Thematische Bibliographien / Artistic

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte
  6. Berichte der Organisationen

Auswahl der wissenschaftlichen Literatur zum Thema „Artistic“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 25. Juli 2025

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Zeitschriftenartikel zum Thema "Artistic"

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Buranova, Barno. "CONNECTION BETWEEN ARTISTIC EDITING AND ARTISTIC TRANSLATION." American Journal Of Social Sciences And Humanity Research 4, no. 9 (2024): 63–69. http://dx.doi.org/10.37547/ajsshr/volume04issue09-10.

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This scientific article investigates the necessity of adhering to linguistic norms and existing editorial principles when editing literary translations from foreign languages, taking into account the shared aspects of translation and editorial criteria. The study focuses on the quality of editing the Uzbek translation of the novel The Alchemist, compared to its English and Russian versions. It examines issues such as preserving the semantic features of the text during the editing process and provides suggestions and recommendations for addressing shortcomings that arise in the editorial proces
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Sunardi. "Sunardi KREASI DAN INOVASI SENI PERTUNJUKAN WAYANG SEBAGAI PENGUATAN PRE-ARTISTIC RESEARCH UNIVERSITY." PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT 3 (February 17, 2021): 5–15. http://dx.doi.org/10.33153/semhas.v3i0.131.

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Tulisan ini bertujuan memaparkan hasil kreasi dan inovasi seni pertunjukan wayang sebagai upaya penguatan pre-artistic research university di Institut Seni Indonesia (ISI) Surakarta. Penelitian artistik menjadi penciri utama ISI Surakarta yang terejawantahkan dalam kegiatan pengajaran, penelitian, dan pengabdian masyarakat. Kreasi dan inovasi seni pertunjukan wayang sebagai bagian dari penelitian artistik perlu dikembangkan secara berkelanjutan. Beberapa persoalan yang dibahas pada tulisan ini: (1) pentingnya roadmap penelitian seni pertunjukan wayang; (2) metode kreasi dan inovasi wayang seba
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Wannawattawong, Raksarn, Narong Khamwijit, and Emeritus Sakda Pannengpetch. "A STUDY ON ARTISTIC STYLES AND ARTISTISM IN MUSICAL PERFORMANCE." EUrASEANs: journal on global socio-economic dynamics, no. 3(46) (May 30, 2024): 447–53. http://dx.doi.org/10.35678/2539-5645.3(46).2024.447-453.

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Musical performance represents a secondary creation of musical works, necessitating performers to possess a high level of artistic cultivation and a deep understanding of the artistic style inherent in the music. Performers must bring unique aesthetic characteristics to their performances. The performer's personality, temperament, and experience, along with the local cultural background, influence the artistic style in musical performance. Therefore, performers must specifically analyze these influencing factors and explore methods of artistic expression in musical performance. By accurately u
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Mammadov, M. "CRAFT SMANSHIP IN SETTAR BAHLULZADE CREATION ISSUES." POLISH JOURNAL OF SCIENCE, no. 67 (October 17, 2023): 26–27. https://doi.org/10.5281/zenodo.10012593.

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Thesis is a well-known brush master of Azerbaijan. It is dedicated to the artistic issues observed in the work of the people's artist Sattar Bahlulzade. The 34-year period of artistic research, which included portrait, landscape and still life genres in the artist's work, was rich in research. This manifested itself primarily in the performance of works of different genres with different artistic interpretations. In this sense, it should be noted that the artist's handwriting was changed several times. This is also confirmed by the fact that the artist's artistic heritage was expressed in real
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Mani, Pedro Yugo Sano, and Erik Gabriel Cunha Linhares. "WHY ARTISTIC RESEARCH MATTERS:." Infinitum: Revista Multidisciplinar 7, no. 13 (2024): 52–78. https://doi.org/10.18764/2595-9549v7n13.2024.11.

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This text discusses, from the perspective of two brazilian artist-researchers, on the relevance of The Artistic Turn: A Manifesto, an important work written by Kathleen Coessens, Darla Crispin and Anne Douglas in 2009. Focusing on the sixth and last chapter of The Artistic Turn, entitled "Why artistic research matters?", we discuss developments and changes in the realm of AR, investigating the differences between european and brazilian environments and taking into account the idiosyncrasies of carrying out Artistc Research in our context.
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PROKOPCHUK, Inna. "MONTAGE AS A FORM OF ARTISTIC THINKING IN THE WORKS OF UKRAINIAN AVANT-GARDE ARTISTS." Bulletin of the Lviv University. Series of Arts Studies 199, no. 23 (2022): 3–16. http://dx.doi.org/10.30970/vas.23.2022.12188.

