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1

Manis, K. T., Hyo Jung (Julie) Chang, Deborah C. Fowler, and Shane C. Blum. "Inaugural Events and Beer Tourist Behavior: Capitalizing on the Craft Beer Movement." Event Management 24, no. 2 (2020): 311–34. http://dx.doi.org/10.3727/152599519x15506259856525.

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The craft beer movement has resulted in an increased number of beer festivals. Consequentially, many event organizers, groups, and individuals have sought to capitalize on this movement by hosting inaugural beer festivals. This article proposes a multidimensional conceptualization of perceived value specific to beer festivals incorporated into a model for beer tourist behavior by exploring the staging of an inaugural beer festival hosted in a rural community located in Southeastern New Mexico (USA). A mixed-methods approach incorporates depth interviews and questionnaire data. In-depth intervi
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Beckman, Eric, Fang Shu, and Tianyu Pan. "The application of enduring involvement theory in the development of a success model for a craft beer and food festival." International Journal of Event and Festival Management 11, no. 4 (2020): 397–411. http://dx.doi.org/10.1108/ijefm-01-2020-0002.

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PurposeThe purpose of this research paper is to examine whether enduring involvement theory plays a role in predicting craft beer and food festival visitors' experience of the festivalscape. Though craft beer and brewing is a growing area of research, there has been limited studies and theory application in this area. Around the world, craft breweries are increasing in number and producing more unique styles of beer as the demand for craft beer increases. Craft beer consumers visit many of these breweries and are attracted to craft beer festivals in which they can sample multiple local, region
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Toomey, Traci L., Darin J. Erickson, William Patrek, Linda A. Fletcher, and Alexander C. Wagenaar. "Illegal Alcohol Sales and Use of Alcohol Control Policies at Community Festivals." Public Health Reports 120, no. 2 (2005): 165–73. http://dx.doi.org/10.1177/003335490512000210.

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Objectives. The primary goals of this study were to assess the propensity for alcohol sales to underage customers and obviously intoxicated customers at community festivals, and to assess the prevalence of alcohol control policies at these events. A secondary goal was to identify server and festival characteristics and festival policies related to the likelihood of illegal alcohol sales. Methods. We conducted pseudo-underage purchase attempts at 43 festivals and pseudo-intoxicated purchase attempts at 50 festivals to assess the likelihood of illegal sales. Research staff made observations at f
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Zheng, Xinjie, and Xiaoting Chi. "Investigation on Festival Consumption Promotion Mechanism in the Post-Pandemic Period: The Case of the Qingdao International Beer Festival." Sustainability 16, no. 15 (2024): 6286. http://dx.doi.org/10.3390/su16156286.

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As governments in various countries and regions issue tourism-friendly policies in the post-pandemic period, the voices for tourism consumption recovery and innovative transformation have attracted great attention. Many scholars, experts and industry professionals in the field of festivals are actively exploring efficient solutions for festival marketing and sustainability. It is worth rethinking tourists’ consumption psychology and perceived image regarding exiting festival products as well as the antecedents that affect festival loyalty. The Qingdao International Beer Festival, as one of the
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Gajić, Tamara, Jovanka Popov Raljić, Ivana Blešić, et al. "Creating Opportunities for the Development of Craft Beer Tourism in Serbia as a New Form of Sustainable Tourism." Sustainability 13, no. 16 (2021): 8730. http://dx.doi.org/10.3390/su13168730.

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Beer may not be the oldest alcoholic beverage, but it is definitely among the most popular alcoholic beverages in Serbia today. The authors conducted a survey in 2019, during three major beer festivals, on a total sample of 542 festival visitors. The authors set the goal of the research: sensory preferences, habits, knowledge of the beer production process and a healthy lifestyle influence the choice of beer type, in respondents older than 18 years. Further, the goal was to investigate the extent to which craft tourism can be developed in Serbia, and to be an aid in sustainable tourism develop
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Sgorla, Andrey Felipe. "Fermentations of authenticity: the construction of quality, taste, and price in the craft beer market in Brazil." Cuadernos de Educación y Desarrollo 16, no. 5 (2024): e4142. http://dx.doi.org/10.55905/cuadv16n5-020.

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In this article, we examine the process of enhancing craft beers through brewers' narratives about quality and authenticity and establishing recognition and reputation through craft beer competitions and festivals. We conducted in-depth interviews with microbrewery owners, conversed with consumers and brewers, observed craft beer festivals, and monitored posts on brewery Facebook pages. We explore narratives about the various processes involved in building authenticity and quality in the craft beer market, highlighting the production of unique and exclusive styles in small batches with careful
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Feltmann, Kristin, Johanna Gripenberg, and Tobias H. Elgán. "Compliance to the Alcohol Law: Overserving to Obviously Intoxicated Visitors at Music Festivals." International Journal of Environmental Research and Public Health 17, no. 22 (2020): 8699. http://dx.doi.org/10.3390/ijerph17228699.

