Thematische Bibliographien / Astor

Auswahl der wissenschaftlichen Literatur zum Thema „Astor“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 3. März 2023

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  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte
  6. Berichte der Organisationen

Zeitschriftenartikel zum Thema "Astor":

1

Reed, P., und C. Edge. „Green v Astor“. Trusts & Trustees 19, Nr. 10 (09.10.2013): 1014–21. http://dx.doi.org/10.1093/tandt/ttt196.

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2

Kalsched, Donald E. „Response to James Astor“. Journal of Analytical Psychology 48, Nr. 2 (26.03.2003): 201–5. http://dx.doi.org/10.1111/1465-5922.t01-1-00006.

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3

Frezzatti Jr., Wilson Antonio. „Dorian ASTOR (Org.) Dictionnaire Nietzsche.“ Discurso 48, Nr. 2 (09.10.2018): 207–10. http://dx.doi.org/10.11606/issn.2318-8863.discurso.2018.150977.

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4

Bunker, Linda K., und Frances S. Scruby. „Nancy Langhorne Astor: Sportswoman Unsung“. Women in Sport and Physical Activity Journal 11, Nr. 1 (April 2002): 1–21. http://dx.doi.org/10.1123/wspaj.11.1.1.

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Nancy Langhorne Astor, the first woman member of English Parliament, used sports as an asset in promoting worthy political causes and as a force in advocating women’s health issues. She championed childhood education and through her sponsorship of new facilities and sporting organizations made sports a much more acceptable pursuit for women of her era. Many strident criticisms of her behavior can be dismissed in light of her era’s gender bias against which she was a warrior her entire life. This retrospective study of her life leads to new interpretations of her contributions to her 20th Century world.
5

Kuss, Malena. „La poética referencial de Astor Piazzolla“. Revista del ISM, Nr. 9 (02.12.2005): 11–28. http://dx.doi.org/10.14409/ism.v1i9.541.

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6

Joe, Steven, Suryono Herlambang und I. G. Oka Sindhu Pribadi. „PERENCANAAN KAWASAN EKO-WISATA TAMAN ASTOR, KABUPATEN BOGOR“. Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 2, Nr. 2 (01.11.2020): 2863. http://dx.doi.org/10.24912/stupa.v2i2.8883.

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AbstrackPerum Perhutani, is a State-Owned Enterprise in charge of managing forest areas for the benefit of preservation and public benefit. Within the Perhutani management area, many areas also function as tourist areas. One of them is the Taman Astor tourist area in Tenjo District, Bogor Regency, which is currently under the management of Perum Perhutani KPH Bogor. Even though it has high tourism potential, Taman Astor still has few visitors. This is due to the concept of a tourist park that is less focused and the supporting facilities provided in the area are limited. To improve the quality of the area and the quantity of visitors, this study is carried out in various stages of the planning process: starting with a comparative study and SWOT analysis, followed by a series of technical analyzes, such as: site and place analysis, analysis of tourist attractions, analysis of best practice (case study) , space requirements analysis, to produce the Taman Astor Tourism Development Concept with the Ecotourism concept. This concept emphasizes, in addition to adding natural and recreational tourism attractions, it also pays attention to the principles of forest conservation and the involvement of the surrounding community in the use and management of the area. Keywords: land use of Perum Perhutani, the concept of eco-tourism, nature recreation, forest preservation atau conservation, involvement of the surrounding communityAbstrakPerum Perhutani, adalah Badan Usaha Milik Negara (BUMN) yang bertugas mengelola area hutan untuk kepentingan pelestarian dan kemanfaatan umum. Dalam wilayah pengelolaan Perhutani, banyak area yang juga berfungsi sebagai kawasan wisata. Salah satu adalah kawasan wisata Taman Astor yang berada di Kecamatan Tenjo, Kabupaten Bogor, yang saat ini di bawah pengelolaan Perum Perhutani KPH Bogor. Meskipun memiliki potensi wisata yang tinggi, Taman Astor masih sedikit pengunjungnya. Hal ini disebabkan konsep taman wisata yang kurang terarah dan terbatasnya fasilitas penunjang yang disediakan di area tersebut. Untuk meningkatkan kualitas kawasan dan kuantitas pengunjung, studi ini dilakukan dengan berbagai tahapan proses perencanaan: diawali dengan studi komparasi dan analisis SWOT, dilanjutkan dengan rangkaian analisis teknis, seperti: analisis lokasi dan tapak, analisis daya tarik wisata, analisis best practice (studi kasus), analisis kebutuhan ruang, untuk menghasilkan Konsep Pengembangan Wisata Taman Astor dengan konsep Ekowisata. Konsep ini menekankan, selain penambahan atraksi wisata alam dan rekreasi juga memperhatikan prinsip-prinsip konservasi hutan dan pelibatan masyarakat sekitar dalam pemanfaatan dan pengelolaan kawasan.
7

Ferreira de Matos, Vítor Hugo, und Domingos Francisco Castro. „'Tango-Études' de Astor Piazzolla (1921 – 1992)“. Diacrítica 35, Nr. 2 (13.08.2021): 29–42. http://dx.doi.org/10.21814/diacritica.699.

