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Thematische Bibliographien / Architecture, baroque – italy / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Architecture, baroque – italy“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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1

Syuezhui, Van. "The influence of European Baroque architecture on Chinese Baroque architecture." Культура и искусство, no. 6 (June 2025): 198–211. https://doi.org/10.7256/2454-0625.2025.6.74484.

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The relevance of the topic of this research is due to the fact that the Baroque style, being an important stage in the history of European architecture, had a profound influence on subsequent architectural styles. In encountering the Baroque style, Russia developed a unique architectural style, and after coming into contact with European Baroque, China developed a new stylistic system — Chinese Baroque. Researching this topic will help us better understand the exchange and integration of architectural culture between Europe, Russia, and China, as well as provide historical references for conte

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Montes, Francisco, and Natália Amarante. "Baroque History: The origin, growth and specimens in the district of Vila Real." ERAS | European Review of Artistic Studies 14, no. 4 (2023): 78–97. http://dx.doi.org/10.37334/eras.v14i4.306.

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This paper aims to talk about the history of the Baroque, since its appearance in Italy, a brief introduction to the theme, explaining what this architectural style is, what is its definition according to some authors and how is its presence today, specifically in the district of Vila Real. An attempt is made to give a definition of Baroque art according to various authors, and to demonstrate the different strands present. How Baroque art came about and what are the main characteristics that are present in the different art forms. Later on, some of the representations of Baroque art that exist

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Гарин, V. Garin, Чернышев, Aleksandr Chernyshev, Разиньков, and Egor Razinkov. "History of Baroque Furniture." Forestry Engineering Journal 4, no. 2 (2014): 145–54. http://dx.doi.org/10.12737/4519.

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The Baroque style is the result of the further evolution of the style of the Renaissance. It began to take its forms from the end of XVI century. Baroque developed in European countries during the first half of the XVII and XVIII century. Germany, Austria and England, which had only some features of this style in the middle of XVII century, occupy a special place. The architecture of Italy Baroque began to take shape in the second half of the XVI century, and the formation of its features was largely due to the work of Michelangelo. Baroque style left its mark not only on the architecture of b

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Wagner, Aleksandra, and Neil Spiller. "Magical Transubstantiations: A Voyage to Italy." Architectural Design 94, no. 2 (2024): 68–73. http://dx.doi.org/10.1002/ad.3036.

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AbstractVisiting Italy in 1978 as part of his own Grand Tour, Lebbeus Woods was able to see some of the treasures of the Renaissance and the Baroque. The ensuing mix of reality and imagination prompted the Editors of this 2, Aleksandra Wagner and Neil Spiller, to consider the visual travelogue –Cityscapes – in a similar manner, combining speculation and truth.

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Manzo, Elena. "Sacred Architecture in the Neapolitan Baroque Era. Space, Decorations, and Allegories." Resourceedings 2, no. 3 (2019): 46. http://dx.doi.org/10.21625/resourceedings.v2i3.624.

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In Naples (Italy), the passage from Renaissance to Baroque architectonic language could be identified between 1580 and 1612. During this era, one of the most significant topics of the architectonic research on the sacred space was the right compromise among the Counter-Reformation patterns, the central space and the oval plan. Giovanni Antonio Dosio and Dionisio di Bartolomeo were the most representative architects of this passage. They provide the access to new experimental varieties. So, when the architect Cosimo Fanzago arrived in Naples in 1612, the city was almost ready to use the emblema

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Noyes, Ruth Sargent, and Rūstis Kamuntavičius. "The Paracca Family of Architects and Druja Synagogue: Magnate Patrons and Jewish Clients of Eighteenth-century “Vilnius Baroque”." Ars Judaica The Bar Ilan Journal of Jewish Art: Volume 17, Issue 1 17, no. 1 (2021): 25–59. http://dx.doi.org/10.3828/aj.2021.17.3.

