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Thematische Bibliographien / Art, modern Australia / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Art, modern Australia“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 21. Februar 2023

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1

Healy, Chris. "When we look at pictures: Travel television and the intimacy of companion memory." Memory Studies 6, no. 3 (June 28, 2013): 262–72. http://dx.doi.org/10.1177/1750698013482645.

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Remembering in ‘modern’ Australia arises first and foremost through the transcultural processes of settler colonialism. This article explores some questions of memory’s cultures through a discussion of ‘travel television’. It argues that this kind of television is an example of a hybrid or non-human form of remembering that I call companion memory. I consider two examples: the 1950s television series, Australian Walkabout, and a recent television series on Australian indigenous art, Art + Soul. I conclude by considering how memory and travel might help us think about the kinds of intimacy and

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Hamilton, Judy. "Influencing the Modern in Brisbane: Gertrude Langer and the Role of Newspaper Art Criticism." Queensland Review 20, no. 2 (October 30, 2013): 203–14. http://dx.doi.org/10.1017/qre.2013.21.

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Dr Gertrude Langer arrived quite by chance in Brisbane in 1939 as a refugee from Hitler's Europe. She was a young, elegant Austrian refugee with a PhD in art history from the University of Vienna. After arriving in Australia, Gertrude and her husband, Dr Karl Langer, had hoped to settle in Sydney, but Karl's work as an architect moved them on to Brisbane. Gertrude Langer would become an important figure in Brisbane's post-war art scene through her salon-style lectures, art criticism and work with the Australia Council. She strongly believed that the arts were an important part of a community,

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Layton, Robert. "Trends in the Hunter-Gatherer Rock Art of Western Europe and Australia." Proceedings of the Prehistoric Society 57, no. 01 (1991): 163–74. http://dx.doi.org/10.1017/s0079497x00004953.

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Rock art associated with modern human populations has a comparable antiquity in Western Europe and Australia (table 1). In Western Europe personal adornment, human and animal statuettes and some carved stone blocks date from the early Aurignacian. In Australia a date of 30,000 BP has been claimed for the origin of the geometric art tradition of the Olary Province of Southern Australia, a date which would make it contemporary with the modern human community at Lake Mungo 150 miles to the east, who were practising deliberate burial (Bowler and Thome 1976, 129,138). This date, however, depends on

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Osborne, Margot. "Buying British: Sir Kenneth Clark’s Purchases of Modern British Art for the Art Gallery of South Australia." Australian and New Zealand Journal of Art 19, no. 1 (January 2, 2019): 70–89. http://dx.doi.org/10.1080/14434318.2019.1601321.

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Hayward, Philip. "Firing up the Anthropocene: Conflagration, Representation and Temporality in Modern Australia." Text Matters: A Journal of Literature, Theory and Culture, no. 12 (November 24, 2022): 143–56. http://dx.doi.org/10.18778/2083-2931.12.09.

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The European colonization of Australia introduced a new population into a continent in which Indigenous people had practiced cyclic burning as a form of ecosystem maintenance since time immemorial. The settlers’ complete disdain for Indigenous knowledge and related practices caused these customs to largely fall into disuse. One result of this was an increased vulnerability of landscapes to bush fires, a factor that has risen to the fore in the early twenty-first century. The fires that have swept across the landscape with increasing frequency and ferocity have provoked fears of a rolling, fier

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Sim, Lorraine. "The Linocuts of Ethel Spowers: A Vision Apart." Modernist Cultures 15, no. 3 (August 2020): 354–76. http://dx.doi.org/10.3366/mod.2020.0301.

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This essay discusses the colour linocuts of the Melbourne-born artist and illustrator Ethel Spowers. Although Spowers was a key figure in modern art and design in Australia during the 1920s and 1930s, to date her linocuts have received little critical attention and are appraised only briefly and collectively as part and parcel of the Grosvenor School of Modern Art in London, where she studied for several months under the guidance of Iain Macnab and Claude Flight. This essay argues that her modernism provides an important contrast and supplement to accounts of modern everyday life offered by he

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Brady, Liam M. "Symbolic language in Torres Strait, NE Australia: images from rock art, portable objects and human scars." Antiquity 82, no. 316 (June 1, 2008): 336–50. http://dx.doi.org/10.1017/s0003598x00096848.

