Thematische Bibliographien / Burlesque (Théâtre)

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Zeitschriftenartikel
Dissertationen
Bücher
Buchteile
Konferenzberichte
Berichte der Organisationen

Auswahl der wissenschaftlichen Literatur zum Thema „Burlesque (Théâtre)“

Autor: Grafiati

Veröffentlicht am 28. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Burlesque (Théâtre)"

Cormac, Joanne. "From Satirical Piece to Commercial Product: The Mid-Victorian Opera Burlesque and its Bourgeois Audience." Journal of the Royal Musical Association 142, no. 1 (2017): 69–108. http://dx.doi.org/10.1080/02690403.2017.1286124.

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ABSTRACTCurrent studies of burlesque position it as a subversive genre that questioned cultural and social hierarchies and spoke to diverse audiences. Central to this interpretation are burlesque's juxtapositions of high and low culture, particularly popular and operatic music. This article problematizes this view, proposing that mid-Victorian burlesques lost their satirical bite. Demonstrating little concern for the tastes or interests of the poorer or the most elite members of the audience, they specifically targeted the bourgeoisie. The article places three mid-Victorian burlesques in the w

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Caputo, Nicoletta. "“The Farcical Tragedies of King Richard III”: The Nineteenth-Century Burlesques." Theatre Survey 62, no. 1 (2021): 25–50. http://dx.doi.org/10.1017/s0040557420000460.

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Unlike other Shakespearean tragedies, King Richard III was never turned into a comedy through the insertion of a happy ending. It did, however, undergo a transformation of dramatic genre, as the numerous Richard III burlesques and travesties produced in the nineteenth century plainly show. Eight burlesques (or nine, including a pantomime) were written for and/or performed on the London stage alone. This essay looks at three of these plays, produced at three distinct stages in the history of burlesque's rapid rise and decline: 1823, 1844, and 1868. In focusing on these productions, I demonstrat

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Chiummo, Carla. "Burlesque Connotations in the Pictorial Language in Bronzino’s Poetry." Renaissance and Reformation 40, no. 1 (2017): 211–38. http://dx.doi.org/10.33137/rr.v40i1.28454.

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Agnolo di Cosimo, better known as Bronzino, was not only one of the most celebrated painters at the court of Cosimo I in Florence; he was also a dazzling poet, as Vasari reminds us in his Vite. Bronzino was the author of a Petrarchan canzoniere, as well as of burlesque poems. In his sonetti caudati, and in his paradoxical capitoli, burlesque language—characterized by its erotic puns and double meanings—interacts with the pictorial field in a strikingly original way. This interaction hinges on Bronzino’s employment of pictorial discourse: from simple, well-known burlesque symbols and metaphors—

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MARVIN, ROBERTA MONTEMORRA. "Verdian opera burlesqued: a glimpse into mid-Victorian theatrical culture." Cambridge Opera Journal 15, no. 1 (2003): 33–66. http://dx.doi.org/10.1017/s0954586703000338.

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Through brief case studies of burlesques of Ernani, Il trovatore and La traviata written for nineteenth-century London, this essay makes a preliminary examination of the nature of Victorian operatic burlesques, why they existed, and how they functioned artistically and sociologically. My larger purpose is threefold: to investigate the manner in which burlesque interpreted the foreign art form of Italian opera in a culture self-consciously identified as English, to consider how these works traversed class differences in an evolving socio-cultural milieu, and to ask how we might understand the t

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Staśkiewicz, Joanna. "The new burlesque as an example of double-simulacrum." Forum Socjologiczne 8 (April 24, 2018): 111–22. http://dx.doi.org/10.19195/2083-7763.8.7.

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The new burlesque as an example of double-simulacrumThis article deals with the phenomenon of the new burlesque in a double sense: as a simulacrum of gender and sexuality construction and as a simulacrum of local myths. It shows, according to the simulacrum approach of Jean Baudrillard, the current research on burlesque and an example of the international comparison of the burlesque scenes in New Orleans USA, Berlin Germany, and Warsaw Poland. It poses the question of how the imaginings of gender roles, sexuality, and local “authenticity” are embodied in the new burlesque.

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Nych, O. B., and L. V. Serman. "TRANSLATION ASPECT OF BURLESQUE ENGLISH VOCABULARY." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 3(55) (April 12, 2019): 175–83. http://dx.doi.org/10.31471/2304-7402-2019-3(55)-175-183.