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Music festivals are often high-risk settings associated with large numbers of visitors and high alcohol intoxication levels, which contribute to a number of public health-related problems. According to the Swedish Alcohol Act, servers are responsible for not overserving alcohol to obviously intoxicated patrons. The aim of the current study was to examine compliance to the Swedish Alcohol Act at music festivals by assessing the rate of alcohol overserving to festival-goers. We conducted a study at a large music festival in Sweden hosting approximately 50,000 visitors. Professional actors, i.e.,
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Chirakranont, Rangson, and Sirijit Sunanta. "Craft Beer Tourism in Thailand." Tourism Analysis 26, no. 2 (2021): 237–39. http://dx.doi.org/10.3727/108354221x16079839951493.

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The craft beer movement and craft beer tourism are a new global phenomenon that has reached various parts of the world. However, the literature on craft beer tourism mostly focuses on traditional origins of craft beer in Western countries—the US, Australia, and European countries. This research note illustrates how a study of the Thai craft beer movement and craft beer tourism could contribute to the existing body of knowledge. The consumption of non-Western people in non-Western places has been underrepresented in the literature of food and beverage tourism. The craft beer movement has spread
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Krogmann, Aflred, Franciszek Mróz, Magdaléna Nemčíková, Líšková Zuzana Dvořáková, Alena Dubcová, and Daša Oremusová. "Possibilities for Developing Beer Routes in Slovakia." Studies of the Industrial Geography Commission of the Polish Geographical Society 34, no. 3 (2020): 36–52. https://doi.org/10.24917/20801653.343.3.

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The last 30 years of brewing history in Slovakia were the most turbulent ones. They were influenced by the liquidation of some beer production as well as privatization, integration and acquisitions of global beer producers. As a reaction to the uniform taste of beer produced by the global producers, numerous small craft breweries emerged in Slovakia trying to return the specific beer taste to the regions. Their importance may also be involved in the development of popular beer tourism through beer routes in addition to the fragmentation of the Slovak brewing industry. The aim of this paper is
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Muylaert Mager, Juliana, and Ana Maria Mauad. "EM CARTAZ: festivais de cinema de arquivo – preservação e público." Revista Observatório 3, no. 2 (2017): 283. http://dx.doi.org/10.20873/uft.2447-4266.2017v3n2p283.

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Nas últimas décadas, observa-se o surgimento de festivais dedicados ao cinema de arquivo. No Brasil, foi criado em 2002, pelo Arquivo Nacional, o Recine – Festival Internacional de Cinema de Arquivo, evento que foi substituído pelo Arquivo em Cartaz em 2015. O fenômeno dos festivais se relaciona com o tratamento do patrimônio audiovisual ao longo do século XX e XXI, sendo inseparável da trajetória das instituições arquivísticas. Neste artigo, pretende-se, por meio da análise dos dois festivais, discutir como esses eventos trabalham a tensão entre exibir e preservar, duas das principais funções
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VACL, Josef. "Motivation of Participation in Beer and Brewery Festivals in the Czech Republic." Kvasny Prumysl 61, no. 10-11 (2015): 305–10. http://dx.doi.org/10.18832/kp2015028.

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Ganchev, D. "Insecticidal action of beer towards different aphid species." Agricultural Science and Technology 14, no. 4 (2022): 43–48. http://dx.doi.org/10.15547/ast.2022.04.048.

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Abstract. One of the most popular and widely consumed drinks in the world is beer, also one of the oldest in the human mankind. The consummation of the drink has deep historical roots and there are many traditions, especially in Europe such as beer festivals, beer-oriented tourism, and beer drinking games. Although beer is extremely popular in human society, it actually can act as a pesticide - more specifically as a molluscicide approved by the European Commission as a basic substance in 2017 to be used as a molluscicide in traps. In this study the insecticidal effects of popular brands of li
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Chirakranont, Rangson, and Sirijit Sunanta. "Applications of Experience Economy in Craft Beer Tourism: A Case Study in Thailand’s Context." Sustainability 13, no. 18 (2021): 10448. http://dx.doi.org/10.3390/su131810448.