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The Torres Strait is often in the research literature – unsurprisingly since it is not only a key area for early settlement but one where ancient and modern practice resonate. Rock art is a prominent archaeological source for the region – but not the only one. In this study the author shows how rock art interconnects with imagery on portable artefacts and scarification – scarring patterns on skin – to define cultural zones of the last few centuries in territories occupied by both horticulturalists and hunter-gatherers.

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Chippindale, Christopher, Benjamin Smith, and Paul S. C. Taçon. "Visions of Dynamic Power: Archaic Rock-paintings, Altered States of Consciousness and ‘Clever Men’ in Western Arnhem Lane (NT), Australia." Cambridge Archaeological Journal 10, no. 1 (April 2000): 63–101. http://dx.doi.org/10.1017/s0959774300000032.

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The Dynamic figures are a distinctive component in the earlier rock-art of western Arnhem Land, north Australia. They include therianthropic (hybrid human–animal) images. Recent vision experience ethnographically known in the region, and the wider pattern of Altered States of Consciousness (ASC) in hunter-gatherer societies, are consistent with elements of the Dynamics. One key feature is the use of dots and dashes in the Dynamic images, explicable as a depiction of some intangible power, of a character comparable with that in the ‘clever men's knowledge’ of modern Arnhem Land. Tropical Austra

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Hunt, Jane E. "The ‘intrusion of women painters’: Ethel Anderson, modern art and gendered modernities in interwar Sydney, Australia." Women's History Review 21, no. 2 (April 2012): 171–88. http://dx.doi.org/10.1080/09612025.2012.657885.

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Brumm, Adam, Michelle C. Langley, Mark W. Moore, Budianto Hakim, Muhammad Ramli, Iwan Sumantri, Basran Burhan, et al. "Early human symbolic behavior in the Late Pleistocene of Wallacea." Proceedings of the National Academy of Sciences 114, no. 16 (April 3, 2017): 4105–10. http://dx.doi.org/10.1073/pnas.1619013114.

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Wallacea, the zone of oceanic islands separating the continental regions of Southeast Asia and Australia, has yielded sparse evidence for the symbolic culture of early modern humans. Here we report evidence for symbolic activity 30,000–22,000 y ago at Leang Bulu Bettue, a cave and rock-shelter site on the Wallacean island of Sulawesi. We describe hitherto undocumented practices of personal ornamentation and portable art, alongside evidence for pigment processing and use in deposits that are the same age as dated rock art in the surrounding karst region. Previously, assemblages of multiple and

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Lydon, Jane. "Visions of Disaster in theUnlucky Voyage of the ShipBatavia, 1647." Itinerario 42, no. 3 (December 2018): 351–74. http://dx.doi.org/10.1017/s016511531800058x.

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This article examines the illustrated pamphletOngeluckige voyagie, van’t schipBatavia (Unlucky voyage of the shipBatavia) and its representation of a 1629 shipwreck off the coast of western Australia, followed by mutiny and the massacre of many survivors. The pamphlet was published in Amsterdam in 1647, and included fifteen (six full-page) fine copper engravings. It was very popular, helping to shape a new genre of shipwreck narrative and expressing the preoccupations of contemporary visual culture. The pamphlet’s illustrations translated new conceptualisations of space emerging from the perio

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Marks, Laura U. "Calligraphic Animation: Documenting the Invisible." Animation 6, no. 3 (September 21, 2011): 307–23. http://dx.doi.org/10.1177/1746847711417930.

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Calligraphic animation shifts the locus of documentation from representation to performance, from index to moving trace. Animation is an ideal playing field for the transformative and performative qualities that Arabic writing, especially in the context of Islamic art, has explored for centuries. In Islamic traditions, writing sometimes appears as a document or a manifestation of the invisible. Philosophical and theological implications of text and writing in various Islamic traditions, including mystic sciences of letters, the concept of latency associated with Shi‘a thought, and the performa

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Fallone, Carlo A., Naoki Chiba, Alison Buchan, Bin Su, and Diane Taylor. "Two Decades ofHelicobacter pylori: A Review of the Fourth Western PacificHelicobacterCongress." Canadian Journal of Gastroenterology 16, no. 8 (2002): 559–63. http://dx.doi.org/10.1155/2002/481718.