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This article explores Jews’ role in mediating artistic exchange between Italy and the Polish-Lithuanian Commonwealth in the eighteenth century, through a case study examining the cultural and historical context surrounding the construction of the Druja synagogue (ca. 1765-1766) by the Paracca family of immigrant Italian architects and masons, for the burgeoning Jewish community affiliated with the region’s reigning noble families. The article explores the circumstances surrounding the Druja synagogue as a manifestation of the so-called “Vilnius Baroque” school of late Baroque-Rococo architectu

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Shvidkovsky, Dmitry. "The Architecture of the Enlightenment and the Birth of Modernity: from the High Baroque to Late Classicism." Scientific and analytical journal Burganov House. The space of culture 16, no. 3 (2020): 21–46. http://dx.doi.org/10.36340/2071-6818-2020-16-3-47-60.

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The article is devoted to the architecture of the Enlightenment in a broad sense. The author is convinced that this period is the time of the beginning of Modernity, the birth of the Early Modern Times architecture. He thinks that the cycle of the development of humanity, which architecture has been expressing most clearly of all other arts since the 17th century - the epoch of the English Revolution, has not ended yet. The ideas developed at that time continue to exist in our minds. They are still actual for contemporary architecture, developing it and solving the problems established at our

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Daria, Ostrikova, Bodnar Taras, and Yasinskyi Maksym. "INFLUENCE OF THE GREAT FIRE OF LONDON IN 1666 ON SPECIFICS OF CREATING BAROQUE STYLE OF CHURCHES IN ENGLAND." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 4, no. 1 (2022): 108–18. http://dx.doi.org/10.23939/sa2022.01.108.

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At the same time, when Baroque became the dominant style in Italy, in English architecture in the 17th century architects continued using the Classical forms. After that, in the architecture of England appeared a style called Palladian architecture and Jacobean architecture. Style of Baroque became prevalent just at the end of this century. After the Great Fire of London on 5 September 1666 most of the city's buildings were destroyed, all these constructions had to be restored or built new ones. The 17th and 18th centuries were a painful period, not only for the history of Britain but also aff

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Radice, Mark A. "Inventing the Opera House: Theater Architecture in Renaissance and Baroque Italy. By Eugene J. Johnson." Music and Letters 100, no. 1 (2019): 141–43. http://dx.doi.org/10.1093/ml/gcz008.

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Каптиков, Анри Юрьевич. "Ф.-Б. Растрелли и архитектура барокко в Северной Италии". Академический вестник УралНИИпроект РААСН, № 3(38) (1 жовтня 2018): 39–44. https://doi.org/10.25628/uniip.2018.38.20114.

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В статье рассматриваются контакты ведущего представителя елизаветинского барокко в России Ф.-Б. Растрелли с итальянской архитектурой, особенно Северной Италии, архитектором Ф. Юварой и его кругом. Путем сравнительного анализа храмов и дворцов выявляются черты сходства и вместе с тем принципиальные отличия художественных приемов. © Каптиков А. Ю., 2018 Работа выполнена в рамках фундаментальных НИР The article is devoted to contacts of elizabeting baroque in Russia leader F.-B. Rasrelli with Italian architecture, particularly of Nothern Italy, architect F. Yvara and his circle. By the way of com

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Lombardi, Ilaria, Antonella Bevilacqua, Luigi Guerriero, and Amelia Trematerra. "Acoustic assessment of the St Spirit's church in Aversa (Italy)." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 265, no. 7 (2023): 863–68. http://dx.doi.org/10.3397/in_2022_0122.

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The St Spirit's church of Aversa, in Italy, is part of the rich clerical patrimony in Baroque style. The earthquake occurred in 1732 determined the collapse of the entire vaults and roof, left in ruins for different centuries. Restoration works started at the end of the 20th century have been commissioned by the local authority to adapt the conditions of the architecture to classical music besides the sacred functions. This paper deals with the acoustic assessment of the St Spirit's church after the construction of a double-slope roof and the realization of vaults by employing exposed canes. A

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Forsyth, Michael. "Review: Inventing the Opera House: Theater Architecture in Renaissance and Baroque Italy, by Eugene J. Johnson." Journal of the Society of Architectural Historians 79, no. 4 (2020): 482–84. http://dx.doi.org/10.1525/jsah.2020.79.4.482.

