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Dissertationen zum Thema „Aesthetics, Modern“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 1. August 2024

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1

Armstrong, Kevin Anthony. "Aesthetics/ethics, two modern views." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ37936.pdf.

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2

James, Michael. "Reflections and elaborations upon Kantian aesthetics." Uppsala : Stockholm, Sweden : Academia Ubsaliensis ; Distributor, Almqvist & Wiksell International, 1987. http://catalog.hathitrust.org/api/volumes/oclc/18255569.html.

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3

Schmid, Erica. "Fail Better: The Aesthetics of Contemporary Criticism." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/274890.

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English<br>Ph.D.<br>Though literature and literary study have needed defense for most of their respective histories, the current crisis in academic literary study and the humanities more generally has forced scholars into the uncomfortable position of selling their disciplines and simultaneously warning students about the risks involved in earning what the dominant public considers to be "useless" degrees. The paradox, of course, is that dissuading would-be studiers is both ethical and destructive: it is necessary to inform students of the frightful instability of careers in literary study, bu

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4

Eccles, Tim. "Looking for beauty: a call to educators to address the need for aesthetic education in our classrooms /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2204.

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5

Long, David Thomas. "Object vanishings in early modern narrative." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1495946191&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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6

Iida, Yumiko. "Rethinking identity in modern Japan : nationalism as aesthetics /." Abingdon ; New York : Routledge, 2002. http://catalogue.bnf.fr/ark:/12148/cb40016503j.

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7

Felstead, Kenneth Desmond 1945. "The metaphysical grounds for the modern relationship between aesthetics and ethics." Monash University, School of Literary, Visual and Cultural Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/8648.

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8

Kitamura, Katie. "The aesthetics of vulgarity and the modern American novel." Thesis, Birkbeck (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.424932.

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9

Barker, Jennifer. "The aesthetics of resistance modernism and antifascism /." [Bloomington, Ind.] : Indiana University, 2005. http://wwwlib.umi.com/dissertations/fullcit/3178431.

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Thesis (Ph.D.)--Indiana University, Dept. of English, 2005.<br>Source: Dissertation Abstracts International, Volume: 66-06, Section: A, page: 2208. Adviser: Thomas Foster. "Title from dissertation home page (viewed Nov. 27, 2006)."

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10

Grahn, Emma. "A study in GUI aesthetics for modern pixel art games." Thesis, Blekinge Tekniska Högskola, Sektionen för datavetenskap och kommunikation, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-5423.

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The clarity and usability of the graphical user interface is very important for the enjoyment of a digital game. Pixel art is an art style with low resolution consisting of a precise placing of pixels, the smallest unit of colour that a screen can display. Pixel art has the potential of being cheap, easy to make and nostalgic, but it takes some skill to handle. However the great weakness of pixel art is displaying letters, and small details with clarity. So is there a place for pixel art in modern games? This thesis will discuss how pixel art games could use their GUI and HUDs to create beauti

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11

POLIZZO, ANA PAULA. "THE MODERN AESTHETICS OF THE LANDSCAPE: ROBERTO BURLE MARX’S POETICS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2010. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=17068@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>A arte dos jardins comparada com as outras artes é extremamente ambígua:ela se constrói com a própria natureza, e, no entanto, desta deve se afastar por intermédio de um gesto que a torna jardim e que a isola da extensão que o cerca. O jardim é uma realidade frágil uma vez que lida com o mundo transitório e efêmero das plantas, com o ciclo de vida, com a mutabilidade, com a temporalidade bem marcada, diferente da obra de arte estática. Sob esta perspectiva, muitos autores são incisivos ao indicar Roberto Burle Marx como definidor

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12

Kerting, Verena. "Henry David Thoreau's aesthetics : a modern approach to the world /." Frankfurt-am-Main : P. Lang, 2006. http://catalogue.bnf.fr/ark:/12148/cb402429803.

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13

Smyth, Edmund Joseph. "The nouveau Roman and the aesthetics of modernity and postmodernity." Thesis, University of Glasgow, 1993. http://theses.gla.ac.uk/4834/.

