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Zeitschriftenartikel zum Thema „Afghan poetry“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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1

Iltaf, Sana, Fasih Ur Rehman, and Maham Nawaz. "Nationalism in the Poetry of the Taliban: A Postcolonial Study." Qlantic Journal of Social Sciences and Humanities 5, no. 3 (2024): 266–77. http://dx.doi.org/10.55737/qjssh.v-iii.24044.

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This study examines the narratives of the Afghan Taliban through their poetry, contrasting the dominant Western portrayal of the group as violent extremists with their own self-representation(Johnson, 2013). Using postcolonial theory, the research explores themes of Watanwali (nationalism) as reflected in Taliban poetry, emphasizing its role in expressing Afghan culture, social norms, and identity. The analysis highlights the Taliban's use of poetry to convey grief, pride, and a profound connection to Afghan traditions and land. Incorporating elements of Afghan language, religion, and tribal c

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Schuster, Liza, and Riaz Muhammed Khan Shinwari. "Migration in Afghan women's poetry." Soundings 76, no. 76 (2020): 111–23. http://dx.doi.org/10.3898/soun.76.08.2020.

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This article reproduces examples of Afghan Landays and offers a commentary on their meanings. Landays are pithy, powerful two-line poems that speak of love, honour, war and separation. They are part of a long oral tradition in Pashtun culture, and are often composed by women. The largest group of Landays are written by women left behind in Afghanistan, and they include references to all stages of the migration experience, from departure, through the period of absence, to return. Landays have continued to circulate among Afghan Pashtuns for decades, and the emotions voiced have remained largely

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Schuster, Liza, and Riaz Muhammed Khan Shinwari. "Migration in Afghan women's poetry." Soundings 76, no. 76 (2020): 111–23. http://dx.doi.org/10.3898/soun.76.08.2020.

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This article reproduces examples of Afghan Landays and offers a commentary on their meanings. Landays are pithy, powerful two-line poems that speak of love, honour, war and separation. They are part of a long oral tradition in Pashtun culture, and are often composed by women. The largest group of Landays are written by women left behind in Afghanistan, and they include references to all stages of the migration experience, from departure, through the period of absence, to return. Landays have continued to circulate among Afghan Pashtuns for decades, and the emotions voiced have remained largely

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Afzuna, Nazarova. "Content Update in Barik Shafii's "New Poems"." Sarcouncil Journal of Arts and Literature 4, no. 1 (2025): 21–26. https://doi.org/10.5281/zenodo.14901843.

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Afghan Dari literature has undergone renewal since the beginning of the 20th century. Changes in content, then in form, were reflected in the work of the country's poets and writers with heated debates. One of such poets, Boriq Shafei, played an important role in the introduction of modernity to Afghan Dari literature. By studying his work, one can understand the "new poetry" in Afghan literature, the scope of its themes, its content and essence, and its significance in social life. At the same time, analysing the poems helps to comprehensively understand the importance of the "new poetry" sty

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Weinreich, Matthias, and Mikhail Pelevin. "The Songs of the Taliban: Continuity of Form and Thought in an Ever-Changing Environment." Iran and the Caucasus 16, no. 1 (2012): 45–70. http://dx.doi.org/10.1163/160984912x13309560274055.

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AbstractThe second half of the 1990s saw the emergence of a new, distinctive type of Afghan poetry, the Taliban tarana performed in Pashto by one or more vocalists without instrumental accompaniment and characterised by the melodic modes of local folk music. Over the last fifteen years the tarana chants have gained wide distribution within Afghanistan and Pashto speaking parts of Pakistan, as well as among the Pashtun diaspora. Considering their unambiguous ideological status and their immense popularity within the country of origin they can be regarded as the signature tune of the Afghan insu

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Baig, Hassan, and Ghulam Shams-ur Rehman. "U-6 A Stereoscopic Analysis of Afghanistan in Religious, Political and Historical Context: A Research Study." Al-Aijaz Research Journal of Islamic Studies & Humanities 5, no. 1 (2020): 69–96. http://dx.doi.org/10.53575/u6.v5.01(21).69-96.

