Thematische Bibliographien / Artificial life – fiction

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte
  6. Berichte der Organisationen

Auswahl der wissenschaftlichen Literatur zum Thema „Artificial life – fiction“

Autor: Grafiati
Veröffentlicht am 28. Juli 2024
Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Artificial life – fiction"

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Kelley, Robert T. "A Maze of Twisty Little Passages, All Alike: Aesthetics and Teleology in Interactive Computer Fictional Environments." Science Fiction Studies 20, Part 1 (1993): 52–68. https://doi.org/10.1525/sfs.20.1.052.

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Interactive fictions, particularly computer-simulation games, engage the user as a co-creator of a fictional world. Recognizing that the interactive freedom he or she experiences even in the most complex of interactive fictions is a mirage, the user can become keenly aware of the teleology inherent in all fictional works. At their best, however, these interactive fictions are less like novels and more like children’s games of make-believe in which objects and stories serve as props in an intensely creative world-building environment or as extensions of real life with gamelike qualities. The bu
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Li, Bin. "AI in oncology: when science fiction meets reality." Artificial Intelligence in Oncology 1, no. 1 (2018): 001–2. http://dx.doi.org/10.52454/aio.v1i1.5.

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Artificial intelligence has long been a hot topic in the science fiction books and movies. But now it seemingly has stepped into our real life in a variety of forms. In this brief editorial, we discuss the various aspects of AI utilizations in our day-to-day life and foresee its applications in oncology.
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Ventura, Oscar N. "From science-fiction to present life." Physics of Life Reviews 32 (March 2020): 121–23. http://dx.doi.org/10.1016/j.plrev.2019.09.006.

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Ramani, Pramila. "Artificial Intelligence in Higher Education and Changing roles of Educators." World Journal of Educational Research 9, no. 2 (2022): p56. http://dx.doi.org/10.22158/wjer.v9n2p56.

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Artificial intelligence has created many imagination among movie makers, cartoonists and science fiction authors they imagined how AI will change our life. Even though it has not changed our life as they imagined but it has entered in every aspect of our life. This paper discusses about the basic things about artificial intelligence. Artificial intelligence mainly uses computer science, robust data base, and our structure of our brain, nervous system and learning theory from psychology. Artificial intelligence has wide applications in higher education especially in teaching and learning proces
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Malvestio, Marco. "The Living Landscape of Il grande rItratto." Quaderni d'italianistica 43, no. 3 (2023): 103–20. https://doi.org/10.5281/zenodo.8215526.

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This essay discusses Dino Buzzati’s Il grande ritratto (Larger than Life) in the theoretical coordinates provided by ecocritical reflections on science fiction. Examining the science fictional dimension of Il grande ritratto is useful both to underline the close ties the author had with the genre from a historical perspective, and to highlight the possibilities presented by science fiction in terms of the representation of technological innovations and the environment. By analyzing the nature-technology hybrid in Il grande ritratto, the essay highlights how Buzza
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Finley, Thomas K. "The Democratization of Artificial Intelligence: One Library’s Approach." Information Technology and Libraries 38, no. 1 (2019): 8–13. http://dx.doi.org/10.6017/ital.v38i1.10974.

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This article argues that the current technological revolution that is happening in Artificial Intelligence is not just about its prevalence in daily life, but the real revolution is about the emergence of AI tools that may help to democratize its use. Lowering the barrier to a technology that is perceived more as science fiction than accessible for mass utilization. A Public Library shares its approach in leveraging available tools to enable AI education for all.
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Žiūraitė-Pupelė, Justina. "Dirbtinis intelektas moterišku kūnu filmuose Ex Machina ir Ji." Athena: filosofijos studijos 16 (December 30, 2021): 69–90. http://dx.doi.org/10.53631/athena.2021.16.5.

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The article explores how artificial intelligence is constructed in a female body and showcases the boundaries between human and technological traits, as well as the relationship between human beings and technology. The article defines the notion of artificial intelligence and discusses how artificial intelligence is portrayed in science fiction films. The article does not attempt to provide new theoretical insights into artificial intelligence but, instead, to show how artificial intelligence is characterised in the context of modern science fiction films. Two contemporary science fiction film
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Fahn. "Affective Embodiment and the Transmission of Affect in Ex Machina." Philosophies 4, no. 3 (2019): 53. http://dx.doi.org/10.3390/philosophies4030053.

