Thematische Bibliographien / Bass, Thomas A. – Travel – Vietnam

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Autor: Grafiati
Veröffentlicht am 28. Juli 2024
Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Bass, Thomas A. – Travel – Vietnam"

1

Trinh, Duy. "Book Review: Censorship in Vietnam: A Brave New World by Thomas Bass." Journalism & Mass Communication Quarterly 95, no. 2 (2018): 523–25. http://dx.doi.org/10.1177/1077699018766514.

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2

Szalontai, Balázs. "Thomas A. Bass, The Spy Who Loved Us: The Vietnam War and Pham Xuan An's Dangerous Game. New York: PublicAffairs, 2009. 297 pp." Journal of Cold War Studies 13, no. 1 (2011): 244–46. http://dx.doi.org/10.1162/jcws_r_00088.

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3

Spector, Ronald H. "Vietnam. The spy who loved us: The Vietnam War and Pham Xuan An's dangerous game. By Thomas A. Bass. New York: Public Affairs Press, 2009. Pp. xviii, 296, Maps, Illustrations, Notes, Index." Journal of Southeast Asian Studies 41, no. 3 (2010): 553–55. http://dx.doi.org/10.1017/s0022463410000366.

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4

Malesky, Edmund. "Censorship in Vietnam: Brave New World. By Thomas A. Bass. Amherst: University of Massachusetts Press, 2017. ix, 228 pp. ISBN: 9781625342959 (paper, also available in cloth and as e-book)." Journal of Asian Studies 78, no. 1 (2019): 234–37. http://dx.doi.org/10.1017/s0021911818002899.

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Blackwood, Gemma. "<em>The Serpent</em> (2021)." M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2835.

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The Netflix/BBC eight-part limited true crime series The Serpent (2021) provides a commentary on the impact of the tourist industry in South-East Asia in the 1970s. The series portrays the story of French serial killer Charles Sobhraj (played by Tahar Rahim)—a psychopathic international con artist of Vietnamese-Indian descent—who regularly targeted Western travellers, especially the long-term wanderers of the legendary “Hippie Trail” (or the “Overland”), running between eastern Europe and Asia. The series, which was filmed on location in Thailand—in Bangkok and the Thai town of Hua Hin—is set
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6

Milne, Esther. "'The Ministers of Locomotion'." M/C Journal 3, no. 3 (2000). http://dx.doi.org/10.5204/mcj.1844.

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'The vital experience of the glad animal sensibilities made doubts impossible on the question of our speed; we heard our speed, we saw it, we felt it as a thrilling; and this speed was not the product of blind insensate agencies, that had no sympathy to give, but was incarnated in the fiery eyeballs of the noblest amongst brutes, in his dilated nostril, spasmodic muscles, and thunder-beating hoofs.' -- Thomas de Quincey (1849), "The English Mail-Coach" For Thomas de Quincey, the thrust of speed is intimately linked with the thrust of the body. Subjectivity is formed by and through a corporeal
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7

De Vos, Gail. "News and Announcements." Deakin Review of Children's Literature 5, no. 3 (2016). http://dx.doi.org/10.20361/g21300.

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AWARDSSome major international children’s literature awards have just been announced as I compile the news for this issue. Several of these have Canadian connections.2016 ALSC (Association for Library Service to Children) Book &amp; Media Award WinnersJohn Newbery Medal"Last Stop on Market Street,” written by Matt de la Peña, illustrated by Christian Robinson and published by G. P. Putnam’s Sons, an imprint of Penguin Books (USA) LLC Newbery Honor Books"The War that Saved My Life," written by Kimberly Brubaker Bradley and published by Dial Books for Young Readers, an imprint of Penguin Books (
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Monty, Randall W. "Driving in Cars with Noise." M/C Journal 27, no. 2 (2024). http://dx.doi.org/10.5204/mcj.3039.

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Revving I’m convinced that no one actually listens to podcasts. Or maybe it’s just that no one admits it. This is partially because a podcast falls between fetish and precious. Listening to a podcast is at once intimate, someone speaking directly to you through your AirPods, and distant, since you’re likely listening by yourself. Listening to a podcast is weird enough; talking about listening to a podcast makes other people feel uncomfortable. This is why no one listens to podcasts while doing nothing else. Podcasts encourage passive listening; they compel active participation in something oth
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9

Dutton, Jacqueline. "Counterculture and Alternative Media in Utopian Contexts: A Slice of Life from the Rainbow Region." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.927.

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Introduction Utopia has always been countercultural, and ever since technological progress has allowed, utopia has been using alternative media to promote and strengthen its underpinning ideals. In this article, I am seeking to clarify the connections between counterculture and alternative media in utopian contexts to demonstrate their reciprocity, then draw together these threads through reference to a well-known figure of the Rainbow Region–Rusty Miller. His trajectory from iconic surfer and Aquarian reporter to mediator for utopian politics and ideals in the Rainbow Region encompasses in a
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10

Michielse, Maarten. "Musical Chameleons: Fluency and Flexibility in Online Remix Contests." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.676.

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While digital remix practices in music have been researched extensively in the last few years (see recently Jansen; Navas; Pinch and Athanasiades; Väkevä), the specific challenges and skills that are central to remixing are still not well understood (Borschke 90). As writers like Demers, Lessig, and Théberge argue, the fact that remixers rework already existing songs rather than building a track from scratch, often means they are perceived as musical thieves or parasites rather than creative artists. Moreover, as writers like Borschke and Rodgers argue, because remixers make use of digital aud
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Bücher zum Thema "Bass, Thomas A. – Travel – Vietnam"

1

Censorship in Vietnam: Brave New World. University of Massachusetts Press, 2017.

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2

Censorship in Vietnam: Brave New World. University of Massachusetts Press, 2017.

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