Thematische Bibliographien / Bube poetry

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Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Bube poetry"

Lian, Xinda. "Secret Laid Bare: Close Reading of Chinese Poetry." Journal of Chinese Literature and Culture 9, no. 1 (2022): 47–78. http://dx.doi.org/10.1215/23290048-9681150.

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Abstract In the most exciting results of linguistic criticism of poetic function in classical Chinese poetry, one sees an ideal integration of microattention to texts and macroinvestigation of grammars of Chinese poetics. The greatest contribution of this close reading of the sinologist brand is the laying bare—in plain analytical language—of the mechanism of Chinese poetics, long grudgingly guarded as some ineffable (zhike yihui buke yanchuan 只可意會不可言傳) secret.

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Russell, Jesse. "Jewish Humanism in the Late Work of Geoffrey Hill." Religion and the Arts 25, no. 1-2 (2021): 99–124. http://dx.doi.org/10.1163/15685292-02501015.

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Abstract Throughout much of his career, Geoffrey Hill has been pilloried for his alleged conservativism as well as his positive treatment of Christianity in his poetry. A careful reading of his works, however, reveals a complex thinker who was attentive to the moral fallout of the Holocaust and the Second World War as he was a lover of England and European culture. Moreover, Hill’s writings reflect the apparent influence of a host of personalist, existentialist and what could also be called “humanist” twentieth century Jewish thinkers such as Martin Buber and Emmanuel Levinas. Throughout his p

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Stoliarova, A. G. "REGIONAL DEVELOPMENT OF A POETICAL TRADITION: FOREIGN INCLUSIONS AS A LITERARY DEVICE (stylistic aspect)." Bulletin of Udmurt University. Series History and Philology 30, no. 6 (2020): 1008–13. http://dx.doi.org/10.35634/2412-9534-2020-30-6-1008-1013.

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Scottish alliterative poetry, which can be regarded as a regional variety and at the same time the final step in the evolution of the alliterative tradition in England and Scotland, was composed in the second half of the 15th century, the period that marked the gradual decline of the tradition. In Scotland the alliterative verse was mainly employed for ironic or satirical purpose. The Buke of Howlat by Richard Holland, the earliest Scottish poem, can provide an example of using alliterative style in allegory and parody. The paper deals with how elements of a foreign language, as well as imitat

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Barzilai, Maya. "“One Should Finally Learn How to Read This Breath”: Paul Celan and the Buber-Rosenzweig Bible." Comparative Literature 71, no. 4 (2019): 436–54. http://dx.doi.org/10.1215/00104124-7709613.

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Abstract This article examines Paul Celan’s use of the terms cola and breath-unit in his notes for the 1960 “Meridian” address. In the 1920s, Martin Buber and Franz Rosenzweig developed their “colometric translation” of the Bible, using the breath-unit to capture, in German, the spoken qualities of the Hebrew Bible by allowing the human breath to dictate line divisions. Celan repurposed the breath-unit for his post-Shoah poetics: it registered, for him, a further disruption of the Hebrew-German translational link, following the demise of the Jewish community of readers. Celan’s breath-unit bec

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Stolyarova, Anastasiya G. "Evolution of Middle English Alliterative Phrases in 15th-Century Scottish Poetry: New Forms and Functions." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 5 (October 10, 2020): 89–97. http://dx.doi.org/10.37482/2227-6564-v052.

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Alliterative phrases, along with traditional poetic words and substantivized epithets, are considered to be a typical feature of the diction of alliterative revival in England and Scotland, a special marker of this tradition. Formulaic alliterative phrases are quite a different phenomenon than traditional oral poetic formulas; their formulaic character is expressed in potential variation of their elements provided that the semantics and the alliteration scheme are preserved, which allows poets to create individual author variants on the basis of traditional phrases. The paper discusses the use

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Shreiber, Maeera Y. "“Oh Mohammed, Are You Still Awake?”: Admiel Kosman, Martin Buber, and the Poetics of Engagement." AJS Review 43, no. 01 (2019): 169–87. http://dx.doi.org/10.1017/s0364009419000059.

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An award-winning poet, an accomplished Talmudist, and a frequent contributor to the pages of Haaretz, Admiel Kosman is hardly new to the scene of contemporary Hebrew letters. However, his work only recently became accessible to English readers when the first translated volume of his poetry appeared in 2011. Reading his work within the context of Martin Buber, whom Kosman regards as his “rebbe,” one discovers a profound challenge to principles of relation—political as well as personal—that are grounded in fixed categories of identity and belonging. Drawing upon the Song of Songs, which whispers

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Gulnaz Fatma, Nahla Pirzada, Sameena Begum, and Saba Tarique. "Analysis of Poetic Personality- “Sarojini Naidu” Nightingale of India was a Poet and Politician”." East Asian Journal of Multidisciplinary Research 2, no. 1 (2023): 1–10. http://dx.doi.org/10.55927/eajmr.v2i1.1620.

