Thematische Bibliographien / Art material

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Auswahl der wissenschaftlichen Literatur zum Thema „Art material“

Autor: Grafiati

Veröffentlicht am 30. Juni 2021

Zuletzt aktualisiert am 29. Juli 2025

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Zeitschriftenartikel zum Thema "Art material"

Küttel, Nora Mariella. "Material agency in art installations: exploring the interplay of art, space, and materials in Detroit." Geographica Helvetica 79, no. 2 (2024): 149–60. http://dx.doi.org/10.5194/gh-79-149-2024.

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Abstract. Decades of decline, disinvestment, and racism have left Detroit with an abundance of abandoned buildings, ruins, vacant lots, and illicit trash dumps. Though these structures and materials might have forfeited their previous purposes, they can act as catalysts, substances, and co-creators of artworks. The paper is thus interested in examining the intricate interplay between art, space, and materiality in Detroit further. Drawing from the practices of local artists Olayami Dabls and Scott Hocking, the paper adopts a new materialist framework to investigate the dynamic agency of matter

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Li, Ming Juan. "On the Discussion of Abstract Form and Art Empathy of the Ramie Materials in Modern Fiber Art." Applied Mechanics and Materials 644-650 (September 2014): 4844–47. http://dx.doi.org/10.4028/www.scientific.net/amm.644-650.4844.

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form and Art Empathy of the Ramie Materials in Modern Fiber ArtLi Mingjuan,FangZhi Road, Wuhan City, Hubei Province, China, Art and Design College of Wuhan Textile University78207664@QQ.comKeywords: Modern fiber art, Ramie fiber, Abstract form, Empathy manifestationAbstract. Fiber art is both a traditional art and modern art, while the material is the first language for fiber art,since the material is the basis of fiber art, which is also the carrier of fiber art and the external materialized result of fiber language.With the development of modern fiber materials are becoming increasingly rich

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Schmidt, Filipp. "The Art of Shaping Materials." Art and Perception 8, no. 3-4 (2019): 407–33. http://dx.doi.org/10.1163/22134913-20191116.

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Material perception — the visual perception of stuff — is an emerging field in vision research. We recognize materials from shape, color and texture features. This paper is a selective review and discussion of how artists have been using shape features to evoke vivid impressions of specific materials and material properties. A number of examples are presented in which visual artists render materials or their transformations, such as soft human skin, runny or viscous fluids, or wrinkled cloth. They achieve this by expressing the telltale shape features of these materials and transformations, of

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Qi, Hao, Juan Li, and Qiao Mei Zhang. "Study on the Jingdezhen Ceramic Materials." Applied Mechanics and Materials 329 (June 2013): 96–100. http://dx.doi.org/10.4028/www.scientific.net/amm.329.96.

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As an ancient creative medium in the traditional Chinese art, ceramic material has a long and glorious history, which is an important part of traditional Chinese cultural resources. Now re-examine the folk art, ceramic materials show understanding of the colorful ceramic material morphology expressive and unique charm of materials technology, the combination of art and technology, the unity of the folk art and ceramic materials. It has become an important issue. Millennium Jingdezhen, for example, this paper studies folk art show in the ceramic material.

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Krispinsson, Charolotta. "Temptation, Resistance, and Art Objects: On the Lack of Material Theory within Art History before the Material Turn." Artium Quaestiones, no. 29 (May 7, 2019): 5–23. http://dx.doi.org/10.14746/aq.2018.29.1.

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Niccolò di Pietro Gerini's painting “The Temptation of Saint Anthony” (1390-1400) serves as a point of departure for this essay. It depicts Saint Anthony during a lapse of self-control as he attempts to resist an alluring mound of gold. Since the mound is in fact made of genuine gold leaves applied to the painting's surface, it works both as a representation of temptation as well as an object of desire affecting the beholder. The aim of this essay is to explore different approaches to materiality before the material turn within the art history discipline by examining two opposing directions wi

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Yang, Dong, Kun Yuan, and Xiao Dong Liu. "Thinking Development of Fiber Art due to Installation Art." Advanced Materials Research 332-334 (September 2011): 1223–26. http://dx.doi.org/10.4028/www.scientific.net/amr.332-334.1223.

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Although installation art and fiber art are two different modern art categories, as they are both based on sculpt of materials instead of portray, they are usually connected together. With consideration on design, existence form and material concept of installation art, this paper discusses the expansion and performance of these methods in fiber art creation.

