Thematische Bibliographien / Afghan poetry

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte

Auswahl der wissenschaftlichen Literatur zum Thema „Afghan poetry“

Autor: Grafiati
Veröffentlicht am 28. Juli 2024
Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Afghan poetry"

1

Iltaf, Sana, Fasih Ur Rehman, and Maham Nawaz. "Nationalism in the Poetry of the Taliban: A Postcolonial Study." Qlantic Journal of Social Sciences and Humanities 5, no. 3 (2024): 266–77. http://dx.doi.org/10.55737/qjssh.v-iii.24044.

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This study examines the narratives of the Afghan Taliban through their poetry, contrasting the dominant Western portrayal of the group as violent extremists with their own self-representation(Johnson, 2013). Using postcolonial theory, the research explores themes of Watanwali (nationalism) as reflected in Taliban poetry, emphasizing its role in expressing Afghan culture, social norms, and identity. The analysis highlights the Taliban's use of poetry to convey grief, pride, and a profound connection to Afghan traditions and land. Incorporating elements of Afghan language, religion, and tribal c
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Schuster, Liza, and Riaz Muhammed Khan Shinwari. "Migration in Afghan women's poetry." Soundings 76, no. 76 (2020): 111–23. http://dx.doi.org/10.3898/soun.76.08.2020.

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This article reproduces examples of Afghan Landays and offers a commentary on their meanings. Landays are pithy, powerful two-line poems that speak of love, honour, war and separation. They are part of a long oral tradition in Pashtun culture, and are often composed by women. The largest group of Landays are written by women left behind in Afghanistan, and they include references to all stages of the migration experience, from departure, through the period of absence, to return. Landays have continued to circulate among Afghan Pashtuns for decades, and the emotions voiced have remained largely
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Schuster, Liza, and Riaz Muhammed Khan Shinwari. "Migration in Afghan women's poetry." Soundings 76, no. 76 (2020): 111–23. http://dx.doi.org/10.3898/soun.76.08.2020.

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This article reproduces examples of Afghan Landays and offers a commentary on their meanings. Landays are pithy, powerful two-line poems that speak of love, honour, war and separation. They are part of a long oral tradition in Pashtun culture, and are often composed by women. The largest group of Landays are written by women left behind in Afghanistan, and they include references to all stages of the migration experience, from departure, through the period of absence, to return. Landays have continued to circulate among Afghan Pashtuns for decades, and the emotions voiced have remained largely
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Afzuna, Nazarova. "Content Update in Barik Shafii's "New Poems"." Sarcouncil Journal of Arts and Literature 4, no. 1 (2025): 21–26. https://doi.org/10.5281/zenodo.14901843.

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Afghan Dari literature has undergone renewal since the beginning of the 20th century. Changes in content, then in form, were reflected in the work of the country's poets and writers with heated debates. One of such poets, Boriq Shafei, played an important role in the introduction of modernity to Afghan Dari literature. By studying his work, one can understand the "new poetry" in Afghan literature, the scope of its themes, its content and essence, and its significance in social life. At the same time, analysing the poems helps to comprehensively understand the importance of the "new poetry" sty
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Weinreich, Matthias, and Mikhail Pelevin. "The Songs of the Taliban: Continuity of Form and Thought in an Ever-Changing Environment." Iran and the Caucasus 16, no. 1 (2012): 45–70. http://dx.doi.org/10.1163/160984912x13309560274055.

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AbstractThe second half of the 1990s saw the emergence of a new, distinctive type of Afghan poetry, the Taliban tarana performed in Pashto by one or more vocalists without instrumental accompaniment and characterised by the melodic modes of local folk music. Over the last fifteen years the tarana chants have gained wide distribution within Afghanistan and Pashto speaking parts of Pakistan, as well as among the Pashtun diaspora. Considering their unambiguous ideological status and their immense popularity within the country of origin they can be regarded as the signature tune of the Afghan insu
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Baig, Hassan, and Ghulam Shams-ur Rehman. "U-6 A Stereoscopic Analysis of Afghanistan in Religious, Political and Historical Context: A Research Study." Al-Aijaz Research Journal of Islamic Studies & Humanities 5, no. 1 (2020): 69–96. http://dx.doi.org/10.53575/u6.v5.01(21).69-96.