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Sarojini Naidu was a student who excelled academically, a renowned freedom fight activist in India, and a poet who wrote sonnets. She is popularly known as the "Nightingale of India" and has been given this title for many years. She was the first lady to hold the position of President of India in our country, she was a notable person in Indian women's history, and she was the first Governor of Uttar Pradesh after the state of Uttar Pradesh gained its independence. She was one of the most well-known figures of the 20th century, and her presence on our planet as a powerful figure is celebrated a

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Kindermann, Martin. "Beyond the Threshold – Autobiography, Dialogic Interaction, and Conversion in Gerard Manley Hopkins’s and W. Abdullah Quilliam’s Poetry." European Journal of Life Writing 10 (July 9, 2021): SV57—SV74. http://dx.doi.org/10.21827/ejlw.10.37639.

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The intertwinement of poetic life writing and theological reflections has a long-standing history in British literature. This paper shows how two Victorian poets – Gerard Manley Hopkins and W. Abdullah Quilliam – use dialogic strategies to establish an autobiographic voice, which becomes an essential poetic means of the text. Through the representation of dialogic encounters, the poems establish an autobiographic mode of speaking, which is used to articulate individual conversion experiences and to negotiate conversion as an encounter with God. Based on the works of Martin Buber and Emmanuel L

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Putra, I. Nyoman Darma, Ida Bagus Jelantik Sutanegara Pidada, and Ida Ayu Laksmita Sari. "IDENTITAS LINTAS BUDAYA: PUISI HAIKU JEPANG BERBAHASA BALI." Panggung 33, no. 2 (2023): 190–208. http://dx.doi.org/10.26742/panggung.v33i2.2334.

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The development of Indonesian and regional literature in the Archipelago is not only determined by internal conditions but also by external influences. Several years ago in Bali, an anthology of haiku in Balinese was published, which was clearly influenced by the form of haiku, traditional Japanese poetry. This article analyzes Balinese haiku collected in two anthologies, namely Bikul (Mouse, 2014) and Bubu (Fishtrapped, 2015), both by I Ketut Aryawan Kenceng. By applying a qualitative approach, this research data was collected through literature studies and interviews with poets and observers

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Ng, Zhao. "Songs of Love and Loss: Mina Loy's Lyric Theodicy." Religion & Literature 55, no. 2-3 (2024): 95–119. https://doi.org/10.1353/rel.2024.a948406.

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Abstract: This article proposes that the function of a "weak theodicy" is embedded in Mina Loy's lyric praxis. In critically extending theories of the lyric voice in relation to the dialogic address of the I-Thou fold as formulated by Martin Buber, I consider how Loy's lyric poetry responds to the losses of history. The I-Thou relation set up as an event in the lyric address refers the loves terminated in historical time to an eternal witness, picking up the thread of interrupted love in the poem itself. By interpreting Loy's explicit and implicit references to divine presence in the event of

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Dissertationen zum Thema "Bube poetry"

Santos, Marcel de Lima. "Jim Morrison: the articulation of the Shaman- Poet in the poetic tradition." Universidade Federal de Minas Gerais, 1996. http://hdl.handle.net/1843/BUBD-9D9HD2.

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This dissertation aims at the articulation ofthe shaman-poet in the poetic tradition. It presents American poet Jim Morrison as the shaman artist whose life and poetry are analyzed as belonging to the tradition ofpoets Plato called possessed byfuror poeiicus. This tradition, which is to find its prime in the writings ofthe Romantic poets, states that poetry is a secret language, based on feeling and imagination, that speaks to the heart of men about the sacred and universal, i. e., natural, quality of the human soul. The shaman-poet, thus, belongs to a tradition that goes back thousands ofyear

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Marques, Reinaldo Martiniano. "Poeta e poesia inconfidentes: um estudo de arqueologia poética." Universidade Federal de Minas Gerais, 1993. http://hdl.handle.net/1843/BUBD-9DFFNA.