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The peculiarities of the translation of Burlesque English vocabulary are analyzed in this article. The following translations of Burlesque items from English into Ukrainian shall be considered: translation by type of equivalence of lexical units; translation by means of variables and content phrases and complex agreements, as well as combined translation. The phenomenon of Burlesque is substantiated in the structure of the lexical-semantic system of contemporary English. Burlesque is a special way of reflecting the essence of the phenomena of reality, which can be commercial, ironic, sat

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Matias, Julia. "“Working On and Against” Classic Burlesque Conventions in Zyra Lee Vanity’s Irie Love." Canadian Theatre Review 189 (January 1, 2022): 27–32. http://dx.doi.org/10.3138/ctr.189.006.

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‘Classic burlesque’ refers to a style of contemporary burlesque performance that attempts to recreate some of the conventions of mid-century striptease. In this article, I explore the work classic burlesque does to cite, adapt, and preserve elements of historic striptease through its practitioners’ unique relationship with the archive and repertoire of historic burlesque. Though classic burlesque is fraught with much of the cultural baggage of the history it inherits, it creates an embodied act of preservation less concerned with historical authenticity than with preserving an attitude toward

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Staśkiewicz, Joanna. "Gelsomina transgressed: A subversion of Fellini’s world in the clownish neo-burlesque." Journal of Italian Cinema & Media Studies 9, no. 1 (2021): 63–81. http://dx.doi.org/10.1386/jicms_00051_1.

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Inspired by the character of Gelsomina from La Strada, this article deals with the figure of the female clown in the contemporary neo-burlesque. Beloved figures in Fellini’s world, clowns are a cultural symbol of failing, stumbling, being silly and being imperfect, as well as a metaphor for overstepping of social norms and rules. The article aims to bring a feminist focus to Fellini’s circus figures and discusses with the increasingly popularity of female clowns within the contemporary neo-burlesque scene. The central question posed by this article is whether these burlesque clowns can transfo

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Alexandrova, A. A. "AUTHORIAL MODALITY IN LOW POETIC BURLESQUE BY SAMUEL BUTLER “HUDIBRAS”." Memoirs of NovSU, no. 1 (2024): 118–24. http://dx.doi.org/10.34680/2411-7951.2024.1(52).118-124.

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The article deals with the question of subjective authorial modality in fictional texts. Different interpretations of the term are analyzed, and universal types of authorial modality are distinguished – heroic, tragic, comic and romantic. In order to reveal peculiarities of authorial modality, burlesque is analyzed. Burlesque is a comic secondary genre (imitating a certain text-typological model), comic effect of which is determined by sharp contrast between the subject of description and the style of expression. English-language low poetic burlesque by Samuel Butler "Hudibras" is subjected to

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BOSKIN, JOSEPH. "Burlesque and the city." Humor - International Journal of Humor Research 10, no. 1 (1997): 1–10. http://dx.doi.org/10.1515/humr.1997.10.1.1.

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Dissertationen zum Thema "Burlesque (Théâtre)"

Martín, Adrienne Laskier. "Cervantes and the burlesque sonnet." Berkeley [etc.] : University of California press, 1991. http://ark.cdlib.org/ark:/13030/ft4870069m.

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Th. : Harvard University.<br>Contient aussi un choix de poèmes en italien et en espagnol avec la trad. en anglais. Titre provenant de l'écran-titre. Ouvrage mis en ligne par eScholarship. Bibliogr.. Index.

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Karacasu, Baris. "The End Of A Tradition: How The Classical Turned Into Burlesque." Master's thesis, METU, 2007. http://etd.lib.metu.edu.tr/upload/12608350/index.pdf.

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During the creation or invention of literary canon some texts are excluded with respect to the aims of the historians. This thesis analyses the process of exclusion in a historical context and tries to show how those texts are related to literary canon or socalled traditional-classical literature by means of intertextuality. It focuses on the burlesque pieces of literature of the 18th century and how they are composed with regard to the genres and forms they are transforming.

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Fargo, Emily Layne. ""The fantasy of real women" new burlesque and the female spectator /." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1211331939.

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McCusker, Nicole Catherine. "Performance, Art and the Female Nude at Dr Sketchy's Anti-Art School." Thesis, University of Canterbury. Social and Political Sciences, 2012. http://hdl.handle.net/10092/7656.

