Thematische Bibliographien / Alfred Ploetz

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile

Auswahl der wissenschaftlichen Literatur zum Thema „Alfred Ploetz“

Autor: Grafiati
Veröffentlicht am 28. Juni 2021
Zuletzt aktualisiert am 29. Juli 2025

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Zeitschriftenartikel zum Thema "Alfred Ploetz"

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Niess, Wolfgang, and Uwe Timm. "Geschichte des Alfred Ploetz." Literaturblatt für Baden-Württemberg, no. 2 (June 17, 2024): 15. http://dx.doi.org/10.53458/litbw.vi2.12247.

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Virant, Špela. "“Tell him anyway”: Zu Uwe Timms Roman Ikarien." Acta Neophilologica 52, no. 1-2 (2019): 153–66. http://dx.doi.org/10.4312/an.52.1-2.153-166.

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Der Roman Ikarien (2017) von Uwe Tim ist in Deutschland der Nachkriegszeit verortet, wo Wagner einem jungen amerikanischen Offizier die Lebensgeschichte des Eugenikers Alfred Ploetz erzählt. Obwohl Timm einen historischen Stoff verarbeitet, werden im Roman aktuelle und philosophische Themen angesprochen. Timm verfolgt dabei Ideen, Denkmuster und Denkfehler, die zu Gewalt, Rassismus und Genozid führen können. Er entwickelt aber auch literarische Gegenbilder dazu. Da sich Timm bereits seit Jahrzehnten in seinen Werken mit diesen Themen beschäftigt, wird der Roman Ikarien im Kontext seines Œuvres
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Svobodný, Petr. "Lothar Gottlieb Tirala: Závratná kariéra brněnského gynekologa ve „třetí říši“." Dějiny věd a techniky 43, no. 2 (2010): 113–29. https://doi.org/10.70391/7da.2.c.

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A Breathtaking Career of a Moravian Gynaecologist in the Third Reich During the time of Nazi rule, racial hygiene and related research was one of the most politicised and misused academic subjects at German universities (including the German Charles University in Prague). Aside from Karl Thums, Prague professor and director of the ‘model’ Institute of Racial Hygiene at the German Charles University, another ‘prominent’ champion of this discipline worked in the Czech Lands. This was Lothar Tirala (1886–1974), a native of Brno. After graduating from the University of Vienna, Tirala became an ass
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Schmuhl, Hans-Walter. "Rezension: Emanzipation und Eugenik. Die Briefe der Frauenrechtlerin, Rassenhygienikerin und Genetikerin Agnes Bluhm an den Studienfreund Alfred Ploetz aus den Jahren 1901–1938 von Johanna Bleker, Svenja Ludwig." Berichte zur Wissenschaftsgeschichte 32, no. 4 (2009): 386–87. http://dx.doi.org/10.1002/bewi.200901443.

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Hilger, Marie-Elisabeth. "Johanna Bleker und Svenja Ludwig: Emanzipation und Eugenik. Die Briefe der Frauenrechtlerin, Rassenhygienikerin und Genetikerin Agnes Bluhm an den Studienfreund Alfred Ploetz aus den Jahren 1901 – 1938." Sudhoffs Archiv 94, no. 2 (2010): 243. http://dx.doi.org/10.25162/sudhoff-2010-0027.

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McAleavey, Maia. "The Plot of Bigamous Return." Representations 123, no. 1 (2013): 87–116. http://dx.doi.org/10.1525/rep.2013.123.1.87.

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This article traces a single plot—the plot of bigamous return—through a range of genres and texts, including Mary Elizabeth Braddon’s Lady Audley’s Secret (1862) and Alfred Tennyson’s “Enoch Arden” (1864), concentrating on Elizabeth Gaskell’s Sylvia’s Lovers (1863). Arguing that plot is a more productive heuristic than genre, this article investigates the intersection of literary currents in one historical moment with the long durée of a recurring story, powerfully present in nautical ballads and melodrama.
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Bakel, M. A., R. Borofsky, Andrew Beatty, et al. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 146, no. 4 (1990): 476–529. http://dx.doi.org/10.1163/22134379-90003215.

