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Thematische Bibliographien / Art of the book / Dissertationen

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Dissertationen zum Thema „Art of the book“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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1

Emslie, Anne. "Art and book : a commentary on artists' books." Thesis, Stellenbosch : Stellenbosch University, 2007. http://hdl.handle.net/10019.1/50684.

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The thesis spans two volumes ... Volume two is an artist's book and although it is part of the project I have set myself, it is not being submitted with the theoretical component of the MA dissertation, but as part of the practical component.' -- Abstract.<br>Thesis (MA)--Stellenbosch University, 2007.<br>ENGLISH ABSTRACT: The thesis investigates the contemporary practice of book art, examining in particular the manner in which it fits both into the tradition of the book and the tradition of art making. The thesis spans two volumes. Volume One discusses the phenomenon of the artist's book

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2

Valentini, Francesca <1984&gt. "Art book, artist's book, exhibition catalogue: a study on the book as object, medium, and instrument for art, with a focus on Matthew Barney's book production." Doctoral thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/13460.

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Nelle scorse decadi, il libro ha esercitato una forte fascinazione sugli artisti contemporanei che lo hanno crescentemente implementato nelle loro pratiche. La prima parte di questo studio si propone di relativizzare le distinzioni basate sul paradigma del libro d’artista (come è stato costruito, teorizzato e istituzionalizzato tra gli anni Sessanta e Ottanta) e suggerisce di guardare al libro rintracciando le mutue influenze e la rilevanza storica di quelle che, nel contesto di questa ricerca, sono considerate le tre tipologie principali in cui e attraverso le quali esso si articola (libro d’

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Gieske, David P. "ART WITHIN:The Excavated Books of David P. Gieske." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1416585800.

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4

Sefer, Ibrahim. "Newly arrived children's art / story book 2004." [Adelaide]: Migrant Health Service, 2004. http://www.health.sa.gov.au/library/Portals/0/drawings-and-dreams-newly-arrived-childrens-art-story-book.pdf.

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This project was funded by the Department for Families and Communities A collaboration between Ibrahim Sefer, newly arrived boys and girls aged between 4 and 14 years from Culturally and Linguistically Diverse Backgrounds and the Migrant Health Service (Adelaide Central Community Health Service).

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5

Rutter, Mark. "Visual art and the book in modern poetry." Thesis, University of Southampton, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.438695.

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6

Jenkins, Gareth Sion. "Anthony Mannix 'The atomic book' /." Access electronically, 2008. http://ro.uow.edu.au/theses/89.

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7

Aly, Islam Mahmoud Mohamed. "Historical book structures and artists' books as a teaching tool." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/3040.

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This study focuses on developing a book arts curriculum as a tool for teaching about creativity and problem solving. The curriculum's ultimate goal is to introduce and emphasize book arts as an expressive and powerful medium to future teachers and artists. Book arts will be used to offer potentialities for collaborative, learner-centered instruction. Students will create structures and artists' books from their experience, their learning will emerge from personal interactions with the structures and artists' books presented. The curriculum is planned into three modules, each module containing

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8

Cole, Daniel. "Blue Book." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3044.

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Alain De Botton writes in The Architecture of Happiness, that “any object of design will give off an impression of the psychological and moral attitudes it supports.” Interpreting design then is done by understanding the attitudes of the designer, which either will or will not resonate with the viewer. I may consider the formal and conceptual merits of an object of design, but ultimately my attitudes determine whether the object will have resonance with me. These “attitudes” are, anthropologically speaking, values: what a person finds most good, proper, or desirable in life. Values are the key

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Moreschi, Bruno 1982. "Art Book : a construção de uma enciclopédia de artistas." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285264.

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Orientador: Lygia Arcuri Eluf<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-25T21:32:40Z (GMT). No. of bitstreams: 1 Moreschi_Bruno_M.pdf: 3230662 bytes, checksum: 8bd825c129f981c4cf9b4a22628dac32 (MD5) Previous issue date: 2014<br>Resumo: Esta pesquisa propõe o estudo do processo de legitimação do autor e de suas obras nas artes visuais em duas frentes complementares de trabalho. A primeira, de natureza artística, é a criação de uma enciclopédia de artistas que, em um primeiro momento, não se difere de outras publica

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Philippi, Simone. "International art book publishing Internationalisierungskonzepte deutscher Kunstbuchverlage seit 1990 /." [Heidelberg] : Universität Heidelberg / Universitätsbibliothek, 2006.