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The study aims to highlight the concept of understanding the category of montage as a cultural phenomenon that realizes itself as a formative principle of cultural morphology and represents the artistic embodiment of the worldview and socio-cultural attitudes of modernism. Without pretending to be comprehensive, the research focuses on the artistic and technological universality of montage as a tool of artistic perception and reflection of reality in various types of art of the Ukrainian avant-garde of the first third of the twentieth century. On the basis of scientific works,the author determ
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Władyka-Łuczak, Zofia. "Artistic Inspiration: Initiation of an Artistic Communication." Acta Universitatis Lodziensis. Folia Litteraria Polonica 54, no. 3 (2019): 223–36. http://dx.doi.org/10.18778/1505-9057.54.13.

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The article is an attempt to answer the question: When and why is artistic communication initiated?The analysis which leads to the final conclusion was conducted on the basis of an autoethnographic analysis of the process of creating Pomnik Początków Miasta Łodzi (Monument to the Beginnings of Łódź). Its main element was the search for the border between the pre-creative and the creative states during an artist’s work. The analysis indicated that: “Regardless of whether I am working on a sculpture which was commissioned or a sculpture for myself, the processes of triggering precreative and cre
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Jeffery, Brian. "Artistic Dialogue and Artistic Exchange through Movement." Congress on Research in Dance Conference Proceedings 2012 (2012): 81–84. http://dx.doi.org/10.1017/cor.2012.3.

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This article will narrate the process of working in artistic collaboration utilizing traditional Ghanaian dance forms and Western dance-making methods while incorporating a common artistic thread between the two cultures. Invited to create a new work of choreography for the Ghana Dance Ensemble (GDE), the author as guest artist choreographer explored ways of creating a hybrid dance work that honored the artistic footprint of GDE. The choreographer engaged company members, consisting of both dancers and musicians, in daily rehearsals and dialogue about the artistic process and the aesthetic roo
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Zeng, Qingliang. "Research on the Aesthetic Orientation of Artistic Creation in Virtual Reality Scenes." Journal of Education and Educational Research 9, no. 2 (2024): 34–38. http://dx.doi.org/10.54097/zww7cr98.

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With the advancement of science and technology, virtual reality technology has gradually penetrated into the field of artistic creation, providing artists with a new creative platform and aesthetic experience space. This paper explores the aesthetic orientation of artistic creation in virtual reality scenes and its influencing factors, so as to provide useful reference for researchers and practitioners in related fields. Through the discussion of immersive aesthetic experience, interactive aesthetic participation and diversified aesthetic expression, it reveals how virtual reality technology b
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Hala, Majlinda, and Nazmi Xhomara. "Didactic-Artistic Tools and Artistic Works Demonstration Contribution to Students’ Artistic Skills Development." Pedagogika 148, no. 4 (2023): 229–47. http://dx.doi.org/10.15823/p.2022.148.12.

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The goal of the study was to investigate the impact of didactic tools and works demonstration on the artistic skills development. The study found a high positive correlation between didactic-artistic tools and artistic skills development, as well as between artistic works demonstration and artistic skills development. Didactic-artistic tools explain respectively 84.5% and 52.8%; meanwhile, artistic works demonstration explains 92.7% and 79.4% of the variance of artistic skills development.
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Dissertationen zum Thema "Artistic"

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McLaughlin, Pamela Ann. "Mapping an identity how women artists develop an artistic identity /." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2006. http://proquest.umi.com/login?COPT=REJTPTU0NWQmSU5UPTAmVkVSPTI=&clientId=3739.

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Calvert, Robyne Erica. "Fashioning the artist : artistic dress in Victorian Britain 1848-1900." Thesis, University of Glasgow, 2012. http://theses.gla.ac.uk/3279/.

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My research comprises a study focused on Artistic Dress circa 1848-1900, presenting a roughly chronological survey that seeks to further our knowledge on its development, varied manifestations, and influence, both during its time and on subsequent fashion trends. While Artistic Dress is a category that is acknowledged in the current literature on fashion history, it has had limited and at times conflicting treatment. It is most often employed to describe sartorial codes in which significant arts practitioners and patrons—particularly those associated with Pre-Raphaelitism, the Arts and Crafts
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PIRES, VILAS BOAS VIOLETA. "Artistic actions in public spaces : towards an artistic urban practice." Doctoral thesis, Università IUAV di Venezia, 2018. http://hdl.handle.net/11578/282362.