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My thesis examines the event of Dr Sketchy's Anti-Art School, which has branches in over 120 cities worldwide. Dr Sketchy's combines the format of a life drawing class with burlesque performance, creating an event that focuses on both the performance and the creation of art by the attendees. Dr Sketchy's was begun in New York in 2005 by its creator Molly Crabapple, now an internationally recognized artist and popular alternative celebrity. I focus my study on the Christchurch branch of Dr Sketchy's Anti-Art School, founded in June 2010 by Audrey Baldwin, a performance artist and Fine Arts grad

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Murphy, Blair Elizabeth. "Leaving something to the imagination neo-burlesque, gendered spectacle and new subcultural forms /." Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/457179823/viewonline.

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Duret, Marie. "Pour une poétique de la comédie dans le théâtre contemporain [de Beckett aux Deschamps]." Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030140.

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Face aux incertitudes génériques liées à la perte des contours stricts entre les genres, qui se renforce dans les années 1950 avec les oeuvres du « Nouveau Théâtre », la théorisation de la comédie contemporaine et sa définition selon des critères génériques s'avèrent problématiques. Puisque les structures, les procédés d'écriture et les intentions des comédies divergent suivant les auteurs et leurs pratiques, dans une démarche descriptive et analytique, cette thèse propose un état des lieux de la situation de la comédie contemporaine française d'un point de vue générique. Trois manières d'écri

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Prince, Lindy-Lee. "Creating personas, performing selves – gazing beyond the masks of drag and neo-burlesque performance." Doctoral thesis, Faculty of Humanities, 2021. http://hdl.handle.net/11427/33920.

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What if gender is not in the body, but happens to it through a combination of tangible and intangible means – through the coverings that mask, as well as the translations of and on the body? What if gender was malleable? If we cannot break gender, smash it to pieces, then, hopefully we might be able to bend it and fashion it into something that is more useful in the world, desirable, and something functional for an immediate need, or purpose. This thesis introduces the reader to the performance of drag and neo-burlesque, as these take place in bars and nightclubs in Cape Town. I use the concep

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King, Portia Jane. "Shake it hard feminist identity and the burly-Q /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2008. http://hdl.handle.net/10355/5798.

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Thesis (M.A.)--University of Missouri-Columbia, 2008.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on August 12, 2009) Includes bibliographical references.

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Cotton, Charles Dust Alvin Irwin. "Charles Cotton's works, 1663-1665 : critical editions of "The Valiant knight" and "Scarronides /." New York : Garland publ, 1992. http://catalogue.bnf.fr/ark:/12148/cb35718858x.

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Wellman, Elizabeth Joanne. "Taught It to the Trade: Rose La Rose and the Re-ownership of American Burlesque, 1935-1972." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1439764548.

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Bücher zum Thema "Burlesque (Théâtre)"

Charles, Cotton. Charles Cotton's works, 1663-1665: Critical editions of The valiant knight and Scarronides. Garland Pub., 1992.

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Grand Opera House (London, Ont.), ed. Grand Opera House, London, Ont., programme: Tuesday, February 11th, The Trocadero Vaudevilles .. s.n., 1986.

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Paris, Yvette. Queen of burlesque: The autobiography of Yvette Paris. Prometheus Books, 1990.

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Briggeman, Jane. Burlesque: Legendary stars of the stage. Collectors Press, 2004.

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Sisson, Hal C. The big bamboozle: A burlesque novel. Salal Press, 1999.

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Newlin, Keith. Hardboiled burlesque: Raymond Chandler's comic style. Borgo Press, 1985.

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Rosebush, Judson. Burlesque: Exotic dancers of the 50s and 60s. Schiffer Pub., 2010.

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Lashes, Vivian. Glitter on the mattress: A burlesque beauty zine. The author, 2012.

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C, Parliament Ian, and Royal Chaz, eds. Burlesque Poster Design: The Art of Tease. Korero, 2009.

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Isaacs, George. The burlesque of Frankenstein, or The man-gorilla. 2nd ed. Graham Stone, 1994.

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Buchteile zum Thema "Burlesque (Théâtre)"

West, Ben. "Burlesque." In The American Musical. Routledge, 2024. http://dx.doi.org/10.4324/9781003094548-10.