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This paper aims to explore the Cultural Sufism of Khorasan. The overall culture of Afghanistan is very ancient almost two millennia old. It traces it's records to times of Achaemenid Empire of 500BC. The word Afghanistan is translated as "Land of the Afghans" or "Place of Afghans". The official languages of Afghan nation are Pashto and Dari. It is a tribal and rural society with many different regions in the country and each region having distinctive indigenous language. In spite of having some differences almost all Afghans follow a same Islamic tradition and behave accordingly. By following

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Jafari, Belgheis Alavi, and Liza Schuster. "Representations of exile in Afghan oral poetry and songs." Crossings: Journal of Migration & Culture 10, no. 2 (2019): 183–203. http://dx.doi.org/10.1386/cjmc_00002_1.

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In our examination of the representations of exile in Afghan popular culture, we focus in particular on popular poetry and song lyrics in Farsi, one of the national languages of Afghanistan. This article concentrates on the voices of exiles, their self-representation and their descriptions of life far from their homeland. We argue that, in addition to offering catharsis and expressing collective suffering, the verses are also used to urge return and, more recently, to voice complaints to and about host societies, as well as to critique the Afghan government for its failures.

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Pisciurnikova, E., and A. Šela. "Works by Afghan Classical Poet ‘Abd al-Hamid Momand: Stylometric Results." Manuscripta Orientalia. International Journal for Oriental Manuscript Research 27, no. 2 (2021): 63–68. http://dx.doi.org/10.31250/1238-5018-2021-27-2-63-68.

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‘Abd al Hamid Momand (d. ca. 1732), a greatest Afghan classical poet at the turn of the 17th and 18th centuries, was the author of Pashto poetry. He created a unique individual style, which was different from that of his predecessors and greatly influenced subsequent Afghan Pashto poetry. However, because of the complexity and eloquence of his style, his work has been understudied inside and outside Afghanistan. The authorship of a set of ghazals by Hamid is questioned by the authors of this article, with some forty works defined as controversial. Methods of digital stylometry are applied to d

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Jabbari, Alexander. "From Persianate Cosmopolis to Persianate Modernity: Translating from Urdu to Persian in Twentieth-Century Iran and Afghanistan." Iranian Studies 55, no. 3 (2022): 611–30. http://dx.doi.org/10.1017/irn.2022.21.

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AbstractThis article examines twentieth-century Persian translations of Urdu-language works about Persian literature, focusing on two different Persian translations of an influential Urdu-language work on Persian literary history, Shiʿr al-ʿAjam (Poetry of the Persians), by Shibli Nuʿmani. The article offers a close, comparative reading of the Afghan and Iranian translations of Shiʿr al-ʿAjam in order to understand why two Persian translations of this voluminous text were published within such a short time period. These translations reveal how Indians, Afghans, and Iranians were invested in th

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Laletin, Y. P. "Useful and Necessary Book about Outstanding Personalities from Afghan History and Culture." Concept: philosophy, religion, culture 7, no. 3 (2023): 142–45. http://dx.doi.org/10.24833/2541-8831-2023-3-27-142-145.

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MGIMO University published the second edition of the book Afghan Novels and Stories by Ye. D. Ostrovenko. Yevgeniy Dmitrievich served as Russian Ambassador to Afghanistan in 1992 and was the first ambassador to present credentials signed by the President of Russia to the head of the Afghan state. His book makes a great contribution to strengthening bilateral ties between Russia and Afghanistan, expanding the horizons of knowledge about this country, its history and culture. Candidate of Historical Sciences, Ye. D. Ostrovenko worked for many years both in Afghanistan itself and in the central a

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Shahrani, M. Nazif. "Passive Politics and Poetics of Spiritual Resistance in Taliban Afghanistan." Üsküdar Üniversitesi Tasavvuf Araştırmaları Enstitüsü Dergisi 2023, no. 3 (2023): 137–52. http://dx.doi.org/10.32739/ustad.2023.3.44.

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Peoples of Central Asia in general and Afghanistan specifically have been traumatized by Western colonial aggression, occupation and low intensity forever wars for more than a century. Much has been written about their armed struggles in this region, but their passive and spiritual resistances have been for the most part ignored. In this paper I discuss two significant forms of their passive resistance: the saga of the repeated century-long transnational migration of a small community of Kirghiz (Kirgiz) from the Osh Valley to the Pamirs of Afghanistan and from there to the safety of Anatolia

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Dr. Abdul Rauf Rafiqui and Dr. Muhammad Rafiq ul Islam. "The Role of Afghan Diplomats in Promoting Iqbal’s thoughts: A Historical and Scholarly Review." Al-Qamar 7, no. 4 (2024): 13–24. https://doi.org/10.53762/gc1yc034.