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11

Johnson, Gwendolyn L. "Art in motion : a poster book on CD-ROM /." Online version of thesis, 1994. http://hdl.handle.net/1850/12195.

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12

Mirabile, Cynthia. "A Tale to Tell: The Charisma of Narrative Art." VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/2350.

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My artwork combines the power of narrative with the sculptural form, and I encourage the viewer to interact with my work. I use the magnetic, hypnotic effect that stories can have over us. My narratives are designed to draw the reader into a willing suspension of disbelief. It is often whimsical because childlike things give people certain permissions of joy and abandon. I use anthropomorphism to invite the viewer to handle my pieces in order to create an intimacy between the viewer and the artwork.

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Olson, Ted. "Book Review of Art Rosenbaum: The Mary Lomax Ballad Book: America's Great Twenty-first Century Traditional Singer." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/1174.

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14

Chang, Ching-Yu. "Little mouse : a journey : the making of a picture-book artwork." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/22870.

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The picture book is an artistic medium is part of literature, especially of children’s literature. This discussion of the picture book extends to the dynamic between author and illustrator, and interactions between the verbal and the visual, as described by contemporary researchers, such as Maria Nikolajeva, Lawrence R. Sipe, and Carole Scott. Most of them were not picture book creators, so the voice of the picture book’s creator is easily overlooked. To fill the gap between the researcher and the creator, this project explores the creative process of the picture book by studio-art research. T

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Avra, Katherine M. "Sketch-Plan Book: A Teacher’s Planning Resource for the Secondary Classroom." UKnowledge, 2019. https://uknowledge.uky.edu/art_etds/19.

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Teacher planning is a necessary process by which educators establish, facilitate, monitor, and evaluate lessons and learning within their classroom. For art educators, sketchbooks have been a foundational pillar in art curricula. The sketchbook has a lengthy legacy of yielding common, structured assignments. However, recent considerations have reframed sketchbook practices. Contemporary analysis has produced a pedagogical shift in approaches to sketchbooks and planning for sketchbook inclusion in the classroom. The sketch-plan book offers art teachers a streamlined resource to collect and main

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Miranda, Camille. "The art of the picture book : an interpretation of Indian cultures." Connect to resource, 1994. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1261331402.

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17

Cardoso, Tuscani. "The book and the rhizome : the implications of and alternatives to linear logic, with special reference to artist books." Thesis, Stellenbosch : Stellenbosch University, 2015. http://hdl.handle.net/10019.1/96908.

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Thesis (MA)--Stellenbosch University, 2015.<br>ENGLISH ABSTRACT: This thesis entails an explorative and argumentative study that is concerned with the importance and relevance of artist books, as substantiated by art-historical research into the way in which people present, organize and interpret knowledge about their world as observed in the history of the ever-evolving book; as well as related critical and theoretical discussions surrounding language and art. The structure of the thesis is based on the triadic treatment of book types as presented in philosophers Deleuze and Guatta

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Covell, Anne Lindsey-Alvey. "Towards a just landscape." Thesis, University of Iowa, 2014. https://ir.uiowa.edu/etd/1575.

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Towards a Just Landscape is a multi-part project about the 49th Parallel, the 20-foot swath of clear-cut that divides the US from Canada along its International Boundary, as it physically marks the landscape between the Lake of the Woods and the Northern Rockies. More specifically, it is a project about the portion of the border swath that runs through the center of Waterton-Glacier International Peace Park, dividing in two an area of land reserved to commemorate international peace and good will between two nations. Comprised of three artist's books, these works each address the political and

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Lin, Su-Hsing. "Feng Zikai's Art and the Kaiming Book Company: art for the people in early twentieth century China." Columbus, Ohio : Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1079634774.