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Forsyth, Michael. "Review: Inventing the Opera House: Theater Architecture in Renaissance and Baroque Italy, by Eugene J. Johnson." Journal of the Society of Architectural Historians 79, no. 4 (2020): 482–84. http://dx.doi.org/10.1525/jsah.2020.79.4.482.

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Stanga, C., H. Hasníková, R. Brumana, A. Grimoldi, and F. Banfi. "GEOMETRIC PRIMITIVES ASSESSING ITALIAN-CZECH VAULT CONSTRUCTION TECHNIQUES IN BAROQUE PERIOD." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W11 (May 5, 2019): 1081–88. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w11-1081-2019.

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<p><strong>Abstract.</strong> The developments of the latest technology in the field of Digital Cultural Heritage (DCH) are revolutionizing the methods of surveying, representing and managing the built heritage. The integrated use of 3D survey instruments such as laser scanning, digital photogrammetry and the new holistic way to represent the architecture, based on the Building Information Modeling (BIM), allows the collection, analysis and archiving of a large amount of data, by increasing information sharing among a great number of experts involved during the life cycle of

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Каптиков, А. Ю. "Архитекторы-итальянцы при Петре I". Академический вестник УралНИИпроект РААСН, № 1(56) (30 березня 2023): 45–51. https://doi.org/10.25628/uniip.2023.56.1.008.

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В статье на основе обширного фактического материала и с привлечением большого числа проектов и построек рассматривается деятельность приглашенных в Россию при Петре I архитекторов из Италии. Описывается их участие в строительстве Москвы и Подмосковья, С.‑Петербурга и его пригородов. Анализируются художественно-стилевые особенности ими созданного в контексте различных направлений петровского зодчества, роль для развития русского барокко. The article on basic of enormous based upon facts and with attracting of many projects and buildings is devoted to activity of invited to Russia during Peter I

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Buhaievskyi, Sergiy, Lyudmila Haponova, Olga Nazarko, and Volodymyr Buhaievskyi. "History of bridge architecture to the XVIIIth century." Bulletin of Kharkov National Automobile and Highway University, no. 107 (December 26, 2024): 100. https://doi.org/10.30977/bul.2219-5548.2024.107.0.100.

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Abstract. Problem. Bridge construction and the warehouse history development of lighting architecture and living technology. The contribution to the material from this diet was based on the close interconnection of the design and the artistic appearance of the material. The history of the bridge development construction is laid out in the context of the foreign cultural and technical level of the analyzed era. Knowledge of the architectural design basics expands the professional and secluded look of future fachists, the creative taste of art, encourages developers to create constructively and

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De Luca, D., M. Del Giudice, N. Grasso, F. Matrone, A. Osello, and M. Piras. "HANDHELD VOLUMETRIC SCANNER FOR 3D PRINTED INTEGRATIONS OF HISTORICAL ELEMENTS: COMPARISON AND RESULTS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W15 (August 22, 2019): 381–88. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w15-381-2019.

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<p><strong>Abstract.</strong> The latest technologies in the field of geomatics and additive manufacturing can provide a significant support to the restoration and conservation activities of Cultural Heritage (CH). In particular, the recent developments for both the 3D scanning techniques and the 3D printing systems are able to speed up the survey and the reconstruction of historical fragments gone lost. This research compares different meshes, obtained with different instruments and techniques, in particular a medium and a short-range volumetric handheld camera, with the aim

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Wolfschmidt, Gudrun. "Cultural Heritage of Observatories." Cosmovisiones / Cosmovisões 5, no. 1 (2024): 147–57. http://dx.doi.org/10.24215/26840162e012.

