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Thematische Bibliographien / Another country (Baldwin)

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Auswahl der wissenschaftlichen Literatur zum Thema „Another country (Baldwin)“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 12. Februar 2022

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Zeitschriftenartikel zum Thema "Another country (Baldwin)"

1

Martínez, Ernesto Javier. „Dying to Know: Identity and Self-Knowledge in Baldwin's Another Country“. PMLA/Publications of the Modern Language Association of America 124, Nr. 3 (Mai 2009): 782–97. http://dx.doi.org/10.1632/pmla.2009.124.3.782.

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This article examines the prevalence of confusion and incoherence in James Baldwin's 1962 novel Another Country, arguing that the novel should be read as an extended and theoretically rich meditation on the difficulty of gaining self-knowledge in oppressive social contexts. Its central thesis is that the novel is motivated less by the tragedy of Rufus Scott's suicide early in the novel than by the ethical imperative that compels all the characters to risk their sense of self (to figuratively commit suicide) in order to better understand the circumstances they face. Through this “suicidal” sensibility, Baldwin examines how self-knowledge in oppressive contexts frequently depends on people making extreme shifts in their conception of self—of who they are in relation to their society. These shifts are often dreaded and appear self-menacing, but Baldwin ultimately implies that they hold liberatory promise.

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2

Morrison, Spencer. „James Baldwin on Vacation in Another Country“. ELH 83, Nr. 3 (2016): 899–925. http://dx.doi.org/10.1353/elh.2016.0034.

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3

Prabasmoro, Tisna, und Rasus Budhiyono. „Ras dan Homoseksualitas: Gagasan James Baldwin dalam Another Country“. Metahumaniora 7, Nr. 1 (03.07.2017): 55. http://dx.doi.org/10.24198/metahumaniora.v7i1.23328.

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Penelitian ini mencoba untuk ikut menyumbangkan gagasan-gagasan pada diskusi tentang isu-isu ras dan homoseksualitas yang pelik di Amerika Serikat pada tahun 1960-an. Agar dapat mendekati permasalahan yang kompleks ini, penelitian membahas novel karangan James Baldwin berjudul Another Country, yang menantang supremasi kulit putih dengan pemikiran-pemikirannya perihal identitas pribadi dan sosial. Pada penelitian ini Another Country dimanfaatkan untuk menunjukkan pentingnya pemikiran-pemikiran Baldwin tentang identitas personal dan sosial, berkaitan dengan pengenalan dam pengakuan diri seseorang sebagai manusia, yang menjadi lokus pendukung perubahan sosial yang diperlukan untuk terciptanya keselarasan hubungan-hubungan di Amerika Serikat. Penelitian ini mencoba untuk menganalisis kehidupan dan karya Balwin terhadap perkembangan politik pada masanya, dan dengan meminjam konsep-konsep identitas, untuk menunjukkan bagaimana dikotomi warga berkulit putih dan hitam adalah pengalaman-pengalaman hidup Baldwin yang paling mengganggu, namun bermakna. Penelitian ini juga pada akhirnya menunjukkan bahwa dengan mempelajari Baldwin sebagai individu dan anggota masyarakat, kita dapat menafsirkan eksistensi dan ekstensi dikotomi yang tidak berterima tersebut: keunggulan warga berkulit putih disamakan dengan keumuman heteroseksualitas dan kemarjinalan warga berkulit hitam dengan keterasingan homoseksualitas.

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4

Prabasmoro, Tisna, und Rasus Budhiyono. „Ras dan Homoseksualitas: Gagasan James Baldwin dalam Another Country“. Metahumaniora 7, Nr. 1 (03.07.2017): 55. http://dx.doi.org/10.24198/mh.v7i1.23328.

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Penelitian ini mencoba untuk ikut menyumbangkan gagasan-gagasan pada diskusi tentang isu-isu ras dan homoseksualitas yang pelik di Amerika Serikat pada tahun 1960-an. Agar dapat mendekati permasalahan yang kompleks ini, penelitian membahas novel karangan James Baldwin berjudul Another Country, yang menantang supremasi kulit putih dengan pemikiran-pemikirannya perihal identitas pribadi dan sosial. Pada penelitian ini Another Country dimanfaatkan untuk menunjukkan pentingnya pemikiran-pemikiran Baldwin tentang identitas personal dan sosial, berkaitan dengan pengenalan dam pengakuan diri seseorang sebagai manusia, yang menjadi lokus pendukung perubahan sosial yang diperlukan untuk terciptanya keselarasan hubungan-hubungan di Amerika Serikat. Penelitian ini mencoba untuk menganalisis kehidupan dan karya Balwin terhadap perkembangan politik pada masanya, dan dengan meminjam konsep-konsep identitas, untuk menunjukkan bagaimana dikotomi warga berkulit putih dan hitam adalah pengalaman-pengalaman hidup Baldwin yang paling mengganggu, namun bermakna. Penelitian ini juga pada akhirnya menunjukkan bahwa dengan mempelajari Baldwin sebagai individu dan anggota masyarakat, kita dapat menafsirkan eksistensi dan ekstensi dikotomi yang tidak berterima tersebut: keunggulan warga berkulit putih disamakan dengan keumuman heteroseksualitas dan kemarjinalan warga berkulit hitam dengan keterasingan homoseksualitas.