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“Many distinguished scholars of Iqbal who have significantly contributed to the study and dissemination of his philosophy worldwide were Afghan diplomats affiliated with the Ministry of Foreign Affairs of Afghanistan. These ambassadors, through both poetry and prose in various languages, played an essential role in promoting Iqbal's ideology. The intellectual depth and scholarly dedication exhibited by these ambassadors reflect a direct and profound connection with Iqbal’s philosophy. This intellectual legacy remains a valuable resource in contemporary times, offering insights for strengthenin

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Quwanch, Ehsanullah. "Educational Evolution and Linguistic Legacy of Afghan Uzbeks." Sprin Journal of Arts, Humanities and Social Sciences 3, no. 5 (2024): 91–94. http://dx.doi.org/10.55559/sjahss.v3i5.327.

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This article examines the historical existence of Turkic populations in Afghanistan, emphasizing the enduring settlement of the Uzbek populations in the nation and their ancestral roots. Furthermore, it highlights the fact that the Afghan Uzbeks persist in utilizing their indigenous language for verbal interaction up to the present time. Over time, the importance of villages, mosques, Mullahkhanas, and madrasas has shaped the growth of traditional teachings in Afghanistan. Moreover, these Mullahkhanas and madrasas function as forums for the development of prose and poetry in Uzbek and Persian

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Dadman, Enayatullah, Safiullah Maroofi, and Sultan Mohammad Stanikzai. "ANALYSIS OF LITERARY TEXTS IN AFGHAN STAGE EVENTS FROM THE PERSPECTIVE OF ART ANTHROPOLOGY (STUDY OF AFGHAN FILM STAGE EVENTS)." International Journal of Economic, Business, Accounting, Agriculture Management and Sharia Administration (IJEBAS) 3, no. 6 (2023): 2068–73. http://dx.doi.org/10.54443/ijebas.v3i6.1288.

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The arts have drawn from many sources throughout history. Some like cinema more and others less. It seems. Literature has been one of the sources for adaptation in photography. But is it really possible to adapt literature and literary sources in photography and if so, how? literary text has a hug impact on reading ability and fully understand the text. In this paper, using a descriptive-context-analytical method, with the perspective of art anthropology.as a result Adaptation from literary sources is possible in text, but it is seen more in staged literary texts, and text writers have adapted

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Olszewska, Zuzanna. "“A Desolate Voice”: Poetry and Identity among Young Afghan Refugees in Iran,1." Iranian Studies 40, no. 2 (2007): 203–24. http://dx.doi.org/10.1080/00210860701269550.

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Fakhry, Abdel-Sabour. "المدائح النبوية عند الشاعرين: أحمد شوقي وخليل الله خليلي (دراسة في أوجه التشابه والتباين وإمكانية التأثير والتأثر)". ALLAIS Journal of Arabic Language and Literature 2, № 1 (2023): 1–32. http://dx.doi.org/10.22515/allais.v2i1.6594.

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In this article, the researcher discusses the comparison between two renowned poets in the modern Arab literary world, Ahmad Shawqi and Khalilullah Khalili. The researcher provides an overview of Ahmad Shawqi's life translation, literary writings, the key characteristics of his poetry, and its influence in the world of poetry. Additionally, the article delves into the life of the national Afghan poet, Khalilullah Khalili, his writings, the characteristics and purposes of his poetry, while highlighting the similarities between the two poets' personalities. The article explores the central theme

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Kushev, Vladimir. "Areal Lexical Contacts of the Afghan (Pashto) Language." Iran and the Caucasus 1, no. 1 (1997): 159–66. http://dx.doi.org/10.1163/157338497x00085.

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AbstractThe continual political, commercial and economic relations and frequent military conflicts and clashes of the Pashtuns with neighbouring states or tribal formations or with similar structures to which Pashtuns were in a subordinate status were constantly resulting in intensive cultural and linguistic contacts. This article pays a modest tribute to the studies, insufficient for the present, concerning interrelations of the written Pashto with the Persian, Turkic and Indian languages in the sphere of their vocabularies during the period from the earliest literary monuments in Pashto (i.e

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Kabirova, Nargiza Kaxramonovna. "AFG'ONISTON DARIYZABON ADABIYOTIDA HIND USLUBINING RIVOJI." Oriental Renaissance: Innovative, educational, natural and social sciences 2, no. 25 (2022): 330–35. https://doi.org/10.5281/zenodo.7394941.