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The focus of posthuman thought centers on a shift in the humanistic paradigm; focusing on a state of existence that lies beyond being “human”, including bioengineering, artificial intelligence, and synthetic embodiment. Inspired by continuous breakthroughs in the research and creation of artificial intelligence, science fiction has moved beyond the realm of portraying artificial intelligence that is capable of conscious thought to speculate upon a future creation of machines that feel, and initiate feeling in return. The influence of posthuman discourse is prevalent in science fiction film nar
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Akhmedov, Rafael. "THE THEME OF AI TECHNOLOGIES IN AMERICAN SCIENCE FICTION." TADQIQOTLAR 35, no. 3 (2024): 84–87. https://doi.org/10.5281/zenodo.10938837.

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Artificial Intelligence (AI) has long captivated the imagination of American science fiction writers and filmmakers, serving as a central theme in exploring the possibilities and consequences of advanced technology. From the early days of American science fiction literature, AI has been portrayed in various forms, often as a reflection of society's fears and aspirations regarding technology. As the genre evolved over time, AI characters in contemporary American science fiction films have become more complex and nuanced, reflecting the changing attitudes towards technology and its integration i
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Iftikhar, Kinza, Muhammad Shoaib, Sonia Salam, and Umar Shehzad. "AI as an active inhabitant of postmodern life: exploring hyperreality and paranoia in the film 2047 Virtual Revolution." Journal of Humanities, Social and Management Sciences (JHSMS) 5, no. 2 (2024): 232–46. https://doi.org/10.47264/idea.jhsms/5.2.15.

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The postmodern age is characterised by extreme paranoia in which we are deceived by artificial intelligence. Digitalisation is a central trope of this age, and hyperreality hinders our view of reality. People live in a simulation world where reality and fiction are no longer distinct. Images have become a reality for them. This research analyses the film 2047: Virtual Revolution in relation to Baudrillard’s concept of hyperreality and its connection to paranoia. It further sheds light on the continuous surveillance of artificial intelligence in people's lives. The film reveals that governments
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Dissertationen zum Thema "Artificial life – fiction"

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Warren, John Rodger. "A visual examination of artificial life and science fiction using 3D computer graphics and animation." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1382949898.

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Kampf, Raymond William. "Fauxtopia." VCU Scholars Compass, 2004. http://scholarscompass.vcu.edu/etd/749.

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To all who come to this fictitious place:Welcome.Fauxtopia is your land. Here, age relives distorted memories of the past, and here, youth may savor the challenge of trying to understand the present. Fauxtopia is made up of the ideals, the dreams and the fuzzy facts which have re-created reality... with the hope that it will be a source of edutainment for all the world.Ray KampfFauxtopia DedicationApril 1st, 2004
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Bücher zum Thema "Artificial life – fiction"

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Chen, Qiufan. Ren sheng suan fa: The algorithms for life. Zhong xin chu ban ji tuan gu fen you xian gong si, 2019.

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Shirley, John. Crawlers. Del Rey, 2003.

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Banks, Iain M. Les enfers virtuels. Librairie générale française, 2013.

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Card, Orson Scott. Earthborn. TOR, 1995.

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Card, Orson Scott. Earthborn. Tor, 1995.

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Lerner, Edward M. Fools' experiments. Tor, 2008.

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Card, Orson Scott. The memory of earth. Century, 1992.

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Card, Orson Scott. The memory of earth. TOR, 1993.

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Card, Orson Scott. The memory of earth. Century, 1992.

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Card, Orson Scott. The memory of earth. TOR, 1992.

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Buchteile zum Thema "Artificial life – fiction"

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Innerhofer, Roland. "The End of Humanity’s Monotony: Posthumanism and Artificial Life in Dietmar Dath’s The Abolition of Species and Venus’ Victory." In Studies in Global Science Fiction. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95963-0_10.

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Larrodera-Arcega, Laura. "Indenture Rights for All: Challenging the Human Status Quo in Annalee Newitz’s Autonomous." In The Posthuman Condition in 21st Century Literature and Culture. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-83701-2_5.

