Thematische Bibliographien / 1901-1974 Criticism and interpretation

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Auswahl der wissenschaftlichen Literatur zum Thema „1901-1974 Criticism and interpretation“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 9. Februar 2022

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Zeitschriftenartikel zum Thema "1901-1974 Criticism and interpretation"

Vasic, Aleksandar. "Engagement in musical criticism: Pavle Stefanovic’s texts in The Music Herald (1938-1940)." Muzikologija, no. 27 (2019): 203–20. http://dx.doi.org/10.2298/muz1927203v.

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Pavle Stefanovic (1901-1985) is one of the most prominent Serbian music critics and essayists. He created extensive musicographic work, largely scattered in periodicals. A philosopher by education, he had an excellent knowledge of music and its history. His style was marked by eloquence, associativity and plasticity of expression. Between 1938 and 1940 he published eighteen music reviews in The Music Herald, the longest-running Belgrade music magazine in the interwar period (1928-1941, with interruption from 1934 to 1938). Stefanovic wrote about concerts, opera and ballet performances in Belgr

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Brignoli, Francesco Rizzi. "The back and forth between Habermas and postmodernism." Perspectives 8, no. 1 (January 1, 2018): 23–30. http://dx.doi.org/10.2478/pipjp-2018-0003.

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AbstractThis paper aims to investigate the dialogue between some postmodern thinkers (mostly Lyotard, Rorty and Vattimo) and Habermas’ criticism in light of a different conception of dialogue itself. Therefore, we shall first give an account of how Habermas establishes his neomodern discourse (1985) in a very close dialogue with the key concepts of postmodernism: the subject and its social role, language and the concept of philosophical truth and the postmodernist view of history (Lyotard, 1979, Vattimo, 1974, 1985, 2009; Rorty, 1989; Bauman, 1993). Secondly, dialogue will be addressed as a st

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Vasic, Aleksandar. "Serbian music criticism in the first half of the twentieth century: Its canon, its method and its educational role." Muzikologija, no. 8 (2008): 185–202. http://dx.doi.org/10.2298/muz0808185v.

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Serbian music criticism became a subject of professional music critics at the beginning of the twentieth century, after being developed by music amateurs throughout the whole previous century. The Serbian Literary Magazine (1901- 1914, 1920-1941), the forum of the Serbian modernist writers in the early 1900s, had a crucial role in shaping the Serbian music criticism and essayistics of the modern era. The Serbian elite musicians wrote for the SLM and therefore it reflects the most important issues of the early twentieth century Serbian music. The SLM undertook the mission of educating its reade

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Vasic, Aleksandar. "Literature on music in the Southslavic Choral Union Herald (1935-1938)." Muzikologija, no. 21 (2016): 185–200. http://dx.doi.org/10.2298/muz1621185v.

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During 1935, 1936. and 1938, in Belgrade was published a monthly magazine The Southslavic Choral Union Herald [Vesnik Juznoslovenskog pevackog saveza]. Three years represent 16 issues or 119 articles, or 216 pages. The first editor was Milenko Zivkovic (1901-1964), a Serbian composer of the younger generation, the chief secretary of the Southslavic Choral Union. The magazine was conceived as a newsletter. Choral societies, members of the South Slavic Choral Association, were given the opportunity to stay informed about the work of the Union and the activities of choral societies throughout the

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BUDNYI, Vasyl. "BOHDAN LEPKY`S LITERARY CRITICISM IN “SLOVANSKÝ PŘEHLED” JOURNALLITERARY CRITICISM IN “SLOVANSKÝ PŘEHLED” JOURNAL." Problems of slavonic studies, no. 68 (2019): 162–74. http://dx.doi.org/10.30970/sls.2019.68.3077.