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Astor Piazzolla deixou-nos uma obra peculiar com um estilo musical que combina os elementos do tango argentino com os da música clássica e do jazz americano que viria a marcar as décadas de 50 a 70 do século XX. Este estudo debruça-se sobre uma coleção de seis estudos escritos originalmente para flauta solo em 1987, designados por Astor Piazzolla Tango-Études. Na passagem do centenário do seu nascimento, assinalam-se os dois concertos que realizou em Portugal, o contexto e o impacto que tiveram na época nas cidades de Lisboa e Porto, onde atuou.
8

Djukic, Nevena, und Desimir Knezevic. „Molecular characterization and genetic diversity analysis β-glucan content variability in grain of oat (Avena sativa L.)“. Genetika 46, Nr. 2 (2014): 529–36. http://dx.doi.org/10.2298/gensr1402529d.

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In grain of ten genetically divergent oat cultivars (Merkur, Minor Abed, Flaming-Kurz, Nuptiele, Prode, Pellerva, Emperor, Astor, Osmo, Simo) the variability ?-glucan content were investigated. The different value of content of ?-glucan was found. Among analyzed oat cultivars, the highest ?- glucan contents had Pellerva (6.597%), while the least had Simo (2.971%). The contents of ?-glucans were determined by ICC standard Method No 168. The value of ?-glucans varied and indicated the differences and similarities between analysed cultivars. The degree of cultivar similarity was determined by dendrogram on which was discriminated two clusters of similar cultivars toward to contents of ?-glucan . Within cluster 1, a small group of oats, are five cultivars with small distance (Merkur, Minor Abed, Flamings-Kurz, Nuptiele and Prode). The highest similarity in the range of 88 or the least distance in the range of 12. Within cluster 2 was four oat cultivars (Emperor, Astor, Osmo, Pellerva) in which the least differences was between Emperor and Astor with average distance in range 27. Cluster 1 and cluster 2 differed with an average distance of 63. The cultivar Simo expressed the greatest distance to all analysed oat cultivars grouped in two clusters.
9

Fritsch, Christopher N., und John Jacob Astor. „John Jacob Astor: Business Letters, 1813-1828“. Journal of the Early Republic 12, Nr. 4 (1992): 574. http://dx.doi.org/10.2307/3123891.

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10

Stern Rodríguez, Clara. „Astor Piazzolla: el as de la ruptura“. Revista de Arte Ibero Nierika, Nr. 20 (02.07.2021): 206–13. http://dx.doi.org/10.48102/nierika.vi20.75.

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Zeitschriftenartikel Dissertationen Bücher

Dissertationen zum Thema "Astor":

1

Maurino, Gabriela Susana. „The new tango of Astor Piazzoli“. Thesis, Royal Holloway, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529041.

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Link, Kacey Quin. „Culturally Identifying the Performance Practices of Astor Piazzolla's Second Quinteto“. Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_theses/194.

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Astor Piazzolla (1921-1992) captivated Argentine and international audiences with his innovative works in a nuevo tango style and his bandoneón performances. Piazzolla?s success culminated during the 1980s with his second Quinteto, which performed remarkable concerts in venues such as the Teatro Colón in Buenos Aires and the Central Park Bandshell in New York, in addition to the performances at the Montreal and Montreux Jazz Festivals. His music also grew popular with a plethora of internationally acclaimed classical and jazz artists as well as with Argentine musicians themselves. However, Piazzolla?s music poses a challenge today, because nuevo tango represents a synthesis of the composer?s musical and cultural backgrounds, conjoining the tango legacy of Buenos Aires, the jazz idioms that he absorbed in New York, and the international traditions of classical music. Many musicians, specifically those from the United States, perform and study nuevo tango without having sufficient prerequisite knowledge of these practices, causing the genre to lose its cultural substance. By considering the fusion of tango, jazz, and classical genres and incorporating a cross-cultural analysis, this thesis aims to illuminate the basis of Piazzolla?s performance practices. It seeks to identify the yeites (tango instrumental techniques) that define nuevo tango and to suggest ways that the modern performer can incorporate these stylistic features to produce culturally informed interpretations of Piazzolla?s works. This study focuses on the practices of Piazzolla?s second Quinteto, at the pinnacle of his career, and emphasizes a gestural analysis of the yeites to produce a well-grounded concept of nuevo tango sound. This study concludes that, even though Piazzolla?s compositions represented a fusion of genres, the performance practices (and specifically the gestures) of the second Quinteto are primarily associated with the tango traditions of previous eras. Such gestures embody Piazzolla?s music and thus allow contemporary performers to recreate the evocative and persuasive characteristics of nuevo tango practices today.
3

Marsili, Andrea. „Potentialité de mutation du tango rioplatense : bornes du tango porteño et réseaux d’interconnexion avec le tango nomade“. Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040085.