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Santarone, Ninnette. "My Artistic Journey." VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/2583.

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My artwork is focused on mixed media and printmaking. Through these media I address current world events, such as global warming and recycling. I also make works that deal with personal emotions. In making my work I use charcoal pencil, paint, newspaper, found stamping materials, and old books. I overlap these materials and blend them together to create an overall cohesive appearance. I present generalized objects that may not appear to be completely finished. This appearance serves as an analogy of the instability of our world’s environment and my personal life.
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Watkins, James M. "God, artist and material : toward an ethical paradigm for artistic creativity." Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3665.

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The central argument running through this project is that, if re-imagined in light of a Christian theology of creation, comparisons between divine and human creativity provide a valuable ethical paradigm because of the structure they provide for thinking about and engaging in creative practices. Because there is not enough space to do justice to the full gamut of the human experience of creativity, I have chosen to narrowly focus on comparisons between divine and artistic creativity. Very specifically, this project is concerned to show that comparing the artist's relation to her materials to G
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Bjurman, Johanna. "Communicating your artistic vision." Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-64809.

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Piazza, Lisa M. "Exploring the Artistic Identity/Identities of Art Majors Engaged in Artistic Undergraduate Research." Scholar Commons, 2017. http://scholarcommons.usf.edu/etd/6928.

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In western societies, the persona of the artist has largely been associated with prevailing myths of the creative individual including the artist as genius and outsider. In my inquiry I endeavored to understand what it means to be an artist from the perspective of budding “creatives”. In this study I explored the process of becoming an artist that is how college students construct and navigate an artistic self (selves), and the factors that influenced this process. My purpose in this multiple text narrative inquiry was to discover how undergraduate art majors construct and navigate their arti
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Green, Charles. "Thief in the attic : artistic collaborations and modified identities in international art after 1968 /." Connect to thesis, 1998. http://eprints.unimelb.edu.au/archive/00000866.

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Chevillard, Brice. "OpenVG: Benchmarking and artistic opportunities." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for datateknikk og informasjonsvitenskap, 2007. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-15684.

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OpenVG is a new open standard for 2 dimensions vector graphics for handheld devices. This project, which is a master thesis and an internship, aims to study the standard itself deeply before to study the role it can play in the future of artistic content creation.We will see that under some few conditions, OpenVG has everything to fulfil its role in the market and to attract digital artists who would like to enlarge their creation field. But the major aim of the project is to develop a benchmark for both hardware and software implementations. And to achieve this goal, a study of the theory of
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Roberts, Spencer. "Deleuze, judgment and artistic research." Thesis, University of Hertfordshire, 2016. http://hdl.handle.net/2299/17224.

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The debate concerning the legitimacy of artistic research that has taken place over the last two decades is notable for the way in which it has drawn attention to rival 'representational' and 'performative' conceptions of thought. In the early stages of the debate, critics such as Durling, Friedman, Elkins and Biggs employed broadly representational arguments in a quasi-legal context of judgment to suggest that processes of artistic research were in some sense unrecognisable when attempts were made to see them through the conceptual lens of 'research'. In contrast to this, advocates of artisti
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Bücher zum Thema "Artistic"

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Kindelan, Nancy. Artistic Literacy. Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137008510.

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McFee, Graham. Artistic Judgement. Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-0031-4.

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Hyzy, Julie A. Artistic license. Five Star, 2004.

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Satu, Kiljunen, Hannula Mika, and Academy of Fine Arts (Helsinki), eds. Artistic research. Academy of Fine Arts, 2002.

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Slager, Henk, and Annette W. Balkema. Artistic research. Rodopi, 2004.

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Hyzy, Julie A. Artistic license. Thorndike Press, 2004.

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Hauck, Charlie. Artistic differences. W. Morrow, 1993.

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Eisner, Elliot W. Educar la vision artistica / Educating Artistic Vision. Ediciones Paidos Iberica, 2005.

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Rozier, Piree. Artistic Reflection: Artistic Reflection Volume 1. Independently Published, 2017.

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House, GreekSports. Artistic Skating Notebook: Artistic Skating Lovers. Independently Published, 2021.

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Buchteile zum Thema "Artistic"

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Codell, Julie. "Artistic." In A New Companion to Victorian Literature and Culture. John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118624432.ch19.

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Tingle, Louise. "Artistic Representations." In Chaucer's Queens. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-63219-9_7.

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Damianisch, Alexander. "Artistic Research." In Encyclopedia of Creativity, Invention, Innovation and Entrepreneurship. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-15347-6_473.