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From March 3 to 6, 2002,Helicobacterenthusiasts gathered in Perth, Australia for the Fourth Western PacificHelicobacterCongress to celebrate the 20th anniversary of the modern discovery of this organism by Barry Marshall and Robin Warren. The meeting included state-of-the-art lectures highlighting the breakthroughs that have occurred since the discovery of this bacterium. As well, advances from the forefront of currentHelicobacter pyloriresearch were presented, particularly in the realm of genomics and molecular biology. A symposium about vaccines and trends for futureH pyloriresearch complete

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Prendergast, Kit S., Jair E. Garcia, Scarlett R. Howard, Zong-Xin Ren, Stuart J. McFarlane, and Adrian G. Dyer. "Bee Representations in Human Art and Culture through the Ages." Art & Perception 10, no. 1 (December 8, 2021): 1–62. http://dx.doi.org/10.1163/22134913-bja10031.

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Abstract The field of bioaesthetics seeks to understand how modern humans may have first developed art appreciation and is informed by considering a broad range of fields including painting, sculpture, music and the built environment. In recent times there has been a diverse range of art and communication media representing bees, and such work is often linked to growing concerns about potential bee declines due to a variety of factors including natural habitat fragmentation, climate change, and pesticide use in agriculture. We take a broad view of human art representations of bees to ask if th

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JOHNSTON, RYAN. "MODERN TIMES: THE UNTOLD STORY OF MODERNISM IN AUSTRALIA AND MODERNISM & AUSTRALIA: DOCUMENTS ON ART, DESIGN AND ARCHITECTURE, 1917-1967 BY ANN STEPHEN ET AL. (EDS)." Art Book 17, no. 1 (February 2010): 38–39. http://dx.doi.org/10.1111/j.1467-8357.2010.01079_3.x.

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Tingay, Steven. "Indigenous Australian artists and astrophysicists come together to communicate science and culture via art." Journal of Science Communication 17, no. 04 (December 17, 2018): C02. http://dx.doi.org/10.22323/2.17040302.

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During the International Year of Astronomy in 2009, we initiated a collaboration between astrophysicists in Western Australia working toward building the largest telescope on Earth, the Square Kilometre Array (SKA), and Indigenous artists living in the region where the SKA is to be built. We came together to explore deep traditions in Indigenous culture, including perspectives of the night sky, and the modern astrophysical understanding of the Universe. Over the course of the year, we travelled as a group and camped at the SKA site, we sat under the stars and shared stories about the constella

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De Largy Healy, Jessica. "“This is the Circle of the Art World”: Joe Gumbula and the Value of Digital Repatriation in Australia and Beyond." Preservation, Digital Technology & Culture 47, no. 3-4 (December 19, 2018): 149–58. http://dx.doi.org/10.1515/pdtc-2018-0025.

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AbstractThe title of this article was inspired by a filmed interview that I conducted with Joe Gumbula in France in July 2007 during one of his ARC-funded research trips in response to a sceptical European curator who wanted to know why the Yolŋu wanted to have their materials back. Was it because they had lost their culture? Drawing on Joe’s eloquent response, I outline his pioneering perspective on museum collaborations and the digital repatriation of knowledge. Rather than transfixing things on computers, repatriation processes should be seen as modern pathways that link Indigenous peoples

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Usatenko, Galyna, and Tamara Usatenko. "UKRAINIAN-AUSTRALIAN LITERARY HORIZON: CHALLENGES OF ESTABLISHMENT." Almanac of Ukrainian Studies, no. 29 (2021): 181–87. http://dx.doi.org/10.17721/2520-2626/2021.29.25.