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Thesis (Ph. D.)--Ohio State University, 2003.<br>Title from first page of PDF file. Document formatted into pages; contains xxxiii, 445 p.; also includes graphics (some col.). Includes abstract and vita. Advisor: Julia F. Andrews, Dept. of History of Art. Includes bibliographical references (p. 317-251).

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Johnson, Samuel. ""The Architecture of the Book": El Lissitzky's Works on Paper, 1919-1937." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17463124.

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Although widely respected as an abstract painter, the Russian Jewish artist and architect El Lissitzky produced more works on paper than in any other medium during his twenty year career. Both a highly competent lithographer and a pioneer in the application of modernist principles to letterpress typography, Lissitzky advocated for works of art issued in “thousands of identical originals” even before the avant-garde embraced photography and film. Lissitzky also devoted more effort to theorizing what he called “the architecture of the book” than to any other single issue, publishing statements i

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Farman, Nola. "The humours of the artists' book." View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/25097.

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Thesis (Ph.D.)--University of Western Sydney, 2007.<br>A thesis submitted to the University of Western Sydney, College of Arts, Writing and Society Research Group in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographical references.

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Helland, Madeline. "Field Guide." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1182.

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Field Guide is a mixed-media artist book detailing the exploration of a fictitious culture through cartography, narrative, and illustration. It is presented through the lens of an amateur archaeologist, navigating a chain of islands to search for ruins and artifacts. In part, the project is focused on the fantasy of an imagined world. The island chain is a place entirely of my own creation. By creating the viewpoint of an outside explorer, it was possible to navigate through this world. Although I, as the artist, can know everything about this fictitious world, adopting the perspective of some

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Blaževičiūtė, Aistė. "Netradicinių knygų-objektų grupė "City book"." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140227_143548-06926.

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Magistro darbo objektas - netradicinių, rankų darbo įrišimo knygų-objektų grupė „City Book“, kuria siekiama plėtoti senąsias knygų įrišimo technikas, paskatinti šiuolaikinius, nuo skaitmeninių technologijų vis labiau priklausomus žmones, prisiminti jau primirštą knygą ir skaitymą, kaip dvasinį ir kultūros paveldo šaltinį. Magistro darbą sudaro dvi: teorinė ir praktinė dalys. Pirmajame skyriuje pateikiama susisteminta rašto atsiradimo ir vystymosi chronologija. Aprašoma knygos raida. Nagrinėjamas knygos statusas šiuolaikinėje skaitmeninėje eroje. Antrajame skyriuje pateikiama glausta knygri

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Sterling, Philippe Robert. "The contribution of rhetorical art to the message of the book of Ruth." Theological Research Exchange Network (TREN), 1985. http://www.tren.com.

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Teeter, Allison M. "Never judge a book by its cover : a sociological examination of body art." Thesis, Manhattan, Kan. : Kansas State University, 2008. http://hdl.handle.net/2097/737.

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Benson, Natalie Jane Allen. "The (un)cut painter's book: redefining a literary-arts genre." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/6056.

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The purpose of this dissertation is to present a clear characterization and history of the painter’s book in France, and distinguish the genre from other book arts; to examine the works as inseparable objects through bibliographic, auratic, and site-specific theory; and to explore specific instances that illuminate the socio-cultural context and historic era of the work, and the necessary interdependence of image-text. Painter’s book projects are novels, poems, plays, and short compilations, with or

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Nishita, Lily. "Ark ruffians comic book /." Click here to view, 2009. http://digitalcommons.calpoly.edu/artsp/33.

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Thesis (B.F.A.)--California Polytechnic State University, 2009.<br>Project advisor: Mary LaPorte. Title from PDF title page; viewed on Jan. 21, 2010. Includes bibliographical references. Also available on microfiche.

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Meyer, Linda M. "Discovering the Nuances in the Book of Hours of the Virgin: A Book of Hours in the Toledo Museum of Art (1955.28)." University of Toledo / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1305040445.

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29

Edholm, Rosalie. "Portrait: A Graphic Novel and Artist's Book." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/scripps_theses/24.