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Cette thèse prétend décoder le langage musical du tango rioplatense et étudier scientifiquement sa potentialité de mutation. Ainsi, l’œuvre de tango « porteño » sera analysée parallèlement à la proposition de tango « nómade » d’Astor Piazzolla. Ce travail analytique est focalisé sur les paramètres, les éléments compositionnels, les aspects idiomatiques de la performance et les outils d’arrangement caractéristiques, en comparaison permanente avec l’usage chez Piazzolla. L'objectif est de dissocier les éléments qui conforment et qui créent les structures si particulières du tango traditionnel et d’analyser profondément leurs constitutions, ainsi que leurs relations avec d’autres composants, pour ensuite observer leurs applications chez Piazzolla. La première partie de cette étude analyse les modalités de performance, les niveaux de précision dans la représentation graphique et l’œuvre de tango porteño et de Piazzolla. Les quatre parties suivantes se penchent sur les paramètres rythmiques, mélodiques, harmoniques, formels et orchestraux. Chaque partie est divisée en deux sections, la première analyse systématiquement le fonctionnement des paramètres dans le tango porteño, et la deuxième étudie les mêmes paramètres chez Piazzolla
This thesis claims to decode the musical language of the tango rioplatense and to study scientifically its potentiality of transformation. Therefore, the tango "porteño" will be analyzed at the same time as the "nomadic" proposition of Astor Piazzolla. This analytical work is focused on the tango musical parameters, the compositional elements, the idiomatic aspects of the performance and the typical tools of arrangement, in permanent comparison with Piazzolla’s application.The first part of this study analyzes the modalities of performance, the levels of precision in the graphic representation of the tango porteño and Piazzolla’s. The following four sections bend over the rhythmic, melodic, harmonics, formal and orchestral parameters. Every part is divided into two sections, the first analysis systematically the functioning of the parameters in the tango porteño, and the second studies the same parameters on Piazzolla’s music
4

Astor, Philipp J. [Verfasser], und C. [Akademischer Betreuer] Weinhardt. „Emotions and Emotion Regulation in Economic Decision Making / Philipp J. Astor. Betreuer: C. Weinhardt“. Karlsruhe : KIT-Bibliothek, 2013. http://d-nb.info/1059803097/34.

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5

Chou, Lin-San. „Analysis of and Performance Suggestions for Astor Piazzolla’s Piano Solo Work, Three Preludes: Leijia’s Game, Flora’s Game, Sunny’s Game“. The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1273250807.

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6

López, Sonia Alejandra. „Maria de Buenos Aires : eine Monographie der Tango-Operita von Astor Piazzolla und Horacio Ferrer /“. Tutzing : H. Schneider, 2003. http://catalogue.bnf.fr/ark:/12148/cb39034017x.

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7

Fontes, Saboga Cardoso Thomas. „L’expansion du tango d’Astor Piazzolla. Conjugaison du populaire et du savant à travers l’articulation avec le jazz, la musique baroque et la musique savante moderne“. Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040090.

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La présente thèse se propose de comprendre la production musicale d’Astor Piazzolla, notamment la façon particulière dont le compositeur réalise le dialogue entre musique populaire urbaine et musique savante. Pour ce faire, nous avons repéré quatre courants musicaux principaux dont il a été possible de tracer les origines dans son œuvre : le tango, base structurelle de sa musique, le jazz, la musique baroque et la musique savante moderne. Après avoir montré leur présence dans la première partie, nous procédons à l’analyse de l’articulation particulière de ces éléments dans la deuxième. Certains traits du tango semblent privilégiés dans ce métissage, en constituant des éléments de base repérables principalement par des gestes mélodiques, des modèles d’accompagnement et des timbres caractéristiques très fréquemment employés, qui assurent aussi bien la cohésion et l’unité musicale que l’identité du genre urbain argentin. Cette fusion musicale utilise à de nombreuses reprises des caractéristiques communes des musiques métissées comme stratégie de réussite de l’alliage musical ; on constate dans certains passages un subtil et soigneux dosage des ingrédients musicaux utilisés. Le discours du compositeur, analysé au dernier chapitre, nous a permis en outre de dégager trois aspects de ce rapport entre populaire et savant : la recherche d’une identité, en produisant une musique qui représente la ville de Buenos Aires et l’Argentine ; un rapport aux avant-gardes modernistes, en cherchant à exprimer l’ère de son temps et à symboliser la nouveauté à travers une musique moderne ; la recherche d’une légitimité, apparue notamment sous l’expression de l’« élévation » du tango
The aim of the present thesis is to understand the musical production of Piazzolla, especially the particular dialogue between popular and art music in his work. To do so, we located four main musical streams which origins were possible to trace: the tango, structural basis of his music, the jazz, the baroque music and the modern art music. Having shown their presence in the first part, we proceed to the analysis of the particular articulation of these elements in the second one. Certain features of the tango seem favored in this junction, constituting the basic elements mainly through the presence of melodic gestures, accompaniment models and characteristic timbres very frequently used, which assure the cohesion and musical unity as well as the identity of the Argentine urban genre. On numerous occasions, his fusion employs common characteristics of the several music crossed as a strategy for reaching the musical jointure; we also noticed in certain passages a subtle and careful dosage of the musical ingredients used. The speech of the composer analyzed in the last chapter still allowed us to identify three aspects of this relationship between popular and art music: the search for an identity, by producing a music which represents the city of Buenos Aires and Argentina; a relationship with the modernist avant-gardes, in an attempt to express the present time and to symbolize the novelty through a modern music; and the quest for legitimacy, appeared notably under the expression of the "rise" of the tango
8

Mañosa, Rifé Santiago. „Biologia tròfica, ús de l'hàbitat i biologia de la reproducció de l-astor "Accipiter gentilis" (Linneaus, 1758) a La Segarra“. Doctoral thesis, Universitat de Barcelona, 1991. http://hdl.handle.net/10803/807.

