Auswahl der wissenschaftlichen Literatur zum Thema „American poetry – Explication“

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Zeitschriftenartikel zum Thema "American poetry – Explication"

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Burmistrov, Sergey L. "On One Intercultural Parallel in the Philosophy of Language: Humboldt, Emerson, Bhartrhari." Vestnik Tomskogo gosudarstvennogo universiteta, no. 458 (2020): 60–71. http://dx.doi.org/10.17223/15617793/458/7.

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The aim of the study was to reveal the cause of the noteworthy resemblance between Wilhelm von Humboldt’s view of the nature of language, the conception of poetry in American Romanticism, and the philosophy of language in early Vedānta (Bhartṛhari, 5th century AD) that demonstrates a non-accidental affinity of the views on the associations of language and poetry between Indian and Western cultures. Five tasks were set for solving the problem: (1) to reveal the basic principles of Humboldt’s conception of language; (2) to explicate the basic traits of Ralf Emerson’s views on the nature of poetr
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Olga, Grinyak. "THE METHODOLOGY OF EXPLICATION OF IMPLICATES IN AMERICAN POETIC TEXTS OF THE XX CENTURY." Scientific Bulletin of Kherson State University. Series Germanic Studies and Intercultural Communication, no. 1 (September 30, 2019): 31–35. http://dx.doi.org/10.32999/ksu2663-3426/2019-1-4.

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Yaw-kan, Joseph Peter, Jonas Naoh Xaxier Gambil, Daniel Yaw Akor, and Mark Kpatiewiizi Donwaazum. "Constructing Masculine and Feminine Traits: A Social Constructive Reading of Robert Frost’s “Home Burial”." Journal of Language and Literature 24, no. 1 (2024): 124–33. http://dx.doi.org/10.24071/joll.v24i1.7134.

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Reading Robert Frost’s “Home Burial” from a sociological perspective is a herculean task. Given that this poem by the American poet has received large volumes of critical literary conversation since its publication. Notwithstanding this daunting scholarly task, it is imperative to point out the nuanced representation of gender and the constitutive manifestations reflected thereof. This paper, therefore, examines Frost’s characters and their expression of masculinity and femininity in “Home Burial”. The paper is framed within the social constructivist theory of masculinities proposed by Moyniha
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"Guide to American poetry explication. v.2: Modern and contemporary." Choice Reviews Online 27, no. 09 (1990): 27–4890. http://dx.doi.org/10.5860/choice.27-4890a.

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"Guide to American poetry explication. v.1: Colonial and nineteenth-century." Choice Reviews Online 27, no. 09 (1990): 27–4890. http://dx.doi.org/10.5860/choice.27-4890.

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Pham, Thi Hong-An. "Definition poems and Riddle poems in Emily Dickinson’s Poetry." Science & Technology Development Journal - Social Science and Humanities, 2022. http://dx.doi.org/10.32508/stdjssh.v6i2.732.

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Two intriguing phenomena in the poetry of the American poet Emily Dickinson (1830 – 1886), definition poems and riddle poems, have long attracted the interest of researchers and critics. However, it can be seen that there has been almost no explication of the phenomena from the language perspective but principally from her individuality, creativity and capacity of imagination. In the field of modern Linguistics, Louis Hjelmslev (1899 – 1965), a follower of Ferdinand de Saussure (1857 – 1913), on developing the theory of linguistics and semiotics by Saussure, proposes the principle of generaliz
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"Methodology of explicating archetypes embodied in American poetic texts." Cognition, Communication, Discourse, no. 9 (September 11, 2019). https://doi.org/10.26565/2218-2926-2014-09-01.

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This article presents systematization of scientific views on the notions of archetype as collective unconscious and archetypal verbal image as textual construal, which results in differentiation of psychological and cultural archetypes, and in compiling their catalogue. The methodology of explicating archetypes embodied in poetic texts, elaborated in the framework of cognitive and discourse paradigm of linguistics, consists of the sequence of cognitive operations intended on revealing the mechanisms of formation of archetypal verbal poetic images in American poetic discourse and establishing a
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Bücher zum Thema "American poetry – Explication"

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1947-, Ruppert James, and Leo John R, eds. Guide to American poetry explication. G.K. Hall, 1989.

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Harold, Bloom. A map of misreading. 2nd ed. Oxford University Press, 2003.

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Llanas, Sheila Griffin. Contemporary American poetry-"not the end, but the beginning". Enslow Publishers, 2010.

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Leo, John R. Modern and contemporary. G.K. Hall, 1989.

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Ruppert, James. Colonial and nineteenth-century. G.K. Hall, 1989.

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Roth Publishing, Inc. Editorial Board., ed. Multicultural poetry and major poetic schools examined: Essays on American multicultural poetry and major poetic schools and movements in Britsh and American verse, plus critical and biographical essays on 32 contemporary and classic poets. Poetry Anthology Press, 1997.

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Llanas, Sheila Griffin. Contemporary American poetry-"not the end, but the beginning". Enslow Publishers, 2010.

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Llanas, Sheila Griffin. Contemporary American poetry-"not the end, but the beginning". Enslow Publishers, 2010.

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Inc, Roth Publishing, ed. Critical companion: Explication and interpretation of poems selected from the foundation volumes (I-X) with biographical data on poets included in the foundation volumes and in supplements I and II. Poetry Anthology Press, 1986.

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Macrone, Michael. Brush Up Your Poetry!: A Many-Splendoured Tour of the World's Best-Loved Verse. MJF Books, 2002.

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Buchteile zum Thema "American poetry – Explication"

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Tidwell, John Edgar. "Two Writers Sharing: Sterling A. Brown, Robert Frost, and “In Divés’ Dive”." In After Winter. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195365795.003.0007.

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Abstract In the recent proliferation of conference papers, critical articles, and books discussing the pioneering innovation and enduring significance of Sterling A.Brown’s poetry, literary critics and historians have enthusiastically shown a propensity toward tracing the resonance of “influence” in his work. The persistence of this practice can hardly be faulted because, starting in the early 1960s, Brown began explicating himself to younger generations whom he felt were unacquainted with his seminal efforts to define the distinctiveness of African American literature and culture. In numerous
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Olguín, B. V. "Violence and the Transnational Question." In Violentologies. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198863090.003.0005.

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Chapter 4 disentangles the distinct ideologies often conflated under the expansive and notoriously vague rubric of Latina/o “transnationalism.” It first interrogates the limits of Radical Regionalism Studies by explicating the specter of nationalism in Emma Pérez’s ostensibly contestatory Tejana lesbian feminist regionalist historical fiction. The chapter further deconstructs the Latina/o Studies fixation on hyperlocalities and celebratory transnationalisms by interrogating the various aestheticizations of violence in Latina/o literatures about Central American civil wars, femicide in the US-M
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Konferenzberichte zum Thema "American poetry – Explication"

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Tsvetkov, Yuriy, and Natalia Urusova. "EXPLICATION OF THE "TOTAL EFFECT" IN PRE-REVOLUTIONARY TRANSLATIONS OF POE'S POEM " THE RAVEN"." In ЯЗЫК. КУЛЬТУРА. ПЕРЕВОД = LANGUAGE. CULTURE. TRANSLATION. Science and Innovation Center Publishing House, 2019. http://dx.doi.org/10.12731/lct.2019.37.

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The article studies pre-revolutionary translations of "The Raven" by S. A. Andreevsky, L. I. Palmin, Dm. Merezhkovsky, K. Balmont and V. Bryusov. Only the last three of these translators were able to convey to the reader the main idea of "The Raven" by E. A. Poe, set out by the American poet in the" Philosophy of Composition" (1846).
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