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With Thailand as a context, this study explores the applications of Pine and Gilmore’s experience economy framework in two forms of craft beer tourism, namely brewpubs and festivals. A three-pronged qualitative research design is used wherein data was collected through observations, interviews (n = 26), and netnography (n = 203). The findings revealed that both forms of craft beer tourism implement four dimensions of the experience economy in different measures. Esthetic and escapist dimensions benefit from natural, scenic settings and a man-made environment. In addition, they advance the fram
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LUSHCHYK, MARIYA. "OPPORTUNITIES FOR THE DEVELOPMENT OF BEER TOURISM IN UKRAINE." HERALD OF KHMELNYTSKYI NATIONAL UNIVERSITY 296, no. 4 (2021): 121–31. http://dx.doi.org/10.31891/2307-5740-2021-296-4-20.

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The article describes the current state of development of beer tourism in Ukraine. In particular, the theoretical aspects of the development of beer tourism are studied: the ambiguity of approaches to the interpretation of the concept of beer tourism is pointed out; the subspecies of beer tourism are singled out and the main components of the beer tour are indicated in terms of their difference from other types of tours. The main variants of classifications of types of beer as the main product of beer tourism on the following signs are described: according to GOST 29018−91; GOST 3473-78, depen
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Papcunová, Viera, Michal Levický, Jarmila Hudáková, Monika Hudáková, and Dajana Tomovičová. "Crafting Local Sustainability: Strategies for Attracting Tourists to Breweries and Related Activities of Beer Tourism." Journal of Tourism and Services 15, no. 29 (2024): 24–45. https://doi.org/10.29036/jots.v15i29.662.

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Beer tourism has become a crucial element of gastrotourism, presenting substantial opportunities for sustainable tourism development. This sector not only bolsters local economies by spending on local businesses but also promotes environmental sustainability by focusing on local brewing traditions and reducing the import of goods. The study aims to explain how different groups (based on gender, age, education, and place of residence) perceive, understand, and engage in beer tourism and thus help to adapt beer tourism offers to these groups' specific interests and improve the sustainability of
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Harrington, Robert J., Burkhard von Freyberg, Michael C. Ottenbacher, and Laura Schmidt. "The different effects of dis-satisfier, satisfier and delighter attributes: Implications for Oktoberfest and beer festivals." Tourism Management Perspectives 24 (October 2017): 166–76. http://dx.doi.org/10.1016/j.tmp.2017.09.003.

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Cabras, Ignazio, Marco Lorusso, and Nadine Waehning. "Measuring the economic contribution of beer festivals on local economies: The case of York, United Kingdom." International Journal of Tourism Research 22, no. 6 (2020): 739–50. http://dx.doi.org/10.1002/jtr.2369.

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Mannopova, Nilufar, Sardor Abdusamatov, Shakhboz Boymurodov, Abdulla Ismoilov, and Begijon Mamatquziyev. "Influence of “thematic parks” to the development of tourism in Uzbekistan." Общество и инновации 2, no. 12/S (2022): 122–31. http://dx.doi.org/10.47689/2181-1415-vol2-iss12/s-pp122-131.

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Fairs in medieval Europe (for example, St. Bartholomew's Fair, founded in 1543 in London), were one of the origins of modern amusement parks. Ever since the Elizabethan era, fairs have become centers of fun for people with entertainment, food, games. They have become the natural birthplace of various forms of fun entertainment. Since 1810, Oktoberfest in Germany has become not only a beer festival, but also a place of folk festivals. For example, the structure of water parks is becoming more and more relevant, which has so far received little attention. This article analyzes and examines the p
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Ibe, Ibe Ogbobuike, and Rukayat Hassan Abiola. "Socio-cultural significance of contemporary urban Nigerian festivals: a study of Port Harcourt <i>Bole</i> Festival." International Journal of Current Research in the Humanities 28, no. 1 (2025): 258–68. https://doi.org/10.4314/ijcrh.v28i1.18.

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Festivals are performative dimensions of cultural practice that strengthen bonds of cohesion in societies. The Port Harcourt Bole Festival is an urban event in Rivers State, Nigeria, which celebrates the local delicacy Bole (roasted plantain) and its cultural significance. Street festivals like the “Bole Festival,” are a powerful tool for building and strengthening urban community bonds, promoting social inclusion and celebrating the vibrancy and diversity of urban life. This study examines the festival's socio-cultural importance within the context of contemporary urban Nigerian festival agai
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Teeuwen, Mark. "Kyoto’s Gion Festival in Late Classical and Medieval Times: Actors, Legends, and Meanings." Religions 13, no. 6 (2022): 545. http://dx.doi.org/10.3390/rel13060545.

