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Zeitschriftenartikel zum Thema „Bube poetry“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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Lian, Xinda. "Secret Laid Bare: Close Reading of Chinese Poetry." Journal of Chinese Literature and Culture 9, no. 1 (2022): 47–78. http://dx.doi.org/10.1215/23290048-9681150.

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Abstract In the most exciting results of linguistic criticism of poetic function in classical Chinese poetry, one sees an ideal integration of microattention to texts and macroinvestigation of grammars of Chinese poetics. The greatest contribution of this close reading of the sinologist brand is the laying bare—in plain analytical language—of the mechanism of Chinese poetics, long grudgingly guarded as some ineffable (zhike yihui buke yanchuan 只可意會不可言傳) secret.

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Russell, Jesse. "Jewish Humanism in the Late Work of Geoffrey Hill." Religion and the Arts 25, no. 1-2 (2021): 99–124. http://dx.doi.org/10.1163/15685292-02501015.

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Abstract Throughout much of his career, Geoffrey Hill has been pilloried for his alleged conservativism as well as his positive treatment of Christianity in his poetry. A careful reading of his works, however, reveals a complex thinker who was attentive to the moral fallout of the Holocaust and the Second World War as he was a lover of England and European culture. Moreover, Hill’s writings reflect the apparent influence of a host of personalist, existentialist and what could also be called “humanist” twentieth century Jewish thinkers such as Martin Buber and Emmanuel Levinas. Throughout his p

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Stoliarova, A. G. "REGIONAL DEVELOPMENT OF A POETICAL TRADITION: FOREIGN INCLUSIONS AS A LITERARY DEVICE (stylistic aspect)." Bulletin of Udmurt University. Series History and Philology 30, no. 6 (2020): 1008–13. http://dx.doi.org/10.35634/2412-9534-2020-30-6-1008-1013.

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Scottish alliterative poetry, which can be regarded as a regional variety and at the same time the final step in the evolution of the alliterative tradition in England and Scotland, was composed in the second half of the 15th century, the period that marked the gradual decline of the tradition. In Scotland the alliterative verse was mainly employed for ironic or satirical purpose. The Buke of Howlat by Richard Holland, the earliest Scottish poem, can provide an example of using alliterative style in allegory and parody. The paper deals with how elements of a foreign language, as well as imitat

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Barzilai, Maya. "“One Should Finally Learn How to Read This Breath”: Paul Celan and the Buber-Rosenzweig Bible." Comparative Literature 71, no. 4 (2019): 436–54. http://dx.doi.org/10.1215/00104124-7709613.

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Abstract This article examines Paul Celan’s use of the terms cola and breath-unit in his notes for the 1960 “Meridian” address. In the 1920s, Martin Buber and Franz Rosenzweig developed their “colometric translation” of the Bible, using the breath-unit to capture, in German, the spoken qualities of the Hebrew Bible by allowing the human breath to dictate line divisions. Celan repurposed the breath-unit for his post-Shoah poetics: it registered, for him, a further disruption of the Hebrew-German translational link, following the demise of the Jewish community of readers. Celan’s breath-unit bec

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Stolyarova, Anastasiya G. "Evolution of Middle English Alliterative Phrases in 15th-Century Scottish Poetry: New Forms and Functions." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 5 (October 10, 2020): 89–97. http://dx.doi.org/10.37482/2227-6564-v052.

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Alliterative phrases, along with traditional poetic words and substantivized epithets, are considered to be a typical feature of the diction of alliterative revival in England and Scotland, a special marker of this tradition. Formulaic alliterative phrases are quite a different phenomenon than traditional oral poetic formulas; their formulaic character is expressed in potential variation of their elements provided that the semantics and the alliteration scheme are preserved, which allows poets to create individual author variants on the basis of traditional phrases. The paper discusses the use

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Shreiber, Maeera Y. "“Oh Mohammed, Are You Still Awake?”: Admiel Kosman, Martin Buber, and the Poetics of Engagement." AJS Review 43, no. 01 (2019): 169–87. http://dx.doi.org/10.1017/s0364009419000059.