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<em>Afg‘oniston </em><em>adabiyotining, jumladan she’riyatning, an’anaviy tor doiradan tashqariga chiqishi, uning mavzulari hamda uslubida o‘zgarishlar yuzaga kelishiga sabab bo‘ldi. Ammo bu o‘zgarishlar birdaniga emas, balki tadrijiy ravishda yuzaga kelgani tufayli uzoq vaqt davomida yangi tamoyillar an’anaviy yo‘nalishlar bilan yonma-yon rivojlanishi. Mustaqillik davrining ilk o‘n yilliklarida ham shunday hodisani kuzatish, poeziyada yangilikka intilish tamoyili ma’rifatparvarlik g‘oyalarining sodda, hammabop tilda t

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Pischurnikova, Ekaterina P. "MOTIFS OF THE QUR̕ĀNIC HISTORY OF YŪSUF IN CLASSIC AFGHAN POETRY BY 'ABD AL-HAMID MOHMAND." RSUH/RGGU Bulletin. Series History. Philology. Cultural Studies. Oriental Studies, no. 12 (2018): 270–84. http://dx.doi.org/10.28995/2073-6355-2018-12-270-284.

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Hakimi, Hedayatullah, Jalaludin Mutmain, and Mirwais Khaliqyar. "The Impact of Indian Culture on the Literary Works of Abdul Rauf Benawa." Sprin Multidisciplinary Journal in Pashto, Persian & English 2, no. 01 (2024): 20–26. http://dx.doi.org/10.55559/smjppe.v1i02.248.

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Abdul Rauf Benawa stands as a prominent figure in Pashto language and literature, renowned for his contributions as a writer and poet. His journey as a public servant, including his tenure as a press attaché at the Afghan embassy in Delhi, India, exposed him to the rich tapestry of Indian culture. This immersion left a profound impact on his life and poetry, evident in the thematic elements and imagery within his works. Benawa's poetry vividly reflects the assimilation of Indian religious and cultural motifs, showcasing a deep reverence for traditions such as Ram Ram, Guru Grant, Guru Nanak, V

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Amirbekian, Raisa. "Les Sujets Soufis Dans la Miniature Medievale Orientale (Collection du Maténadaran, Erevan)." Iran and the Caucasus 11, no. 1 (2007): 61–87. http://dx.doi.org/10.1163/157338407x224914.

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AbstractThe Matenadaran, Mashtots Institute of Ancient Manuscripts, is a unique repository of Armenian and Oriental manuscripts. The Oriental Collection of the Matenadaran (known usually as Arabo-Persian Collection), including manuscripts in Persian, Arabic, Turkish, Hebrew, Indian and other languages (total ca. 2,500), is formed over a long time and is regularly augmented by purchases and gifts. This collection covers nearly all subjects of human and natural sciences and culture, including theology, jurisprudence, Qur'ānic sciences, Tafsīrs, Hadīthes, lexicography, literature, poetry, history

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Mannаnov, A. M. "PROBLEMS OF METRICS OF POETRY IN THE CLASSICAL AFGHAN LITERATURE (ON THE EXAMPLE OF THE WORKS POETS-ROWSHANIYS)." Paradigmata poznání 4, no. 4 (2017): 63–74. http://dx.doi.org/10.24045/pp.2017.4.7.

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De Lauri, Antonio. "The Taliban and the humanitarian soldier: Configurations of freedom and humanity in Afghanistan." Anuac 8, no. 1 (2019): 31–57. http://dx.doi.org/10.7340/anuac2239-625x-3623.

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Humanitarian wars are a primary means of globally affirming a specific model of humanity, built according to the cultural, moral, and economic standards of Western democracies. How are forms of humanity produced in the context of humanitarian war in Afghanistan? How are notions of freedom mobilized? How does the idea of a prospective humanity relate to the use of military force? In an attempt to reflect on the different configurations of freedom and humanity that emerged in the context of recent Afghanistan conflicts and international interventions, this article addresses the perspective of tw

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Abdi, Ali. "Bachah-bāzī: A Socio-Erotic Tradition." Afghanistan 5, no. 2 (2022): 153–71. http://dx.doi.org/10.3366/afg.2022.0091.

