Thematische Bibliographien / Argonauts (Greek mythology) Poetry

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Auswahl der wissenschaftlichen Literatur zum Thema „Argonauts (Greek mythology) Poetry“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 30. Juli 2024

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Zeitschriftenartikel zum Thema "Argonauts (Greek mythology) Poetry"

Metreveli, Lili. "Reception of Medea’s Image in Grigol Robakidze’s Novel „Megi the Georgian Girl“." International Journal of Social Sciences and Humanities Invention 5, no. 3 (March 22, 2018): 4536–39. http://dx.doi.org/10.18535/ijsshi/v5i3.09.

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Greek mythology (myth about the Argonauts) have made character of Medea of Colchis the indivisible part of world cultural heritage. For centuries character of Medea has maintained its significance and comprised source of inspiration for the representatives of various spheres of fine arts.[1] Of course, regarding the contexts of the epochs (conceptual and esthetic position) and author’s intent, some motifs of the Argonauts’ myth and character of the woman of Colchis have been changing. In this respect, novel „Megi, Georgian Girl“ by Georgian modernist writer, Grigol Robakidze is of intere

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Psimopoulos, Angelos Per. "The Argonautic Expedition: The First Worldwide Naval Epic." International Journal of Literature Studies 1, no. 1 (December 29, 2021): 95–109. http://dx.doi.org/10.32996/ijts.2021.1.1.13.

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The Greek mythology is widely acclaimed as one of the richest treasures of universal epics; the myth of the Argonautic Expedition is one of the most interesting Greek myths. Some scientific authorities hold the opinion that the story of the Argonauts was no more than an inspiring fairy-tale, while others insist, it was a real historical event. They believe that it took place in 1225 BC, and Colchis was a country located in the Caucasus Mountains, near today’s country of Georgia. After a life-long study of more than thirty years using ancient texts and information coming from nautical maps and

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Su, Yujie. "Greek Mythology in 18th-to-19th English Romantic Poetry." OALib 03, no. 08 (2016): 1–5. http://dx.doi.org/10.4236/oalib.1102773.

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Budelli, Rosanna. "Shamanic Reminiscences and Archaic Myths in the Story of the Goldsmith Ḥasan al-Baṣrī (Alf layla wa-layla)". Eurasian Studies 17, № 1 (14 листопада 2019): 123–57. http://dx.doi.org/10.1163/24685623-12340067.

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Abstract The story of the goldsmith Ḥasan al-Baṣrī in the Arabian Nights preserves numerous traces of more ancient stories and testimonies of cultures apparently distant geographically and historically. In particular, it is possible to identify various elements that refer to the symbols and customs of shamanism, although transformed and rewritten according to the Arab-Islamic culture. The same phenomenon is found with the fragments of Greek mythology scattered throughout the story and especially with the adventures of the Argonauts whose affinities with the story of Ḥasan are rather amazing. T

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Bashir, Burhan. "Insanity or Inspiration: A Study of Greek and Arab Thoughts on Poetry." Arab World English Journal For Translation and Literary Studies 5, no. 2 (May 15, 2021): 115–25. http://dx.doi.org/10.24093/awejtls/vol5no2.9.

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The nexus between poetry, insanity, and inspiration is peculiar and can be traced back to earlier centuries. There are many examples in Greek and Arab literature where poetry is believed to have connections with divinity, possession, or even madness. The paper will try to show what Greeks and Arabs thought about the origin and the creation of poetry. It will attempt to show how early mythology and legends of both assign a supernatural or abnormal source to poetry. References from these two cultures will show the similarity in some theories like that of muses and supernatural beings, helping th

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Navarrete, Miquel Àngel, and Josep Maria Sala-Valldaura. "La tela de Penelope: Entre la Grècia clàssica i la poesia catalana actual." Zeitschrift für Katalanistik 1 (July 1, 1988): 93–105. http://dx.doi.org/10.46586/zfk.1988.93-105.

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This essay examines the explicit references to Greek literature in Catalan poetry since 1980. For the first time, it examines how the Catalan poets include the mythology, philosophy and art of classical Hellas today – after the formative "noucentist" tradition of Carles Riba and Salvador Espriu – in their works. The diverse reception of Greek motifs is illustrated using selected examples. The subject areas are limited to a few central myths – primarily to the figure of the cunning Ulysses.