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14

Sohn, Won Jung. "In search of another eye : mimesis, Chinese aesthetics, post-modern theatre." Thesis, University of London, 2011. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542434.

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Although a new tradition of non-mimetic theatre has secured a place in Western theatre history, I find that existing critical vocabularies fail to embrace various theatrical forms of today. Alternative frames of discussion are sought after, and I propose that a culturally distinct one will open up possibilities of perceiving contemporary performances in different ways. In this thesis I turn to the aesthetics of Chinese painting. The Western concept of mimesis in theatre is seen as being strictly related to the verbal aspects of the drama rather than the performed spectacle. Turning to painting

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15

Brennan, Mary Kate. "Nietzsche on Suffering, Affirmation, and Modern Tragedy." Diss., Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/593202.

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Philosophy<br>Ph.D.<br>As an artform, tragedy is deeply perplexing. On the one hand, it depicts events that are painful, depressing, and difficult to watch. On the other hand, it is a genre that has been continually replicated, revered, and enjoyed throughout history. I examine Nietzsche’s response to this problem. Nietzsche, I argue, develops a clear response to the paradox of tragedy: Tragedy is valuable because, even though (or precisely because) it is painful to watch, it allows us to affirm life. Interestingly, Nietzsche’s discussion of tragedy is filled with numerous mentions of Shakespe

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16

Fokt, Simon. "Defining art culturally : modern theories of art : a synthesis." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/3675.

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Numerous theories have attempted to overcome the anti-essentialist scepticism about the possibility of defining art. While significant advances have been made in this field, it seems that most modern definitions fail to successfully address the issue of the ever-changing nature of art raised by Morris Weitz, and rarely even attempt to provide an account which would be valid in more than just the modern Western context. This thesis looks at the most successful definitions currently defended, determines their strengths and weaknesses, and offers a new, cultural definition which can preserve the

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17

Tsoulou, Marina-Georgia. "Philosophical approaches to classical ballet and modern dance." Thesis, University of Warwick, 2003. http://wrap.warwick.ac.uk/50522/.

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My primary concern in this thesis is to develop a framework in which classical and modern dance can be analyzed and assessed in philosophical terms. This should not be understood as an endeavour to create a system of values according to which dance should be criticized. What is being attempted is to describe and characterize dance with the tools provided by different aesthetic theories. Moreover dance, and especially ballet (due to its more solid and concrete structure and form), is used as a test - βάσανος (vasanos) in Greek - to help discern the limitations of existing aesthetic theories. At

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Santos, Anna Maria Affonso dos. "John Graz: o arquiteto de interiores." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-03032010-112258/.

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Esta pesquisa tem por objetivo fazer uma análise formal dos projetos residenciais de arquitetura de interiores realizados por John Graz em São Paulo, nas primeiras décadas do século XX. Desta maneira, pretende-se mostrar sua importância como introdutor da estética moderna nos interiores das residências paulistas e dar a ele o devido reconhecimento pela importância que prestou as artes e a arquitetura brasileiras.<br>The main purpose of this research is to carry out a formal analysis of the home interior architecture designs developed by John Graz in São Paulo in the first decades of the 20th c

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19

Magdaleno, Danieli Gervazio [UNESP]. "As bases hegelianas da literatura dramática de Jean-Paul Sartre." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/151925.

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Submitted by Danieli Gervazio Magdaleno null (danieligervazio@gmail.com) on 2017-10-16T23:17:53Z No. of bitstreams: 1 dissertaçãoMAGDALENO.pdf: 1014516 bytes, checksum: 7b53b07045513c16096724c05eb0f88c (MD5)<br>Approved for entry into archive by Monique Sasaki (sayumi_sasaki@hotmail.com) on 2017-10-18T18:49:34Z (GMT) No. of bitstreams: 1 magdaleno_dg_me_mar.pdf: 1014516 bytes, checksum: 7b53b07045513c16096724c05eb0f88c (MD5)<br>Made available in DSpace on 2017-10-18T18:49:34Z (GMT). No. of bitstreams: 1 magdaleno_dg_me_mar.pdf: 1014516 bytes, checksum: 7b53b07045513c16096724c05eb0f88c (MD5

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20

Brake, Daniel David. "God is also beautiful Karl Barth's inclusion of beauty in the doctrine of God /." Theological Research Exchange Network (TREN), 1995. http://www.tren.com.