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Huang, WeiZhen. "Contemporary Texture Representation in Fiber Art." Advances in Education, Humanities and Social Science Research 7, no. 1 (2023): 573. http://dx.doi.org/10.56028/aehssr.7.1.573.2023.

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The traditional understanding of fiber art includes the use of materials and techniques that have fiber properties. However, materials have always been subordinate, passive, and at the service of the work. In contemporary fiber art, the use of materials is so widespread that it has long undermined the traditional perception of fiber. The different textures and textures of the material, as well as its different structures, are gradually being discovered during the creative process. This paper focuses on the expression of fiber art materials as well as the uniqueness and difference of the textur

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Grigorova, Yana. "Art and “non-material labour»." Bulletin of PNRPU. Culture. History. Philosophy. Law, no. 4 (2017): 69–73. http://dx.doi.org/10.15593/perm.kipf/2017.4.08.

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Brett, David. "Art and Society: Material Evidence." Circa, no. 62 (1992): 20. http://dx.doi.org/10.2307/25557713.

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Gudeman, Stephen. "Epilogue: Art and Material Culture." Museum Anthropology 16, no. 3 (1992): 58–61. http://dx.doi.org/10.1525/mua.1992.16.3.58.

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Dissertationen zum Thema "Art material"

Strom, Yuri A. "The Art Material Girl--A Guide to Save and Find Funding for Art Materials." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/art_design_theses/66.

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The current economic situation in the U.S. has demanded budget cuts in all areas of American life, including education. Faced with these unprecedented cuts, many arts programs are losing their funding. Many art educators are finding it a challenge to provide art education without compromising the quality of the curriculum and program. Through a comparative analysis of materials and fundraisers and a document analysis of money saving tips, strategies are suggested for art teachers to save and find money.

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Langille, Nicole. "Of Measure and Material." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243885956.

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Freeman, Julie. "Defining data as an art material." Thesis, Queen Mary, University of London, 2018. http://qmro.qmul.ac.uk/xmlui/handle/123456789/31793.

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Digital technology, and speci cally digital data, forms the backbone of nearly all our communications including machine to machine, human to machine, and, increasingly, human to human. It is unsurprising that one of the most prevalent materials of our time is used by artists to create work. This thesis defines data as an art material. It investigates the variety of manifestations of data when used in art, through the review of existing artwork and the development of new artworks and visualisations that use a dataset collected for this research. Through the lens of conceptualising data as an ar

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Greening, Daniel John. "Art, landscape and material : subject into media." Thesis, University of Wolverhampton, 2010. http://hdl.handle.net/2436/299209.

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A research investigation that illustrates the development of the European landscape tradition as an unbroken interactive and material movement, through discussion of artists from Annibale Carracci (1560-1609) to Richard Long (1945 –). The contribution of each artist within their respective epoch will be used to propose that the subject of landscape has become an actual creative medium, integral to and consistent with the external Plein-Air technique. Thus, presenting a ‘creative narrative’ from the observed into the articulated that will demonstrate how the examination and representation of ac

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Voegelin, Salome. "Practising timespace-collage : art as material complex." Thesis, Goldsmiths College (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419777.

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Wagstaff, Brooke Elizabeth. "Material objects of paint." Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10197.

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The research paper ‘Material Objects of Paint’ is an extension or review of past endeavours by others to establish a credible argument that paint is capable of being adopted and used beyond conventional means in the creation of a broader range of works in the arena of visual art. The research covers the areas of the visual, theoretical and practical work directed at two objectives: The first objective is to study and report on the work of modernist and contemporary artists, writers and commentators. The second objective is to develop my potential to contribute to a greater knowledge and prac

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Grace, Claire Robbin. "Group Material and the 1980s: A Materialist Postmodernism." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11662.

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Group Material's seventeen-year collaboration began in New York in 1979 through the artists' shared interests in collective, politicized practices and their immersion in a localized network of countercultural activities. While GM's cadre of participants shifted over time (from the dozen who launched its first year to a smaller core comprising Doug Ashford, Julie Ault, Mundy McLaughlin, Félix González-Torres, and Tim Rollins), its practice developed a consistent aesthetic vocabulary in dialogue with major figures of 1980s art and with an eye to 1960s conceptualism and the Soviet avant-garde. GM

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Gordon, Rebecca Alison. "Rethinking material significance and authenticity in contemporary art." Thesis, University of Glasgow, 2011. http://theses.gla.ac.uk/3041/.