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Kyoto’s Gion festival has arguably the best-documented history of all festivals (sairei) in Japan, and studies of its development have heavily influenced our understanding of festivals in general. Yet we must expect that our knowledge of this history is partial at most. Extant archives on its late classical and medieval history derive from a narrow group of festival actors, and are therefore intrinsically biased. This article looks at current reconstructions of the festival’s origin and development, addressing primarily the following questions: Which groups of actors are the historical record
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Chládková, Helena. "Situation analysis of the internal environment of a company Pivovar a sodovkárna Jihlava." Acta Universitatis Agriculturae et Silviculturae Mendelianae Brunensis 56, no. 6 (2008): 37–46. http://dx.doi.org/10.11118/actaun200856060037.

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Brewing is a very important part of the food industry with a successful tradition. Beer, brewer’s malt and hops are important for export too. The situation in the beer market is changing dramatically at this time. Smaller local breweries are fighting with big competitors for the first time through expansion and innovation of the production line. Brewing development will be probably the same as in another European states, where are twenty big breweries to a thousand small ones. The strategy of Czech beer production is focused on the traditional production of classic Czech beer. For small brewer
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MOHANTY, Rojalin, and Ansuman SAMAL. "An Empirical Study on Developing the Tourism Potentials of Fairs and Festivals in Odisha in India." Theoretical and Practical Research in Economic Fields 14, no. 2 (2023): 335. http://dx.doi.org/10.14505/tpref.v14.2(28).13.

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Numerous studies on the appeal of tourist sites have been done. However, little study has been conducted on festival attractiveness and its effect on place attachment. This study adopted a mixed-methods strategy to examine the festivals in Odisha. Travel and tourism have become essential economic activities throughout the world in this globalization market. Festivals have recently grown in number, variety, and popularity, making them one of the strongest parts of the tourism industry. During tourism activities, tourists pay close attention to how attractive something is. The festival’s appeal
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Sungjin Yang, Sungjin Yang, and Seolwoo Park Seolwoo Park. "Evaluating the Economic Value of Local Culture and Arts Festival Entrance Fee to using Contingent Valuation Method." GLOBAL BUSINESS FINANCE REVIEW 29, no. 4 (2024): 70–79. http://dx.doi.org/10.17549/gbfr.2024.29.4.70.

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Purpose: Global cultural and arts festivals are often cited to enhance the image of a region and stimulate its economy. However, research and discussions regarding these global cultural and arts festivals have mainly focused on their outcomes and strategies for activation, with limited emphasis on evaluating the intrinsic value of the fes-tivals themselves, particularly their economic value. The aim of this study is to define global cultural and arts festivals and propose methods for estimating their economic value. Design/methodology/approach: This study employed the Contingent Valuation Meth
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Hannah, Bianca Paracuelles1* Aira Shayne S. Codeniera2 Dennise Camille C. Gabutan3 Ken Ken A. Rivera4 Melanie S. Tampos5 Jorjie U. Nepangue LPT. MAEd6. "Celebrating Artistry and Enhancing Livelihood: The Documentation of Banig Festival of Badian, Cebu." ISRG Journal of Humanities and Cultural Studies (ISRGJHCS) II, no. I (2025): 18–24. https://doi.org/10.5281/zenodo.14600371.

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<strong>Abstract</strong> <em>For more than ten years, the municipality of Badian has celebrated the Banig Festival. Despite this, there is still a lack of thorough documentation and written literature on the festival's cultural significance and effects. This research addressed this knowledge gap by delving deeply into the festival's background and significance in maintaining the Badianganons' traditional craftsmanship. The researcher utilized a descriptive-qualitative research design. This study collected important information about the fundamental components of the festival and its significa
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Van Belle, David. "“Festivalizing” Performance: Community and Aesthetics through the Lens of Three Festival Experiences." Canadian Theatre Review 138 (March 2009): 7–12. http://dx.doi.org/10.3138/ctr.138.001.

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Although the history of Canadian theatre has been greatly shaped by the existence of the long-established Stratford and Shaw Festivals, a new creative energy is coming from a crop of alternatives to them. These newer festivals are an increasingly important part of the Canadian performance landscape, in part precipitated by a renaissance in performance-creation work by independent artists and performance collectives who eschew the “season and theatre building” model of performance. Instead, these creators favour fluid creation methodologies and presentation arrangements that are well suited to
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Rausser, Gordon, and Wadim Strielkowski. "An Economic Analysis of the Burning Man Festival's Marketing Evolution." Marketing and Management of Innovations 14, no. 4 (2023): 176–87. http://dx.doi.org/10.21272/mmi.2023.4-13.