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Bercé, Yves-Marie. "Artistic Life." In The Birth of Absolutism. Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-24383-9_14.

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de Mul, Jos. "Artistic development." In Philosophy and Education. Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-015-8782-2_13.

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Ury, Tanya. "Artistic Freedom." In Shifting Corporealities in Contemporary Performance. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78343-7_19.

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Vercellone, Federico. "Artistic Morphology." In Lecture Notes in Morphogenesis. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51324-5_6.

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Manovich, Lev. "Artistic Visualization." In A Companion to Digital Art. John Wiley & Sons, Inc, 2016. http://dx.doi.org/10.1002/9781118475249.ch19.

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Damianisch, Alexander. "Artistic Research." In Encyclopedia of Creativity, Invention, Innovation and Entrepreneurship. Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-3858-8_473.

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Koobak, Redi. "Artistic interventions." In Gendering Military Sacrifice. Routledge, 2019. http://dx.doi.org/10.4324/9780429448102-5.

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Konferenzberichte zum Thema "Artistic"

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A, Bhuvaneshwaran, Kavya P, Dhaksana N, Amuthaguka D, Eraianbu R, and Agilan S. "Artistic Fusion: AI Powered Artistry for Story Boarding." In 2024 4th International Conference on Sustainable Expert Systems (ICSES). IEEE, 2024. https://doi.org/10.1109/icses63445.2024.10763187.

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Chen, Jiaxuan, Yu Qi, Yueming Wang, and Gang Pan. "Mind Artist: Creating Artistic Snapshots with Human Thought." In 2024 IEEE/CVF Conference on Computer Vision and Pattern Recognition (CVPR). IEEE, 2024. http://dx.doi.org/10.1109/cvpr52733.2024.02569.

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G, Gayathri, Gokul Krishna S, Houshic B, and Shanmugapriya S. "Artify — An Artistic NFT Marketplace." In 2024 IEEE Students Conference on Engineering and Systems (SCES). IEEE, 2024. http://dx.doi.org/10.1109/sces61914.2024.10652284.

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Liu, Ruixue, Baoyang Chen, Meng Chen, Youzheng Wu, Zhijie Qiu, and Xiaodong He. "Mappa Mundi: An Interactive Artistic Mind Map Generator with Artificial Imagination." In Twenty-Eighth International Joint Conference on Artificial Intelligence {IJCAI-19}. International Joint Conferences on Artificial Intelligence Organization, 2019. http://dx.doi.org/10.24963/ijcai.2019/951.

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We present a novel real-time, collaborative, and interactive AI painting system, Mappa Mundi, for artistic Mind Map creation. The system consists of a voice-based input interface, an automatic topic expansion module, and an image projection module. The key innovation is to inject Artificial Imagination into painting creation by considering lexical and phonological similarities of language, learning and inheriting artist’s original painting style, and applying the principles of Dadaism and impossibility of improvisation. Our system indicates that AI and artist can collaborate seamlessly to crea
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Adascalița-Crigan, Lucia. "Nicolae Macarenco - representative artist of satirical graphics." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.01.

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A prominent figure in the field of satirical graphics in the Republic of Moldova, Nicolae Macarenco, throughout his artistic career, conceived with great skill and dedication book illustrations for literary works signed by Aureliu Busuioc, Evgeniy Kopylov, Iosif Gherasimov, Alla Grekul, posters and aesthetically expressive and semantically valuable caricatures. Prodigious, talented, persevering and devoted to his profession, the protagonist is one of the established artists who, through his vocation and talent, marked an entire era in the satirical art of the Republic. Working successfully, es
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Guo, Zhiyong, Jingling Yu, Keyong Ren, et al. "Construction Research of Artistic Ceramic Artistic Inspection and Detection System for Artistic Ceramic." In Proceedings of the International Conference on Art Design and Digital Technology, ADDT 2022, 16-18 September 2022, Nanjing, China. EAI, 2022. http://dx.doi.org/10.4108/eai.16-9-2022.2324894.

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Curchi, Veronica. "Artistic communication: theoretical aspects." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.36.

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Artistic communication is the way of expression through art and has its origins in ancient times, with the first artistic manifestations of the human being. Paleolithic art tells us about everyday human life, beliefs and the level of awareness of the world. The communicative function of art has been preserved until now. Music, fine arts, dance, theatrical events, poetry convey different emotions that we perceive depending on our personality. Artistic communication is further researched after the appearance of the scientific interest in the phenomenon of communication in general. Scholars from
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Fischer, Jan, Dirk Bartz, and Wolfgang Straβer. "Artistic reality." In the ACM symposium. ACM Press, 2005. http://dx.doi.org/10.1145/1101616.1101649.