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This paper aims to explore the Cultural Sufism of Khorasan. The overall culture of Afghanistan is very ancient almost two millennia old. It traces it's records to times of Achaemenid Empire of 500BC. The word Afghanistan is translated as "Land of the Afghans" or "Place of Afghans". The official languages of Afghan nation are Pashto and Dari. It is a tribal and rural society with many different regions in the country and each region having distinctive indigenous language. In spite of having some differences almost all Afghans follow a same Islamic tradition and behave accordingly. By following
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Jafari, Belgheis Alavi, and Liza Schuster. "Representations of exile in Afghan oral poetry and songs." Crossings: Journal of Migration & Culture 10, no. 2 (2019): 183–203. http://dx.doi.org/10.1386/cjmc_00002_1.

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In our examination of the representations of exile in Afghan popular culture, we focus in particular on popular poetry and song lyrics in Farsi, one of the national languages of Afghanistan. This article concentrates on the voices of exiles, their self-representation and their descriptions of life far from their homeland. We argue that, in addition to offering catharsis and expressing collective suffering, the verses are also used to urge return and, more recently, to voice complaints to and about host societies, as well as to critique the Afghan government for its failures.
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Pisciurnikova, E., and A. Šela. "Works by Afghan Classical Poet ‘Abd al-Hamid Momand: Stylometric Results." Manuscripta Orientalia. International Journal for Oriental Manuscript Research 27, no. 2 (2021): 63–68. http://dx.doi.org/10.31250/1238-5018-2021-27-2-63-68.

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‘Abd al Hamid Momand (d. ca. 1732), a greatest Afghan classical poet at the turn of the 17th and 18th centuries, was the author of Pashto poetry. He created a unique individual style, which was different from that of his predecessors and greatly influenced subsequent Afghan Pashto poetry. However, because of the complexity and eloquence of his style, his work has been understudied inside and outside Afghanistan. The authorship of a set of ghazals by Hamid is questioned by the authors of this article, with some forty works defined as controversial. Methods of digital stylometry are applied to d
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Jabbari, Alexander. "From Persianate Cosmopolis to Persianate Modernity: Translating from Urdu to Persian in Twentieth-Century Iran and Afghanistan." Iranian Studies 55, no. 3 (2022): 611–30. http://dx.doi.org/10.1017/irn.2022.21.

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AbstractThis article examines twentieth-century Persian translations of Urdu-language works about Persian literature, focusing on two different Persian translations of an influential Urdu-language work on Persian literary history, Shiʿr al-ʿAjam (Poetry of the Persians), by Shibli Nuʿmani. The article offers a close, comparative reading of the Afghan and Iranian translations of Shiʿr al-ʿAjam in order to understand why two Persian translations of this voluminous text were published within such a short time period. These translations reveal how Indians, Afghans, and Iranians were invested in th
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Laletin, Y. P. "Useful and Necessary Book about Outstanding Personalities from Afghan History and Culture." Concept: philosophy, religion, culture 7, no. 3 (2023): 142–45. http://dx.doi.org/10.24833/2541-8831-2023-3-27-142-145.

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MGIMO University published the second edition of the book Afghan Novels and Stories by Ye. D. Ostrovenko. Yevgeniy Dmitrievich served as Russian Ambassador to Afghanistan in 1992 and was the first ambassador to present credentials signed by the President of Russia to the head of the Afghan state. His book makes a great contribution to strengthening bilateral ties between Russia and Afghanistan, expanding the horizons of knowledge about this country, its history and culture. Candidate of Historical Sciences, Ye. D. Ostrovenko worked for many years both in Afghanistan itself and in the central a
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Dissertationen zum Thema "Afghan poetry"

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Naghib, Saghar L. "The Afghan Women’s Writing Project: A Critical Discourse Analysis of Poetry and Narrative as Conflict Resolution Tools." Diss., NSUWorks, 2018. https://nsuworks.nova.edu/shss_dcar_etd/93.

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The Afghan Women’s Writing Project (AWWP) emerged in 2009 as a platform through which Afghan women could express their lived experiences and perspectives on a range of culturally relevant issues while retaining their anonymity. The purpose of this research was to understand poetry as a conflict resolution tool that Afghan women are using to be active participants in the social, political and cultural dialogue that is determining their rights. This research focused on three questions: 1) How do Afghan women describe the state of womanhood in Afghanistan? 2) How do Afghan women describe the conf
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Olszewska, Zuzanna. "Poertry and its Social Cotexts among Afghan Refugees in Iran." Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.508588.

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Smith, Dale Martin. "Rhetoric and public action in poetry after 1960." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-2704.