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The traditional notion of material authenticity as being the physical and aesthetic evidence of the artist’s hand in the ‘original’ materials is outmoded. With the changed nature of art must come a rethinking of the concept of authenticity. Authenticity was and is often discussed in relation to attribution, and is traditionally linked with the artwork’s material presence. This thesis questions that assumption, drawing on the literature of philosophy that describes authenticity as someone’s ‘true essence’ in order to propose the significance of the interrelation of the artwork’s multiple attrib

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Lymer, Kenneth J. "Animals, art and society : rock art and material culture in ancient Central Asia." Thesis, University of Southampton, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400540.

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Hornbuckle, Rosie. "Design and the material cycle : an investigation into secondary material use in design practice." Thesis, Kingston University, 2010. http://eprints.kingston.ac.uk/21839/.

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Since the UK government's Waste Strategy was introduced in 2000 there has been sustained emphasis on the diversion of waste material from landfill and it has been acknowledged that stable markets for secondary materials must be developed to ensure that the resources used to recover them are not expended needlessly. This thesis looks at the issues surrounding a designer's ability to select secondary materials for the production of new artefacts and proposes a new framework for supporting that activity. While in the past recycled materials have mainly been used either for highly visible 'one-off

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Bücher zum Thema "Art material"

Rodgers, Margaret. Material support. Edited by Eccles Jane 1949- and Visual Arts Centre of Clarington. Visual Arts Centre of Clarington, 2000.

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Sobrino, Andrés. Material. Excursiones, 2019.

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David, Musgrave, Drawing Room, Turnpike Gallery, and Wolsey Art Gallery, eds. Waste material. The Drawing Room, 2005.

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Herbert F. Johnson Museum of Art, ed. Material matters. Herbert F. Johnson Museum of Art, Cornell University, 2005.

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Museum, Leopold, ed. Poetiken des Materials: The poetics of the material. Leopold Museum, 2016.

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Museum, Robert Hull Fleming, ed. Material pursuits. Robert Hull Fleming Museum, University of Vermont, 2007.

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Zentrum für Kunst und Medientechnologie Karlsruhe and VAF-Stiftung, eds. Materialbild: Material picture = Immagine materiale : Italia 1950-1965. ZKM, Zentrum für Kunst und Medientechnologie Karlsruhe, 2009.

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Straeten, Andrea van der. Material: Sprache. Sonderzahl, 2011.

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Montgomery Museum of Fine Arts. Material transformations. Montgomery Museum of Fine Arts, 2013.

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Prown, Jules David. Art as evidence: Writings on art and material culture. Yale University Press, 2001.

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Buchteile zum Thema "Art material"

Anguissola, Anna. "Art and material." In Pliny the Elder and the Matter of Memory. Routledge, 2021. http://dx.doi.org/10.4324/9780429329159-3.

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Hughes, Rolf, and Rachel Armstrong. "Material knowledge." In The Art of Experiment. Routledge, 2020. http://dx.doi.org/10.4324/9781351065504-2.

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Wengrow, David. "Art and Material Culture." In A Companion to Ancient Near Eastern Art. John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118336779.ch2.

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Kontou, Tatiana, Victoria Mills, and Kate Nichols. "‘The Art of Photography’." In Victorian Material Culture. Routledge, 2022. http://dx.doi.org/10.4324/9781315400266-158.

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Penninck, Greg, and Stuart Butler. "Material Instances." In Mastering Technical Art in Unreal Engine. CRC Press, 2024. https://doi.org/10.1201/9781032663852-5.

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Radermecker, Anne-Sophie V. "Preliminary Material." In Anonymous Art at Auction. BRILL, 2021. http://dx.doi.org/10.1163/9789004460201_001.

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"Preliminary Material." In Public Art. Verlag Ferdinand Schöningh, 2018. http://dx.doi.org/10.30965/9783657793556_001.

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Mochizuki, Mia M. "Preliminary Material." In Jesuit Art. BRILL, 2022. http://dx.doi.org/10.1163/9789004498228_001.

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"Preliminary Material." In Witty Art. Wilhelm Fink Verlag, 2015. http://dx.doi.org/10.30965/9783846757024_001.

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Ihlein, Lucas. "Blogging as Art, Art as Research." In Material Inventions. I.B.Tauris, 2014. http://dx.doi.org/10.5040/9780755603695.ch-002.