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An award-winning poet, an accomplished Talmudist, and a frequent contributor to the pages of Haaretz, Admiel Kosman is hardly new to the scene of contemporary Hebrew letters. However, his work only recently became accessible to English readers when the first translated volume of his poetry appeared in 2011. Reading his work within the context of Martin Buber, whom Kosman regards as his “rebbe,” one discovers a profound challenge to principles of relation—political as well as personal—that are grounded in fixed categories of identity and belonging. Drawing upon the Song of Songs, which whispers

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Gulnaz Fatma, Nahla Pirzada, Sameena Begum, and Saba Tarique. "Analysis of Poetic Personality- “Sarojini Naidu” Nightingale of India was a Poet and Politician”." East Asian Journal of Multidisciplinary Research 2, no. 1 (2023): 1–10. http://dx.doi.org/10.55927/eajmr.v2i1.1620.

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Sarojini Naidu was a student who excelled academically, a renowned freedom fight activist in India, and a poet who wrote sonnets. She is popularly known as the "Nightingale of India" and has been given this title for many years. She was the first lady to hold the position of President of India in our country, she was a notable person in Indian women's history, and she was the first Governor of Uttar Pradesh after the state of Uttar Pradesh gained its independence. She was one of the most well-known figures of the 20th century, and her presence on our planet as a powerful figure is celebrated a

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Kindermann, Martin. "Beyond the Threshold – Autobiography, Dialogic Interaction, and Conversion in Gerard Manley Hopkins’s and W. Abdullah Quilliam’s Poetry." European Journal of Life Writing 10 (July 9, 2021): SV57—SV74. http://dx.doi.org/10.21827/ejlw.10.37639.

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The intertwinement of poetic life writing and theological reflections has a long-standing history in British literature. This paper shows how two Victorian poets – Gerard Manley Hopkins and W. Abdullah Quilliam – use dialogic strategies to establish an autobiographic voice, which becomes an essential poetic means of the text. Through the representation of dialogic encounters, the poems establish an autobiographic mode of speaking, which is used to articulate individual conversion experiences and to negotiate conversion as an encounter with God. Based on the works of Martin Buber and Emmanuel L

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Putra, I. Nyoman Darma, Ida Bagus Jelantik Sutanegara Pidada, and Ida Ayu Laksmita Sari. "IDENTITAS LINTAS BUDAYA: PUISI HAIKU JEPANG BERBAHASA BALI." Panggung 33, no. 2 (2023): 190–208. http://dx.doi.org/10.26742/panggung.v33i2.2334.

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The development of Indonesian and regional literature in the Archipelago is not only determined by internal conditions but also by external influences. Several years ago in Bali, an anthology of haiku in Balinese was published, which was clearly influenced by the form of haiku, traditional Japanese poetry. This article analyzes Balinese haiku collected in two anthologies, namely Bikul (Mouse, 2014) and Bubu (Fishtrapped, 2015), both by I Ketut Aryawan Kenceng. By applying a qualitative approach, this research data was collected through literature studies and interviews with poets and observers

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Ng, Zhao. "Songs of Love and Loss: Mina Loy's Lyric Theodicy." Religion & Literature 55, no. 2-3 (2024): 95–119. https://doi.org/10.1353/rel.2024.a948406.

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Abstract: This article proposes that the function of a "weak theodicy" is embedded in Mina Loy's lyric praxis. In critically extending theories of the lyric voice in relation to the dialogic address of the I-Thou fold as formulated by Martin Buber, I consider how Loy's lyric poetry responds to the losses of history. The I-Thou relation set up as an event in the lyric address refers the loves terminated in historical time to an eternal witness, picking up the thread of interrupted love in the poem itself. By interpreting Loy's explicit and implicit references to divine presence in the event of

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Langlands, Rebecca. "Latin Literature." Greece and Rome 64, no. 2 (2017): 188–93. http://dx.doi.org/10.1017/s0017383517000092.