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Mishchenko, Anna N. "Features of Precedent Units Functioning in Russian Media Discourse (on the Example of «Argonauts», «Golden Fleece», «Jason»)." Proceedings of Southern Federal University. Philology 2020, no. 4 (December 25, 2020): 107–14. http://dx.doi.org/10.18522/1995-0640-2020-4-107-114.

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The article is devoted to the study of precedent units with the source «ancient Greek mythology», which have the potential to broadcast the linguistic and cultural features of a particular community, the recognition of which influences the success of intercultural communication. The work provides a comprehensive analysis of the precedent units included in the cycle «The History of the Golden Fleece», namely «Argonauts», «Golden Fleece», «Jason» in the texts of Russian-language media. In the article the author argues that the change in the semantics of constructions occurs not only at the denot

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Dobroshi, Veron. "Recontextualization of the Greek myths in the poetry of Ismail Kadare." Dialogica. Revistă de studii culturale și literatură, no. 1 (May 2023): 81–86. http://dx.doi.org/10.59295/dia.2023.1.10.

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Mythology and literature are closely related and this has been proven by numerous literary works throughout history. This study focuses on the influence of Greek myths in the poetry of Ismail Kadare, one of the most well-known and valued Albanian authors in the world. Although this author is better known for his prose works, we should not forget the fact that his poetry also carries some important elements that should not be ignored and forgotten. In this study, some characteristics and elements of the Greek myths that are manifested in the verses of Kadare will be analyzed; it will be shown h

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Mahato, Amar Shankar. "Mythology and Symbolism in A.K. Ramanujan’s Poem “A River”." Current Perspectives in Educational Research 6, no. 1 (October 13, 2023): 32–39. http://dx.doi.org/10.46303/cuper.2023.4.

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A.K. Ramanujan was a celebrated poet who demonstrated remarkable talent in incorporating mythology and symbolism into his poetry. In “A River,” Ramanujan employs mythological allusions to enrich the poem’s meaning. A.K. Ramanujan’s poem “A River” showcases his mastery in employing mythology and symbolism to convey profound meanings. This research paper delves into the intricate web of mythological allusions and symbolic imagery used by Ramanujan in “A River.” It explores their significance in unravelling the poem’s multi-layered meanings. It underscores the broader implications of mythology an

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Desta, Dagnachew. "Genealogy of Ancient Philosophy in View of the “Great Quarrel”: Towards an Expository Essay." Athens Journal of Philosophy 2, no. 2 (June 1, 2023): 83–100. http://dx.doi.org/10.30958/ajphil.2-2-2.

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This article attempts to offer a critical account of the genealogy of ancient Greek philosophy in its bid to transcend the old ruling mythopoeic culture. With this in mind, emphasis is given more to the speculative character of Greek thought rather than its technical and detailed aspects. In my account of the origin of Greek philosophy, I use Plato’s famous pronouncement (Plato, The Republic, Tenth Book) about the great quarrel between philosophy and poetry as a context to provide my analysis. In dealing with the question at hand, I develop the following interrelated claims. First, Greek philo

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Dissertationen zum Thema "Argonauts (Greek mythology) Poetry"

Barnes, Michael H. "Inscribed kleos : aetiological contexts in Apolonius of Rhodes /." free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p3091898.

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Hudson, Dorothy May. "Aspects of Valerius Flaccus' Argonautica : a literary assessment." Title page, contents and foreword only, 1986. http://web4.library.adelaide.edu.au/theses/09ARPM/09armh885.pdf.

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Rezende, Silva Alfredo Manoel de 1982. "Quarta pítica de Píndaro : tradução e comentário analítico." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/268980.

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Orientador: Trajano Augusto Ricca Vieira Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem Made available in DSpace on 2018-08-24T01:57:28Z (GMT). No. of bitstreams: 1 RezendeSilva_AlfredoManoelde_M.pdf: 3151313 bytes, checksum: f040c0ee0a1a7d2be9517825555328e9 (MD5) Previous issue date: 2013 Resumo: A Quarta Pítica de Pindaro é um epinício de estrutura formal particular. A dissertação oferece seu texto e tradução, além de dedicar um comentário analítico a sua seção mítica. Como introdução, foram compilados excertos e fragmentos poéticos q

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Kobusch, Beate Pio Giovanni Battista. "Das Argonautica-Supplement des Giovanni Battista Pio Einleitung, Edition, Übersetzung, Kommentar /." Trier : WVT, Wissenschaftlicher Verlag, 2004. http://catalog.hathitrust.org/api/volumes/oclc/56679096.html.