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This paper focuses on the economic and marketing analysis of the Burning Man event (also known as the “Burning Man festival”). It is doing so by tracing the festival’s evolution from a small bonfire ritual on San Francisco beach in California in 1986 to a globally renowned art festival held for the whole full week before the Labor Day weekend in Nevada’s Black Rock Desert. The festival has gradually become one of the world’s top “must-see” and “must-attend” attractions (often getting various nicknames by the press and researchers – from the “magic circus in the desert” to the “lucrative circus
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Nevolov, Vasily, and Valeriy Patsunov. "Ukrainian Theater Art in the Context of the European International Theater Festivals." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art Current Archives Announcements About 1, no. 2 (2018): 94–103. https://doi.org/10.31866/2616-759x.2.2018.153232.

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The purpose of the study is to identify the effectiveness of the interaction between Ukrainian and European theatrical art on the experience of international theatrical festivals in Ukraine and in Europe, the Ukrainian theaters&rsquo; participation in international theatrical festivals, studying the influence of this experience on the festival movement in Ukraine, and also on the intensification of the integration process Ukrainian theatrical art into the European cultural space in the context of Ukraine&rsquo;s European choice. Research methods.&nbsp; A comparative method of research has been
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Stander, Jan Hendrik (Manna), Luke Alan Sandham, and Gustav Visser. "The Geographies of Artists and Stall holders at Afrikaans Arts Festivals, South Africa." African Journal of Hospitality, Tourism and Leisure 10, no. 10(5) (2021): 1630–44. http://dx.doi.org/10.46222/ajhtl.19770720.183.

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South African arts festivals have been the subject of considerable research, with a focus on the economics, attendee patterns and impacts on local communities. Importantly, numerous role-players (stall holders, artists, festival attendees, amongst others) contribute to the diversity, origin and character of these arts festivals. Despite this, little is known of their mobility, spatiality and geographies. To this end, artists and stall holders across five large Afrikaans Language Arts festivals were interviewed to establish their itineraries, travel behaviours, festival involvement and cultural
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Eales, Alison C. "‘One bourbon, one scotch, one beer’: alcohol sponsorship at Glasgow Jazz Festival, 1987–2001." Popular Music 35, no. 2 (2016): 231–44. http://dx.doi.org/10.1017/s0261143016000064.

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AbstractThis article examines the relationship between music and sponsorship by drinks companies. Glasgow Jazz Festival has taken place annually since 1987 and is the city's longest running music festival. In its early years, the Festival enjoyed both cash and in-kind sponsorship from a wide range of organisations, including breweries and distilleries along with companies specialising in non-alcoholic drinks. In 2015 sponsorship was more difficult to secure, with cash sponsorship proving to be particularly elusive. The article focuses on cash sponsorship from drinks companies from 1987 to 2001
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Wiedemann, Thomas, and Tanja C. Krainhöfer. "The Berlin International Film Festival: A powerful springboard and gatekeeping mechanism for domestic filmmaking." Communications 45, no. 4 (2020): 389–413. http://dx.doi.org/10.1515/commun-2019-2052.

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AbstractFilm festivals have become key agents in the movie business, with major competitive festivals enjoying outstanding importance. Based on this assumption, this paper focuses on the example of Germany and asks to what extent the Berlin International Film Festival offers a venue for domestic films, and which types of filmmakers, in particular, benefit from this springboard and gatekeeping mechanism. More precisely, given the diverging interests confronting the Berlinale as a platform for the film community, a quantitative program analysis was conducted of the festival’s most significant se
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Kinnunen, Maarit, and Antti Honkanen. "Impacts of the COVID-19 pandemic on music festival attendees." Popular Music 40, no. 3-4 (2021): 317–46. http://dx.doi.org/10.1017/s0261143021000611.

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AbstractAs festivals were cancelled or people were afraid of participating in mass gatherings during the COVID-19 pandemic, the well-being effects of festival participation were missed. How can these missed hedonic, eudaimonic or social well-being impacts be described, and how has the prolonged absence of live music events and the cancellation of the festival summer influenced attitudes towards festivals? Research data comprised nearly 13,000 responses to the Finnish Festival Barometer 2020 at a time when all the large festivals had been cancelled. Clustering the COVID-19 related questions led
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Hanink, Johanna. "The Great Dionysia and the End of the Peloponnesian War." Classical Antiquity 33, no. 2 (2014): 319–46. http://dx.doi.org/10.1525/ca.2014.33.2.319.