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5

Shinners, Keely. „My Dear White Sister: Self-examining White Privilege and the Myth of America“. James Baldwin Review 4, Nr. 1 (11.09.2018): 92–103. http://dx.doi.org/10.7227/jbr.4.7.

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James Baldwin, in his landmark essay “My Dungeon Shook,” says that white Americans are “still trapped in a history which they do not understand; and until they understand it, they cannot be released from it.” This open letter explores this history on a personal level. Taking notes from Baldwin’s indictments of whiteness in Another Country and The Fire Next Time, this essay explores how white people, despite claims of deniability, become culpable, complicit, and ensnared in their racial privilege. By reading Baldwin’s work through a personal lens, it implores fellow white readers and scholars of Baldwin to begin examining the myths of America by first examining themselves.

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Cleary, Emma. „“Here Be Dragons:” The Tyranny of the Cityscape in James Baldwin’s Intimate Cartographies“. James Baldwin Review 1, Nr. 1 (29.09.2015): 91–111. http://dx.doi.org/10.7227/jbr.1.5.

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The skyline of New York projects a dominant presence in the works of James Baldwin—even those set elsewhere. This essay analyzes the socio-spatial relationships and cognitive maps delineated in Baldwin’s writing, and suggests that some of the most compelling and intense portrayals of New York’s psychogeographic landscape vibrate Baldwin’s text. In The Price of the Ticket (1985), Baldwin’s highly personalized accounts of growing up in Harlem and living in New York map the socio-spatial relationships at play in domestic, street, and blended urban spaces, particularly in the title essay, “Dark Days,” and “Here Be Dragons.” Baldwin’s third novel, Another Country (1962), outlines a multistriated vision of New York City; its occupants traverse the cold urban territory and struggle beneath the jagged silhouette of skyscrapers. This essay examines the ways in which Baldwin composes the urban scene in these works through complex image schemas and intricate geometries, the city’s levels, planes, and perspectives directing the movements of its citizens. Further, I argue that Baldwin’s dynamic use of visual rhythms, light, and sound in his depiction of black life in the city, creates a vivid cartography of New York’s psychogeographic terrain. This essay connects Baldwin’s mappings of Harlem to an imbricated visual and sonic conception of urban subjectivity, that is, how the subject is constructed through a simultaneous and synaesthetic visual/scopic and aural/sonic relation to the city, with a focus on the movement of the body through city space.

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Na, Emily. „Baldwin’s Kitchen“. James Baldwin Review 6, Nr. 1 (29.09.2020): 85–105. http://dx.doi.org/10.7227/jbr.6.6.

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This article traces how the queer Black writer James Baldwin’s transnational palate and experiences influenced the ways he wrote about Black domestic spaces in the late twentieth century. In the 1960s and 1970s, while Black feminist cooks and writers like Edna Lewis, Jessica B. Harris, and Vertamae Smart-Grosvenor developed new theories of soul food in relation to the Black American community and broader American cuisine, Baldwin incorporated these philosophies and transnational tastes into his lifestyle and works. He traveled and worked around Europe, settling in places like Paris, Istanbul, and Saint-Paul de Vence for years at a time. In Saint-Paul de Vence, where he spent his last years, he set up his own welcome table, at which he hosted internationally renowned guests and shared his love of cuisine. Inevitably, Baldwin’s passion for cooking and hosting meals became a large, though scholarly neglected, component of his novels and essays. In his novels Another Country, which he finished in Istanbul and published in 1962, and Just Above My Head, which he finished in Saint-Paul de Vence and published in 1979, Baldwin’s depictions of food and Black kitchens take a queer turn. Instead of lingering on traditional Black family structures, these texts specifically present new formulations of intimate home life and reimagine relationships between food, kitchens, race, and sex in the late twentieth century.

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8

Muslim, Azis. „APAKAH SUNK COST ENTRY BERPENGARUH PADA EKSPOR INDONESIA KE SINGAPURA?: PENDEKATAN AGGREGATE“. Buletin Ilmiah Litbang Perdagangan 11, Nr. 1 (31.07.2017): 21–42. http://dx.doi.org/10.30908/bilp.v11i1.72.