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Breitenberger, Barbara M. "Aphrodite and Eros : the development of erotic mythology in early Greek poetry and cult." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395290.

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Hirsch, Rachel. "Ariadne and the poetics of abondonment : echoes of loss and death in Heroides 10 /." Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/7681.

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Petrella, Bernardo Ballesteros. "Divine assemblies in early Greek and Mesopotamian narrative poetry." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:cfd1affe-f74b-48c5-98db-aba832a7dce8.

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This thesis charts divine assembly scenes in ancient Mesopotamian narrative poetry and the early Greek hexameter corpus, and aims to contribute to a cross-cultural comparison in terms of literary systems. The recurrent scene of the divine gathering is shown to underpin the construction of small- and large-scale compositions in both the Sumero-Akkadian and early Greek traditions. Parts 1 and 2 treat each corpus in turn, reflecting a methodological concern to assess the comparanda within their own context first. Part 1 (Chapters 1-4) examines Sumerian narrative poems, and the Akkadian narratives

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Bocksberger, Sophie Marianne. "Telamonian Ajax : a study of his reception in Archaic and Classical Greece." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:a9bacb2a-7ede-4603-9e6a-bf7f492332ed.

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This thesis is a systematic study of the representations of Telamonian Ajax in archaic and classical Greece. Its aim is to trace, examine, and understand how and why the constitutive elements of his myth evolved in the way they did in the long chain of its receptions. Particular attention is paid to the historical, socio-cultural and performative contexts of the literary works and visual representations I analyse as well as to the audience for which these were produced. The study is divided into three parts, each of which reflects a different reality in which Ajax has been received (different

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Rengakos, Antonios. "Apollonios Rhodios und die antike Homererklärung." München : C.H. Beck, 1994. http://books.google.com/books?id=XC1gAAAAMAAJ.

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Silverblank, Hannah. "Monstrous soundscapes : listening to the voice of the monster in Greek epic, lyric, and tragedy." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:f66a7bb1-de17-46f2-b79f-c671c149c366.

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Although mythological monsters have rarely been examined in any collective and comprehensive manner, they constitute an important cosmic presence in archaic and classical Greek poetry. This thesis brings together insights from the scholarly areas of 'monster studies' and the 'sensory turn' in order to offer readings of the sounds made by monsters. I argue that the figure of the monster in Greek poetry, although it has positive attributes, does not have a fixed definition or position within the cosmos. Instead of using definitions of monstrosity to think about the role and status of Greek monst

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Bücher zum Thema "Argonauts (Greek mythology) Poetry"

Alberto, Borgogno, ed. Argonautiche. Milano: A. Mondadori, 2007.

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Zacharenakes, Kyriakos. Epos argonautōn: (ta "argonautika" tou Apollōniou stē sēmerinē glōssa me dekapentasyllavous se rima). Athēna: Ekdoseis Spanos-Vivliophilia, 2012.

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Sánchez Ortiz de Landaluce, Manuel., ed. Argonáuticas órficas. Cádiz: Universidad de Cádiz, Servicio de Publicaciones, 2005.

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Flaccus, Gaius Valerius. Argonautica =: Die Sendung der Argonauten : Lateinisch/Deutsch. Frankfurt am Main: P. Lang, 2003.

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Antonio, Río Torres-Murciano, ed. Argonauticas. Madrid: Gredos, 2011.

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Clauss, James Joseph. The best of the Argonauts: The redefinition of the epic hero in book 1 of Apollonius's Argonautica. Berkeley: University of California Press, 1993.

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Geōrgios, Vasilaros, ред. Apollōniou Rodiou Argonautikōn Aʹ. Athēnai: Kentron Ereunēs tēs Hellēnikēs kai Latinikēs Grammateias, 2004.