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This article looks into the tradition of bachah-bāzī, namely, showing interest for or having liaison with beardless young males, and contextualizes it within Afghan society and culture (and beyond). Complicating some widely held accounts of bachah-bāzī, the article suggests that the “unavailability of females” alone cannot adequately account for the persistence of the tradition in Afghanistan, and that bachahs (beardless young males) are not necessarily “underage boys” but have historically been perceived as distinct gender figures in addition to women and men. More broadly, the article reveal

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Pelevin, Mikhail. "Ethnic Consciousness of Pashtun Tribal Rulers in Pre-Modern Times." IRAN and the CAUCASUS 19, no. 2 (2015): 117–38. http://dx.doi.org/10.1163/1573384x-20150202.

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The article examines statements on Pashtun ethnicity from the original Pashto prose texts written by the Khaṯak tribal rulers Khūshḥāl Khān (d. 1689) and Afżal Khān (d. circa 1740/41) and included in the corpus of the historiographical compilation Tārīkh-i muraṣṣa‘ (The Ornamented History). Under discussion are conceptual roots of the Pashtun ethnic identity in tribal genealogical traditions and ethical regulations (Code of Honour) of the Pashtun customary law, main hierarchal levels (national, tribal, clannish) within the ethnic consciousness of the Khaṯak chiefs, and the early development of

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Reinhold, Beate. "Seven Wakhi poems." Journal of the Royal Asiatic Society 2, no. 2 (1992): 203–11. http://dx.doi.org/10.1017/s1356186300002388.

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The Wakhi language, as represented in particular by those of its dialects that are spoken in Afghanistan and the Soviet Pamirs, has been described in more detail than any other Iranian language of the area that has virtually no written tradition. As early as the middle of the last century scholars began studying the language on the basis of mostly short or fragmentary glossaries and collections of texts and additional material became available during the thirties and fifties of the present century. During the sixties and seventies, two Leningrad Iranists, A. L. Grünberg and I. M. Steblin-Kamen

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Ferwerda, Susanne. "Blue Humanities and the Color of Colonialism." Environmental Humanities 16, no. 1 (2024): 1–18. http://dx.doi.org/10.1215/22011919-10943081.

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Abstract The cultural study of water has seen a prismatic shift toward the color blue. This is often articulated as a move away from the terrestrial focus of green ecologies and environmentalism, toward blue aquatic inquiries. What happens when green becomes blue and the blue humanities take shape under the umbrella of the environmental humanities? This article examines the blue humanities to argue that its blues address colonial inheritances and critique colonial desires. Blue has long appealed to the colonial imaginary; it drew European ships across the seas to mine blue pigment from Afghan

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Schofield, Katherine Butler. "I Cried on the Mountain Top: Images from the Afghanaid Archive (1980–2010) with Traditional Afghan Poetry Selected and Translated by Veronica Doubleday." Ethnomusicology Forum 22, no. 1 (2013): 124–25. http://dx.doi.org/10.1080/17411912.2012.762846.

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Raymond, Cathy. "Decolonizing the Presentation of Research Findings: Amplifying Epistemic Authority Through Poetic Re-Storying." Narrative Works 11 (January 30, 2024): 149–73. http://dx.doi.org/10.7202/1108959ar.

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<p>Western-centric epistemologies are often deemed to be more legitimate than non-western ones for driving academic research and knowledge production. As a result, non-western epistemologies are often colonized or silenced during the research process. Decolonizing research practices, such as robust collaboration, mutual respect, mindful listening, and co-constructed interviews offer meaningful opportunities for researchers vested in engaging in research which honors and amplifies a diversity of storied experiences and non-dominant epistemologies. This paper focuses on decolonizing resear

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Shah, Syed Sibtain Hussain. "The Impact of Violent Religious Extremism on Various Cultural Components of Pakistani Society." Journal of Education Culture and Society 13, no. 2 (2022): 107–18. http://dx.doi.org/10.15503/jecs2022.2.107.118.

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Aim. The aim of this research paper is to investigate threats of religious extremism to the various cultural components of Pakistani society. Religious extremism has rapidly increased in Pakistan since the 1970s, but this study is particularly focused on its impact on cultural elements of the country in the post 9/11 and post-Arab Spring eras. Methods. The author applied the process tracing method of qualitative approach for examining chains of the events related to the question of the impact of religious extremism on the various cultural components of Pakistani society. The situational analys

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Collins, Victoria E. "“My pain grows as my life dwindles”: Women, poetry, and resisting state violence in Afghanistan." Crime, Media, Culture: An International Journal 14, no. 2 (2016): 135–52. http://dx.doi.org/10.1177/1741659016675486.