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- M.A. van Bakel, R. Borofsky, Making history; Pukapukan and anthropological constructions of knowledge. Cambridge: Cambridge University Press, 1987. 201 pp.; ill. - Andrew Beatty, J.A. Feldman et al., Nias, tribal treasures: Cosmic reflections in stone, wood and gold, Delft: Volkenkundig Museum Nusantara, 1990. - A.G. van Beek, Christian F. Feest, Technologie und ergologie in der Völkerkunde, Band 2, Berlin: Dietrich Reimer Verlag, Ethnologische Paperbacks, 1989. xiv, 290 pp., Alfred Janata (eds.) - N. Bootsma, Bernhard Dahm, José Rizal, Der nationalheld der Filipinos, Zürich: Munster-Schmidt
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Dissertationen zum Thema "Alfred Ploetz"

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Bičík, Miroslav. "Rozbor tématického okruhu eutanázie v románu Uwe Timma Ikárie. Zrod rasové hygiény z ducha utopie." Master's thesis, 2021. http://www.nusl.cz/ntk/nusl-446460.

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Presented Master's thesis deals with euthanasia in the novel "Ikarien" by German author Uwe Timm. The thesis highlights development of its main character Alfred Ploetz, an originator of so-called racial hygiene (German variation of eugenics). Ploetz supported the idea of performing euthanasia on severely disabled people. This was applied at massive scale in Nazi Germany from 1939 to 1945. One of the goals of this thesis is to analyze the connection between utopian notions about the creation of a new man, eugenics and euthanasia performed by Nazis, which is reflected in the life of Alfred Ploet
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Bücher zum Thema "Alfred Ploetz"

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Johanna, Bleker, and Ludwig Svenja, eds. Emanzipation und Eugenik: Die Briefe der Frauenrechtlerin, Rassenhygienikerin und Genetikerin Agnes Bluhm an den Studienfreund Alfred Ploetz aus den Jahren 1901-1938. Matthiesen, 2007.

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Kalmar, Tomás Mario. King Alfred the Great, his Hagiographers and his Cult. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463729611.

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This book situates Alfred the Great in his hagiographic context. For 150 years, the fables told in the ninth century about Alfred’s childhood have posed interlocking disciplinary challenges to historians committed to evicting romance from history. Blending current Hagiography Studies with historical, literary, and biblical hermeneutics can help us forgo the anti-hagiographic commitments which motivated the scholars who purified the Victorian cult of Alfred by expunging his legends and salvaging his historicity. The book focusses on the typological functions of three Alfredian fables from the O
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A, Harris Robert. The complete films of Alfred Hitchcock. Carol Pub. Group, 1995.

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Michael, Walker. Hitchcock's motifs. Amsterdam University Press, 2005.

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Michael, Walker. Hitchcock's motifs. Amsterdam University Press, 2005.

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Lasky, Michael S., and Robert A. Harris. The Complete Films of Alfred Hitchcock (Film Books). Carol Publishing Corporation, 1993.

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Miller, Marlowe A. Masterpieces of British Modernism. Greenwood, 2006. http://dx.doi.org/10.5040/9798400683572.

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Flourishing during the first 2 decades of the 20th century, British Modernism gave birth to some of the world's most influential literary works. Written expressly for high school students and general readers, this book succinctly yet thoughtfully discusses 7 masterpieces of British Modernism. Included are chapters on Joseph Conrad'sHeart of Darkness,E.M. Forster'sHowards End,James Joyce'sA Portrait of the Artist as a Young Man,D.H. Lawrence'sWomen in Love,T.S. Eliot'sThe Love Song of J. Alfred PrufrockandThe Wasteland,and Virginia Woolf'sMrs. Dalloway.Each chapter provides biographical informa
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McKittrick, Casey. Hitchcock's Appetites: The Corpulent Plots of Desire and Dread. Bloomsbury Publishing Plc, 2018.

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Hitchcock: Suspense, humour, and tone. BFI Pub., 2000.

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Billheimer, John. Hitchcock and the Censors. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813177427.001.0001.

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The Motion Picture Production Code controlled the content and final cut on all films made and distributed in the US from 1934 to 1968. Code officials protected sensitive ears from the standard four-letter words as well as a few five-letter words like tramp and six-letter words like cripes. They also scrubbed ‘excessively lustful’ kissing from the screen, and ensured that no criminal went unpunished. Censors demanded an average of twenty changes, ranging from trivial to mind-boggling, on each of Alfred Hitchcock’s films during his most productive years. No production escaped these changes, whic
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Buchteile zum Thema "Alfred Ploetz"

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Ness, Richard R. "Family Plots: Hitchcock and Melodrama." In A Companion to Alfred Hitchcock. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444397321.ch6.

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Porter, Laraine. "All Singing! All Talking! All British! Musical Moments in Early British Talkies 1929 to 1932." In When Music Takes Over in Film. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-89155-8_6.