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Abstract Recent developments in Artificial Intelligence and biotechnology have made necessary an ethical perspective in the configuration of the posthuman. A key issue in that respect is that of robot agency. These concerns have started to be explored in science fiction, a mode of writing that has proved particularly apt for problematizing these ontological and ethical debates. This chapter examines Annalee Newitz’s robot narrative Autonomous (2017), relying on critical posthumanist thought, queer theory and Luciano and Chen’s concept of the inhuman (2015). Focusing on the figure of biobots an
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Zebrowski, Robin L. "I’m Afraid HAL Can’t Do That: Your Smart Home Is Not That Kind of Existential Threat." In Smart Life and Smart Life Engineering. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-75887-4_6.

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Abstract This chapter starts at the cliché of the smart home that has gone rogue and introduces the question of whether these integrated, distributed systems can have ethical frameworks like human ethics that could prevent the science fictional trope of the evil, sentient house. I argue that such smart systems are not a threat on their own, because these kinds of integrated, distributed systems are not the kind of things that could be conscious, a precondition for having ethics like ours (and ethics like ours enable the possibility of being the kinds of things that could be evil). To make thes
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Fischer, Roland. "Impostor Syndrome." In Edition Museum. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839467107-018.

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This text delves into the role of fiction and storytelling in the context of GPT-3, a powerful language model with the ability to generate human-like text. Drawing from fiction theory and historical examples of illusionism such as the Mechani- cal Turk, the discussion highlights the potential of GPT-3 for entertainment and creative applications. By examining the connection between the art of storytelling, imposture, and the emergence of artificial intelligence, the text provides insights into the blurred boundaries between human and machine-generated content. The discussion also considers the
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Avin, Shahar. "8. Exploring Artificial Intelligence Futures." In An Anthology of Global Risk. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0360.08.

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This chapter presents a survey of the different methods available for the exploration of Artificial Intelligence futures, from fictional narratives to integrative, interdisciplinary, and participatory methods of exploring AI futures. Examining these different methods and tools, this chapter provides the advantages and limitations of each one, recognising that although no tool can reliably predict the future of AI, they are useful in reducing possible future surprises and creating a platform which enables conversations about what we want the future to look like. The author suggests a collaborat
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Poerio, Michael A., and Erik Stengler. "The Evil Corporation Trope: An Analysis of Popular Science-Fiction Films." In Science Communication and Trust. Springer Nature Singapore, 2025. https://doi.org/10.1007/978-981-96-1289-5_15.

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Abstract Popular culture, in general, and movies, in particular, are one of the major influences on the public’s perception of science, and therefore on the level of trust audiences feel inclined to put in science. The science communication community has made great progress in helping the entertainment industry move away from stereotypes like the crazy-haired old white male scientist in a dungeon laboratory and more accurately portraying scientists and scientific work to better reflect the diverse reality of scientific research in media. This has been achieved through constructive collaboratio
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Sorensen, Eli Park. "Blade Runner and the Right to Life." In Science Fiction Film. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474481847.003.0005.

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This chapter reads Ridley Scott’s Blade Runner alongside the first volume of Michel Foucault’s History of Sexuality in order to investigate the notions of “human” and “rights”. Foucault’s concept of sovereignty in many ways extends Schmitt’s notion of the sovereign’s right to declare the exception. Foucault develops a series of arguments on what he describes as the right to life. This right to life is one of the main themes in Blade Runner, which tells the story of a group of replicants (human-like robots) returning to Earth in search of more life. On Earth, however, they are outlawed, and mos
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"5 The Digital Fiction- Making Process: Speculative Praxis and Techno- Utopian Agency." In My Life as an Artificial Creative Intelligence. Stanford University Press, 2022. http://dx.doi.org/10.1515/9781503631717-005.

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"ARTIFICIAL INTELLIGENCE IN DYSTOPIAN AND UTOPIAN FICTION." In Key Insights from Harnessing AI, Machine Learning, and IoT for Smart Business. Iterative International Publishers, Selfypage Developers Pvt Ltd, 2025. https://doi.org/10.58532/nbennurkich7.

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This chapter, "Artificial Intelligence in Dystopian and Utopian Fiction," explores the transformative relationship between artificial intelligence (AI) and robotics, highlighting their historical evolution and current integration. It examines the fundamental concepts underpinning both fields, including machine learning, computer vision, and natural language processing, while also addressing contemporary trends in automation across various sectors, such as manufacturing, healthcare, and everyday life. The chapter identifies key challenges in their integration, including technical limitations, e
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Sorensen, Eli Park. "Escaping the Production of Bare Life: Blade Runner 2049 and the Miracle of Birth." In Science Fiction Film. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474481847.003.0007.