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The article considers the role of Ukrainian literature in the preservation of native culture in Australia of immigrants from Ukraine in the first wave of settlement and the decline of interest in literature in the country of emigrants in the next waves of arrival. The increased attention of the first Ukrainian immigrants to fiction as a unique factor in preserving the mentality in the multicultural society, the formation of public identity, the development of worldview and cognitive, socio-humanitarian, sociopolitical beliefs of the community, each individual. Stages, forms, methods, approache

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Cohen, Matthew Isaac. "Look at the Clouds: Migration and West Sumatran ‘Popular’ Theatre." New Theatre Quarterly 19, no. 3 (August 2003): 214–29. http://dx.doi.org/10.1017/s0266464x03000125.

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The numerous interrelated ‘popular’ theatres of Indonesia provide important evidence for the study of artistic interaction and change. The West Sumatran Randai theatre emerged in a culturally hybrid space and has been a sensitive index to local, national, and international flows and conditions. Matthew Isaac Cohen traces the origins of Randai in the late-colonial period and discusses its associations with rantau – a time of temporary migration, traditionally associated with the rite of passage to adulthood, but increasingly a semi-permanent exile for many Sumatrans. He then traces how and why

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Steklova, Irina A., and Olesya I. Raguzhina. "SCULPTURE PARKS OF THE XX CENTURY LAST THIRD – THE XXI CENTURY BEGINNING: TYPOLOGY EXPERIENCE." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 41 (2021): 80–94. http://dx.doi.org/10.17223/22220836/41/7.

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The purpose of this article is to present sculpture parks at the modern stage of development, from the last third of the 20th century to our day. The relevance of this purpose is due to the relevance of these parks, which meets, firstly, on the challenges of culture, reproducing itself in the synthesis of landscape and monumental-decorative arts; secondly, on the demands of the population in artistically interpreted natural spaces; thirdly, on the life-building claims of modern art, which is looking for optimal ways of self-presentation. The representation of the sculpture parks is implied the

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Millei, Zsuzsa, and Libby Lee. "‘Smarten up the Parents’: Whose Agendas are We Serving? Governing Parents and Children through the Smart Population Foundation Initiative in Australia." Contemporary Issues in Early Childhood 8, no. 3 (September 2007): 208–21. http://dx.doi.org/10.2304/ciec.2007.8.3.208.

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This article critiques the Smart Population Foundation Initiative (SPFI), which was established to ‘bring parenting information and the science of child development to Australian parents and carers' (Smart Population Foundation, 2006) and to satisfy the need for a credible and easily accessible source of information for parents. The article draws on the notion of modern governance developed by Rose and analyses the Initiative as a deeply political project. It looks at the Initiative from a critical distance created by the context of governmentality. The authors argue that the discourses produc

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Yuriy, Dyachenko. "FRENCH MUSETTE IN THE WORKS OF A. HAIDENKO." Aspects of Historical Musicology 22, no. 22 (March 2, 2021): 121–34. http://dx.doi.org/10.34064/khnum2-22.07.

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At the present stage of development of world music, the accordion and button accordion occupy one of the leading positions. Formation of instruments on the professional concert stage is an integral part of both world and Ukrainian musical culture, as evidenced by the composition, a large number of performing competitions and festivals that take place not only in Ukraine but also in Europe, Asia and America, and Australia. A significant phenomenon of the latest wave of development of accordion and button accordion art is the crystallization of pop and jazz in the works of composers and performe

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Black, Jane. "Beautiful Botanicals: Art from the Australian National Botanic Gardens Library and Archives." Art Libraries Journal 44, no. 3 (June 12, 2019): 124–31. http://dx.doi.org/10.1017/alj.2019.17.

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The Australian National Botanic Gardens plays an important role in the study and promotion of Australia's diverse range of unique plants through its living collection, scientific research activities and also through the art collection held in the institution's Library and Archives. Australia's history of formal botanical illustration began with the early voyages of discovery with its popularity then declining until the modern day revival in botanical art. The Australian National Botanic Gardens Library and Archives art collection holds works from the Endeavour voyage through to the more contem

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BOLLEN, JONATHAN. "‘As Modern as Tomorrow’: Australian Entrepreneurs and Japanese Entertainment, 1957–1968." Theatre Research International 43, no. 2 (July 2018): 147–64. http://dx.doi.org/10.1017/s0307883318000275.

