://dx.doi.org/10.31119/phlog.2021.2.145.

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The article is devoted to the analysis of the creative activity of Dmitry Merezhkovsky (1865–1941), the “literary source” of the time of the “spiritual turning point” (N. Berdyaev). It is pointed out that Merezhkovsky, being one of the initiators and theorists of Russian symbolism and a well-known representative of the Russian religious renaissance, did not want to limit himself to either “symbolist” or national frameworks, as he always “claimed more: leadership, literary and artistic, religious and philosophical, social and political” (M. Vishnyak). This kind of attitude to creative work ini

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Fabbri, Renato, and Luis Henrique Garcia Ferreira. "A SIMPLE TEXT ANALYTICS MODEL TO ASSIST LITERARY CRITICISM: COMPARATIVE APPROACH AND EXAMPLE ON JAMES JOYCE AGAINST SHAKESPEARE AND THE BIBLE." Revista Mundi Engenharia, Tecnologia e Gestão (ISSN: 2525-4782) 3, no. 2 (May 23, 2018). http://dx.doi.org/10.21575/25254782rmetg2018vol3n2589.

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A análise literária, crítica ou os estudos literários é um campo altamente valorizado, com revistas dedicadas e pesquisas, na maioria das vezes, dentro do escopo das humanidades. A analítica textual é um processo auxilado por computador de extração de conhecimento a partir de dados textuais. Neste artigo, descrevemos um modelo simples e genérico de análise literária assistida pela analítica textual. O método utiliza medidas estatísticas de: 1) símbolo e tamanho das frases; e 2) padronização de rede de palavras. Através da análise das componentes principais (PCA), os textos, de escolha do críti

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Kehoul, Gillian. "Performing Feeling Without Fear." M/C Journal 5, no. 1 (March 1, 2002). http://dx.doi.org/10.5204/mcj.1941.

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Should ethical standards be enforced on performers or their critics? Asking such a question may stimulate memories of personal or professional censorship and fearful imaginings of oppressive, fascist regimes. Indeed, many of us might immediately respond by arguing that personal expression should never be inhibited since a person's right to free expression is an essential tenet of a democratic society. Yet this question raises issues that are not easily dismissed and it may remind us that it is equally important to remember that a number of responsibilities and repercussions can accompany the p

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Shiloh, Ilana. "Adaptation, Intertextuality, and the Endless Deferral of Meaning." M/C Journal 10, no. 2 (May 1, 2007). http://dx.doi.org/10.5204/mcj.2636.

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   Film adaptation is an ambiguous term, both semantically and conceptually. Among its multiple connotations, the word “adaptation” may signify an artistic composition that has been recast in a new form, an alteration in the structure or function of an organism to make it better fitted for survival, or a modification in individual or social activity in adjustment to social surroundings. What all these definitions have in common is a tacitly implied hierarchy and valorisation: they presume the existence of an origin to which the recast work of art is indebted, or of biological

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Brabon, Katherine. "Wandering in and out of Place: Modes of Searching for the Past in Paris, Moscow, and St Petersburg." M/C Journal 22, no. 4 (August 14, 2019). http://dx.doi.org/10.5204/mcj.1547.

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IntroductionThe wandering narrator is a familiar figure in contemporary literature. This narrator is often searching for something abstract or ill-defined connected to the past and the traces it leaves behind. The works of the German writer W.G. Sebald inspired a number of theories on the various ways a writer might intersect place, memory, and representation through seemingly aimless wandering. This article expands on the scholarship around Sebald’s themes to identify two modes of investigative wandering: (1) wandering “in place”, through a city where a past trauma has occurred, and (2) wande

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Holmes, Susan. "'The Only Place Where ''Success'' Comes before ''Work'' Is in the Dictionary...?'." M/C Journal 7, no. 5 (November 1, 2004). http://dx.doi.org/10.5204/mcj.2421.

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Reality TV has emerged as a visible site for contemporary debates over modern fame. In fact, while issues of ‘taste’ and cultural value have long since shaped conceptions of celebrity (Turner, Bonner, Marshall 178), the issue of fame has played a central role in the negative cultural criticisms of Reality TV. Reality programming is often invoked as short-hand to illustrate the moral ills of contemporary fame – as if it has somehow swept away the certainties of ‘the past’ where discourses of public recognition, visibility and reward are concerned. In exploring Reality TV as a site of contempora

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