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Abstract Background: A famous literary critic and writer, representative of the “Moloda Muza” group, B. Lepky was published in numerous Ukrainian and foreign journals in the early twentieth century. Today, his cooperation with Polish and German editions has been partially explored, but the Czech direction remains almost unclear. There are only individual references to B. Lepky's cultural publications in the “Slovanský přehled” journal in the works of V. Doroshenko, V. Lev, B. Rubchak. Purpose: The purpose of the study is to analyze the interpretative bases of B. Lepky's publications in “Slovan

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Henige, David. "“It Is a Job I Would Like”." History in Africa 36 (2009): 1–3. http://dx.doi.org/10.1353/hia.2010.0016.

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When I first proposed founding a journal in 1973, while teaching at the Centre of West African Studies of the University of Birmingham, I had four broad, if also vague, ends in mind: archival reports, text criticism, historiography, and comparative studies.1 I first floated the idea with Philip Curtin, and certainly had no reason to be particularly sanguine that anything concrete would eventuate. Timing must have been everything, because James Duffy, the Executive Director of the African Studies Association, soon wrote me saying that Phil had mentioned the idea to him and, since the Associatio

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Gonzalez Delgado, Mariano, and Tamar Groves. "La enseñanza programada, la UNESCO y los intentos por modificar el currículum en la España desarrollista (1962-1974)." Espacio, Tiempo y Educación 4, no. 2 (July 1, 2017): 73. http://dx.doi.org/10.14516/ete.186.

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This paper focuses on studying the origin and evolution of the programmed learning in Spain. For this, an interpretation about the influence exerted by the international governmental organization for its implantation is emphasizes. First, the paper explains its beginnings in relation to the educational framework opened by UNESCO. The article continues with the explanation of the first criticisms that were established on this curricular policy. Finally, an attempt is made to give an explanation about its rapid decline. It concludes by indicating the importance of international and local social

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Anastasova, Maria. "Puritan Projections In Nathaniel Hawthorne’s "The Scarlet Letter" And Stephen King’s "Carrie"." English Studies at NBU 7, no. 1 (June 1, 2021): 69–86. http://dx.doi.org/10.33919/esnbu.21.1.5.

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It is considered that the Puritans that populated New England in the 17th century left a distinctive mark on the American culture. The article explores some projections of Puritan legacy in two American novels of different periods – Nathaniel Hawthorne’s The Scarlet Letter (1850) and Stephen King’s Carrie (1974). After establishing a connection between the Puritan writings and gothic literature, the two novels are analyzed in terms of some Puritan projections, among which are the problem of guilt and the acceptance of an individual in the society. Some references regarding the idea of the witc

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Spronck, Stef. "Speaking for Bakhtin: Two Interpretations of Reported Speech A Response to Goddard and Wierzbicka (2018)." Russian Journal of Linguistics 23, no. 3 (December 15, 2019): 603–18. http://dx.doi.org/10.22363/2312-9182-2019-23-3-603-618.

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Vološinov ([1929]1973) is one of the most frequently cited works in studies on reported speech, but its interpretation varies considerably between authors. Within the linguistic anthropological tradition, its central message is often conflated with Erving Goffman’s ‘speaker roles’, and in a recent publication, Goddard and Wierzbicka (2018) marry ideas they attribute to Vološinov (1973) and Mikhail M. Bakhtin to those by the formal semanticist Donald Davidson. Responding to Goddard and Wierzbicka (2018) (and a shorter version of a similar argument in Goddard and Wierzbicka (2019), this paper se

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Findlay, Michael. "So High you can't get over it: Neo-classicism, Modernism and Colonial Practice in the forming of a Twenieth Century Architectural Landmark." Architectural History Aotearoa 3 (October 30, 2006): 7–19. http://dx.doi.org/10.26686/aha.v3i.6795.

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Amyas Connell (1901-80) was a New Zealand architect and a leading figure in British modernism. His first commission, High and Over (1929-31) for the archaeologist and classical scholar Bernard Ashmole was described as the first fully worked out modernist house built in England. The project drew attention from a wide range of architectural critics including Howard Robertson and the Country Life writer Christopher Hussey. A short film entitled The House of a Dream made by British Pathé ensured the house was seen by the large cinema audience in 1931. High and Over became more contentious over tim

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Dissertationen zum Thema "1901-1974 Criticism and interpretation"

Cobern, Lucy Rebecca. "The suspension of mastery and the desire for imaginary : applying Jacques Lacan's theory of the imaginary to the beholder/image dialectic as realised in selected paintings by Lucy Cobern and Gerhard Richter." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1007806.