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Astronomical heritage represents scientific heritage in its cultural context. Astronomy as an integral and outstanding part of daily life in different societies is visible in the architectural structure of astronomical observatories. But astronomical buildings, instruments and astronomical research and knowledge change over time and are permanently in a process of construction. Due to these changes, observatories do not necessarily demonstrate potential Outstanding Universal Value which would be needed for inscription on the World Heritage List. But these observatories can be included in the I

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Jarrard, Alice. "An Architectural Progress in the Renaissance and Baroque: Sojourns in and out of Italy Henry A. Millon Susan Scott Munshower." Journal of the Society of Architectural Historians 53, no. 3 (1994): 365–66. http://dx.doi.org/10.2307/990952.

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Jagiełło, Marzanna. "Sgraffito as a Method of Wall Decoration in the Renaissance and Mannerist Silesia." Arts 11, no. 1 (2022): 25. http://dx.doi.org/10.3390/arts11010025.

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During the Renaissance and Mannerist periods, in most European countries the fashion for decorating walls with sgraffiti covered a large part of continent, from Portugal to Romania, and from Central Italy to the German countries and Poland. Its popularity in the middle part of Europe peaked in the 16th and 17th centuries. In many regions, sgraffito was the dominant method of decorating buildings. Sgraffito styles were differentiated by design, artistic level, local conditions and investor preferences. In many regions north of the Alps, sgraffito decorations were, on the one hand, a frequently

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Tourneur, Francis. "Global Heritage Stone: Belgian black ‘marbles’." Geological Society, London, Special Publications 486, no. 1 (2018): 129–47. http://dx.doi.org/10.1144/sp486.5.

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AbstractThe appellation ‘Belgian black “marbles”’ usually designates dark fine-grained limestones present in the Paleozoic substrate of south Belgium. They have been extracted mostly in Frasnian (Upper Devonian) and Viséan (Lower Carboniferous) strata, in various different localities (Namur, Dinant, Theux, Basècles, Mazy-Golzinne among others). Nearly devoid of fossils and veins, they take a mirror-like polished finish, with a pure black colour. These limestones were already known during Antiquity but were only intensively exploited from the Middle Ages. Many different uses were made of these

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Glixon, Jonathan. "Inventing the Opera House: Theater Architecture in Renaissance and Baroque Italy. Eugene J. Johnson. Cambridge: Cambridge University Press, 2018. xviii + 330 pp. $54.99." Renaissance Quarterly 73, no. 1 (2020): 250–51. http://dx.doi.org/10.1017/rqx.2019.520.

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Andriani, Gioacchino Francesco. "Petrophysical and Mechanical Properties of the Piromafo Stone Used in the Built Heritage of Apulia (SE Italy): A Comprehensive Laboratory Study." Geosciences 14, no. 8 (2024): 201. http://dx.doi.org/10.3390/geosciences14080201.

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Many historic buildings and monuments on the Salento Peninsula (Apulia, southern Italy) were built from locally quarried Miocene calcarenites belonging to the Pietra Leccese Formation (Late Burdigalian–early Messinian). The main facies consists of a homogeneous and porous biomicrite, pale yellow in colour and fine- to medium-grained, very rich in planktonic Foraminifera and massive or thick-bedded in outcrop. Additionally, there are other facies, among which Piromafo stands out for its aesthetic appearance, enhanced by its greenish-brown or greenish-grey colours. Piromafo occurs in the upper p

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Tsvetkova, Polina O. "THE ITALIAN BRANCH OF THE FOLLOWERS OF ANDREA PALLADIO. 17TH-18TH CENTURIES." Scientific and analytical journal Burganov House. The space of culture 17, no. 5 (2021): 58–76. http://dx.doi.org/10.36340/2071-6818-2021-17-5-58-76.

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The article is devoted to the study of the specific features of the development of the Palladian architectural system in the architect’s homeland in Italy. On examples of specific monuments, drawings and projects created during two and a half centuries, the peculiarities of the author’s transformation of style in the work of Andrea Palladio’s followers, the continuity of tradition, deviations from canonical rules and the results of this process are consistently studied. The buildings of the Italian branch of the architectural movements, little-known in Russia, are highlighted. The topic of cul

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Barone, Pier Matteo, and Giovanni Lamoratta. "Unveiling the Hidden Secrets of Bomarzo Cathedral: New Evidence from Last Ground-Penetrating Radar Survey." Heritage 6, no. 12 (2023): 7578–88. http://dx.doi.org/10.3390/heritage6120398.