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Konferenzberichte zum Thema "Art material"

He, Yifei. "RE-COGNITION STUDIO: INNOVATION CURRICULUM OF MATERIAL THINKING AND VISUAL LANGUAGE STRATEGIES IN HIGHER EDUCATION ART PRACTICES." In 17th annual International Conference of Education, Research and Innovation. IATED, 2024. https://doi.org/10.21125/iceri.2024.2072.

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Jaeger, Douglas A. "State of the Art Coatings Application Equipment for the Railcar Industry." In CORROSION 1990. NACE International, 1990. https://doi.org/10.5006/c1990-90257.

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Abstract Manufacturers of coating application equipment for the railroad industry are being driven to make continuing changes and improvements to their coating application equipment as the coatings change to meet new, tougher standards related to performance, cost, and EPA compliance. This paper discusses these material and related equipment changes and trends.

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Kurumisawa, Jun. "Non-material construction #1." In ACM SIGGRAPH 99 Electronic art and animation catalog. ACM Press, 1999. http://dx.doi.org/10.1145/312379.312499.

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"Microscopic Material Forms--The Abstractive Use of Comprehensive Material in Art Creation." In 2018 International Conference on Culture, Literature, Arts & Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icclah.18.058.

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Reinhard, Erik. "Image-based material editing." In the ACM SIGGRAPH 05 electronic art and animation catalog. ACM Press, 2005. http://dx.doi.org/10.1145/1086057.1086187.

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He, Yuanyuan. "Research on Material Design of Decoration Art Glass." In 2016 International Conference on Advances in Management, Arts and Humanities Science (AMAHS 2016). Atlantis Press, 2016. http://dx.doi.org/10.2991/amahs-16.2016.60.

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Bieger, Isabel. "Making Art Through Textile." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001555.

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Art is an important point in our life. Show our culture, our ideas, our knowledge, our creativity and our sensibility. Through art we can Know what the people think in the time of history. Art is the manifestation of beliefs, showing what people demonstrating critical capacity of the history that we are living or lived in some time. For doing art artists using different kind of material. Someone paints, others do sculptures, or even many materials are possible to use together for manifestation art and opinions. Here we will talk about textile material. The many facets of the fabric, how it can

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Otto, David J., and John L. Hanley. "From Art to Science: A New Acoustic Baffle Material." In SAE Noise and Vibration Conference and Exposition. SAE International, 1995. http://dx.doi.org/10.4271/951245.

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Lem, Nolan. "BDSMR: Velcro as a Sensory Material and Erotic Interface." In Politics of the Machines - Art and After. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/evac18.27.

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van Dijk, Martien H. H., and Paul Bant. "The physics of laser material processing from art to technology." In ICALEO® 2002: 21st International Congress on Laser Materials Processing and Laser Microfabrication. Laser Institute of America, 2002. http://dx.doi.org/10.2351/1.5065590.

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Berichte der Organisationen zum Thema "Art material"

Donovan, Jordan. Understanding state-of-the-art material classification through deep visualization. Engineer Research and Development Center (U.S.), 2020. http://dx.doi.org/10.21079/11681/37618.

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(Archived), Irina Ward, and Farah Abu Saleh. PR-473-144506-R01 State of the Art Alternatives to Steel Pipelines. Pipeline Research Council International, Inc. (PRCI), 2017. http://dx.doi.org/10.55274/r0011459.

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This report is a literature review of several non-metallic material systems often used as alter-natives to steel pipelines. The pipeline systems reviewed are high density polyethylene (HDPE), fiberglass reinforced plastic (FRP), flexible composite and thermoplastic liners. This report is not intended to be a detailed guide or design manual on the use of the referenced materials for pipeline applications, rather an overall evaluation on the current state of these systems. Significant industry literature and documentation already exists on the design, manufacturing, installation, and operation o

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Johra, Hicham. Measurement Capabilities and Equipment at the Building Material Characterization Laboratory of Aalborg University (2024). Department of the Built Environment, 2023. http://dx.doi.org/10.54337/aau580248093.

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The aim of this short communication report is to provide synthetic information concerning the measurement capabilities and equipment of the Building Material Characterization Laboratory of Aalborg University - Department of the Built Environment. This laboratory uses state-of-the-art equipment to determine the thermophysical properties and the heat-air-moisture transport characteristics of materials, especially construction materials.