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Scholars have disagreed about whether the Great Dionysia was celebrated in 404 BCE, despite the grim circumstances in Athens on the eve of the city's surrender to Sparta. This article reconsiders the problem and reviews the positive documentary evidence for the festival's celebration. The evidence indicates that the festival was indeed held, which speaks to the centrality of the Great Dionysia to Athenian civic life. The article then re-examines the conditions in Athens in the spring of 404, the practical consequences that these may have had for the festival, and the celebration of other festi
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Saayman, M., M. Douglas, and S. De Klerk. "Attributes of Entreprenuers at an Arts Festival." Southern African Journal of Entrepreneurship and Small Business Management 2, no. 1 (2009): 17. http://dx.doi.org/10.4102/sajesbm.v2i1.16.

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&lt;p&gt;The purpose of this article is to determine the attributes of entrepreneurs at festivals, in this case an arts festival. The reason for choosing an arts festival is that the largest festivals (judged by number of visitors and income generated) hosted in South Africa annually are arts festivals. A literature review revealed that this type of study had not previously been conducted in South Africa. In order to generate proper data, a survey was conducted of all small businesses that were trading at one of South Africa’s largest arts festivals, namely the Aardklop National Arts Festival,
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Persson, Magnus. "Litteraturfestivalen som offentlighet." Tidskrift för litteraturvetenskap 49, no. 4 (2019): 79–87. http://dx.doi.org/10.54797/tfl.v49i4.6547.

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The Literature Festival as a Public Sphere&#x0D; Literary festivals are becoming increasingly popular. They can, for instance, be dedicated to regional or world literature, a single author or a genre, literature in general or a specific theme. Despite their growing importance as public spheres, where an intense production and distribution of literary value take place, little scholarly attention has been paid to them. A common denominator for many festivals is that they have strong connections to the market, the state, and the broader cultural sphere of society. In this article I approach liter
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Tymoshenko, Alyona. "The image of the hero in modern Ukrainian cinema. Interview with Dmytrо Sukholytkyy-Sobchuk". UKRAINIAN CULTURAL STUDIES, № 1 (14) (2024): 103–7. http://dx.doi.org/10.17721/ucs.2024.1(14).16.

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His feature film debut was Pamphyr (2022), which had its world premiere at the Cannes Film Festival. The film was nominated for the EFA Prize for Best First Feature and won more than 30 awards at over 70 festivals. His short films have been selected for the most prestigious festivals, including Sundance Film Festival, DOC NYC, IDFA, Toronto International Film Festival, Clermont-Ferrand International Short Film Festival, Palm Springs International Festival of Short Films and others. He is a member of the Ukrainian (since 2017) and European (since 2018) film academies, the founder and organiser
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Dodds, Rachel, Michelle Novotny, and Sylvie Harper. "Shaping our perception of reality: sustainability communication by Canadian festivals." International Journal of Event and Festival Management 11, no. 4 (2020): 473–92. http://dx.doi.org/10.1108/ijefm-03-2020-0012.

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PurposeThe purpose of this paper is to determine the extent of online communication by festivals regarding their sustainability practices using Cultivation Theory as the framework to determine perceived value creation.Design/methodology/approachA mixed method approach was utilized to achieve data triangulation through a content analysis of websites, content analysis of social media sites as well as interviews.FindingsFindings indicated that 64% of festivals did not communicate any sustainable practices through their websites and only 6% communicated via social media. The most common sustainabi
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Pioš, Katarzyna, Karolina Skoczylas, and Teresa BrzeziñSka-Wójcik. "The Current Condition and Possibilities of Development of Festival Tourism in the Lublin Region." Polish Journal of Sport and Tourism 21, no. 2 (2014): 119–26. http://dx.doi.org/10.2478/pjst-2014-0012.

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Abstract Introduction. The number, range, and diversity of events with a character of festivals have been growing in the Lublin Region over the last several years. The events are organised by various entities and institutions. Information about them is largely dispersed. No study has been conducted so far determining the spatial distribution of festivals at the regional scale, and analysing their offer in the context of possibilities of development of festival tourism. Therefore, a study in the scope was undertaken with consideration of the cultural conditionings of some of the events. Materia
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Tonga Uriarte, Yesim, Tiziano Antognozzi, and Maria Luisa Catoni. "Investigating Tourism Impacts of Festivals: An Exploratory Case Study of a Big-Scale Comic-Con." Event Management 23, no. 6 (2019): 817–33. http://dx.doi.org/10.3727/152599519x15506259855823.