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Aquest estudi es va dur a terme entre 1986-90 a la Segarra, una zona mixta de bosc i conreu de secà, i es basa en el seguiment intensiu de 36 parelles d'astor Accipiter gentiles, nidificant en una densitat de 6'8 parelles/km2. La distància entre parelles veïnes oscil.là entre 750 i 3000 m. Es van estudiar diversos aspectes de la biologia tròfica i de la reproducció de l'astor, tals com la dieta, efecte sobre les preses, ús de l'hàbitat, hàbitat de nidificació, la data i mida de posta, la mida dels ous, l'assincronia de naixements, el creixement i desenvolpament dels polls, l'èxit de desclosa, la mortalitat dels polls, les proporcions de sexes, els requeriments d'aliment dels polls i l'èxit reproductor.

La dieta dels astors va incloure més de 60 tipus de preses, principalmente aus. La perdiu (Alectoris rufa) i el conill (Oryctolagus cuniculus), la garsa (Pica pica), els tords i les merles (Turdus spp.) i l'esquirol (Sciurus vulgaris), formaren la major part de la dieta. Els polls i joves d'ocells foren una part important de les preses durant el període reproductor, si bé el conill fou la presa que aportà més biomassa durant tot l'any. A l'hivern, la dieta fou menys diversa i es basà en preses més grans (conill, perdiu i tudó), mentre els mascles tendiren a capturar una major proporció de preses de menys de 180 gr. Després de l'arribada, al 1989, de la malaltia hemorràgica vírica del conill, la diversitat de la dieta disminuí i el conill fou reemplaçat en gran mesura per la perdiu i altres preses.

Es comprovà que la diversitat de la dieta es correlaciona positivament amb la mida de niuada i s'incrementa a mesura que els polls creixen. El nombre de preses aportades al niu diariament creix amb la mida de niuada, si bé la quantitat d'aliment per poll experimenta un lleuger descens.

Les àrees vitals dels astors durant el període reproductor foren estudiades per medi del radioseguiment, i oscil.laren entre 0'14 i 19'6 km2, segons el sexe, l'estat reproductiu i la fase reproductora dels exemplars. Les àrees vitals se solapaven. La mida de les àrees vitals dels mascles es correlacionà negativamente amb la mida de posta, i s'incrementà al llarg de l'estació reproductora, com a resultat de les demandes creixents de la niuada. Els astors seleccionaren positivament les àrees de conreu i forestals mixtes per a caçar. Es demostrà que la tria del lloc de nidificació es basa principalmente en l'estructura del bosc i la competència intraespecífica. Els rius es troben distribuïts de forma regular i els astors trien les pinedes més madures per a fer niu.

L'inici de les postes es donà per terme mig el dia 5 d'abril. En cas de pèrdua de la posta, algunes parelles en feren una segona de reposició, però tan sols en anys bons. La data de posta a cada àrea de nidificació mostrà un alt grau de repetibilitat interanual.

La mida mitjana de posta fou de 3'29 ous. I s'observà que disminuia al llarg de l'estació reproductora. No s'observà repetibilitat interanual. Les postes més grans són les que donen més polls a l'envol. Els canvis interanuals en la data i la mida de posta responen a canvis en la disponibilitat d'aliment previament i durant el període de posta.

La variació en la mida dels ous fou més gran entre postes que dins de cada posta, i estava relacionada amb l'edat de la femella, la data de posta i l'ordre dins de la seqüència de posta, però no amb el sexe dels polls. Es comprovà que la mida de l'ou determina la mida dels polls al nèixer, que la seqüència de naixements es correspon amb la de posta i que l'assincronia de naixements s'incrementa al llarg de la seqüència.

Les femelles ponen tants ous com els ho permeten les condicions ambientals i fisiològiques al momento de pondre. L'èxit reproductor a l'àrea d'estudi està fortament afectat per la interferència i persecución humanes, però el principal factor regulador de la productivitat anual fou la disponibilitat d'aliment, que actua a travès de canvis en el percentatge de parelles que perden la posta, el percentatge de parelles que ponen i la mida de posta. La mortalitat de polls al niu té molta menys importància com a factor regulador de la productivitat, i actua solament com a mecanisme que permet ajustar la mida de niuada a les condicions ambientals. Els patrons de mortalitat dels polls i assincronia de naixements en relació a la mida de niuada I a l'ordre de desclosa foren consistents amb la hipòtesi "brood reduction", si bé en determinats casos pot comportar un cost.