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This dissertation considers the relation between literary documents and public identities, and how U. S. culture is reflected and transfigured by poetry in the United States after 1960. Concerned with epideictic communication in public contexts, this study looks at how private interventions in public spaces can shape attitudes toward cultural phenomena. A secondary concern elucidates the ways literary texts are valued in English departments, bearing critical reflection on rhetorical, literary, and creative pedagogy. Insofar as the epideictic mode prepares individuals for a decision-making proc
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Bücher zum Thema "Afghan poetry"

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Marjolijn, De Jager, and Velter André, eds. Songs of love and war: Afghan women's poetry. Other Press, 2003.

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2

Mihr, ʻAbd al-Ghanī Barzīn. Mutūn-i naẓm-i taʻlīmī. Dānish Kitābkhānah, 1998.

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Wayman, Tom. Dirty snow. Harbour Pub., 2012.

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Yūsufī, Rūḥ Allāh. Yak gulistān-i vāzhah: Taz̲kirah-ʼi ʻiddahʹyī az shuʻarā va nivīsandahʹgān-i ḥawzah-ʼi farhangī-i Shimālʹsharq. Bunyād-i Farhang va Jāmiʻah-i Madanī, 2007.

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5

Ghafūrī, Humāyūn. Sitārhā-yi sukhanvar: Muʻarrifī-i shuʻarāʼ va [nivīsandahʹgān-i] zūn-i markaz. Foundation for Culture and Civil Society, 2007.

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G, Raverty H., ed. Selection from the poetry of the Afghans. Sang-e-Meel Publications, 2002.

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Allāh, Khalīlī Khalīl, та Bunyād-i Mawqūfāt-i Duktur Maḥmūd Afshār, ред. Khalīlī, shāʻir-i Afghān va Īrān. Bunyād-i Mawqūfāt-i Duktur Maḥmūd Afshār, 2010.

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Khattak, Ghani Khan. Khushal Khan: The Afghan warrior poet and philosopher. s.n.], 2002.

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Naḥwī, ʻAdnān. Malḥamat al-jihād al-Afghānī. Dār al-Naḥwī, 1988.

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Ṣābir, Sayyid Ṣābir Shāh. Wazīr Muḥammad Gul Khān, loy Afghān. Yūnīwarsiṭī Buk Ejansī, 1998.

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Buchteile zum Thema "Afghan poetry"

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Hervey, Farzana Marie. "The Movement Toward Expression in 21st-Century Afghan Women's Poetry: War, Senses, and Silence." In Routledge Handbook of Post Classical and Contemporary Persian Literature. Routledge, 2023. http://dx.doi.org/10.4324/9781315124230-7.

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Johnson, Thomas H., Matthew DuPee, and Wali Shaaker. "The Afghans’ and Taliban’s Use of Poetry and Taranas1." In Taliban Narratives. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190840600.003.0007.

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Poetry has long been a central pillar of Afghan Literature and the Taliban have used it extensively in their IO campaign. Poetry is important to the Taliban and Afghans in general because it is essentially a spoken, not written art, so it accessible to the illiterate, especially rural Afghan population. The chapter examines a wide variety of Taliban poetry and also poetry written by those sympathetic to the Taliban. Each poem also includes an explanation of the story associated with it. An analysis of Taliban poetry to those of moderate Afghan poets. The chapter also focuses on 8 or poetic cha
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Olszewska, Zuzanna. "‘Hey, Afghani!’ Identity Contentions among Iranians and Afghan Refugees." In Dispossession and Displacement. British Academy, 2010. http://dx.doi.org/10.5871/bacad/9780197264591.003.0009.

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This chapter addresses issues of identity and rootlessness as expressed through poetry. It focuses in on the second generation of Afghan refugees who were portrayed as a confused generation subjected to the ‘pains of exile’ and ‘identity crisis’. It explores the representations of Afghans in Iran and examines the ways in which the Iran-educated Afghans responded and defied their marginalization through their own discourse and poetry. By examining the poetry of these second generation Afghan refugees, the social transformations taking place in this group or refugees and the tensions in the Iran
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Bartlotti, Leonard N. "The Gospel in Afghan Pashto Poetry, Proverbs and Folklore." In Jesus and the Cross. Fortress Press, 2008. http://dx.doi.org/10.2307/j.ctv1ddcm7b.11.

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Hanifi, Shah Mahmoud. "A Book History of Mountstuart Elphinstone’s." In Mountstuart Elphinstone in South Asia. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190914400.003.0002.