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In recent years, festivals have been increasing their prominence as a medium for endorsing local development, promoting tourism, and improving city image. Subsequently, festivalization of culture has become a growing phenomenon that not only serves for primary purposes, such as audience outreach, cultural creativity and exchange, but also brings along a significant resonance with extensive socioeconomic impacts both in and out of the local destination. On the other hand, cultural production has been evolving with increasing variety and availability of multimedia products and expanding its audi
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Thi Ngoc, Anh Luong, and Giang Le Thi Huong Giang. "Characteristics of words about the Tay people’s festival in Vietnam." International Journal of Multidisciplinary Research and Growth Evaluation 4, no. 6 (2023): 454–60. http://dx.doi.org/10.54660/.ijmrge.2023.4.6.454-460.

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The article is based on theories about Vietnamese words, an overview of the Tay people and their festivals to study the characteristics of words about the Tay people's festival in terms of its structural features, usage scope, and origins. The research results indicate that traditional festival-related words is diverse in structure, with origins rooted in both pure Vietnamese and Sino-Vietnamese. In terms of meaning, the word is more concentrated in the Ceremon (Lễ) part than the Festival (Hội) part. Therefore, traditional festivals in general, and the Tay people's festivals in Vietnam in part
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Szymkiewicz, Aleksy. "Identity, place and values. On construction and internalization of festival normalities on the examples of music festivals in Poland." Journal of Urban Ethnology 19 (December 20, 2021): 153–70. http://dx.doi.org/10.23858/jue19.2021.010.

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The aim of this paper is to compare of how two different festivals stimulate specific norms and perceptions, and therefore to present the way in which the visions of the festival cities are reproduced by the festival audience based on the axio-normative orders contained in the missions of the events. Based on the shared symbols and life strategies promoted by festivals, participants (re)build their identity which they manifest in chosen cultural practices. The article attempt to answer the following question: what is shared by festival-goers? Are the main motivations for participating in the v
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., Jaeni. "The Festival of Kromong Mountain as a Glorification of the Value of the Natural, Social, Economic, and Cultural Arts in Cirebon, West Java, Indonesia." International Journal of Innovative Science and Research Technology 5, no. 6 (2019): 17–24. http://dx.doi.org/10.38124/ijisrt19dec182.

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The Mountain Kromong Festival was conceived by researchers as an annual activity aimed at communicating art in realizing cultural engineering in a society that was contaminated with industrial culture. This festival is held right in the Gempol District of Cirebon , West Java, Indonesia to reassemble the cultural traditions of the mountain/huma community, which so far have covered the lives of industrial communities. Maintaining this form of festival is tantamount to maintaining value, so the value of the Mountain Kromong festival is always directed at the value of environmental glorification,
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Puspita, Dinar Chandra, and Bambang Suharto. "Communication Strategy to Make MAFI Fest Become a Sustainable Local Film Festival." JURNAL LENSA MUTIARA KOMUNIKASI 7, no. 1 (2023): 23–36. http://dx.doi.org/10.51544/jlmk.v7i1.3849.

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In the last two decades, the Indonesian film ecosystem has been enlivened by the presence of local film festivals in various cities. The presence of film festivals is often seen as a space to channel interests, express creativity, build networks, and exchange knowledge and experiences. Local film festivals are generally initiated by student associations, film enthusiasts' communities, or government programs. Festival organizers also face various environmental challenges that are unstable in order to maintain their existence. It is not uncommon to find film festivals that have only been success
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Gao, Xiaoqian. "Research on the Impact of Cultural Festivals on Urban Regeneration." Highlights in Art and Design 6, no. 3 (2024): 1–5. http://dx.doi.org/10.54097/8823wf92.

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In recent years, an increasing number of cultural festivals have been organized around the world with the aim of revitalizing urban economies, promoting creative industries, enhancing urban social cohesion, achieving urban regeneration, and introducing or repositioning cities in an increasingly competitive global stage. Examples of using cultural festivals for urban regeneration include The Holland Festival that set up in 1947 in order to stimulate economic development of Amsterdam, the Notting Hill carnival that regularly attracts over 1 million visitors, the West End Festival in Glasgow that
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Elena Kartika Sari, Gery Dewanto, and Fitra Ananta Sujawoto. "Discovering Sustainable Beyond the Food Festivals: A Case Study on the Keuken Food Festival in Bandung." Proceedings International Conference on Marine Tourism and Hospitality Studies 1, no. 1 (2025): 348–58. https://doi.org/10.33649/iconmths.v1i1.371.