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Ce texte a pour objet une analyse des images et des représentations du poète et de Ia poésie liés au mouvement révolutionnaire du XVIII® siècle, à Minas Gerais, dans 1'espace littéraire et culturel brésilien. Cette analyse trouve ses conditions de réalisation dans l'étude comparative des oeuvres poétiques de Cláudio Manuel da Costa et de Tomás Antônio Gonzaga. En entendant les images et les représentat ions du poète et de Ia poésie par des articulations d'un champ discursif le poétique , le travail cherche, suivant sa proposition, à effectuer une description archéologique du discours poétique

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Fassbind, Bernard. "Poetik des Dialogs : Voraussetzungen dialogischer Poesie bei Paul Celan und Konzepte von Intersubjektivität bei Martin Buber, Martin Heidegger und Emmanuel Levinas /." München : W. Fink, 1995. http://catalogue.bnf.fr/ark:/12148/cb35844660r.

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Barbosa, Raquel Cristina Baeta. ""O Menino Poeta" em diferentes versões: um estudo das edições e de aspectos do circuito da obra de Henriqueta Lisboa." Universidade Federal de Minas Gerais, 2013. http://hdl.handle.net/1843/BUBD-9NBLXM.

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This research has the aim to analyze five different versions of the book O Menino Poeta (The Poet Boy), by Henriqueta Lisboa, published for the first time in 1943, and to build parts of the communication circuit of the book. The mentioned book is nationally acknowledged for being a transition mark in the context of poetry production directed to children and youth and for presenting light topics referring to childhood, folklore, and nature. Besides, the author is respected for her dedication to writing and for contributing effectively to the art of poetry. The methodology of this research is a

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Lewis, Elizabeth Faith. "Peter Guthrie Tait : new insights into aspects of his life and work : and associated topics in the history of mathematics." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/6330.

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In this thesis I present new insights into aspects of Peter Guthrie Tait's life and work, derived principally from largely-unexplored primary source material: Tait's scrapbook, the Tait–Maxwell school-book and Tait's pocket notebook. By way of associated historical insights, I also come to discuss the innovative and far-reaching mathematics of the elusive Frenchman, C.-V. Mourey. P. G. Tait (1831–1901) F.R.S.E., Professor of Mathematics at the Queen's College, Belfast (1854–1860) and of Natural Philosophy at the University of Edinburgh (1860–1901), was one of the leading physicists and mathema

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Bücher zum Thema "Bube poetry"

Misali, Y. Kalam-e-bule Shah. Mushtaq book corner, 2002.

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Jandl, Ernst. Ubung mit buben: Serienfuss ; wisssen möchten. Luchterhand, 1997.

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Boleka, Justo Bolekia. Löbëla. SIAL ediciones, 1999.

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Boleka, Justo Bolekia. Löbëla. SIAL ediciones, 1999.

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Benčić, Tea. I bude šuma: Mala studija o poeziji žena. Altagama, 2005.

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Rimay, Tea Benčić. I bude šuma: Mala studija o poeziji žena. Altagama, 2005.

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Shailī, Kulajīta. Pañjābī Sūfī kāwi de bimba paiṭarana: Buḷe Shāha de wishesha prasaṅga wica. Bhāshā Wibhāga, Pañjāba, 1992.

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Lesléa, Newman, ed. Bubbe meisehs by shayneh maidelehs: An anthology of poetry by Jewish granddaughters about our grandmothers. Herbooks, 1989.

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van, Buuren Catherine, and Jacobus, de Cessolis, fl. 1288-1322., eds. The buke of the chess: Edited from the Asloan manuscript (NLS MS 16500). Scottish Text Society, 1997.

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Dentesano, Ermanno. Il Doimil e doi: Flôr-- e ancjemò semule, pae e bule : racuelte di scrits furlans te Basse di ca e di là de aghe par continuà. La Bassa, 2002.

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Buchteile zum Thema "Bube poetry"

Weidner, Daniel. "Sprachdenken – Überblicksartikel." In Handbuch Deutschsprachig-jüdische Literatur seit der Aufklärung. Neue Forschungszugänge in Paradigmen. Springer Berlin Heidelberg, 2024. https://doi.org/10.1007/978-3-662-67563-2_12.

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ZusammenfassungDas Denken mit und über Sprache hat für das deutschsprachige Judentum der Moderne eine zentrale Rolle gespielt. Um 1800 wird das Hebräische als essentiell poetische Sprache aufgefasst; ein Gedanke, der im 19. Jahrhundert in verstreuten Spekulationen am Rande der Philologie fortlebt. Im 20. Jahrhundert entwickeln Martin Buber, Franz Rosenzweig und Gershom Scholem je eigene Formen des Sprachdenkens, das jeweils auch das Verhältnis von Deutschen und Juden verhandelt: als Dialog, als Übersetzung und als Unterscheidung. Spuren dieses Denkens lassen sich nach 1945 in den Poetiken mode

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Allen-Paisant, Jason. "Thinking with Spirits." In Engagements with Aimé Césaire. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780192867223.003.0001.