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Brereton, Geoffrey. "Scarron and Burlesque Comedy." In French Comic Drama from The Sixteenth to The Eighteenth Century. Routledge, 2022. http://dx.doi.org/10.4324/9781003279945-4.

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Gerry. "The Ghosts of New Burlesque." In A Good Night Out for the Girls. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137300140_7.

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"Burlesque." In The Happy Stripper. I.B.Tauris & Co Ltd, 2008. http://dx.doi.org/10.5040/9780755699780.ch-001.

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"Burlesque." In The Visual Dictionary of Fashion Design. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: English Language Support Office, 2007. http://dx.doi.org/10.5040/9781474218573.0046.

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Jump, John D. "The Mock-Poem." In Burlesque. Routledge, 2017. http://dx.doi.org/10.4324/9781315115450-5.

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Swallow, Peter. "Aristophanes Burlesqued." In Aristophanes in Britain. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192868565.003.0004.

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Abstract For about forty years from the start of the Victorian period, the British theatre was dominated by burlesque, a form of popular entertainment that incorporated parody, comedy, stagecraft, and musical theatre. It frequently engaged with the classics as well; countless burlesques travestied Greek tragedy, classical epic, myth, and history. Despite the genre’s obvious similarity to Aristophanic humour, however, only one burlesque was performed which directly parodied Old Comedy—James Robinson Planché’s The Birds of Aristophanes (1846). This chapter explores the Victorian burlesque genre

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Smollett, Tobias. "Burlesque Ode." In The Works of Tobias Smollett: Poems, Plays, and The Briton, edited by Byron Gassman and O. M. Brack, Jr. University of Georgia Press, 1993. http://dx.doi.org/10.1093/oseo/instance.00216954.

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"The Return to Ethics and the Specter of Reading." In Empire Burlesque. Duke University Press, 2003. http://dx.doi.org/10.1215/9780822384663-006.

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"The Return to Ethics and the Specter of Reading." In Empire Burlesque. Duke University Press, 2003. http://dx.doi.org/10.2307/j.ctv11sn2vw.10.

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Konferenzberichte zum Thema "Burlesque (Théâtre)"

Belfiore, Nicola Pio, and Matrisciano Apollonia. "Correlations between Academic Choices and Learning Preferences: Insights from an Experimental Study on Multiple Intelligences and Experiential Learning at Roma Tre University." In 2024 21st International Conference on Information Technology Based Higher Education and Training (ITHET). IEEE, 2024. https://doi.org/10.1109/ithet61869.2024.10837648.

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Carlsen, Carina Elisabeth. "Empowering fatness through burlesque and fat liberation." In 10th Annual International Weight Stigma Conference. Weight Stigma Conference, 2024. https://doi.org/10.31076/2024.s5.

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This presentation delves into the empowering impact of burlesque, transforming perceptions of the fat body and fostering fat empowerment. The speaker shares personal experiences, recounting unconventional burlesque performances that challenge societal norms. Addressing the feminist discourse surrounding burlesque, the talk underscores its pivotal role in advancing diverse representations of the fat body. Interviews with fat burlesque performers provide a comprehensive view of the Norwegian burlesque scene. The discussion explores the societal challenges confronting individuals with larger bodi

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Belchior Santos, Jussara, Magdalena Hutter, and Gillie Kleiman. "Why you should care about fat performance." In 10th Annual International Weight Stigma Conference. Weight Stigma Conference, 2024. https://doi.org/10.31076/2024.s7.

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This session will attend to fat performance making, presentation and reception as culturally and socially valuable for fat people and beyond, unfolding the relevance of fat performance for amplifying the subversive potential of fat life. Artist-scholars Jussara Belchior Santos, Magdalena Hutter and Gillie Kleiman will explore fat performance as the process of building international community, of finding elders, peers, and future contributors to the field, and of making more fat performance possible. Along with the presenters’ own creative and academic work, their insights into fat performance

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Marcaletti, Livio. "»Strafspiel« und satirische Stilmittel in musikdramatischen Gattungen des frühen 18. Jahrhunderts." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.63.