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This dissertation seeks to explore the nature of the self/other, subject/object dialectic that can be found in Jacques Lacan's theory of the Minor Stage and his notion of Imaginary mastery, and how this relationship can be re-read in terms of a beholder/image relationship. What I seek to demonstrate in exploring the relationship between the beholder and the image is the staging of two opposing emotions, aggression and desire and the consequential tussle for mastery that arises from the self/other, and hence the beholder/image, dichotomy. I seek to explore the reasons why such a beholder/image

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Marusza, Julie A. "The transforming art of Anne Sexton /." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69619.

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By using rigorous conventional structure in her early work Anne Sexton was able to successfully contain some of her severe psychological instabilities stemming from childhood in poetic form. Sexton's artistic direction underwent a sharp change midway into her poetic career after she wrote the volume Transformations, a collection of story-poems based on narratives from the Grimm fairy tales. In this collection, Sexton took on the external persona of a witch, and with her new voice, she was boldly able to re-tell her version of the Grimm tales. The new persona enabled Sexton to shed her previous

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Brochard, Anna Di Blasio. "Le commedie ariostesche nella storia della critica : saggio di bibliografia critica, 1901-1979." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65475.

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Stelle, Ginger. "A swipe at the dragon of the commonplace : a re-evaluation of George MacDonald's fiction." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1974.

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This thesis offers a re-evaluation of the fiction of George MacDonald (1824-1905), both fantasy and non-fantasy. The general trend in MacDonald studies is to focus primarily on his works of fantasy, either ignoring the rest (which includes non-fantasy fiction, sermons, poetry, and criticism) or using them to illuminate the fantasies. The overall critical consensus is that these works, particularly MacDonald’s non-fantasy fiction, possess little inherent value. Though many critics acknowledge similarities between MacDonald’s fantasy fiction and his non-fantasy fiction, MacDonald has been the vi

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Liddington, John Hugh. "The philosophy of Michael Oakeshott and its relation to politics." Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670402.

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Hoedekie, Nelson G. U. (Nelson Gustaaf Urbain). "Naar analogie van schaduwen aan de wand : een wijsgerige interpretatie van 'de schaduw als kunstwerk' aan de hand van Plato's grotvergelijking." Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53511.

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Thesis (MPhil)--University of Stellenbosch, 2003.<br>ENGLISH ABSTRACT: In this thesis, 'shadow' is investigated as an object of thought and (analogically connected to this) of perception. This dialectical process is structured through means of a series of experiments and Plato's allegory of the cave, which is interpreted as a process directed towards selfconciousness. This process is further explained through thinkers such as, Blumenberg, Heidegger, Levinas en Voegelin. The purpose of this study is to break with the self-evident way in which 'shadow' is 'normally' treated and to bring b

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Vázquez-Medina, Olivia. "Cuerpo presente : imaginería corporal, representación histórica y textura narrativa en Yo el Supremo (1974), Noticias del Imperio (1987) y el General en su Laberinto (1989)." Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670014.

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Valent, Joseph Arthur. "An examination of the conducting method of Hideo Saito." Virtual Press, 2000. http://liblink.bsu.edu/uhtbin/catkey/1173782.

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The ideas of Hideo Saito regarding conducting and conducting pedagogy are a valuable addition to the field, an addition that English-speaking people are likely to be unfamiliar with. Besides devising a unique collection of terms for talking about conducting, and assembling a set of exercises designed to facilitate the practice of a variety of gestures, Saito develops and operates from a framework which allows for the description and evaluation of almost any conceivable rhythmic gesture. While he pays attention to time, space, direction, size, and expectations, he often explores the ways veloci

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Prisco, Mario. "Journeys beyond binaries : storytelling and polyphony in the narratives of Gabriella Ghermandi, Igiaba Scego, Ubax Cristina Ali Farah and Amara Lakhous." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/11947.