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Western media reporting on the post-9/11 Taliban regime in Afghanistan propagated the image of Afghani women as being helpless, voiceless victims in desperate need of external intervention to rescue them from oppression—i.e. the faceless woman dressed in the all-encompassing blue burqa. Contrary to such symbolizing, and drawing on Hayward and Schuilenburg’s (2014) criteria for resistance, this article examines the longevity and endurance of Pashtun poetry as a vehicle of resistance for women and girls in their fight against state-sanctioned patriarchal oppression. Not only does this undermine

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Reale, M. "Rolling Waves and Forgetfulness: An Account of an Afghan Refugee's Experiences in Sicily Through Poetic Representation." International Review of Qualitative Research 8, no. 2 (2015): 256–63. http://dx.doi.org/10.1525/irqr.2015.8.2.256.

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Dr. Ali Raza Tahir and Muhammad Iqbal shah. "An Analytical Evaluation of the Signification of ‘The Development of Metaphysics in Persia’ in the Advancement of Allama Muhammad Iqbal’s Theo-Philosophic Ideas." Al-Qamar 7, no. 1 (2024): 147–58. https://doi.org/10.53762/sxexb063.

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Allama Muhammad Iqbal (1877-1038) is a versatile thinker of the modern Muslim world. Although he was born in Sub-Continent but his thought crossed all the barriers of color, creed, race and land. Syed Jamal Din Afghani (1838-1898) was the 1st person who set the foundation of the renaissance of the modern Muslim world. Iqbal preceded and accelerated Syed Jamal al Din Afghani’s movement of reformation with his sagacious approach in a new way with new dimensions. He used both the mediums ‘prose’ and ‘poetry’ to present his thought. His poetic work is in Persian and Urdu languages while his prose

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Faúndez Morán, Pablo. "Poetas chilenos y sus dobles orientales: impostores y plagios." Iberoromania 2018, no. 87 (2018): 68–82. http://dx.doi.org/10.1515/iber-2018-0003.

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ResumenEl artículo rescata dos episodios de la vida literaria de las primeras décadas del siglo XX en Chile: la publicación del poemario Fragmentos del poeta afgano Karez-I-Roshan en 1921, y la acusación de plagio contra Pablo Neruda el año 1934. Ambos informan de una situación atractiva: dos veces y de formas distintas el poeta chileno se transfiguró en poeta oriental. La lectura propuesta permite apreciar a partir de ellos dos niveles en que el intercambio literario-cultural entre Chile y Oriente se vio obstaculizado por la mediación europea: primero, en la comprensión de un sistema de produ

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Shams, Shahrzad. "Zuzanna Olszewska. The Pearl of Dari: Poetry and Personhood among Young Afghans in Iran (Bloomington, IN: Indiana University Press, 2015). Pp. 264. $35.00 paper. ISBN 9780253017604." Review of Middle East Studies 53, no. 2 (2019): 372–74. http://dx.doi.org/10.1017/rms.2019.52.

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Deniz, Sebahat. "The Role of the Great Turkish Khan Babur and his Generatıon in the Development of Turkish Literature." Uzbekistan: language and culture 3 (September 10, 2023): 43–57. http://dx.doi.org/10.52773/tsuull.uzlc.2023.3/azvw9681.

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In the state tradition of the Turks, the vast majority of Turkish khans were also poets. It is even known that some of them had a diwan (a collection of poems by one author) or had enough poems to compile a diwan. These Khans, who were poets themselves, gathered poets in the- ir court, gave them patronage, and rewarded them in various ways for the poems they wrote. Babür is also one of the leading figures in Turkish history holding the title of a ruler with a diwan. In his memoir (Vekayi/ Babürname), he mentions the names of some of the poets in the royal circle and shares his thoughts about t

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Olszewska, Zuzanna. "The poet’s melancholy." Medicine Anthropology Theory 2, no. 3 (2020). http://dx.doi.org/10.17157/mat.2.3.194.