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The tendency of today’s historiography to portray early 18th-century Italian opera as a dichotomy between opera seria and opera buffa takes too little account of the existence of genera mixta. However, contemporary composers and authors sometimes referred to a tripartiton. In his treatise Der vollkommene Capellmeister (1739), Johann Mattheson distinguishes between tragedy, comedy and satire. His description of the melodies from a satirical opera is limited to the statement that they are “ridiculous, poseuristic and prickly”. This definition can be applied to the analysis of dramatic vocal work

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Wan, Annie On Ni, Hiroki Nishino, and Pamela Pietro. "Tre marie." In the 14th annual ACM international conference. ACM Press, 2006. http://dx.doi.org/10.1145/1180639.1180869.

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Schneck, Charles, Geoffroi Ridel, Daphné Parrot, Yann Poyac, and Anthony Le Saout. "Mon(s)tre (monster-clock)." In ACM SIGGRAPH 2009 Computer Animation Fesitval. ACM Press, 2009. http://dx.doi.org/10.1145/1596685.1596773.

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Cain, B. J., G. L. Woods, A. Syed, R. Herlein, and Toshihiro Nomura. "Analog Circuit Failure Analysis Using Time-Resolved Emission." In ISTFA 2005. ASM International, 2005. http://dx.doi.org/10.31399/asm.cp.istfa2005p0363.

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Abstract Time-Resolved Emission (TRE) is a popular technique for non-invasive acquisition of time-domain waveforms from active nodes through the backside of an integrated circuit. [1] State-of-the art TRE systems offer high bandwidths (&gt; 5 GHz), excellent spatial resolution (0.25um), and complete visibility of all nodes on the chip. TRE waveforms are typically used for detecting incorrect signal levels, race conditions, and/or timing faults with resolution of a few ps. However, extracting the exact voltage behavior from a TRE waveform is usually difficult because dynamic photon emission

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Hsieh, Chiu-Fan, and Sheng-Yao Wang. "Fluid Flow and Combustion Characteristics of Triangular Rotary Engines With Port Configuration Designs." In ASME 2024 18th International Conference on Energy Sustainability collocated with the ASME 2024 Heat Transfer Summer Conference and the ASME 2024 Fluids Engineering Division Summer Meeting. American Society of Mechanical Engineers, 2024. http://dx.doi.org/10.1115/es2024-130980.

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Abstract The utilization of hydrogen energy in Triangular Rotary Engines (TRE) presents a promising opportunity for the development of environmentally friendly engines and advanced power generation equipment. However, the primary challenge lies in the design and performance prediction of TRE. This study employs Computational Fluid Dynamics (CFD) to investigate the fluid flow characteristics of a side-ported triangular rotating engine. The impact of varying the number of ports, port positions, and port designs on rotary engine performance is thoroughly examined and compared with the efficiency

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Garayalde, Nicolás. "La non-lecture, le con(tre)texte." In Construire le contexte : une expérience de lecture. Fabula, 2020. http://dx.doi.org/10.58282/colloques.6620.

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Burmer, Christian, Fabian Hopsch, and Wolfgang Vermeiren. "Combining Time Resolved Emission and Analog Simulation for Fault Localization." In ISTFA 2010. ASM International, 2010. http://dx.doi.org/10.31399/asm.cp.istfa2010p0384.

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Abstract In this paper, we describe a fault localization strategy for scan designs based on Time Resolved Photon Emission (TRE) and analog simulation. After characterizing the defect’s electrical footprint using TRE, analog fault simulation is applied. A user - friendly software package with an easy to use interface to scan diagnosis, layout tool and simulator was created.

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Berichte der Organisationen zum Thema "Burlesque (Théâtre)"

Tetler, Susan, and Lotte Hedegaard‐Sørensen. Udvikling af tre kvalitetsudviklingsværktøjer: Redegørelse for baggrund og metode – i forhold til udarbejdelsen af de tre kvalitetsvurderingsskemaer. Aarhus University, 2014. http://dx.doi.org/10.7146/aul.36.28.

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Wang, Shuai, Xiaoxiao Lin, and Jinyu Huang. A systematic review of TRE for athletes. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2023. http://dx.doi.org/10.37766/inplasy2023.8.0072.

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Wang, Shuai, and Xiaoxiao Lin. The effect of TRE for human health: a systematic review. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2023. http://dx.doi.org/10.37766/inplasy2023.9.0067.

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Jokinen, Johanna Carolina, Nora Sánchez Gassen, Sylvia Olsson, Åsa Holmner, Shinan Wang, and Linnea Löfving. Bryts isoleringen? Erfarenheter av digitala verktyg inom äldreomsorgen i tre svenska kommuner. Nordregio, 2022. http://dx.doi.org/10.6027/r2022:5.1403-2503.