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This article compares the efforts of two Australian entrepreneurs to import Japanese entertainments for theatres in mid-twentieth-century Australia. David N. Martin of the Tivoli Circuit and Harry Wren, an independent producer, were rivals in the business of touring variety-revue. Both travelled to Japan in 1957, the year that the governments of Australia and Japan signed a landmark trade agreement. Whereas Martin's efforts were hampered by the legacy of wartime attitudes, Wren embraced the post-war optimism for trade. Wren became the Australian promoter for the Toho Company of Japan, touring

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Lim, Kenneth JC, Pietro Di Ciaccio, Nada Hamad, Mark N. Polizzotto, Sam Milliken, Tara Cochrane, Zhong Goh, et al. "Real-World Outcomes of Aggressive B-Cell Non-Hodgkin Lymphoma in People Living with HIV (PLWH) Treated in Australia: An Australasian Lymphoma Alliance Study." Blood 138, Supplement 1 (November 5, 2021): 1456. http://dx.doi.org/10.1182/blood-2021-144817.

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Abstract Background Modern antiretroviral therapy (ART) has reduced HIV associated morbidity and mortality, and allowed a similar treatment approach of aggressive lymphomas in PLWH to that of their HIV negative counterparts. Australia is an ethnically diverse country with a low HIV prevalence and an excellent population-wide ART coverage and adherence in PLWH. We aimed to describe the real-world Australian experience in managing PLWH diagnosed with diffuse large B cell lymphoma (DLBCL) and Burkitt lymphoma (BL), and compare our treatment approach and outcomes against international data. Method

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Suprun, E., R. AlMeshari, T. Liu, R. A. Stewart, and S. Duran. "Beyond compliance in the construction sector: Mapping the modern slavery statements through content analysis." IOP Conference Series: Earth and Environmental Science 1101, no. 3 (November 1, 2022): 032018. http://dx.doi.org/10.1088/1755-1315/1101/3/032018.

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Abstract Modern slavery is considered a widely recognized issue within labour-intensive markets of the construction industry. The recent introduction of the Modern Slavery Act 2018 (Cth) in Australia, has pragmatically pressured construction companies into publishing modern slavery statements that explore the methods in how they have managed to tackle and address the presence of modern slavery within their business and supply chains. This paper, as a part of an ongoing research project, conducts a content analysis to examine Australian modern slavery statements to identify common practices amo

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Soroka, B. S., and V. V. Horupa. "SCIENTIFIC AND ENGINEERING PRINCIPLES OF EFFICIENT FUEL USE AND ENVIRONMENTALLY FRIENDLY GAS COMBUSTION IN STOVE PLATES. PART 1. MODERN STATE-OF-THE-ART AND DIRECTIONS FOR IMPROVEMENT THE GAS BURNING IN DOMESTIC GAS COOKERS." Energy Technologies & Resource Saving, no. 3 (March 20, 2017): 3–18. http://dx.doi.org/10.33070/etars.3.2017.01.

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Natural gas NG consumption in industry and energy of Ukraine, in recent years falls down as a result of the crisis in the country’s economy, to a certain extent due to the introduction of renewable energy sources along with alternative technologies, while in the utility sector the consumption of fuel gas flow rate enhancing because of an increase the number of consumers. The natural gas is mostly using by domestic purpose for heating of premises and for cooking. These items of the gas utilization in Ukraine are already exceeding the NG consumption in industry. Cooking is proceeding directly in

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Morse, Kate. "Shell beads from Mandu Mandu Creek rock-shelter, Cape Range peninsula, Western Australia, dated before 30,000 b.p." Antiquity 67, no. 257 (December 1993): 877–83. http://dx.doi.org/10.1017/s0003598x00063894.

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Miller, Toby. "When Australia became modern." Continuum 8, no. 2 (January 1994): 206–14. http://dx.doi.org/10.1080/10304319409365676.

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Kartika Bintarsari, Nuriyeni. "The Cultural Genocide in Australia: A Case Study of the Forced Removal of Aborigine Children from 1912-1962." SHS Web of Conferences 54 (2018): 05002. http://dx.doi.org/10.1051/shsconf/20185405002.