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This article considers the relationship between depressed affect, a long-term refugee situation, and poetry among Afghan refugees in the Islamic Republic of Iran. Based on ethnographic fieldwork on the changing subjectivities of Afghan refugee poets, it explores the relationship between a perception of collective suffering, individual mental distress, and creativity in this community. Rather than establishing diagnostic criteria for depression among Afghans, the article is mostly concerned with the social and cultural ripples of psychological distress resulting from decades of war, displacemen

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Muhammad, Ali Email: aliasc@uop.edu.pk Dinakhel, and Farid Neelam. "AN ANALYSIS OF THE THEMES OF IDENTITY AND SENSE OF BELONGING IN THE PASHTO LITERARY WORKS OF AFGHAN REFUGEES FROM 1979 TO 1989." khair ul aaummah 03, no. 01 (2023). https://doi.org/10.5281/zenodo.10239059.

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This study has made an analysis of the Afghan refugees' literature during the period of one decade from 1979 to 1989, the time of Soviet invasion of Afghanistan. The period of that one decade, when there was the tumult and crisis of war, millions of Afghans were forced to flee away from their homeland to other lands, including Iran, Europe, USA, Germany and Pakistan. The larger number of Afghan refugees came for shelter to the Khyber Pakhtunkhwa province of Pakistan, which included different classes of the Afghan society. There were poets, writers, intellectuals, researchers and university tea

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"Reactions: Poetry in article on Afghan chemists." Chemical & Engineering News, September 16, 2022, 3. http://dx.doi.org/10.47287/cen-10033-reactions.

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"Recreating Tone in Two Arabic Translations of Landay Poetry." International Journal of Arabic-English Studies 19, no. 2 (2019). http://dx.doi.org/10.33806/ijaes2000.19.2.12.

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Tone is the way the author expresses an attitude toward the subject. Tone often poses a challenge for translators. The present study is comparative as it explored two Arabic translations of the same Afghan Women's Poetry (Landay). The first translation was done by Jamil Salah in 2002 from the French collection Le suicide et le chant, and the second by Abdallah Abushmaes in 2018 from the English Songs of Love and War: Afghan Women's Poetry. The study aimed at identifying the strategies employed by the two translators to convey the tone expressed in Landay poems, and determining their effectiven

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Dr. Asma Ghulam Rasool and Dr Zafar Hussain Haral. "PUNJABI CULTURE IN AKHTAR SHERANI’S POEMS." Tasdiqتصدیق۔ 4, no. 01 (2022). http://dx.doi.org/10.56276/tasdiq.v4i01.95.

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Urdu poetry is a beautiful picturesque of the cultures of the sub-continent. It consists of norms, symbols, ideas, dresses, eatables, crockery, romantic heroes, dialects and folk stories of the multicultural society of Indo-Pak. Urdu poets portrayed the culture of Bengal, Bihar, Hyderabad, Lucknow, Bombay, Gujrat, Delhi, Kashmir, Afghan, Tribal, Sindh, Balochistan, and Punjab. This Article is about the portrayal of Punjabi culture in Akhtar Sherani's poetry. He sketched the Punjabi culture in his poems beautifully. His poetic verses and style describe the cultural elements of the civilization

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Mashreghi, Sepandarmaz. "These are the stories of our physical activities: Decolonial re-existence and poetry." TEXT 26, Special 67 (2022). http://dx.doi.org/10.52086/001c.37821.

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In this paper, I aim to disseminate the knowledge that was generated during participatory art-based action research on which I collaborated with a group of young Afghan asylum seekers in Sweden. The focus of the research was the lived experiences of the youth in relation to sport and physical activity. I have chosen a narrative poem that I crafted using vox participare (voices of participants) (Norton & Sliep, 2019) to do this work. In this way, I have grounded the dissemination of our research in the shared epistemology of our peoples, the Khorasani peoples of central/western Asia. By ado

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Hosseini, Mostafa. "Longing for Home or Promising of One: A Found Poem Exploration of Young Female Migrant’s Experiences of Displacement—Voices From Sweden." Qualitative Inquiry, February 2, 2023, 107780042211500. http://dx.doi.org/10.1177/10778004221150011.

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Poetry can fulfill different purposes—it can be therapeutic, a testimony, or a rebellious expression of injustice. This article presents a thematic found poem exploration, of six Afghan female migrants, aged 19 to 24. They arrived in Sweden between 2013 and 2016. I have translated the interviews verbatim from Dari to Swedish and finally into English. The following poems reflect a period of my participants’ lives related to the complexity of uprootedness, nostalgia, and their struggles of in-betweenness and belonging. In addition, it also reflects their hope, aspirations, and commitments of rem

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MOHAMMADI, Amrullah. "The Reflection of the Concept of Freedom in the Poems of Afif Bakhtari." Scientific Research Jouranl of Jawzjanan, February 9, 2025, 249–64. https://doi.org/10.69892/jawzjanan.2024.17.