Es va estudiar el creixement i desenvolupament dels polls en relació a diversos factors ambientals, així com en relació al sexe, a la mida dels ous, a la mida al néixer, a la mida de niuada i a la seqüència de naixement. Els mascles i les femelles mostraren diferències en els seus patrons de creixement, debuts a la gran diferència de mida entre uns i altres. Després d'eliminar aquest factor de variación, la major part de variación en el creixement dels polls s'observà entre niuades i no dins de les niuades, i no mostrà gaire relació ni amb la mida de niuada ni amb l'ordre de naixement. La variación en els patrons de creixement comporta principalmente canvis en la forma més que no pas en la velocitat o resultat final. Malgrat el dimorfisme sexual dels astors, la proporción de sexes no diferí significativament de 1:1 des de la fase d'ou fins a l'envol.
This study was conducted between 1986-90 in La Segarra (Catalonia, northeastern Spain). Aspects of the feeding and reproductive biology of "Accipiter gentilis", including diet choice, effect on game, ranging behaviour, nest-site selection, laying data, clutch and egg size, hatching asynchrony, growth and development, hatching success, nestling mortality, nestling sex-ratio, nestling food requirements and breeding success, were analysed. "Alectoris rufa", "Oryctolaugs cuniculus" and nestling and fledging birds were the most important prey. Females took a larger proportion of large prey than males. Diet diversity increased with brood size and with chick age. The number of prey/day increased with brood size. Home ranges overlapped, and ranged from 0'14 and 19'6 km2, depending on the time of the season and reproductive status. Male range size was inversely related to clutch size, an increased during the breeding season. Goshawks preferred mixed open-forest areas to hunt. Nest sites were found in the oldest coniferous forest, in a regular spatial distribution. Average laying data (5 April) was fairly repeatable within a site. Average clutch size (3.29) declined during the season. No site repeatability appeared. Larger clutches produced more young. Laying data and clutch size variation were related to food availability before and during laying. Egg size was related to female age, laying data and sequence, but not to hatchling sex. It had a positive effect on hatchling size. Breeding success was affected by humans, but the main regulatory factor of the overall production of young was food availability, through changes in the frequency of pairs losing the clutch, of non-laying pairs, and clutch size. Chick mortality acted only as a fine tunning mechanism. The patterns of chick mortality and hatching assincrony were consistent with the "brood reduction" hypothesis, although it may carry a cost. In spite of the sexual size dimorphism, sex ratio remained 1:1 from the egg to the fledgling stage. Males and females showed different growth and development patterns. Variation in growth occurred between broods, rather than within, and involved changes in growth shape rather than growth rate or final size.
9

Quinones, Jessica Marie. „Constructing the authentic : approaching the '6 Tango-Etudes pour Flute Seule' by Astor Piazzolla (1921-1992) for interpretation and performance“. Thesis, University of Huddersfield, 2013. http://eprints.hud.ac.uk/id/eprint/23457/.

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Since Astor Piazzolla’s death in 1992, his 6 Tango-Etudes pour flûte seule (1987) have quickly entered the flute oeuvre to become standard Western ‘classical’ concert repertoire, despite their association with tango as the core of their musical style. Though Piazzolla’s music has much musical appeal abroad, performative differences exist between ‘foreign’ and Argentinean musical interpretations of the tango – and by extension to the performance of this score – due to various misappropriations of both the notation and the cultural background, which have often been used to suggest an ‘authentic’ reading. As a way to bridge the gap between the two styles, the current tango performance literature largely focuses on didactic, imitative approaches to the genre, with only limited discussion of how various essential cultural references might pragmatically influence an interpretation of Piazzolla’s published repertoire. This thesis addresses ways in which the ‘authentic’ has been constructed in the tango genre in a variety of contexts both in Argentina and abroad, and how this understanding can suggest a new reading of the score of Piazzolla’s 6 Etudes. Current discussions from the field of (ethno)musicology as well as other disciplines within the social sciences are incorporated. The quantitative approaches used draw upon a wide range of performance analyses for understanding Piazzolla’s own performances, and those from tango and western players. The author’s field work in Buenos Aires and experience as a conservatoire-trained flautist is combined with various qualitative discourse analyses. Initial concepts of what constitutes a pure cultural setting of Piazzolla’s scores are challenged, and then expanded from current viewpoints to include various vital cultural practices inseparable from the notation. New approaches to the interpretational processes that are currently found to exist among western flautists when performing this work are pragmatically demonstrated so as to encourage fresh renditions of not only the 6 Etudes, but also Piazzolla’s other compositions from the same period.
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Koncienė, Jurgita. „Astro (Aster) genties įvairovė, paplitimas ir panaudojimas Šiaulių miesto gėlynuose“. Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20130123_112355-55166.