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D, Papanghelis Theodore, and Rengakos Antonios, eds. A companion to Apollonius Rhodius. Leiden [Netherlands]: Brill, 2001.

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Valerius Flaccus, Gaius, 1st cent., ed. Commentaire des Argonautica de Valérius Flaccus (livres 1 et 2). Bruxelles: Latomus, 2002.

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Giuseppe, Pompella, and Lehrs, F. S. (Franz Siegfried), 1806-1843, eds. Argonautica. Hildesheim: Georg Olms, 2006.

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Buchteile zum Thema "Argonauts (Greek mythology) Poetry"

Horyna, Břetislav. "Prométheus například. Moc mýtu, distance a přihlížení podle Hanse Blumenberga." In Filosofie jako životní cesta, 130–45. Brno: Masaryk University Press, 2019. http://dx.doi.org/10.5817/cz.muni.p210-9458-2019-8.

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The Study Prometheus, for example loosely follows up the central theme of Hans Blumenberg’s theory of myth and mythology, the character of Prometheus and Promethean conceptions in scientific as well as imaginative literature (poetry and drama). The aim is not an elaborate reflection of all the variations on Promethean themes that were summarized in Blumenberg’s epochal book Work on Myth (1979). The author rather selects some themes from the works on the myth about Prometheus in Classical Greek literature (Hesiod, Aeschylus) and, at the turn of modernism, in German movement Sturm und Drang (Goethe). Most attention is paid to a fictional figure known as actio per distans (action at distance, with keeping a distance) and its variations from the distance between people and gods through the distance between people to the distance of an ageing poet from spirit of the age (Zeitgeist), to which he no longer belongs.

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Hard, Robin. "Jason and the Argonauts." In The Routledge Handbook of Greek Mythology, 392–417. Routledge, 2019. http://dx.doi.org/10.4324/9781315624136-18.

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"JASON AND THE ARGONAUTS." In The Routledge Handbook of Greek Mythology, 397–420. Routledge, 2003. http://dx.doi.org/10.4324/9780203446331-30.

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"11. Poetry and the Ideology of the Polis: The Symbolism of Apportioning Meat." In Greek Mythology and Poetics, 269–75. Ithaca, NY: Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501732027-014.

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Potter, Amanda. "Greek Myth in the Whoniverse." In Ancient Greece on British Television, 168–86. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474412599.003.0009.

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Along with 21st-century spinoffs The Sarah Jane Adventures and Torchwood, the iconic British science fiction series Doctor Who has engaged with Greek mythological characters and storylines across five decades. This chapter explores trends in this engagement. Troy and Atlantis are settings for the time-travelling Doctor inadvertently to set in motion events leading to their fall (‘The Myth Makers’, 1965, ‘Time Monster’, 1972), Medusa and the Minotaur are creatures in a fantasy world (‘The Mind Robber’, 1968) and stories of the Argonauts, the Minotaur and the Trojan War are set in space (‘Underworld’, 1978, ‘The Armageddon Factor’, 1979 and ‘The Horns of Nimon’, 1979-80). More recently, Greek mythological objects are cast as alien: e.g. Philoctetes (‘Greeks Bearing Gifts’, 2006), the Gorgon (‘The Eye of the Gorgon’, 2007), Pandora’s box (‘The Pandorica Opens’, 2010), the Minotaur (‘The God Complex’, 2011), and the Siren (‘The Curse of the Black Spot’, 2011). Evidence for the popularity of Greek mythology amongst contemporary viewers is discussed. By tracing shifting intersections between Greek myth and the ever-developing mythology of Doctor Who, this chapter considers how the long-running series anticipates, plays with and informs audience knowledge of Greek mythology, and spurs them on towards criticism and invention.

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Griffin, Jasper. "Greek Myth and Hesiod." In The Oxford History Of Greece And The Hellenistic World, 82–106. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780192801371.003.0004.

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Abstract Everyone is familiar with some Greek myths: that Oedipus solved the riddle of the Sphinx and married his mother, that the Argonauts sailed away in search of the Golden Fleece. Many poeple know that there is a large modern literature about mythology, from Sir James Frazer’s Golden Bough and Robert Graves’s Greek Myths to the dense and complex accounts given by Claude Levi-Strauss and the Structuralists. Myth is a very attractive subject, but the immense disagreements of the experts show that it is also a very difficult one. It was a brilliant stroke of George Eliot to show the learned Mr Casaubon, in Middlemarch, struggling to write a Key to all Mythologies, swamped and overwhelmed by masses of material on which he could not impose any intelligible order.