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Ostromoukhov, Victor, and Roger D. Hersch. "Artistic screening." In the 22nd annual conference. ACM Press, 1995. http://dx.doi.org/10.1145/218380.218445.

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Hsu, Chih-Hsiang, I.-Chao Shen, Wen-Huang Cheng, and Shih-Wei Sun. "Artistic eye." In Proceeding of the 11th annual international conference. ACM Press, 2013. http://dx.doi.org/10.1145/2462456.2465719.

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Berichte der Organisationen zum Thema "Artistic"

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Удріс, Ірина Миколаївна, and Наталя Сергіївна Удріс-Бородавко. Design of the Franco-Belgian Exhibition Poster of the 1890-s in the Context of the Art Nouveau Style Formation. КНУКіМ, 2019. http://dx.doi.org/10.31812/123456789/5087.

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The purpose of the article is to determine the artistic and graphic peculiarities of the Franco-Belgian exhibition poster of the 1890s in the context of the formation of the Art Nouveau style. The research methodology of the work is based on the use of traditional art methods: historical and cultural, reconstructive and model, historical and attributive, which contributed to the revealing of artistic and graphic transformations in the field of Franco-Belgian spectacular poster. The scientific novelty of the article lies in the author’s artistic interpretation of the stylistic manner of the cre
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Chinchalkar, Vyankatesh. The Artistic Exploration of Wood Joinery. Iowa State University, 2023. http://dx.doi.org/10.31274/cc-20240624-1396.

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Crispin, Darla. Artistic Research as a Process of Unfolding. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.503395.

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As artistic research work in various disciplines and national contexts continues to develop, the diversity of approaches to the field becomes ever more apparent. This is to be welcomed, because it keeps alive ideas of plurality and complexity at a particular time in history when the gross oversimplifications and obfuscations of political discourses are compromising the nature of language itself, leading to what several commentators have already called ‘a post-truth’ world. In this brutal environment where ‘information’ is uncoupled from reality and validated only by how loudly and often it is
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Blumenreich, Ulrike, Oliver Göbel, and Leonard Mertens. Survey Results on Freedom of Artistic Expression. Association of Compendium of Cultural Policies and Trends, 2024. http://dx.doi.org/10.69813/mdjf6384.

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de Graaf, Eline, Michael Karabinos, Thijs van Leeuwen, Cees Martens, and Marius Schwarz, eds. OPEN ARCHIEF, Artistic Reuse of Archives (2024). Stichting Archiefpublicaties, 2024. http://dx.doi.org/10.18146/oa2024.

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Joynes, Leslie D. Review of Lucy Cotter (ed.) “Reclaiming Artistic Research”. Jar-online.net, 2020. http://dx.doi.org/10.22501/jarnet.0033.

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Orning, Tanja. Professional identities in progress – developing personal artistic trajectories. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.544616.

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We have seen drastic changes in the music profession during the last 20 years, and consequently an increase of new professional opportunities, roles and identities. We can see elements of a collective identity in classically trained musicians who from childhood have been introduced to centuries old, institutionalized traditions around the performers’ role and the work-concept. Respect for the composer and his work can lead to a fear of failure and a perfectionist value system that permeates the classical music. We have to question whether music education has become a ready-made prototype of ce
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Журба, С. С. Інтертекстуальні перегуки та збіжності у прозі М. Хвильового та Ф. Кафки. Акцент, 2007. http://dx.doi.org/10.31812/123456789/6037.

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The purpose o f the article is to research the intertextual literary accordance in the prose o f the Ukrainian and the Austrian artists. The main attention is paid to the problems o f sense o f human existence, reasons o f reincarnation and the way in their literary works. Interlace o f descriptions, episodes open the opportunity to show the accordance, parallels in the literary works o f the writers. Intertextual connections o f M.Khvylovyj’s and F.KaJka's prose extend the content field o f literary works, make the artistic world-image more distinct, and enter the context of modern paradigm o
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Meelberg, Vincent. Review of Anke Haarmann, “Artistic Research: Eine epistemologische Ästhetik”. Jar-online.net, 2020. http://dx.doi.org/10.22501/jarnet.0030.

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Catlin, Daniel D. The Haunted Inkbottle: Problems of Artistic Communication in Modernism. Defense Technical Information Center, 1989. http://dx.doi.org/10.21236/ada216263.

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