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If Scott’s Blade Runner centered on the right of the traditional sovereign to kill when it is no longer possible to clearly distinguish human from non-human, Denis Villeneuve’s Blade Runner 2049 (2017) is primarily about the right to create life. The central incident in the sequel is in a sense a natural development from the events that unfolded in the first film; namely, the two lovers (Deckard and Rachael) having a child together. It is an event that even more radically than in the first film questions the distinctions between the natural and the artificial, the human and the replicant. In t
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Konferenzberichte zum Thema "Artificial life – fiction"

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Canizares, Galo. "Stranger than Fiction: Artificial Intelligence, Media, and the Domestic Realm." In 105th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2017. http://dx.doi.org/10.35483/acsa.am.105.76.

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Alan Kay’s famous soundbite from a 1971 Xerox PARC (Palo Alto Research Center) meeting presents a bizarre chicken and egg paradox. It goes like this: which came first, the science fiction representation of the objector the desire for specific objects themselves? In other words, is the plethora of technological advancements a direct result of anthropomorphic inevitabilities or are we simply trying to realize objects, vehicles, and environments we saw in science fiction representations in the mid-twentieth century? In this paper, I will argue that media and literature are equally as responsible
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Polydorou, Doros. "The Fall of R’Thea: Digital Fiction." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-76-full-polydorou-digital-fiction.

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This paper outlines the creative process and the immersive approaches undertaken to create the location-based storytelling experience The Fall of R’Thea. The installation revolves around the theme or Artificial Intelligence, digital humans and artificial life and aims to immerse the users into a hybrid environment of a physical and virtual nature. The experience is told through multiple mediums, and the story needs to be carefully pieced together by the audience. As this experience requires participants to engage in various activities, the immersive qualities shift in type and intensity. The a
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Mannarswamy, Sandya, and Shourya Roy. "Evolving AI from Research to Real Life – Some Challenges and Suggestions." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/717.

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Artificial Intelligence (AI) has come a long way from the stages of being just scientific fiction or academic research curiosity to a point, where it is poised to impact human life significantly. AI driven applications such as autonomous vehicles, medical diagnostics, conversational agents etc. are becoming a reality. In this position paper, we argue that there are certain challenges AI still needs to overcome in its evolution from Research to Real Life. We outline some of these challenges and our suggestions to address them. We provide pointers to similar issues and their resolutions in disci
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Volosciuc, Ina. "The role of AI in developing English." In Conferința științifică națională cu participare internațională "Integrare prin cercetare și inovare" dedicată Zilei Internaționale a Științei pentru Pace și Dezvoltare. Moldova State University, 2025. https://doi.org/10.59295/spd2024u.27.

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Artificial Intelligence (AI) has rushed into the modern world, revolutionizing certain areas of life. However, AI is no longer science fiction, it is a reality we are dealing with as software and platforms are used daily by all digital humanity. Therefore, the article under consideration is aimed at reflecting on the historical aspects of AI, its role in the development of the English language, focusing on the variety of AI neologisms created under its influence, as well as their identification in online dictionaries.
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Smetana, Vladimir Vasilyevich. "THE DIGITAL DOPPELGANGER AND THE DIGITAL GHOST: THE ETHICAL AND SOCIAL CONSEQUENCES OF HUMAN IMITATION IN THE DIGITAL AGE." In Themed collection of papers from Foreign international scientific conference «Joint innovation - joint development». Part 1. by HNRI «National development» in cooperation with PS of UA. May 2024. - Harbin (China). Crossref, 2024. http://dx.doi.org/10.37539/240530.2024.67.94.013.

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The 21st century has been marked by unprecedented progress in the field of information technology, artificial intelligence (AI) and big data analysis. These achievements not only transform familiar spheres of life, but also pose new, sometimes existential questions to humanity related to the very understanding of life, death and the human personality. One of the most striking illustrations of these transformations is the emergence of digital twins - dynamic, updatable digital models of real people capable of imitating their behavior, preferences, and even making decisions. Digital twins are in
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Vale, Constance. "Image Fictions: Fabricating Worlds." In 109th ACSA Annual Meeting Proceedings. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.am.109.57.