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Abstract This introduction consists of a series of epigrammatic notes which outline the interlocking concerns of the book: poetry and spirit, poetry and modernity, spatializing poetry, spirit and epistemology, History and ancestrality, poetry and the life and afterlife of slavery. Spirit, here, is more than Hegel’s Geist, a sense of thought ‘unfolding itself out of itself, by itself’, since, as Aimé Césaire’s work shows, spirit transcends the concept of the individual. The author opens a sustained consideration of these connections through an engagement with Césaire’s work, and through an expl

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Kovaleva, Tatiana I., and Igor E. Loshchilov. "Raised “Tambourine”: Old Russia and the Avant-garde in the V. Sosnora’s Poem Feast of Vladimir (1959)." In Hermeneutics of Old Russian Literature. Issue 23. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. http://dx.doi.org/10.22455/horl.1607-6192-2024-23-613-632.

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The article analyzes two important aspects for understanding Victor Sosnora’s poem Feast of Vladimir (1959). The aspects, misunderstood by the first critics, are the role of a minus-reception (answer of Prince Vladimir at the feast to the squad hidden by default) and a refrain (a call to beat the tambourine accompanying the feast). Sosnora uses allusions and associations and refers the reader, if he accepts the rules of poe’s game, to the works in the traditions of Old Russia and the avant-garde. The role of the minus-reception is explained in the context of the story about Vladimir’s feast fr

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Gray, Douglas. "Robert Henryson: Narratives and Romances in Verse." In Later Medieval English Literature. Oxford University PressOxford, 2008. http://dx.doi.org/10.1093/oso/9780198122180.003.0019.

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Abstract The delights of The Buke of the Howlat are not always fused into a totally coherent whole, but they are real enough to make us wish that more of Holland’s poetry had survived. We may well feel the same about his great successor, Robert Henryson, perhaps the finest poet of this period, who can match his variety of tone, and surpasses him in imaginative coherence. Sir Francis Kynaston (1587–1642) who translated The Testament of Cresseid (and Chaucer’s Troilus and Criseyde) into Latin in a little anecdote about Henryson’s death expressed a similar wish: ‘this Mr Robert Henderson he was q

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Stevenson, Leslie. "The Eternal Thou." In Eighteen Takes on God. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190066109.003.0015.

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Martin Buber presented a poetic account of the I-Thou relation that we can have with other people, though also with some animals or trees or works of art, and in his view with God, the eternal Thou. Buber says we can only speak of God in his personal relationship to humans, but that is paradoxical, for he also says the concept of person cannot encompass the essential being of God.

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Gray, Douglas. "Verse: Wintoun, Hary, The Kingis Quair, The Quare of Jelusy, The Buke of the Howlat." In Later Medieval English Literature. Oxford University PressOxford, 2008. http://dx.doi.org/10.1093/oso/9780198122180.003.0018.

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Abstract The poetry is the glory of the period. In spite of all the losses, what has survived is of remarkable quality, and of a remarkable variety, with the work of the famous ‘makars’ as its high point. It was a distinct and a distinctive tradition, often a self-conscious one. Dunbar, Douglas, and Lindsay praise their Scottish predecessors and contemporaries (or many of them) as well as Chaucer. When it was rediscovered by later Scottish poets and antiquarians like Allan Ramsay or Pinkerton this distinctiveness was noted (and sometimes exaggerated).

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Nemtsov, Jascha. "‘National Dignity’ and ‘Spiritual Reintegration’: The Discovery and Presentation of Jewish Folk Music in Germany." In Jewishness. Liverpool University Press, 2008. http://dx.doi.org/10.3828/liverpool/9781904113454.003.0005.

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This chapter details how Jewish folk music was presented as high art to concert audiences in early twentieth-century Germany and how that strategy was criticized. In January of 1901, the first issue of the journal Ost und West (East and West) appeared in Berlin. It served as the most important organ of cultural Zionism for the next two decades, and, as its title suggests, it attempted to bridge the cultural divide between east and west European Jews with the aim of creating an ethnic nationalist goal. The first issue contained, among other things, an article by the renowned Jewish philosopher

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