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Astro (Aster L.) gentis priklauso astrinių (Asteraceae) šeimai. Astro gentyje yra 250–300 rūšių. Lietuvoje savaime auga 1 astro rūšis, plačiau auginamos 6–8 introdukuotos rūšys. Astro genčiai priklauso daugiamečiai šakniastiebiniai augalai, užaugantus 15–150 cm aukščio. Žiedai susitelkę graižais, tuščiaviduriai ir pilnaviduriai, įvairių spalvų. Graižai įvairaus dydžio, pavieniai arba susitelkę į sudėtinius žiedynus. Lapai pražanginiai, lygiakraščiai, dantyti arba rinčiuoti. Darbo tikslas – išanalizuoti astro (Aster) genties įvairovę Šiaulių miesto gėlynuose ir išnagrinėti jų panaudojimo galimybes. Darbo tikslui pasiekti iškelti šie darbo uždaviniai: 1. Ištirti astro (Aster) genties augalų įvairovę Šiaulių miesto želdynuose; 2. Nustatyti astro (Aster) genties rūšių gausumą ir dažnumą želdynuose; 3. Įvertinti astrų gausumą skirtingų tipų želdynuose; 4. Įvertinti astrų panaudojimo galimybes želdynuose. Tyrimai atlikti 2011 m. liepos–rugsėjo mėnesiais. Pasirinktuose tyrimų vietose tirti visi želdyne (gėlynus ar kapavietėje) esantys žoliniai augalai. Tirta augalų sudėtis, nustatyta, kokią dalį gėlyne sudaro astro genties augalai. Tyrimų metu vertintas kiekvienos astrų rūšies gausumas, dekoratyvumas, registruojamas žydėjimo laikas ir trukmė, augalų aukštis. Astro genties augalai daugiausia auginami kapinėse. Viešosiose erdvėse esančiuose gėlynuose ir prie daugiabučių namų astrai naudojami negausiai. Jie sodinami nedidelėmis grupelėsmis, pavieniui ir eilutėse... [toliau žr. visą tekstą]
The genus aster (Aster L.), belonging to the Asteraceae family, includes from 250 to 300 species. In Lithuania one species of this genus is native and 6–8 introduced species are widely cultivated in ornamental plantations. Plants of the Aster genus are rootstock perennials, growing from 15 cm to 150 cm tall. Capitulae of the Aster genus have one to many whorls of ligular florets. Ligular florets are of various colours. Capituale of various sizes, single or clustered into compound inflorescences. Leaves are arranged alternately, simple, usually with serrated leaf-edge. The aim of this research was to evaluate diversity of the Aster genus in ornamental plantations of Šiauliai city and to estimate possibilities of their use for ornamental purposes. Following tasks were formulated: (1) to investigate diversity of the Aster genus in ornamental plantations of Šiauliai city; (2) to reveal frequency and abundance of Aster species in ornamental plantations of Šiauliai city; (3) to estimate abundance of Aster species in different types of ornamental plantations; (4) to evaluate possibilities of Aster use for ornamental purposes. The research was carried out during July–September, 2011. All herbaceous plants were registered in the selected areas (ornamental plantations and graves). Abundance of each aster species was estimated in an individual ornamental plantation as well as their height, ornamental value, time and duration of flowering were evaluated. Plants of... [to full text]
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Bücher zum Thema "Astor":

1

Piazzolla, Diana. Astor. Anglet: Atlantica, 2002.

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Piazzolla, Diana. Astor. Buenos Aires, Argentina: Emecé Editores, 1987.

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Madsen, Axel. John Jacob Astor. New York: John Wiley & Sons, Ltd., 2001.

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Lehmann, Stephanie. Astor Place Vintage. New York: Simon & Schuster, 2013.

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5

Piazzolla, Astor. Astor Piazzolla: Memorias. Barcelona: Alba, 2003.

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6

Seoane, María. Astor Piazzola: Momentos. Ciudad Autónoma de Buenos Aires, Argentina: Octubre, 2021.

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Nayyar, Adam. Astor: Eine Ethnographie. Stuttgart: Steiner Verlag Wiesbaden, 1986.

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Thompson, Victoria. Murder on Astor Place. New York: Berkley Prime Crime, 2009.

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Thompson, Victoria. Murder on Astor Place. New York: Penguin USA, Inc., 2009.

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Piazzolla, Astor. Astor Piazzolla: A memoir. Portland, Ore: Amadeus Press, 2001.

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Buchteile zum Thema "Astor":

1

Johnson, A. E. „Shaw and Lady Astor“. In Shaw, 492–94. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-05402-2_290.

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Kippola, Karl M. „A Masculine Identity Worth Dying For: The Astor Place Riot“. In Acts of Manhood, 89–116. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137068774_4.

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Martinez, Matias, und Martin Monperrus. „Ultra-Large Repair Search Space with Automatically Mined Templates: The Cardumen Mode of Astor“. In Search-Based Software Engineering, 65–86. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-99241-9_3.

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Gibbins, John R. „Ellis’s Character, John Grote and the Cambridge Network“. In Studies in History and Philosophy of Science, 51–75. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-85258-0_3.