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Bagi Indonesia, Singapura telah lama dikenal sebagai negara perantara (intermediary) perdagangan untuk ekspor maupun impor. Secara umum sunk cost entry to export merupakan pertimbangan untuk masuk ke pasar ekspor, namun dalam kondisi terdapatnya perantara perdagangan apakah sunk cost entry to export tidak menjadi pertimbangan untuk masuk ke pasar ekspor? Untuk mengetahui hal tersebut dilakukan penelitian dengan tujuan untuk menguji apakah sunk cost entry berpengaruh atau tidak untuk ekspor Indonesia ke Singapura. Model penelitian menggunakan model histerisis Baldwin-Krugman dengan pertimbangan penggunaan data aggregate dan lonjakan nilai tukar. Metode yang digunakan adalah perubahan koefisien pada saat structural break sedangkan nilainya diestimasi dengan model regresi Autoregressive Distributed Lag (ARDL). Hasil penelitian menunjukkan bahwa sunk cost entry tidak memengaruhi ekspor Indonesia ke Singapura atau dengan kata lain tidak menjadi pertimbangan memasuki pasar ekspor Singapura. Temuan tersebut bermanfaat bagi eksportir dengan modal terbatas untuk menggunakan Singapura sebagai intermediary. Pemerintah sebagai fasilitator dapat menyarankan kepada eksportir pemula terutama eksportir dengan modal terbatas untuk menjadikan Singapura sebagai perantara dalam perdagangan. Singapore has been known as an intermediary country for Indonesia’s export and import trade. Sunk cost entry is one of the exporter considerations to enter an export market. However, if there is an intermediary trade, does sunk cost still become a consideration? The purpose of this study is to examine whether the sunk cost entry affects Indonesian export to Singapore or not. This study uses Baldwin-Krugman’s Hysteresis model due to an aggregate data usage and a surge in the exchange rate. This study uses the coefficient changes method since structural break is happening and its value is estimated by the Autoregressive Distributed Lag (ARDL) regression model. The result shows that sunk cost does not affect Indonesian exports to Singapore, or in another word it does not become a consideration to enter Singapore markets. It is important that the exporters with limited capital use Singapore as an intermediary. The Government should propose beginner exporters to choose Singapore as the intermediary country trade.

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Odhiambo. „James Baldwin’s Another Country as an Abstract Machine“. Pacific Coast Philology 52, Nr. 1 (2017): 69. http://dx.doi.org/10.5325/pacicoasphil.52.1.0069.

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10

Gordon, Brandon. „Physical Sympathy: Hip and Sentimentalism in James Baldwin's Another Country“. MFS Modern Fiction Studies 57, Nr. 1 (2011): 75–95. http://dx.doi.org/10.1353/mfs.2011.0004.

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Dissertationen zum Thema "Another country (Baldwin)"

1

Gignac, Patrick Joseph. „Oppressive relationships/related oppressions ethnicity, gender, and sexuality and the role of gay identity in James Baldwin's Another country and Hubert Fichte's Versuch über die Pubertät /“. Connect to this title online, 1996. http://www.nlc-bnc.ca/obj/s4/f2/dsk3/ftp05/NQ63422.pdf.

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2

Kouadio, Fily. „L'esthétique de James Baldwin face à l'élaboration des canons de la littérature afro-américaine“. Clermont-Ferrand 2, 1997. http://www.theses.fr/1997CLF20009.

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3

Moore, Marlon Rachquel. „"A torrent of rhetoric" constructs of blackness and masculinity in critical responses to James Baldwin's 'Another Country' /“. [Gainesville, Fla.] : University of Florida, 2004. http://purl.fcla.edu/fcla/etd/UFE0008862.

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4

Gignac, Patrick Joseph. „Oppressive relationships/related oppressions, ethnicity, gender and sexuality and the role of gay identity in James Baldwin's Another country and Hubert Fichte's Versuch üeber die Pubertät“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/NQ63422.pdf.

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5

Hsu, Shih-chan, und 許世展. „“Don''t Call Me Boy”:Black Nationalism, Black Male Sexuality, and Black Masculinity in James Baldwin''s Another Country“. Thesis, 2007. http://ndltd.ncl.edu.tw/handle/z8557g.