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At this exact moment, graphic novels are enjoying a heyday of popularity, profusion and attention. As the graphic novel medium matures and detaches itself from the “non-serious” reputation of comics, it is becoming clear that graphic novels are a powerful and effective art form, using the both verbal and the visual to relay their narratives. Portrait, the short graphic novel that is my senior art project, is intended to emphasize the artist’s book character of the graphic novel, and serve as an example of how a graphic novel’s artist’s book characteristics allow communication of the artist’s

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Davila, Victor. "THE ILLUSION OF ART: MY AMALGAMATION OF ILLUSTRATION AND CONTEMPORARY ART." Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3753.

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Drawing on archetypical aspects of human characteristics and personalities, I create images that illustrate our connection to memory, media, and culture. My work is informed by pop culture, including television, movies, cartoons and comic books as it relates to characters in our own physical world and society. The grid is used to represent both childhood games and the frames of a comic strip, where each panel equals an exact moment of time.<br>M.F.A.<br>Department of Art<br>Arts and Humanities<br>Studio Art and the Computer MFA

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Janezic, Alexandra Katarina. "A certain rhythm, a certain knowing." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1644.

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32

Rue, Stephanie J. "Via negativa." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1742.

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Via Negativa is my response to a linear, rational, Western framework of expressing and experiencing religion, as well as of reading. This project represents a shift away from Protestant Reformed thinking. It has meant an embrace of the unknown, a celebration of darkness, and an exploration of ancient religious texts to find meaning. This essay describes formative experiences and past artwork leading up to Via Negativa, as well as a description of the project itself.

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Luz, Jillian E. "Exploration of the Process of an Altered Book Project With Women Cancer Survivors." Digital Commons at Loyola Marymount University and Loyola Law School, 2016. https://digitalcommons.lmu.edu/etd/291.

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This research examines the experience of a long-term creative arts project within a women’s cancer support group. Specifically, the research explores the effects of a creative arts project on quality of life. Literature describing cancer support groups has been reviewed, as well as literature published which specifically studied the effects of art therapy with those living with from medical illnesses including, but not limited to, cancer. Qualitative data was gathered through surveys, interviews, and by analysis of the creative art projects. Group participants were offered the directive to cre

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Stillinger, Thomas C. "The song of Troilus : lyric authority in the medieval book /." Philadelphia (Pa.) : University of Pennsylvania Press, 1992. http://catalogue.bnf.fr/ark:/12148/cb35659449r.

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Kailiuvienė, Midona. "Autorinė knyga ir jos dizainas." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2005. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2005~D_20050609_131702-92775.

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The final paper is devoted to the rather new phenomenon in the world of books – to the artist’s copyright book. It is thirty years old only, however, already three exhibitions of “artist’s” book were arranged. Objective of the final paper is to show historical development of the book origin and finishing with modern book and book’s form, destination, material changes are considered here. These are Sumerian clay tables and Egyptian papyrus and the Middle Ages’ manuscripts and the book which today we cal call classic with its canons and standards. Simultaneously, development of post services is

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Siebers, Ellen Mary. "Telescope or microscope." Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/2987.

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37

Sonnet, Jean-Pierre. "The book within the book : writing in Deuteronomy /." Leiden ; New York ; Köln : E. J. Brill, 1997. http://catalogue.bnf.fr/ark:/12148/cb37206800b.

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38

Agnell, Emma. "Terminology and function hybridity : A functionalist approach to the translation of an art history book." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-56717.

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This essay discusses two aspects of the retention of pragmatic text functions in translation. The functionalist approach that was used focuses on achieving congruence between the author’s intended function and the perception of the reader, i.e., the target text’s actual function. The first aim was to examine whether a focus on text functions can be beneficial when translating terminology. The second aim was to investigate if a functionalist approach can be used to assure that all functions are retained for instances where the source text encompasses more than one pragmatic function. For the pu

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Philippi, Simone [Verfasser], and Antje von [Akademischer Betreuer] Graevenitz. "International Art Book Publishing. Internationalisierungskonzepte deutscher Kunstbuchverlage seit 1990 / Simone Philippi ; Betreuer: Antje von Graevenitz." Heidelberg : arthistoricum.net, 2005. http://d-nb.info/118793528X/34.

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Cotten, Nicole. "Fool's gold." Thesis, University of Iowa, 2018. https://ir.uiowa.edu/etd/6086.