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AbstractThis chapter explores two questions: what did Ellis bring to Cambridge, and what did Cambridge do for Ellis? The answers will be reached through primary source materials available in Trinity College Library and at Cambridge University Library. Two forms of analysis will intertwine: the first a textual study of sources on Ellis’s character and friendships, and the second a contextual study of the Cambridge he inhabited, Trinity College and the Cambridge Network in particular – networks that shaped and provoked his unique and original contributions to knowledge. While rich and well connected, confidently established within the Whig aristocratic elite, Ellis was sometimes portrayed as timid and reclusive. Why, with ‘abundance of character and richness of endowment’ did he appear ‘different to different people?’ What explains the attestations to his charismatic personality, Stoic character and his devoted following? The best evidential account is provided by his closest and most loyal friend of two decades John Grote (1813-1866), the Knighbridge Professor of Moral Philosophy and Vicar of Trumpington, and Charles Astor Bristed, a relative stranger whose path crossed with Ellis and Grote.
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Hangay, George, Severiano F. Gayubo, Marjorie A. Hoy, Marta Goula, Allen Sanborn, Wendell L. Morrill, Gerd GÄde et al. „Aster Yellows“. In Encyclopedia of Entomology, 323. Dordrecht: Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-6359-6_10377.

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Sastry, K. Subramanya, Bikash Mandal, John Hammond, S. W. Scott und R. W. Briddon. „Aster spp.“ In Encyclopedia of Plant Viruses and Viroids, 211–13. New Delhi: Springer India, 2019. http://dx.doi.org/10.1007/978-81-322-3912-3_94.

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Azimova, Shakhnoza S., und Anna I. Glushenkova. „Aster ericoides“. In Lipids, Lipophilic Components and Essential Oils from Plant Sources, 103. London: Springer London, 2012. http://dx.doi.org/10.1007/978-0-85729-323-7_333.

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Zischka, K. A. „Astro-navigation“. In Astronavigation, 29–172. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47994-1_2.

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Balasubramanian, T. N., R. Jagannathan und V. Geethalakshmi. „Astro-Meteorology“. In Agro-Climatology Advances and Challenges, 200–206. London: CRC Press, 2022. http://dx.doi.org/10.1201/9781003261100-10.

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Schuhmann, Karl. „Ernst von Aster“. In Edmund Husserl: Briefwechsel, 191–94. Dordrecht: Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-011-0745-7_10.

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Konferenzberichte zum Thema "Astor":

1

Treichler, David H., und Ronald Carmichael. „Observations on Raytheon 6 σ: The ASTOR Early Engagement“. In ASME 2002 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2002. http://dx.doi.org/10.1115/detc2002/dfm-34197.

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Raytheon Six Sigma (R6Sigma) is a six-step quality management approach and culture change effort that has proven to be highly effective. It incorporates lessons learned from the earlier efforts by Motorola, Texas Instruments, Allied Signal, General Electric, and many others. Within each of these major companies, the Six Sigma approach is a reflection of the company’s unique culture and specific industry needs. However, one criticism common to most of these programs is that the change analysis and leadership tools are engaged too late in the overall process. Building upon the lessons learned by other organizations, the paper recounts the early engagement of the Six Sigma tools, coupled with direct customer involvement, on a large-scale program by the Raytheon Company: The Airborne Stand-off Radar (ASTOR) system, which is under development for the UK Ministry of Defense (MOD). Because the ASTOR program is still years from completion, this paper cannot provide detail in terms of final lessons learned or quantified results derived from the front-end application of R6Sigma on this program. The purpose of this paper is to capture the thought processes behind (and initial stages observed during) early customer involvement and the application of R6Sigma process improvement approaches at the beginning of the program.
2

Martinez, Matias, und Martin Monperrus. „ASTOR: a program repair library for Java (demo)“. In ISSTA '16: International Symposium on Software Testing and Analysis. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2931037.2948705.

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Paul, Rajshakhar. „ASTOR: An Approach to Identify Security Code Reviews“. In ASE '22: 37th IEEE/ACM International Conference on Automated Software Engineering. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3551349.3559509.

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Göing, Jan, Andreas Kellersmann, Christoph Bode und Jens Friedrichs. „Jet Propulsion Engine Modelling Using Pseudo Bond Graph Approach“. In ASME Turbo Expo 2019: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/gt2019-90420.

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Abstract The multidisciplinary performance of a bypass jet propulsion engine is investigated and simulated in this paper by using the pseudo bond graph approach. This theory is applied in the in-house software tool ASTOR (AircraftEngine Simulation of Transient Operation Research) to simulate the different operating points and the system dynamics in transient load cases with high accuracy. In this paper, the modulation of the V2500-A1 turbofan jet engine in the pseudo bond graph notation is described in detail. The thermodynamic cycle of a steady-state operating point is calculated and a transient load case is investigated to simulate the system performance. The results correspond with the data from a commercial software and with literature. However, some significant discrepancies are detected, which can be explained by the current model simplification. In a nutshell, ASTOR is able to simulate the dynamic performance of the overall system and can be used to improve the process of the construction or regeneration of a complex capital good such as a jet engine.
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Olwal, A., C. Lindfors, J. Gustafsson, T. Kjellberg und L. Mattsson. „ASTOR: an autostereoscopic optical see-through augmented reality system“. In Fourth IEEE and ACM International Symposium on Mixed and Augmented Reality (ISMAR'05). IEEE, 2005. http://dx.doi.org/10.1109/ismar.2005.15.