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This chapter examines Mountstuart Elphinstone's "An Account of the Kingdom of Caubul" (AKC) from a book history perspective. The general concerns are the para-narrative elements of the text, including the footnotes, appendices and visuals. The specific foci are the map and the epistemological positioning of the Pashto language, and Afghan populations in relation to one another and in relation to the polity described in AKC. Elphinstone's published map is compared to the archived map produced by Lieutenant John Macartney, and situated within a larger set of maps reflecting the increasing cartog
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Sherman, William E. B. "Vernacular Apocalypse: Poetic and Polemical Emergences of Pashto Literature." In Singing with the Mountains. Fordham University Press, 2023. http://dx.doi.org/10.5422/fordham/9781531505677.003.0005.

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This chapter considers two radically divergent responses to the legacy of Bayazid Ansari and the Roshaniyya: the mystical ghazals (“sonnets”) of the Roshani poet Mulla Arzani and the searing polemics of the arch-critic of the Roshaniyya known as Akhund Darweza. These two figures are giants in the history of literature in the Afghan highlands, but their works have never been translated and only rarely studied. In examining Mulla Arzani’s poetry, this chapter continues to excavate an ideology of blessed Pashto vernacular. Mulla Arzani’s poetry demonstrates that revelation is not just a theologic
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Chatty, Dawn. "Introduction: Dawn Chatty and Bill Finlayson." In Dispossession and Displacement. British Academy, 2010. http://dx.doi.org/10.5871/bacad/9780197264591.003.0001.

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Dispossession and displacement have always afflicted life in the modern history of the Middle East and North Africa. Waves of people have been displaced from their homeland as a result of conflicts and social illnesses. At the end of the nineteenth century, Circassian Muslims and Jewish groups were dispossessed of their homes and lands in Eurasia. This was followed by the displacement of the Armenians and Christian groups in the aftermath of the First World War. They were followed by Palestinians who fled from their homes in the struggle for control over Palestine after the Second World War. I
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"Chapter 6. Poetic Jihad: Narratives of Martyrdom, Suicide, and Suffering Among Afghan Women." In Kabul Carnival. University of Pennsylvania Press, 2015. http://dx.doi.org/10.9783/9780812291148-008.

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Sengupta, Saswati. "Caṇḍī." In Mutating Goddesses. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190124106.003.0004.

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The ubiquitous goddesses dotting Bengal are referred to by the epithet mā/mother and commonly trailed by the suffix Caṇḍī and usually calcified as the Brahmanical wife of Śiva. The Caṇḍī maṅgalakābyas by Brahmanical male poets from the sixteenth to the eighteenth centuries helped propagate the śāstrik framing of the laukika goddesses. The narratives start appearing as the Afghan sultanate of Bengal is incorporated into the Mughal Empire, proliferate in the seventeenth century as the Mughal conquest is consolidated, and stagnate by the end of the eighteenth century as the empire begins to disin
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Thompson, Becky. "Our Bodies in the World." In Teaching with Tenderness. University of Illinois Press, 2017. http://dx.doi.org/10.5622/illinois/9780252041167.003.0007.

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What might bringing tenderness into the world look like? Student activism and willingness to explore historical memory from their own families often illuminate lived examples of tenderness. The life changing experience Thompson had as a first responder during the refugee crisis in Lesvos, Greece (2015-2016), as I met Syrian, Afghan, Palestinian, and Pakistani families coming on rafts from Turkey, taught her much about tenderness as a quality of being with each other. Refugee families modeled tenderness for her as they risked their lives to save their lives. While militarism, colonialism, racis
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Konferenzberichte zum Thema "Afghan poetry"

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Mannonov, Abdurahim. "Analysis of the Genre System in Afghan Poetry from the Sixteenth to Seventeenth Centuries." In The Second Pamir Transboundary Conference for Sustainable Societies- | PAMIR. SCITEPRESS - Science and Technology Publications, 2023. https://doi.org/10.5220/0012949600003882.

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Ehsonullo, Quvonch. "THE HISTORICAL AND CURRENT SITUATION OF BABUR GARDEN IN AFGHANISTAN." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/wgwe1478.

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This article provides a comprehensive examination of the Babur Garden in Kabul, constructed by the illustrious king and poet Zahirad-Din Muhammad Babur. It covers the garden's historical and cultural significance, including its importance in Afghan society and government. The article offers a brief historicalcontext of the Kabul region, Babur's genealogy, and the garden's evolution over time, notably during the reign of Shahjahan. Additionally, it explores the various historical sites within Babur garden, shedding light on its contemporary status. This multifaceted analysis offers a thorough u
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