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Johra, Hicham. Measurement Capabilities and Equipment at the Building Material Characterization Laboratory of Aalborg University (2025). Department of the Built Environment, Aalborg University, 2024. http://dx.doi.org/10.54337/aau741131244.

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Czaker, Sandra, Thomas Wieland, Moritz Mager, Mohammad Hassan Akhras, and Jörg Fischer. From PP waste to high-quality products: Decontamination of the material throughout the entire recycling process chain using state-of-the-art technologies. Universidad de los Andes, 2024. https://doi.org/10.51573/andes.pps39.ss.cep.6.

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Turning waste into high-quality products should be the aim of recycling, but it requires considerable effort to separate specific materials from others, clean them properly, and reconvert them into products. Such a process chain of mechanical recycling of post‑consumer polypropylene (PP) from a mixed waste collection was conducted with an advanced combination of state‑of‑the‑art technologies considering the material’s decontamination throughout the different process steps. The levels of solid and volatile contamination were analyzed with an optical control system and a gas chromatographic meth

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Johra, Hicham. Air permeameter for porous building materials: Aalborg University prototype 2023. Department of the Built Environment, 2023. http://dx.doi.org/10.54337/aau545266824.

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The aim of this lecture note is to present the first prototype of an air permeameter for porous building material built at Aalborg University, Department of the Built Environment. This air permeameter setup is primarily intended for porous insulation materials but could be used for all types of materials fitting the sample frame. This lecture note also provides guidelines to operate this air permeameter and perform a state-of-the-art measurement of the effective air permeability.

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Fleury, Wayne, and Jan Ove Toskedal. PR-535-143745-R01 ART Scan Qualification Study. Pipeline Research Council International, Inc. (PRCI), 2015. http://dx.doi.org/10.55274/r0010879.

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This qualification study is based on the need for a new technology in the asset integrity lifecycle of pipelines including Subsea infrastructure. As of today it is challenging to identify a technology that combines adequate measurement accuracy combined with the ability to operate in gaseous atmosphere found inside natural gas pipelines. Halfwave�s inspection method developed over the last two decades is based on Acoustic Reso-nance Technology (ART), which utilizes the natural frequencies of the pipe wall to determine the remaining wall thickness. The most prominent advantages of ART comprise

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Tingle, Jeb, Charles Williams, William Carruth, and Caitlin Tibbetts. Materials and methods used for the expedient repair of concrete pavements. Engineer Research and Development Center (U.S.), 2024. http://dx.doi.org/10.21079/11681/48710.

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Many traditional methods for the repair and rehabilitation of concrete pavements require meticulous construction processes with specialized equipment and long material curing periods in order to develop adequate strength and durability prior to returning the pavement to service. This paper summarizes the results of research projects conducted by the US Army Engineer Research and Development Center in order to develop innovative pavement repair procedures and evaluate numerous commercial repair materials that can produce fast long-lasting repairs that facilitate the rapid re-opening of critical

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Alexander. PR-201-124503-R01 Composite Material Reinforcement as an Alternative Method for Determination of MAOP. Pipeline Research Council International, Inc. (PRCI), 2014. http://dx.doi.org/10.55274/r0010996.

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The objective of this project is to evaluate reinforcing technologies, specifically, the use of composite materials for the MAOP determination of high-pressure gas or liquid transmission pipeline systems. Reinforcing a pipeline using composite materials is not for the purpose of providing strength to a damaged section. Rather, the intent is to use composite materials to establish a Maximum Allowable Operating Pressure (MAOP) with an improved safety factor as required by DOT 192 for pipelines that have been subjected to encroachment involving the construction of facilities on or near the pipeli

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Weeks, Timothy "Dash." DTPH56-13-X-000013 Modern High-Toughness Steels for Fracture Propagation and Arrest Assessment-Phase II. Pipeline Research Council International, Inc. (PRCI), 2018. http://dx.doi.org/10.55274/r0012037.

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NIST work developed processes to identify the stress/strain/crack velocity conditions for unstable high-rate ductile crack propagation found in a full-scale pipeline burst test and duplicate those conditions in a medium-scale test. With modeling to validate conditions and assumptions used in reducing the scale of the tests. A medium-scale test to elucidate material property data necessary to qualify high-strength high-toughness steels based on the correlation to large-scale tests. Parametric determination of the material properties governing fracture propagation or arrest-ability was developed

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