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The Bomarzo Cathedral, also known as the Duomo di Bomarzo, is a remarkable historical and architectural masterpiece situated in Bomarzo (VT), Italy. Constructed in the 16th century under the sponsorship of the Orsini family, the cathedral’s design is a harmonious blend of Renaissance and Baroque styles. Despite enduring numerous challenges, including damage from the Italian Wars, extensive restoration efforts were undertaken to preserve its cultural legacy. Driven by a deep appreciation of the cathedral’s historical context, a ground-penetrating radar (GPR) investigation was deployed to gain i

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Wang, Kai. "The Evolution of Restoration Ideologies: The Emergence, Disappearance, and Revival of the Palatine Gate as an Urban Axis Node." Studies in Art and Architecture 4, no. 2 (2025): 1–10. https://doi.org/10.56397/saa.2025.04.01.

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This paper focuses on the Porta Palatina in Turin, Italy, analyzing its emergence, disappearance, and revival as a node of the urban axis. Using this as a central thread, it explores the evolution of restoration ideologies in Italy. Constructed in the 1st century BCE, Porta Palatina served as a crucial gateway to the ancient Roman city of Turin, marking the starting point of Caesar’s Gallic Wars and the spread of Roman civilization. Over the course of Turin’s urban transformation, the role of Porta Palatina as a city axis shifted through three distinct phases: from being a military and politic

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Cornaglia, Paolo. "The Residences of the Royal House of Savoy, a Serial Site in the World Heritage List since 1997 in Piedmont." Історико-політичні проблеми сучасного світу, no. 47 (June 15, 2023): 47–60. https://doi.org/10.31861/mhpi2023.47.47-60.

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This contribution aims to place in the European framework a particular item of the World Heritage List, the serial site of the Royal Residences of the House of Savoy, trying to analyze its history as a planned system and its current situation in relation to the contemporary needs of valorization, focusing on the first results of the process. These residences constitute a heritage that documents most effectively the artistic and architectural culture of Italy of the Baroque period. When the Italian monarchy was abolished (1946), these palaces underwent a partial process of neglect. Works to rem

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Kramar, Sabina, Nina Žbona, Mojca Bedjanič, Ana Mladenović, and Boštjan Rožič. "Drenov Grič black limestone: a heritage stone from Slovenia." Geological Society, London, Special Publications 486, no. 1 (2019): 149–62. http://dx.doi.org/10.1144/sp486-2017-188.

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AbstractDrenov Grič black limestone is considered to be one of the most beautiful Slovenian natural stones due to its black colour interwoven with white veins. Over the centuries, it has been extracted from two major quarries located west of Ljubljana. One of these quarries has been declared a valuable natural feature of national importance and is protected as a natural monument. This well-stratified, Triassic (Carnian) micritic limestone occurs in 10–80 cm thick beds with thin marl interlayers. The limestone occasionally contains abundant fossil bivalves, gastropods and ostracods. It is relat

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Scianna, A., G. F. Gaglio, and M. La Guardia. "AUGMENTED REALITY FOR CULTURAL HERITAGE: THE REBIRTH OF A HISTORICAL SQUARE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W17 (November 29, 2019): 303–8. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w17-303-2019.

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Abstract. The case study, faced in this paper, arises in the context of Interreg Italia-Malta European project named I-Access, dedicated to the improvement of accessibility to Cultural Heritage (CH). Accessibility considered not only as the demolition of physical architectural barriers, but also as the possibility of fruition of CH through technological tools that can increase its perception and knowledge. Last achievements in photogrammetry and terrestrial laser scanner (TLS) technology offered new methods of data acquisition in the field of CH, giving the possibility of monitoring and proces

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Tulić, Damir. "Štukature iz zadnje četvrtine 18. stoljeća u Palači šećerane u Rijeci." Radovi Instituta za povijest umjetnosti, no. 47 (March 2024): 109–24. http://dx.doi.org/10.31664/ripu.2023.47.09.