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This paper will discuss the Forced Removal Policy of Aborigine children in Australia from 1912 to 1962. The Forced Removal Policy is a Government sponsored policy to forcibly removed Aborigine children from their parent’s homes and get them educated in white people households and institutions. There was a people’s movement in Sydney, Australia, and London, Englandin 1998to bring about “Sorry Books.” Australia’s “Sorry Books” was a movement initiated by the advocacy organization Australian for Native Title (ANT) to address the failure of The Australian government in making proper apologies towa

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Anderson, Margot. "Dance Overview of the Australian Performing Arts Collection." Dance Research 38, no. 2 (November 2020): 149–67. http://dx.doi.org/10.3366/drs.2020.0305.

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The Dance Collection at Arts Centre Melbourne traces the history of dance in Australia from the late nineteenth century to today. The collection encompasses the work of many of Australia's major dance companies and individual performers whilst spanning a range of genres, from contemporary dance and ballet, to theatrical, modern, folk and social dance styles. The Dance Collection is part of the broader Australian Performing Arts Collection, which covers the five key areas of circus, dance, opera, music and theatre. In my overview of Arts Centre Melbourne's (ACM) Dance Collection, I will outline

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Mudd, Gavin M. "The Legacy of Early Uranium Efforts in Australia, 1906 - 1945: From Radium Hill to the Atomic Bomb and Today." Historical Records of Australian Science 16, no. 2 (2005): 169. http://dx.doi.org/10.1071/hr05013.

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The existence of uranium minerals has been documented in Australia since the late nineteenth century, and uranium-bearing ores were discovered near Olary ('Radium Hill') and in the Gammon Ranges (Mount Painter) in north-eastern South Australia early in the twentieth century. This occurred shortly after the discovery of radioactivity and the isolation of radium, and a mining rush for radium quickly began. At Radium Hill, ore was mined and concentrated on site before being transported to Woolwich in Sydney, where the radium and uranium were extracted and refined. At Mount Painter, the richness o

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Burgess, John, Kerry Brown, Adrian Wilkinson, and Keith Townsend. "Has Australias Road to Workplace Partnership Reached a Dead End?" International Journal of Comparative Labour Law and Industrial Relations 29, Issue 2 (June 1, 2013): 239–56. http://dx.doi.org/10.54648/ijcl2013016.

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Over the last fifteen years, a number of developed countries have pursued an agenda seeking to develop more collaborative management-union arrangements often labelled as partnerships. This article reviews the Australian road to partnerships by situating it within the context of developments in the UK and New Zealand. In 2009, Australia's then Deputy Prime Minister and Minister for Workplace Relations, Julia Gillard, suggested that Australian Industrial Relations were about to undergo a shift towards a new model of workplace interaction that included more collaboration and partnerships. We argu

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Cooper, Rae. "The ‘New’ Industrial Relations and International Economic Crisis: Australia in 2009." Journal of Industrial Relations 52, no. 3 (June 2010): 261–74. http://dx.doi.org/10.1177/0022185610365623.

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While the sphere of industrial relations was overshadowed by the global financial crisis, 2009 was a year of immense change in the regulation of work and workplaces. Many provisions of the Rudd government’s Fair Work Act 2009, including the new collective bargaining regime, came into effect. Unions and employer organizations were preoccupied with the monumental process of award modernization throughout 2009. The AIRC has ceased to exist and it, along with a number of other regulatory bodies, has been subsumed into the new institution Fair Work Australia. The remaining key provisions of the Fai

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MURPHY, KATE. "‘The modern idea is to bring the country into the city’: Australian Urban Reformers and the Ideal of Rurality, 1900–1918*." Rural History 20, no. 1 (April 2009): 119–36. http://dx.doi.org/10.1017/s0956793308002616.

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AbstractIn the early twentieth century, Australians strove to create a rural civilisation through state legislation to encourage rural closer settlement. The fantasy that Australia might one day support a rural population of perhaps hundreds of millions endured despite the overwhelmingly urbanised character of the nation and the harsh realities of its environment. This rural dream was present not merely in the discourse surrounding the rural settlement imperative, but also inflected the language and modes of urban reform, as planners sought to ‘ruralise’ the urban environment to reflect someth

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Richards, Harriette. "Risk, Reporting and Responsibility: Modern Slavery, Colonial Power and Fashion’s Transparency Industry." International Journal for Crime, Justice and Social Democracy 11, no. 2 (June 3, 2022): 47–60. http://dx.doi.org/10.5204/ijcjsd.2378.