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Freedom is one of the concepts that has been reflected in various ways in the culture and literature of different nations, especially among those who have experienced the bitter taste of colonialism, tyranny, war, and injustice. In these societies, poets and writers, with their delicate artistic and poetic spirit, have raised the cry for freedom, playing a significant role in raising public awareness. Generally, freedom means liberation from any restraints or attachments that limit a person physically and mentally. Therefore, the primary aim of the present study is to examine the concepts of f

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Dr., Muhammad Ali Dinakhel, and Khan Afridi Majid. "Reflection of Pak-Afghan Border in Pashto Literature, Its Impacts on Pashto Language and Linguistic Research." khair ul ummah 2, no. 2 (2023). https://doi.org/10.5281/zenodo.8139949.

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Pashto language is spoken in Pakistan and Afghanistan. It enjoys the status of official language in Afghanistan. It has also remained the official language of former Swat state. In Pakistan, after Punjabi, it is the second largest language. Pashto has rich literary tradition of both written literature as well as of folklore. In various literary genres of Pashto, the impact of Pak-Afghan border, has been reflected. Lack of uniformity in linguistic policy regarding Pashto language, in both of the countries, has also affected the development and planning of Pashto language as well as linguistic r

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Khurasani, Shafiqullah, and Faheem Naeemi. "Poetic Meters of Afghan Persian Folk Couplets." Sprin Journal of Arts, Humanities and Social Sciences, December 15, 2022, 37–51. http://dx.doi.org/10.55559/sjahss.v1i11.67.

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Folk couplets are considered to be one of the most important parts of our oral literature, which were formed over many centuries among the people of Khorasan, and were passed down orally from generation to generation. For the reason that the composers of the couplets were common people; in terms of prosody, there are many differences in these couplets. Scrutinizing this point can help us in understanding these folkloric couplets and future research in this field. The purpose of research in the field of vernacular couplets is to clarify the quality and prosody of vernacular couplets in the Pers

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Vafa, Amirhossein. "The Pearl of Dari: Poetry and Personhood among Young Afghans in Iran." Iranian Studies, April 3, 2020, 1–5. http://dx.doi.org/10.1080/00210862.2020.1735274.

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Nanquette, Laetitia. "Zuzanna Olszewska. The Pearl of Dari: Poetry and Personhood among Young Afghans in Iran." Abstracta Iranica, Volume 37-38-39 (March 10, 2018). http://dx.doi.org/10.4000/abstractairanica.46562.

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Fani, Aria. "The Shadow-Texts of National History: Poetic Participation in Iran and Afghanistan." Philological Encounters, May 26, 2023, 1–26. http://dx.doi.org/10.1163/24519197-bja10039.

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Abstract This article analyzes a little-known practice called iqtirāḥ—“test of poetic talent” or “poetic competition”—that proliferated in twentieth-century Persian-language periodicals. It examines two case studies: one in Tehran in 1928, which mythologized Nādir Shah (r. 1736–1747), a Turko-Persian monarch, as a national hero, and one in Kabul in 1932, which eulogized Muḥammad Nādir Shah (r. 1920–1933), a ruling monarch at the time, for restoring an Afghan homeland imagined as unified. The article frames iqtirāḥ as an afterlife of Persianate modes of sociability that were reconfigured by mod

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Dr. Ali Raza Tahir and Muhammad Iqbal shah. "An Analytical Evaluation of the Signification of ‘The Development of Metaphysics in Persia’ in the Advancement of Allama Muhammad Iqbal’s Theo-Philosophic Ideas." Al-Qamar, March 31, 2024, 147–58. http://dx.doi.org/10.53762/alqamar.07.01.e08.

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Allama Muhammad Iqbal (1877-1038) is a versatile thinker of the modern Muslim world. Although he was born in Sub-Continent but his thought crossed all the barriers of color, creed, race and land. Syed Jamal Din Afghani (1838-1898) was the 1st person who set the foundation of the renaissance of the modern Muslim world. Iqbal preceded and accelerated Syed Jamal al Din Afghani’s movement of reformation with his sagacious approach in a new way with new dimensions. He used both the mediums ‘prose’ and ‘poetry’ to present his thought. His poetic work is in Persian and Urdu languages while his prose

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