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In the last two decades, in media and political discourses, Italianness has been increasingly represented as a homogeneous and compact entity, which is intruded on and contaminated by immigrants. In this study, the binary opposition between Italians and migrants is investigated from the perspective of writers who inhabit a liminal space, between at least two cultures, with the main intent to problematize the binary itself and to show its nature of fabrication. On the basis of Said's contrapuntal method, the novels by Ghermandi, Scego, Ali Farah and Lakhous are thought to establish a counterpoi

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Wulf, Catharina. "Desire in Beckett : a Lacanian approach to Samuel Beckett's plays Krapp's last tape, Not I, That time, Footfalls and Rockaby." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59554.

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This thesis argues that desire is a major theme in Samuel Beckett's dramatic works. Central to our analysis is Jacques Lacan's concept of the Desire for the Other, as the outcome of the human subject's division. We will investigate how desire is expressed at the level of Beckett's characters' utterance. The characters' attempts at and inability to achieve a reconciliation with their speech correlate with the impossibility of reunifying Lacan's split subject. The first part of our discussion focuses upon desire-as-paradox--the lack of will to desire and the continuation of desire--in Not I, Foo

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Bücher zum Thema "1901-1974 Criticism and interpretation"

Marieluise Fleisser (1901-1974) et le théâtre populaire critique en Allemagne. Bern: P. Lang, 1999.

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Centro de Estudos Murilo Mendes. Murilo Mendes: 1901-2001. [Juiz de Fora, Brazil]: Centro de Estudos Murilo Mendes, Universidade Federal de Juiz de Fora, 2001.

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The literary reputation of Else Lasker-Schüler: Criticism, 1901-1993. Columbia, S.C: Camden House, 1994.

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Erkki Huttunen, 1901-1956, arkkitehti. Helsinki: Suomen Rakennustaiteen Museo, 1993.

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Josep M. Rovira i Gimeno. José Luis Sert: 1901-1983. Milano: Electa, 2000.

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László, Füzi. Alkat és mű: Németh László, 1901-1975. Pozsony: Kalligram, 2001.

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Moretti, Marco. Renato Bertelli (1900-1974). Signa (Fi) [i.e. Florence, Italy]: Masso delle Fate, 2007.

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Longari, Elisabetta. Alfredo Chighine: 1914-1974. Tenero [Switzerland]: Galleria Matasci, 1991.

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Moretti, Marco. Renato Bertelli (1900-1974). Signa (Fi) [i.e. Florence, Italy]: Masso delle Fate, 2007.

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Walter, Zoum. Zoum Walter: 1902-1974. [Paris]: Herscher, 1991.

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Buchteile zum Thema "1901-1974 Criticism and interpretation"

Annovi, Gian Maria. "Dante." In Pier Paolo Pasolini, 49–70. Columbia University Press, 2017. http://dx.doi.org/10.7312/columbia/9780231180306.003.0003.

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In chapter Two, I examine the thematization of authorial performance in La Divina Mimesis (Divine Mimesis, 1974). Composed over the course of several years, Divine Mimesis is Pasolini’s attempt to rewrite Dante’s Comedy and is comprised of drafts, working notes, tentative paratexts, and photographs. In it, Dante emerges as one of the most persistent and complex Pasolinian authorial personae, a model not only for his early realism, but also for his use of autobiography. Previous criticism of Divine Mimesis considered it a literary failure, or, at best, a metaphor for the shattering of authorial subjectivity. However, I argue that it is a pivotal work within Pasolini’s oeuvre, skillfully reinforcing the idea of an author in control of his work and even its reception. Divine Mimesis introduces us to an interpretative system in which authorship and the performance of an author failing in producing a cohesive text become central and explicit, producing a conception of identity as fluid, unfinished, or in the making.

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