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This article investigates the role of the Australian Modern Slavery Act 2018 as a reporting mechanism aimed at preventing the use of forced labour in global supply chains. In the fashion industry, modern slavery legislation pursues the ambitions of activist movements that have long campaigned for increased knowledge about supply chain practices to improve the labour conditions of garment workers, especially for those in the Global South. In recent years, such campaigns against the entrenched opacity of the global fashion system have given rise to a transparency industry built on practices of a

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Elpatsa, Angga, San Ahdi, and Defrizal Saputra. "BUSHCRAFT DALAM KARYA UKIR BATU." Gorga : Jurnal Seni Rupa 11, no. 2 (December 24, 2022): 497. http://dx.doi.org/10.24114/gr.v11i2.38312.

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So far, many people don't know the term Bushcraft in detail, even though we see this language very often on our social media. In a narrow sense, some of us think that bushcraft is about adventure in the wild, or there are also those who think that this is the same as the science of survival in the wild. Indeed, some of these points of view are a bit close to the notion of bushcraft itself, both are related to survival in the wild, but there are differences. Bushcraft is more about using primitive tools made by hand as a medium for survival in the wild. This is one of the author's goals in the

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Jorm, Jennifer. "Antipodean Early Modern: European Art in Australian Collections ed. by Anne Dunlop." Parergon 38, no. 1 (2021): 210–11. http://dx.doi.org/10.1353/pgn.2021.0027.

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39

Rao, Kathyayini Kathy, Roger Leonard Burritt, and Katherine Christ. "Quality of voluntary modern slavery disclosures: top Australian listed companies." Pacific Accounting Review 34, no. 3 (April 1, 2022): 451–78. http://dx.doi.org/10.1108/par-07-2021-0117.

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Purpose There is a growing concern over the need for greater transparency of quality information by companies about modern slavery to contribute toward elimination of the practice. Hence, this paper aims to examine factors behind the quality of voluntary modern slavery disclosures and major sources of pressure on Australian company disclosures in a premodern slavery legislated environment. Design/methodology/approach Content analysis and cross- sectional regression modeling are conducted to analyze factors determining the quality of voluntary modern slavery disclosures of the top 100 firms lis

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Rawling, Michael, and Eugene Schofield-Georgeson. "Industrial legislation in Australia in 2018." Journal of Industrial Relations 61, no. 3 (May 1, 2019): 402–20. http://dx.doi.org/10.1177/0022185619834058.

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It has been a quiet year like last year for the passing of federal industrial legislation (due to a number of factors, including the political turmoil of the federal coalition government and their lack of an overall labour law reform agenda). This article examines key federal industrial legislative developments including the Modern Slavery Act 2018 (Cth). The article identifies that the federal Act contains much weaker compliance measures than the counterpart New South Wales legislation also passed in 2018 – the Modern Slavery Act 2018 (NSW). Also, although the Coalition government has attempt

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Grantham, Ross. "The Proceduralisation of Australian Corporate Law." Federal Law Review 43, no. 2 (June 2015): 233–57. http://dx.doi.org/10.22145/flr.43.2.3.

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The central hypothesis of the paper is that bit by bit and largely unnoticed Australian corporate law has undergone a profound change. Australian corporate law, and particularly the Corporations Act 2001 (Cth), has moved from an essentially private law, substantive rights model, to one that seeks to regulate the company and those involved in its affairs through the prescription of processes and procedures by which corporate decisions may be made and by which the procedural correctness of those decisions is assured. The paper will also seek to demonstrate, by an analysis of the changes in the p

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Arnold, Jeremy W. H. "Ancestral Modern: Australian Aboriginal Art. By Pamela McClusky et al. Seattle: Seattle Art Museum, 2012. Pp. 176; plates. $50.00." Religious Studies Review 39, no. 3 (September 2013): 162. http://dx.doi.org/10.1111/rsr.12054_3.