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This paper provides a detailed analysis, for the first time, of the stucco decorations in the representative salons on the second floor of the Sugar Refinery Palace in Rijeka. Despite being an extremely important group of secular stuccos, it has, until now, lacked a thorough iconographic and stylistic analysis and contextualization. Furthermore, no models or masters who produced them have been identified. The Sugar Refinery Palace, specifically its administration building, served as the headquarters of the Privileged Trieste-Rijeka Company, founded in Trieste in 1750 to establish sugar trade i

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Fisković, Igor. "Još o romaničkoj skulpturi s dubrovačke katedrale." Ars Adriatica, no. 5 (January 1, 2015): 39. http://dx.doi.org/10.15291/ars.516.

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Medieval Dubrovnik was rich in Romanesque figural and decorative sculpture but only a small group of fragmentary carvings has been preserved to date due to the fact that the town suffered a devastating earthquake in 1667. The earthquake completely destroyed the monumental Cathedral of the Assumption of the Virgin which had been considered “la piu bella in Illyrico” on the basis of its sculptural abundance. Archaeological excavations undertaken beneath the present-day Baroque Cathedral, consecrated in 1713, unearthed several thousand fragments of high-quality sculptures. Their analysis has conf

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De Nordenflycht, José. "Roma 1980: barroco local en contexto global." Quaderni Culturali IILA 1, no. 1 (2022). http://dx.doi.org/10.36253/qciila-1517.

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The Simposio Internazionale Sul Barroco Latinoamericano organized in Rome by the Italo-Latin American Institute in 1980 allows to confront the art and architecture specialists of Latin America and Europe who had built a debate that exceeded the taxonomies of the artistic styles, to install the discussion about Latin American cultural identity through its artistic expressions. Where the mestizo condition will be an autonomous expression of local cultural production in the context of the first formal global discourse in the history of Western art as was the Baroque. The participation of authors

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"Art and architecture in Italy, 1600-1750: v.1: The early Baroque, 1600-1625; v.2: The high Baroque, 1625-1675; v.3: Late Baroque and Rococo, 1675-1750." Choice Reviews Online 37, no. 09 (2000): 37–4890. http://dx.doi.org/10.5860/choice.37-4890.

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Monty, Emily. "Genealogies of Spanish Architectural Knowledge in Roman Print." H-ART. Revista de historia, teoría y crítica de arte, no. 15 (December 15, 2023). http://dx.doi.org/10.25025/hart15.2023.04.

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This article is about an album of Roman prints published during the 16th and 17th centuries. The album shows the various uses of antique architecture and sculpture in Italy, from antiquity to the Baroque. But the last folio of the album contains a print of El Escorial published in Rome that is a copy of the famous print of the same subject by Pedro Perret, made for Juan de Herrera's Estampas published in Madrid. The article analyzes the collection of prints in the Italian album from the point of view of this final plate, proposing that the sequence of images establishes El Escorial as an antiq

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Anabela Marcos. "Monteverdi and the architecture of emotions." Royal Conservatoire Research Portal, no. 1 (November 2, 2018). http://dx.doi.org/10.22501/koncon.301178.

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Name: Anabela Marcos Main Subject: Singing Research supervisors: Johannes Boer and Erwin Roebroeks Title of Research: Monteverdi and the architecture of emotions Research Question: In what way could the formal and the expressive elements in Monteverdi's music be related to painting and architecture of his contemporaries? Summary of results: In the preface of his Eighth Book of Madrigals, Madrigali Guerrieri et Amorosi, Claudio Monteverdi announced one of the fundaments of his musical construction: the power of the contrasting passions. The humanist theme, that inspired not only musicians but a

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De, Luca D., Giudice M. Del, N. Grasso, F. Matrone, A. Osello, and M. Piras. "HANDHELD VOLUMETRIC SCANNER FOR 3D PRINTED INTEGRATIONS OF HISTORICAL ELEMENTS: COMPARISON AND RESULTS." August 26, 2019. https://doi.org/10.5194/isprs-archives-xlii-2-w15-381-2019.