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Göing, Jan, Christoph Bode, Jens Friedrichs, Hendrik Seehausen, Florian Herbst und Joerg R. Seume. „Performance Simulation of Roughness Induced Module Variations of a Jet Propulsion by Using Pseudo Bond Graph Theory“. In ASME Turbo Expo 2020: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/gt2020-14456.

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Abstract A scientific method is developed to determine the impact of a deteriorated HPC (high-pressure compressor) on the overall performance of a turbofan jet engine. Initially, the HPC performance with roughness variations on vanes and blades is simulated by using 3D CFD (Computational Fluid Dynamics) at different operating points. Afterwards, the overall performance of the full jet engine is computed by the in-house 1D performance tool ASTOR (AircraftEngine Simulation for Transient Operating Research). ASTOR is based on the Pseudo Bond Graph approach to model and connect miscellaneous components with the equations of motion and dynamic volumes. By solving this differential equation system, transient performance is calculated in higher accuracy compared to common Reduced Order Models (ROM). Transient load cases are modelled to analyse the impact of deteriorated HPC on the overall performance. Furthermore, similarities and differences to the steady performance are considered. The maximum deviation of EGT between an engine with a new and deteriorated HPC during a fast acceleration is 32% while it is 27% at steady operation. Also a trade-off between an increasing EGT and a decreasing pressure downstream of the LPT is analysed. Finally, relations between the engine performance, Reynolds-number and roughness are analysed to classify the performance drop due to a HPC with roughness.
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Prathapan, Smriti, Navid Golpayegani, Bryan Wyatt, Milton Halem, John Dorband, Jon D. Trantham und Chris A. Markey. „Astor: A compute framework for scalable distributed big data processing“. In Big Data II: Learning, Analytics, and Applications, herausgegeben von Fauzia Ahmad. SPIE, 2020. http://dx.doi.org/10.1117/12.2558811.

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Santangelo, Andrew, und Richard Sturmfels. „Evolution, Technologies and Direction of the ASTOR/STEP-AIRSEDS Electrodynamic Tether Program“. In 41st Aerospace Sciences Meeting and Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2003. http://dx.doi.org/10.2514/6.2003-143.

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Liu, Ding-Jen, und William Chung. „ASTOR: An Avionics Concept Test Bed in a Distributed Networked Synthetic Airspace Environment“. In AIAA Modeling and Simulation Technologies Conference and Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2004. http://dx.doi.org/10.2514/6.2004-5259.

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Ahmad, Fahim, und Muhammad Hasan A. Baig. „Mapping of debris-covered glaciers in Astor basin: an object-based image analysis approach“. In Land Surface and Cryosphere Remote Sensing IV, herausgegeben von Jing M. Chen, Reza Khanbilvardi und Mitchell Goldberg. SPIE, 2018. http://dx.doi.org/10.1117/12.2324407.

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Berichte der Organisationen zum Thema "Astor":

1

Toutin, Th, und P. Cheng. DEM Generation with ASTER Stereo Data. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2001. http://dx.doi.org/10.4095/219789.

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2

Ronning, Nicole. Xtreme Astro: A Multi-scale Investigation. Office of Scientific and Technical Information (OSTI), Februar 2023. http://dx.doi.org/10.2172/1957907.

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Olczak, Matthew. Employability Skills: Placement Year at Aston University. Bristol, UK: The Economics Network, Oktober 2019. http://dx.doi.org/10.53593/n3241a.

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Toutin, Th. 3D Topographic Mapping with ASTER Stereo Data in Rugged Topography. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2002. http://dx.doi.org/10.4095/219818.

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Wickert, L. M., P. Budketwitsch und W. A. Morris. Case study 10. Lithological mapping using ASTER, Belcher Islands, Nunavut. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2008. http://dx.doi.org/10.4095/226029.

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Toutin, Th. DEM Generation from New VIR Sensors: IKONOS, ASTER and Landsat-7. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2001. http://dx.doi.org/10.4095/219770.

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Davis, Rob, und Jordan Macknick. ASTRO: Facilitating Advancements in Low-Impact Solar Research, Deployment, and Dissemination. Office of Scientific and Technical Information (OSTI), August 2022. http://dx.doi.org/10.2172/1882388.

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ME Petrichek. Failure Analysis of Cracked FS-85 Tubing and ASTAR-811C End Caps. Office of Scientific and Technical Information (OSTI), Februar 2006. http://dx.doi.org/10.2172/884679.

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Hastings, Daniel. Studies to Enable a Paradigm Shift in the Space Enterprise: Astro/Orbital Express. Fort Belvoir, VA: Defense Technical Information Center, Januar 2006. http://dx.doi.org/10.21236/ada455064.

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Toutin, Th, und P. Cheng. A Comparison of Automated DEM Extraction Results Using Along-Track ASTER and Across-Track SPOT Stereo Images. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2002. http://dx.doi.org/10.4095/219914.

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