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Fool’s Gold is a collection of handmade books that illustrate selected Grimms’ fairy tales and offer an unexpected interpretation of the actions of the heroes. Each book displays a unique cover decoration, inspired by medieval European treasure bindings. Treasure bindings incorporate dimensional decorative elements such as gems, gold or other metalwork and often depict Christ's suffering. In a similar way, Fool's Gold beautifies the suffering of the protagonists using gold leaf, glass beads and lush

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Osborne, Carol Margot. "Pierre Didot the Elder and French book illustration, 1789-1822." New York : Garland Pub, 1985. http://catalog.hathitrust.org/api/volumes/oclc/12050279.html.

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42

Nobles, Heidi Gabrielle Barcus James E. "A collaborative work of art in action : the 1979 American Book of Common Prayer, Rite II /." Waco, Tex. : Baylor University, 2006. http://hdl.handle.net/2104/4836.

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Drinková, Kristína. "Monografie." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2019. http://www.nusl.cz/ntk/nusl-396096.

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The aim of the diploma thesis is the graphic processing of the monographic publication of Kateřina Šedá. In my work I refer to the cooperation of designer, author and curator, with many aspects that influence us in the process of creation and define the result. The work of Kateřina Šedá consists predominantly of participatory actions, often linked to a specific place (excluded locality, housing estate, village), with events, interactions and the experiences of many people being the key output. The aim of the monograph is to provide a clear report on major authorial projects in one comprehensiv

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Sandoval, Elizabeth Marie. "A Material Sign of Self: The Book as Metaphor and Representation in Fifteenth-Century Northern European Art." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1531875789992912.

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Kitzinger, Beatrice. "Cross and Book: Late-Carolingian Breton Gospel Illumination and the Instrumental Cross." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10183.

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Crosses made in metal, paint, or stone stand at a singular intersection of past, present and future in the early medieval period. The historical cross of Golgotha is the source of such manufactured crosses’ form and power. Most also represent the theology of the Cross through their form and decoration, describing the soteriology of the crucifixion and anticipating its consummation at the end of time. As manufactured crosses recount the past and look forward to the eschaton, they concurrently function in the age of the Church, offering specific, contemporary points of access to all the larger c

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Norrman, Peter. "An artist book as an essay and an object." Thesis, Konstfack, Institutionen för Konst (K), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6817.

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I am using the essay as a vehicle to make an artist book. The essay functions on several levels: As my master essay text. As an artist book and stand alone object. As a way to distill my artistic production during my time at Konstfack into a new work. It is my attempt at creating both textworks and photobased elements that together seek to create a probe into the printed publication as another a form of montagéd cinema.

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Wang, Lorraine. "You’re Not a Superhero, or Even an Artist! How the “Alias” Comic Book Holds the Answers." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/800.

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Superhero comic books are not art, and middle-aged, non-white women are not superheroes. I seek to disprove both of these assumptions, and I use the "Alias" comic books from 2001-2004 for my argument.

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Chenault, Wesley. "Working the Margins: Women in the Comic Book Industry." unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-04232007-124907/.

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Thesis (M.A.)--Georgia State University, 2007.<br>Title from file title page. Marian Meyers, committee chair; Layli Phillips, Amira Jarmakani, committee members. Description based on contents viewed June 3, 2008. Includes bibliographical references (p. 120-123).

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Baldwin, Frances Novier. "The Passage of the Comic Book to the Animated Film: The Case of the Smurfs." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc84167/.

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Annotation:

The purpose of this study is to explore the influence of history and culture on the passage of the comic book to the animated film. Although the comic book has both historical and cultural components, the latter often undergoes a cultural shift in the animation process. Using the Smurfs as a case study, this investigation first reviews existing literature pertaining to the comic book as an art form, the influence of history and culture on Smurf story plots, and the translation of the comic book into a moving picture. This study then utilizes authentic documents and interviews to analyze the pe

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Baines, Lorena. "The artist's devices Illusionism and imagination in Gerrit Dou's 'Painter with a Pipe and Book' (Netherlands) /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 1.90 Mb, 52 p, 2005. http://wwwlib.umi.com/dissertations/fullcit/1428198.

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