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Hackett, Jim. "Onboard Electronic Fraud: Piracy in the Twenty-First Century?" Air and Space Law 36, Issue 6 (December 1, 2011): 453–76. http://dx.doi.org/10.54648/aila2011042.

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Internet access is available on some international flights; this will become more commonplace in the future. Internet frauds abound. Already, most personal banking is performed using the Internet; it is easy to transfer funds from one account to another, including from a personal or trust account to that of a fraudster. For example, if a trustee who is both an Australian citizen and a Hong Kong permanent resident, on board an aircraft (Cathay Pacific, Virgin Atlantic, or Qantas) in international airspace flying from Hong Kong to Australia, uses a personal computer to access an Australia-based

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Leach, Andrew. "Review: Australia: Modern Architectures in History, by Harry Margalit." Journal of the Society of Architectural Historians 80, no. 1 (March 1, 2021): 118–19. http://dx.doi.org/10.1525/jsah.2021.80.1.118.

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45

Huppatz, D. J. "Modern Times: The Untold Story of Modernism in Australia." Design and Culture 2, no. 2 (July 2010): 243–45. http://dx.doi.org/10.2752/175470710x12696138525866.

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46

Baier, Martin, Sri Kuhnt-Saptodewo, H. J. M. Claessen, Annette B. Weiner, Charles A. Coppel, Wang Gungwu, Heleen Gall, et al. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 150, no. 3 (1994): 588–623. http://dx.doi.org/10.1163/22134379-90003081.

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- Martin Baier, Sri Kuhnt-Saptodewo, Zum Seelengeliet bei den Ngaju am Kahayan; Auswertung eines Sakraltextes zur Manarung-Zeremonie beim totenfest. München: Akademischer Verlag,1993 (PhD thesis, Ludwig-Maximilian-Universitiy München). - H.J.M. Claessen, Annette B. Weiner, Inalienable Possessions; The paradox of keeping-while-giving. Berkeley: University of California Press, 1992, 232 pp. Bibl. Index - Charles A. Coppel, Wang Gungwu, Community and Nation; China, Southeast Asia and Australia. Sydney: Asian studies of Australia in association with Allen & Unwin, 1992 (2nd revised edition), v

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Tompkins, Joanne. "Impact of the Modern: Vernacular Modernities in Australia 1870s–1960s." Contemporary Theatre Review 19, no. 3 (August 2009): 372–74. http://dx.doi.org/10.1080/10486800903000151.

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48

Nunn, Pamela Gerrish, Jane Hylton, Deborah Hart, and Joanne Drayton. "Modern Australian Women: Paintings and Prints 1925-1945." Woman's Art Journal 24, no. 2 (2003): 44. http://dx.doi.org/10.2307/1358789.

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Allatson, Paul, and Andrea Connor. "Ibis and the city: bogan kitsch and the avian revisualization of Sydney." Visual Communication 19, no. 3 (May 24, 2020): 369–90. http://dx.doi.org/10.1177/1470357220912788.

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The Australian White Ibis (Ibis) ( Threskiornis molucca) is one of three endemic Ibis species in Australia. In a short time frame beginning in the 1970s, this species has moved from inland waterways to urban centres along the eastern and southeastern seaboards, Darwin and the Western Australian southwest. Today Ibis are at home in cities across the country, where they thrive on the food waste, water resources and nesting sites supplied by humans. In this article, the authors focus on Sydney to argue that the physical and cultural inroads of Ibis, and the birds’ urban homeliness, are resignifyi

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Stringer, Chris. "Has Australia backdated the Human Revolution?" Antiquity 73, no. 282 (December 1999): 876–79. http://dx.doi.org/10.1017/s0003598x00065613.

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Australia has usually played a supporting role in the story of human evolution — regarded as a place at the edge of the inhabited world where modern humans arrived relatively late and then remained largely isolated from subsequent developments. However, new dates for a human burial at Mungo, New South Wales (Thorne et al. 1999) may not only force revision of views about the peopling of Australia, but also have a wider impact on ideas about modern human origins.

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