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AbstractBritish silent cinema transformed to sound in June 1929, slightly ahead of Europe and a year or so behind Hollywood whose popular Al Jolson Musicals The Jazz Singer (1927) and The Singing Fool (1928) had taken British cinemas by storm. Alfred Hitchcock’s murder story (Blackmail, Alfred Hitchcock, UK) was Britain’s first official talkie and like the majority of films that followed in its wake, contained a pivotal musical moment. This article analyses the use of song and music in early British talkies as they sought to forge a new ‘talkie film language’ by combining dialogue, music and p
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Reynolds, Susan. "‘The mysteries of the nerves in a starving body’." In Translating Russian Literature in the Global Context. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0340.13.

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Thomas Mann described the Norwegian author Knut Hamsun (1859-1952) as ‘a descendant of Fyodor Dostoevsky and Friedrich Nietzsche’ in a festschrift compiled for Hamsun’s 70th birthday, featuring articles by Heinrich Mann, Musil, Schoenberg, Hesse, Gorky, Masaryk and Gide. However, Hamsun’s reputation subsequently declined so much that on his eightieth birthday he received tributes only from Goebbels, Alfred Rosenberg and Hitler. Although Hamsun won the Nobel Prize for Literature in 1920, his controversial political views overshadowed his literary reputation, and the influence of Nietzsche on hi
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Kühl, Stefan. "German-American Relations within the International Eugenics Movement before 1933." In The Nazi Connection. Oxford University PressNew York, NY, 1994. http://dx.doi.org/10.1093/oso/9780195082609.003.0002.

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Abstract In an interview for the Berliner Tageblatt, Alfred Ploetz, the German founder of the science of racial hygiene, discussed his experience at the first International Congress for Eugenics held in London in 1912. Ploetz, who served as president of the International Society for Racial Hygiene, described the United States as a bold leader in the realm of eugenics. His comments foreshadowed the development of a relation ship between German and American eugenicists that was grounded in an emerging international community of scientists dedicated to the goal of race improvement.
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Krzakowski, Caroline Zoe. "Alfred Hitchcock’s International Plots." In Diplomacy in Postwar British Literature and Culture. Lexington Books, 2023. http://dx.doi.org/10.5771/9781683932918-61.

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Osteen, Mark. "6. Unhitched: Joan Harrison’s Noir Marriage Plots." In Alfred Hitchcock and Film Noir. Edinburgh University Press, 2024. http://dx.doi.org/10.1515/9781399535199-009.

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"The Work of Life in an Age of Mechanical Competition: Alfred Jarry’s Le surmâle." In The Plot Machine. BRILL, 2001. http://dx.doi.org/10.1163/9789004485716_008.

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Wood, Michael. "Fearful Cemetery." In Hitchcoch’s America. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195119053.003.0010.

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Abstract Family plot. The double meaning in the title of Alfred Hitchcock’s last completed film (1976) seems too obvious at first. The conspiracy and the cemetery. The family plot, like the paths of glory, leads but to the family plot. Isn’t this where all paths lead in Hitchcock? And wasn’t the old gentleman a little tired? “I think of Family Plot as a curtain-call,” William Rothman says in The Murderous Gaze,’ “light, assured, intended for pleasure ... a medium’s intimate salute to a medium.” Slavoj Zizek, dividing Hitchcock’s films into five periods, sees “isolated touches of brilliance” in
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Cooper, Ian. "Last Supper." In Frenzy. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781911325369.003.0005.

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This chapter looks at Alfred Hitchcock's last finished film, Family Plot (1976). Family Plot is an amusing light-hearted mystery which saw the Master return to sunnier climes (Northern California). But the notion that Hitchcock was mellowing is a false one. The last film he worked on, abandoned due to his failing health, was to be The Short Night. Based on the story of the escaped spy George Blake, starring Sean Connery, Clint Eastwood, or Walter Matthau playing opposite Liv Ullmann or Catherine Deneuve and set in London and Finland, the script was to be written by Ernest Lehman, the screenwri
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Yeler, Gülcan Minsolmaz. "Lives Reflected in the Window Rear Window (Alfred Hitchcock)." In Architecture in Cinema. BENTHAM SCIENCE PUBLISHERS, 2024. http://dx.doi.org/10.2174/9789815223316124010027.

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Events and plots in cinema occur in relation to time and space. The script also changes accordingly. The idea that is aimed to be narrated in the film is conveyed to the audience not only through the script but also through space. The director emphasizes the idea of using space. By being situated at the intersection of architecture and cinema, the notion of space connects these two disciplines, constituting their foundation. Both cinema and architecture take experience and life as their concern. They also include symbolic connections without withdrawing from space-place-time. Concepts such as
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