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Images play a central role in contemporary culture, and it is crucial that architects understand, control, and engineer their political forces.¹ From hyper-real simulations to machine vision, the structure and way that images are mobilized is changing. Photorealistic techniques and data-driven ones are entrusted as “objective” image types, often deployed to represent reality, truth, or facts, when in actuality, they can be used to call those into question through critical narratives. This paper investigates the potential of images to cultivate conversations about emerging technology’s implicat
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Pons, V., and J. Gomes. "Automatic Iteration on Viscous Damping for Optimal SRP Well Control." In SPE Artificial Lift Conference and Exhibition - Americas. SPE, 2024. http://dx.doi.org/10.2118/219564-ms.

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Abstract A new methodology for automatic iteration on viscous damping enhanced with state-of-the-art pump fillage, fluid load lines and valve openings and closing calculation is presented. Field results showing the impact of the methodology in diagnosing downhole conditions, improving inferred production, fluid level, pump intake and horsepower calculations are shown. The new approach uses a wave equation model with iteration on viscous damping paired with a traveling valve and standing valve calculation. Pump fillage and fluid load lines are calculated, which enables calculation of mechanical
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Chkheidze, Paata. "The Type of a Hero in Anglo-Saxon Epic and Georgian Folklore/Mythology." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8933.

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The hero, as the main constituent of fiction, experienced a palpable, almost absolute devaluation from medieval literary texts before William Thackeray declared the arrival of a novel without a hero and since then, with varying degrees of success, writers have tried to bring back the hero in fiction but mostly in vain. It should not be surprising that similar processes take place in the texts of geographically and culturally distant literatures. The current research is about the hero of Anglo-Saxon heroic epic “Beowulf” and the hero of the Georgian folk ballad Iakhsari. A comparative analysis
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Сметана, Владимир Васильевич. "IDENTITY AND AUTHENTICITY IN THE AGE OF DIGITAL COPIES OF CONSCIOUSNESS." In Научные исследования по перспективным направлениям как основа инновационного совершенствования: сборник статей международной научной конференции (Санкт-Петербург, Август 2024). Crossref, 2024. http://dx.doi.org/10.58351/240815.2024.61.36.002.

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Стремительное развитие технологий искусственного интеллекта и нейронаук открывает перед человечеством захватывающие перспективы, среди которых особое место занимает возможность создания цифровых копий сознания. Эта концепция, ранее существовавшая лишь в области научной фантастики, сегодня становится все более реальной, вызывая бурные дискуссии и поднимая фундаментальные вопросы о природе личности, идентичности и подлинности. На данный момент исследования в области создания цифровых копий сознания находятся на начальном этапе, но уже достигнуты значительные успехи в моделировании нейронных сете
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Vidali, Maria. "Liminality, Metaphor and Place in the Farming Landscape of Tinos: The Village of Kampos." In GLOCAL Conference on Mediterranean and European Linguistic Anthropology Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/comela22.1-6.

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This research explores the farming landscape and village life in Kampos, a village on the Greek island of Tinos. Tinos is an Aegean island with a long history of agriculture. In Kampos, one of the oldest farming villages of Tinos, boundaries created by low stone walls and alleyways primarily define the farming landscape that permeates village life and its structure. The landscape appears semi-artificial, given the construction of countless rows of cultivation ridges and terraces. Boundaries on the island appear through texts, space, movement and habit, thus creating. a series of liminal spaces
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Berichte der Organisationen zum Thema "Artificial life – fiction"

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Murray, Chris, Keith Williams, Norrie Millar, Monty Nero, Amy O'Brien, and Damon Herd. A New Palingenesis. University of Dundee, 2022. http://dx.doi.org/10.20933/100001273.

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Robert Duncan Milne (1844-99), from Cupar, Fife, was a pioneering author of science fiction stories, most of which appeared in San Francisco’s Argonaut magazine in the 1880s and ’90s. SF historian Sam Moskowitz credits Milne with being the first full-time SF writer, and his contribution to the genre is arguably greater than anyone else including Stevenson and Conan Doyle, yet it has all but disappeared into oblivion. Milne was fascinated by science. He drew on the work of Scottish physicists and inventors such as James Clark Maxwell and Alexander Graham Bell into the possibilities of electroma
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