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I still remember the thrill of reading for the first time, as an undergraduate, Frederick Ahl's seminal articles ‘The Art of Safe Criticism’ and the ‘Horse and the Rider’, and the ensuing sense that the doors of perception were opening to reveal for me the (alarming) secrets of Latin poetry. The collectionWordplay and Powerplay in Latin Poetryis a tribute to Ahl, and all twenty-two articles take his scholarship as their inspiration. Fittingly, this book is often playful and great fun to read, and contains some beautiful writing from its contributors, but also reflects the darker side of Latin

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Woźniak, Kamila. "Rozkosze czeskiej awangardy. O fuzjach literatury, sztuki i filozofii na przykładach z twórczości Jindřicha Štyrskiego, Toyen, Vítězslava Nezvalai Františka Drtikola." Slavica Wratislaviensia 164 (November 20, 2017): 33–41. http://dx.doi.org/10.19195/0137-1150.164.3.

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The joys of the Czech avant-garde.On the amalgamation of literature, art and philosophy based on the examples from the works of Jindřich Štyrský, Toyen,Vítězslav Nezval and František DrtikolThe article points out some recurrent themes in the literary and artistic works by the repre- sentatives of the Czech avant-garde of the ﬁrst half of the twentieth century. It is primarily about the motives of sleep, life, death and eroticism recognized most often in iconoclastic conventions, often on the borders of pornographic description and violating the taboo of eroticism, pleasures of the ﬂesh and rel

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Cainelli, Clivia Martins de Oliveira. "Ecos do silêncio no tom poético de Marco Lucchesi." EccoS – Revista Científica, no. 72 (March 12, 2025): e27992. https://doi.org/10.5585/2025.27992.

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A obra Silêncio, de Marco Lucchesi, evidencia uma sinfonia literária em três movimentos, articulada em torno de cento e cinquenta aforismos, que repercutem a profundidade filosófica e poética do autor, em uma viagem ao âmago do ser e do cosmos. Nas presenças e ausências das sonoras palavras, vivenciam-se momentos de suspensão, respiro e transcendência, ao permitirem a compreensão de inefáveis ideias nos plurais espaços do percurso, lembrando o trabalho original e arrojado do compositor e regente Stravinsky em sua criação musical: “Na rítmica, a originalidade da técnica e a assimetria audaciosa

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Jensen, Tommy, and Yashar Mahmud. "Poetic encounters in field work." Gender, Work & Organization, October 18, 2023. http://dx.doi.org/10.1111/gwao.13074.

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AbstractIn this paper, we seek to belong to the “writing differently” turn in organization studies. We argue that writing poetry when doing field work is a way of disrupting and unsettling the objective scientific gaze, the scientific ideal of experiencing the world, and of opening for the Buberian world—the world as an encounter in itself. A tension framed by Buber as I‐It and I‐You. Rather than merely arguing that poetry can help us understand the world differently, we argue that poetry can help us encounter the world differently. Further, by telling two field work stories, we show that poet

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Barouch, Lina. "Hölderlin in Jerusalem: Buber and Strauss on Poetry and the Limits of Dialogue." Naharaim 8, no. 2 (2014). http://dx.doi.org/10.1515/naha-2014-0011.

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AbstractThis paper discusses a series of commentaries and lyrical texts by Martin Buber and Ludwig Strauss, which dwell on Hölderlin’s poetry and the dialogical ideas implicit therein (e.g. the dialogical vocation of the poet). The paper distinguishes between the dialogical ideal and its concretization in language, as the selected texts all strive to develop a dialogical poetics, yet at the same time engage with textual junctures where the dialogical mode collapses. This collapse is also registered in the historical sphere: Buber’s engagement with Heidegger’s paradigmatic Hölderlin studies cal

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Kornacka-Sareło, Katarzyna Anna. "RUSSIAN, JEWISH OR HUMAN? JEWISH MYSTICAL THOUGHT IN THE POETRY OF BULAT SHALVOVICH OKUDZHAVA." Porównania 21, no. 2 (2018). http://dx.doi.org/10.14746/p.2017.21.14001.

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While looking at the literary output of Bulat Shalvovich Okudzhava from the perspective of imagology, one can see that the image of “the Other” in the poems of the Russian bard was created, paradoxically, just by this “Other”, and it was not constructed by the images (imagines) intrinsically present in the consciousness of the ethnocentric “Self” or “The Same”. In other words, in the case of Okudzhava’s poetry, the image of “the Other” stands on the basis of some ideas of Jewish mystics and the ones of Jewish philosophers of dialogue (Martin Buber, Franz Rosenzweig and Emmanuel Lévinas). There

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