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21

Higinbotham, Sarah. "The Violence of the Law: Aesthetics of Justice in Early Modern England." Digital Archive @ GSU, 2013. http://digitalarchive.gsu.edu/english_diss/113.

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In the twenty-first century, as in the sixteenth, a blindfolded woman holding a sword and scales personifies justice; her blindfold conveys impartiality, her scales evenhandedness, and her sword the authority to compel obedience. In pre-democratic early modern England, Justice’s iconography was often used to legitimate the pain that the state imposed on those who broke the common peace. Simultaneously, the creative and cultural narratives within which the penal code was embedded often complicated and contradicted the state’s legally violent precepts. The relationship between legal violence and

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22

AlRajaibi, Iman M. "Aesthetics in the Qur’ān : a thematic study based on selected modern exegeses." Thesis, University of Birmingham, 2016. http://etheses.bham.ac.uk//id/eprint/6986/.

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This thesis studies the notion of aesthetics from a Qurʼānic perspective by adopting the methodology of thematic exegesis with special reference to modern exegeses. The aim of adopting this specific exegetical genre is to construct a ‘unified’ understanding of what may be considered the Qurʼānic view of the notion of aesthetics. This study finds that aesthetics in the Qurʼān is expressed using a number of terms, all of which have specific connotations. The study shows that the term ḥusn is the most significant term related to the notion of aesthetics. It also finds that aesthetics from a Qurʼā

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23

Jeffrey, Anthony Cole. "The Aesthetics of Sin: Beauty and Depravity in Early Modern English Literature." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062818/.

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This dissertation argues that early modern writers such as William Shakespeare, Thomas Middleton, George Herbert, John Milton, and Andrew Marvell played a critical role in the transition from the Neoplatonic philosophy of beauty to Enlightenment aesthetics. I demonstrate how the Protestant Reformation, with its special emphasis on the depravity of human nature, prompted writers to critique models of aesthetic judgment and experience that depended on high faith in human goodness and rationality. These writers in turn used their literary works to popularize skepticism about the human mind's abil

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24

Mitra, Samarpita. "The literary public sphere in Bengal: Aesthetics, culture and politics, 1905-1939." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2009. http://wwwlib.umi.com/cr/syr/main.

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25

Lindley, Anne Hollinger. "Relating to relational aesthetics." Pomona College, 2009. http://ccdl.libraries.claremont.edu/u?/stc,74.

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This thesis will examine the practice of relational aesthetics as it involves the viewer, as well as the way in which it plays out within and outside of the institutional setting of the museum. I will focus primarily on two unique projects: that of The Machine Project Field Guide at Los Angeles County Museum of Art on November 15, 2008, produced by Machine Project, a social project operated out of a storefront gallery in Echo Park; and David Michalek's Slow Dancing at the Lincoln Center Festival in New York City, July 12-29 2007.

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26

Hitt, Christopher J. "The natural sublime : romanticism and the aesthetics of wilderness /." view abstract or download file of text, 2001. http://wwwlib.umi.com/cr/uoregon/fullcit?p3018373.

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Thesis (Ph. D.)--University of Oregon, 2001.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 277-286). Also available for download via the World Wide Web; free to University of Oregon users.

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27

Callwood, Chaneel Marie. "Architectural nights : an articulation of the structure of "The Garden of Forking Paths" by Jorge Luis Borges and "One Hundred Years of Solitude" by Gabriel Garcia Marquez." Thesis, Georgia Institute of Technology, 1993. http://hdl.handle.net/1853/23932.