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Food festival waste has been a big challenge nowadays. Food festivals that support the culinary tourism industry should give special attention to sustainability and also the awareness of environmental impacts such as the number of foods consumed at the event. Ideally, effective food festival waste management should significantly prevent and reduce that and ensure as much as possible is prevented, reduced, and reused based on Sustainable Development Goals (SDGs). Keuken is one of the most popular food festivals in Bandung, West Java, Indonesia annually held the culinary festival 13 times from t
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Yozukmaz, Nisan, Serkan Bertan, and Serap Alkaya. "Festivals’ social impacts and emotional solidarity." International Journal of Event and Festival Management 11, no. 2 (2020): 239–53. http://dx.doi.org/10.1108/ijefm-11-2019-0054.

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PurposeInteractions between local people and guests/visitors are the main elements of tourism experience. And local festivals, considered as a significant part of festival tourism, are quite important in this context. Though many studies have been conducted about interaction between local residents and guests tourists, emotional solidarity remains as a concept which has not yet been studied much in tourism literature on local festivals. The aim of this study is to examine emotional solidarity in tourism festival literature and to determine the relationships between perceptions of local people
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Yuan, Huilin, Yufan Song, Jianlu Hu, and Yatao Ma. "Design of Festival Sentiment Classifier Based on Social Network." Computational Intelligence and Neuroscience 2020 (August 7, 2020): 1–10. http://dx.doi.org/10.1155/2020/8824009.

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With the development of society, more and more attention has been paid to cultural festivals. In addition to the government’s emphasis, the increasing consumption in festivals also proves that cultural festivals are playing increasingly important role in public life. Therefore, it is very vital to grasp the public festival sentiment. Text sentiment analysis is an important research content in the field of machine learning in recent years. However, at present, there are few studies on festival sentiment, and sentiment classifiers are also limited by domain or language. The Chinese text classifi
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Mukharsky, Dmitry, Daria Yakusheva, and Valeria Atanasova. "Festival Culture of Mykolaivsky: Modern Experience." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 3, no. 1 (2020): 54–65. https://doi.org/10.31866/2616-759x.3.1.2020.204358.

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The purpose of the study&nbsp;is to summarize the experience of organizing and conducting festival events in Mykolaiv region.&nbsp;Research methodology. In the process of studying the festival events held in Mykolaiv region, the following methods have been used: analytical is in the processing of articles, interviews that cover the course of the festivals; descriptive is to illustrate preparatory materials, scenario scenarios governing the activities of their participants; axiological to determine the criteria for evaluation as a socio-cultural phenomenon of various forms of theater festivals.
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Kim, Woo-Hyuk, and Kyung-Sook Kim. "Pro-Environmental Intentions among Food Festival Attendees: An Application of the Value-Belief-Norm Model." Sustainability 10, no. 11 (2018): 3894. http://dx.doi.org/10.3390/su10113894.

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Although festival organizers have significantly increased their adoption of green practices, there has been relatively little research on the pro-environmental decision-making process in festival settings. Drawing from the value-belief-norm-theory, the purpose of this study is to investigate the pro-environmental decision-making processes of attendees of eco-friendly food festivals. A structural analysis of responses collected from 601 surveys revealed that affective triggers and personal norms played critical roles in the development of respondents’ pro-environmental intentions in festival se
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Murray, Simone, and Millicent Weber. "‘Live and local’?" Convergence: The International Journal of Research into New Media Technologies 23, no. 1 (2017): 61–78. http://dx.doi.org/10.1177/1354856516677531.

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Literary festivals throughout the English-speaking world have been enthusiastic adopters of digital technology: uploading podcasts of author talks, posting videos of panel sessions to video-sharing sites such as YouTube, inviting guest bloggers to comment on proceedings and encouraging live-tweeting as a means of reinforcing audience members’ participatory agency. Such innovations serve to expand festivals’ reach to encompass dispersed audiences and, moreover, increase the longevity of previously transient events. They hence provide evidence to justify writers’ festivals’ claims on public fund
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Turnbull, Sarah. "Festivals as strategic tools: exploring the Dubai Lynx International Festival of Creativity." Strategic Direction 33, no. 3 (2017): 1–4. http://dx.doi.org/10.1108/sd-10-2016-0136.

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Purpose This paper aims to provide insight into the use of festivals as a strategy to position cities as creative hubs. Design/methodology/approach This paper has been prepared by an independent author who provides their views and personal experiences of festivals. Findings Festivals are an effective strategic tool for countries to use to engage business audiences and associate themselves with values such as creativity. Originality/value This paper shares highlights from the 2016 Dubai Lynx International Festival of Creativity. Three presentations have been chosen for review, and two of the de
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