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碩士
國立中山大學
外國語文學系研究所
95
This thesis aims to read James Baldwin’s Another Country to examine why and how he uses this novel to interrogate black nationalist discourses that inform the sexist and heterosexist biases in mid-century America. I would argue that Baldwin, in writing this novel, adopts an ambivalent narrative strategy both to ostensibly compromise on the heterosexual matrix politically and culturally scripted by black activists, and to critique the black hyperbolic masculinism endorsed and performed by them as itself a tragic consequence of white racism. Whereas black nationalists carry the Black Macho agenda into practice to redeem their manliness, Baldwin suspects that the heterosexist imperative of black machismo may end up infringing the rights of gender and sexual minorities. I thus argue, in Chapter One, that Baldwin writes Another Country to negotiate an oblique response to the conundrum he feels as both an artist and a black leader. To explain how his conundrum takes shape, I attempt in Chapter Two to lay bare the hegemonic masculinist ideologies embedded in anti-racist discourses. Drawing on this historical and theoretical investigation as my interpretive scaffold, I would in the following three chapters elaborate on how the novelist exemplifies his narrative technique via his male figures in Another Country. In doing so, Baldwin can, I would propose, assert that racial justice and sexual freedom must concur to effectuate blacks’ autonomy. As such, I conclude my thesis by suggesting that Baldwin never intends “another country” to be an idyllic landscape wherein Eric ostensibly plays out as a “sexual savior” and betters other characters’ self-recognition. Another Country instead illustrates a contested site where discourses on black nationalism, black male sexuality, and black masculinity come into a productive dialogism. Another Country, that is, can be best interpreted as Baldwin’s investigation into the intersection of race, gender, and sexuality in the sixties, and his consistent reformulation of individual identity as fluid, labile, and multiple.

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Bücher zum Thema "Another country (Baldwin)"

1

James Baldwin's Another Country: Bookmarked. Ig Publishing, 2021.

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Buchteile zum Thema "Another country (Baldwin)"

1

Dayson, Sion. „Another Country“. In James Baldwin, 77–89. Rotterdam: SensePublishers, 2014. http://dx.doi.org/10.1007/978-94-6209-619-6_6.

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2

Tonn, Horst. „Baldwin, James: Another Country“. In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4847-1.

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3

Lilly, Mark. „James Baldwin: Another Country and Giovanni’s Room“. In Gay Men’s Literature in the Twentieth Century, 144–67. London: Macmillan Education UK, 1993. http://dx.doi.org/10.1007/978-1-349-22966-6_9.

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4

Omry, Keren. „Baldwin’s Bop ’N’ Morrison’s Mood: Bebop and Race in James Baldwin’s Another Country and Toni Morrison’s Jazz“. In James Baldwin and Toni Morrison, 11–35. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780230601383_2.

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5

Kérchy, Anna. „Narrating the Beat of the Heart, Jazzing the Text of Desire: A Comparative Interface of James Baldwin’s Another Country and Toni Morrison’s Jazz“. In James Baldwin and Toni Morrison, 37–62. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780230601383_3.

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6

Carlson, Dennis. „Coming Undone: James Baldwin’s Another Country and Queer Pedagogy“. In Queer Masculinities, 247–66. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-2552-2_15.

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7

„Another Chapter, Another Life, Another Country:“. In Understanding James Baldwin, 39–54. University of South Carolina Press, 2019. http://dx.doi.org/10.2307/j.ctv7r41k9.6.

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8

Robbins, Ben, und Jay Watson. „Dangerous Quests: Transgressive Sexualities in William Faulkner’s “The Wild Palms” and James Baldwin’s Another Country“. In Faulkner and the Black Literatures of the Americas. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496806345.003.0010.

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William Faulkner’s novels explore forms of social change and development from which the same author publically advocated retreating. James Baldwin praised Faulkner as one of a handful of writers who had begun to engage with race in American literature in a progressive fashion. However, in his essay “Faulkner and Desegregation,” Baldwin challenges Faulkner’s statement that the process of racial integration in the South should “go slow.” In a common focus on social progress, Faulkner’s “The Wild Palms” and Baldwin’s Another Country explore sex and sexuality’s potential as a tool to create a new social order. In these texts, transgressive sexual and artistic practices are used to question social boundaries and limiting binaries of gender and race. These acts of transgression serve to critique the way power polices boundaries of social division, although Faulkner’s text does not share the gesture toward transcendence at the end of Baldwin’s novel.

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„Queer Orientalisms in Another Country“. In James Baldwin’s Turkish Decade, 91–140. Duke University Press, 2008. http://dx.doi.org/10.1215/9780822392408-003.

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10

„Chapter 2. DYING TO KNOW IN BALDWIN’S ANOTHER COUNTRY“. In On Making Sense, 45–76. Stanford University Press, 2020. http://dx.doi.org/10.1515/9780804784016-004.

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