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28

Ferguson, Bruce W. "From sight to site : some considerations regarding contemporary theory in relation to contemporary art." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61972.

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29

Prickett, Stacey Lee. "Marxism, modernism and realism : politics and aesthetics in the rise of American modern dance." Thesis, Open University, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.304885.

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30

Burstow, Robert. "Modern public sculpture in 'New Britain', 1945-1953." Thesis, University of Leeds, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369070.

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31

Archer, Carol. "Frames, flows, feminist aesthetics: paintingsby Judy Watson, Cai Jin and Marlene Dumas." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B3690787X.

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32

Case, Marlene Katherine. "The Carnivalesque and Grotesque Realism in Modernist Literature| The Final Novels of Ronald Firbank and Virginia Woolf." Thesis, Florida Atlantic University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10096025.

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<p> <i>Concerning the Eccentricities of Cardinal Pirelli </i> by Ronald Firbank and <i>Between the Acts</i> by Virginia Woolf both liberate the text from the expected form to engage emotional awareness and instigate reform of societal standards. Employing Mikhail Bakhtin’s theories of the carnivalesque and grotesque realism as a means to create this perspective is unconventional; nevertheless, Firbank, predominantly misunderstood, and Woolf, more regarded but largely misinterpreted, both address sexuality and religion to parody what they believe to be the retrogression of civilization by

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33

Schefer, Niklaus. "Philosophie des Automobils Ästhetik der Bewegung und Kritik des automobilen Designs /." München : Wilhelm Fink, 2008. http://books.google.com/books?id=5GbbAAAAMAAJ.

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34

Jones, Doyle Michael. "Masonry ornament : applications of masonry construction in post-modern architecture." Thesis, Georgia Institute of Technology, 1987. http://hdl.handle.net/1853/24139.

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35

Sato, Yasuko. "Neither past nor present the pursuit of classical antiquity in early modern and modern Japan /." online access from Digital Dissertation Consortium access full-text, 2002. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3060262.

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36

Bracht, Christian. "Kunstkommentare der sechziger Jahre : Funktionen und Fundierungsprogramme /." Weimar : VDG, 2002. http://www.h-net.org/review/hrev-a0d4g3-aa.

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37

De, Andrade Pissarra Mario. "Locating Malangatana: decolonisation, aesthetics and the roles of an artist in a changing society." Doctoral thesis, Faculty of Humanities, 2019. http://hdl.handle.net/11427/31161.

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This thesis responds to the dearth of detailed studies of pioneering African modernists; and the need for fresh theoretical frameworks for the interpretation of their art. Building on recent scholarship that applies decolonisation as an epistemic framework, it argues that a productive decolonial discourse needs to consider concurrent forms of nationalism and cultural agency in both the anti/colonial and postcolonial periods. Central to this approach is an analysis of the aesthetic responses of artists to the experiences and legacies of colonialism. This thesis is grounded in a study of Malanga

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38

Sager, Jenny Emma. ""The strategy with cunning shows" : the aesthetics of spectacle in the plays of Robert Greene." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:af29d412-c285-46e4-953c-43eac3e86f13.

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This is the first full-scale study of Robert Greene’s drama, offering a new interpretation of the dramatic oeuvre of one Shakespeare’s most neglected literary predecessors. Recent criticism has emphasised Greene’s pioneering role as an author of Elizabethan romance. Yet, in contrast to the numerous prose works which were printed during his life time, his drama, which was printed posthumously, has received little attention. Greene’s plays are visually magnificent: madmen wander on stage waving the severed limbs of their victims (Orlando Furioso, c. 1591), the dead are resurrected (James IV, c.

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39

Summers, Stephen. "Laughter Shared or the Games Poets Play: The Ethics and Aesthetics of Irony in Postwar American Poetry." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18322.