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Abstract. The latest technologies in the field of geomatics and additive manufacturing can provide a significant support to the restoration and conservation activities of Cultural Heritage (CH). In particular, the recent developments for both the 3D scanning techniques and the 3D printing systems are able to speed up the survey and the reconstruction of historical fragments gone lost. This research compares different meshes, obtained with different instruments and techniques, in particular a medium and a short-range volumetric handheld camera, with the aim of evaluating the best solution for t

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Avanesov, Sergey, та Ada Bernatonite. "СЕМАНТИКА ГОРОДСКИХ И СЕЛЬСКИХ ПЕЙЗАЖЕЙ ЛИТВЫ В ДЕТСКОМ СОВЕТСКОМ КИНЕМАТОГРАФЕ". ΠΡΑΞΗMΑ. Journal of Visual Semiotics, № 1(23) (16 квітня 2020). http://dx.doi.org/10.23951/2312-7899-2020-1-221-231.

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В статье проанализированы специфические причины появления в советских детских фильмах эпизодов, демонстрирующих городские и сельские ландшафты Литвы и создающих особую атмосферу в кадре. Поскольку вильнюсское барокко испытало на себе влияние итальянской архитектуры, то съёмки в Литве создавали в советском кинематографе иллюзию Италии. Ещё одна из причин лежит в плоскости инаковости культуры, внутри которой легко сотворить образ врага. Но вместе с этой крайностью в контексте детского кинематографа лежит и полярно другая целевая причина: визуально продемонстрировать абсолютную идентичность литов

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Luigi Alini. "Architecture between heteronomy and self-generation." TECHNE - Journal of Technology for Architecture and Environment, May 25, 2021, 21–32. http://dx.doi.org/10.36253/techne-10977.

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Introduction «I have never worked in the technocratic exaltation, solving a constructive problem and that’s it. I’ve always tried to interpret the space of human life» (Vittorio Garatti). Vittorio Garatti (Milan, April 6, 1927) is certainly one of the last witnesses of one “heroic” season of Italian architecture. In 1957 he graduated in architecture from the Polytechnic of Milan with a thesis proposing the redesign of a portion of the historic centre of Milan: the area between “piazza della Scala”, “via Broletto”, “via Filodrammatici” and the gardens of the former Olivetti building

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Musso, Stefano Francesco, and Giovanna Franco. "Genoa, former church of Saints Gerolamo and Francesco Saverio and former university library: conservation, reuse and enhancement proposals." Journal of Cultural Heritage Management and Sustainable Development, October 13, 2023. http://dx.doi.org/10.1108/jchmsd-05-2023-0069.

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PurposeThis article sets out to show how principles and questions about method that underlie a way of interpreting the discipline of conservation and restoration can find results in research and studies, aiming at achieving even conscious reuse process. The occasion is the very recent research performed on the former Church of Saints Gerolamo and Francesco Saverio in Genoa, Italy, the Jesuit church annexed to the 17th-century College of the order. It is a small Baroque jewel in the heart of the ancient city, former University Library and actually abandoned, forgotten for years, inaccessible an

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Fuller, Glen. "Punch-Drunk Love." M/C Journal 10, no. 3 (2007). http://dx.doi.org/10.5204/mcj.2660.

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   For once I want to be the car crash, Not always just the traffic jam. Hit me hard enough to wake me, And lead me wild to your dark roads. (Snow Patrol: “Headlights on Dark Roads”, Eyes Open, 2006) I didn’t know about the online dating site rsvp.com.au until a woman who I was dating at the time showed me her online profile. Apparently ‘everyone does rsvp’. Well, ‘everyone’ except me. (Before things ended I never did ask her why she listed herself as ‘single’ on her profile…) Forming relationships in our era of post-institutional modes of sociality is problematic. Some proba

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