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Nieto Hernández, Pura. "The Mythographical Impulse in Early Greek Poetry." In The Oxford Handbook of Greek and Roman Mythography, 13—C1.P126. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190648312.013.2.

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Abstract This chapter proposes that the distinction between mythology and mythography, despite their differences, is less sharp than is often assumed. It is common to establish a strong divide between an “original,” “creative,” mythmaking era that coincides with oral poetic compositions and a later, merely imitative, explanatory, and unoriginal period marked by written prose texts. But if mythography seems concise and dry, lacking the rich nuances of poetic expression, this owes to differences of genre or modes of composition rather than to date or nearness to a supposed primary, inspired period of Greek mythmaking. It is therefore possible to see how some characteristic features of mythography (such as the systematization, ordering, expurgation, and interpretation of stories) are also employed in the Iliad and the Odyssey, and by Hesiod and other archaic poets. For example, catalogues and genealogies are frequently used in archaic poetry and by the mythographers as a means of ordering and systematizing scattered stories. Common to both, too, is an acknowledgment of different versions of a story and the rectification of elements considered erroneous or impious. Finally, the interpretative aspect of mythography can also be found in the archaic poets, who often employ etymological explanations of words or names and other types of glosses, and even full-blown allegory. All these categories overlap, as the examples provided attest. Whether early poets were or not aware of these features as constituting distinct mythographical modes, the typology proposed here should suffice to show that mythography is coeval with what we understand by mythology.

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Domaradzki, Mikolaj. "Antisthenes and Allegoresis." In Early Greek Ethics, 361–79. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198758679.003.0017.

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“Antisthenes and Allegoresis” examines the question of Antisthenes’ allegoresis. First, the chapter shows that persistent disagreement among scholars on this topic arises from divergent understandings of what qualifies as allegorical interpretation. Subsequently, the chapter demonstrates that those Antisthenean interpretations that are most frequently categorized as allegorical illustrate broader controversies in research on allegoresis such as whether allegoresis should be defined in terms of its intentionality and whether allegoresis should be defined in terms of its obviousness. Finally, the chapter suggests that Antisthenes’ diversified approach to epic poetry and traditional mythology was conducive to the development of two distinct traditions: a rationalist one and an allegorist one.

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Fahey, Diane. "Working with Greek Mythology: A Journey through Images." In Feminist Poetics of Sacredtne, 221–42. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195144680.003.0012.

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Abstract My interest in Greek mythology began in the early 1980s and led to my writing two collections of poetry based on Greek mythology: Metamorphoses (1988), which centers on female figures in Greek myth, and Listening to a Far Sea (1998), which is mainly about male figures. At the time I began, I was aware of the way myths could offer insight into some of the abiding patterns and themes in human experience-developmental issues, the quest for freedom and self-realization, finding a place and way of being in the world, the facing of death and suffering-and I soon became acquainted with the work of writers such as Christine Downing (1996) and Ginette Paris (1990) who were using myth as a tool of personal differentiation and cultural exploration with a specifically feminist focus.

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Feeney, D. C. "Epic of Myth: Valerius Flaccus’ Argonautica and Statius’ Thebaid." In The Gods in Epic, 313–93. Oxford University PressOxford, 1991. http://dx.doi.org/10.1093/oso/9780198140559.003.0008.

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Abstract The last two epics of our study treat subjects from the time before the heroes of Homer. The voyage of the Argonauts is already a famous topic of poetry in the Odyssey. Circe speaks to Odysseus of ‘Argo, which is in the minds of al!’ (Od. 12. 70). On our present evidence, this was the myth that first broke history’s gnp on Roman epic after one hundred and fifty years, when Vergil’s contemporary, Varro of Atax, adapted Apollonius’ Argonautica into Latin hexameters. The subject of Statius’ epic, the expedition of the Seven against Thebes, was likewise a long-standing favour ite in the Greek world, which had also been treated by at least one earlier Roman epic poetz It remains to see if these topics still have life in them, and if the gods are a part of that life.

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