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During and after the First World War, English-language poets employed various ironic techniques to address war's dark absurdities. These methods, I argue, have various degrees of efficacy, depending upon the ethics of the poetry's approach to its reading audience. I judge these ethical discourses according to a poem's willingness to include its readers in the process of poetic construction, through a shared ironic connection. My central ethical test is Immanuel Kant's categorical imperative and Jurgen Habermas's conception of discourse ethics. I argue that without a sense of care and duty towa

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40

Archer, Carol. "Frames, flows, feminist aesthetics paintings by Judy Watson, Cai Jin and Marlene Dumas /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B3690787X.

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41

Choi, Yoon Kyung. "The spatial structure of exploration and encounter in museum layouts." Diss., Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/23301.

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42

Bloomer, Jennifer Allyn. "Towards an architecture of desire : the (s) crypt of Joyce and Piranesi." Diss., Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/23414.

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43

Lee, Dongeon. "Phenomenology, hermeneutics, and existentialism as sources of an inquiry into the meaning of modern architecture." Diss., Georgia Institute of Technology, 1995. http://hdl.handle.net/1853/21807.

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44

Korta, Jeremie Charles. "The Aesthetics of Discovery: Text, Image, and the Performance of Knowledge in the Early-Modern Book." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467521.

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How does the book-object in early modernity participate in the representation of scientific knowledge? How was the reader meant to approach the book and to comprehend its contents? This project starts from the contention that scientific knowledge is not a product simply to be deposited into unmarked containers and transmitted unproblematically. On the contrary, the book, whether literary or scientific, actively shapes and invents objects of scientific knowledge. Sensory, affective and cognitive ways in which the reader is expected to approach the book and its contents are implicit in its for

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Christianson, James H. "Revolutionizing time and space : the close accord of modern science and aesthetics in picturing physical planes /." Diss., Digital Dissertations Database. Restricted to UC campuses, 2004. http://uclibs.org/PID/11984.

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46

Spičanović, Vladimir. "Beyond the anti-aesthetic." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=20473.

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This thesis is a critical examination of postmodernist pedagogy currently used in the education of visual artists. It is particularly concerned with the teaching of the traditional disciplines of painting and drawing within a postmodern context. My hypothesis is that the teaching of visual arts within a postmodern orientation more or less relies on an anti-aesthetic stance that is content-centered, with an insistence on critically and politically aware art. The overall objective of this thesis is twofold: First, to generate some questions and ideas that could be of assistance to post-secondary

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47

Thomas, Bryant David. "New Retro: An Exploration of Modern Video Games With A Retro Aesthetic." Miami University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=miami1493401505332341.

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48

Rehman, Mohammad Munib. "Infinite surface : An extended reflection on the estrangement of the modern subject." Thesis, KTH, Urbana och regionala studier, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-287277.

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This work is a string of essays that aesthetically frames estrangement as the quintessential experience of modern culture. Accordingly, detachment and distance are themes that persist throughout these essays. They weave their way through the cultural, social, psychological, and spatial dimensions of modern life, but at a tentative remove. Such a level of generality precludes any claims of the work to be a methodical dissection of the subject matter. Neither is it a series of literature reviews or response letters to canonical essays. It is, primarily, a literary reflection on the matter; an as

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Au, Chung-to, and 區仲桃. "Shifting ground: modernist aesthetics in Taiwanese poetry since the 1950s." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B2554939X.

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50

Júnior, Luiz Carlos Gonçalves de Oliveira. "Vertigo, a teoria artística de Alfred Hitchcock e seus desdobramentos no cinema moderno." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-29062015-123125/.

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A tese investiga a recorrência do filme Um corpo que cai (Vertigo, 1958), de Alfred Hitchcock, como esquema matricial de uma reflexão meta-artística que, tomando como objeto a própria imagem (cinematográfica, pictórica, fotográfica, digital), atravessa toda a história moderna do cinema. Depois de definir e analisar a teoria artística proposta por Vertigo, a tese verifica os desdobramentos dessa teoria em uma série de filmes realizados desde o começo da década de 1960 até os anos 2000. Dentre os filmes analisados se acham La Jetée (Chris Marker, 1962), Blow up (Michelangelo Antonioni, 1966), Tr

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