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Ensamhet och social isolering utgör betydande utmaningar för äldre som bor själva och på äldreboende, genom att påverka deras fysiska och psykiska hälsa. På grund av krav på självisolering under Covid-19-pandemin har dessa utmaningar förvärrats ytterligare. Användningen av digital teknik inom äldreomsorgen har potential att motverka social isolering, till exempel genom att öka tillgången till hemtjänst och ge möjligheter att delta i sociala aktiviteter samtidigt är kunskaper om effektiviteten av digitala insatser för att motverka äldre människors ensamhet begränsad.

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Jouini, Meriem, and Jennie Barron. Living labs som samverkansinsats för markhälsa: exempel från Sverige inom jordbruk, skogsbruk och urbana miljöer. Department of Soil and Environment, Swedish University of Agricultural Sciences, 2025. https://doi.org/10.54612/a.42kq9anfdi.

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Markförstöring är en utmaning i hela Europa, vilket hotar miljömässig hållbarhet, jordbruksproduktivitet och människors välbefinnande. Som repsons på detta syftar Europeiska kommissionens Mission Soil1 -initiativ till att etablera 100 Living Labs (LL) och Lighthouses fram till 2030 för att främja innovativ och hållbar markhälsa. Living Labs definieras av tre grundprinciper2 : samverkan mellan olika aktörer, användarcentrerad innovation och verkliga miljöer, vilket möjliggör att olika intressenter tillsammans kan utveckla, testa och skala upp lösningar som hanterar markrelaterade utmaningar och

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Ohna, Stein Erik Solbø. Alternativ opplæring med utvidet praksis: deltakelse, læring og måloppnåelse. University of Stavanger, 2013. http://dx.doi.org/10.31265/usps.242.

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Her presenteres sluttrapporten fra det treårige prosjektet «Alternativ opplæring med utvidet praksis: deltakelse, læring og måloppnåelse». Prosjektet er initiert av Opplæringsutvalget i Rogaland og har vært organisert som et samarbeidsprosjekt mellom videregående skoler som gir tilbud om utvidet praksis, opplæringsavdelingen i Rogaland fylkeskommune og Universitetet i Stavanger. Rapporten består av 10 kapitler. I de tre første kapitlene redegjøres for bakgrunn og organisering av prosjektet samt tidligere forskning. Deretter følger fem empiriske kapitler som gir et sammendrag av delprosjektene.

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Alsanius, Beatrix W., Andreas Nicolaidis Lindqvist, and Ivar Vågsholm. Transport av bladgrönsaker med batteridrivna tunga lastbilar. SLU Future food, Swedish University of Agricultural Sciences, 2023. http://dx.doi.org/10.54612/a.1kv6bthjsp.

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Tre viktiga anledningar till varför det svenska livsmedelssystemet är beroende av transporter är låg självförsörjningsgrad, centralisering av marknaden samt mycket varierande klimatförhållanden i Sverige som hindrar lokalproduktion av vegetabilier. Transporter av varor som är beroende av en kylkedja kräver inte bara energi för själva transporten, utan också för att hålla temperaturen på en nivå som inte äventyrar livsmedelssäkerhet och produktens hållbarhet. Målkonflikten berör tre globala miljömål, nämligen SDG2 – ingen hunger, SDG12 – hållbar konsumtion och produktion, samt SDG13 – bekämpa k

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Højmark, Annemarie. The Fountain House Way: - To beretninger fra hverdagslivet i tre Klubhus settings i Danmark. Aarhus University, 2011. http://dx.doi.org/10.7146/aul.46.32.

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Ovegård, Mikale, ed. Sekretariatet för selektivt fiske : rapportering av 2023 års verksamhet. Department of Aquatic Resources, Swedish University of Agricultural Sciences, 2024. http://dx.doi.org/10.54612/a.74rvg59ppv.

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Under 2023 genomförde sekretariatet för selektivt fiske, vid institutionen för akvatiska resurser på SLU (SLU Aqua), tre projekt tillsammans med svenskt yrkesfiske. Den övergripande målsättningen för alla projekt inom sekretariatet för selektivt fiske är att minska mängden oönskade fångster i svenskt yrkesfiske, samt att utveckla mer skonsamma och rovdjursäkra fiskemetoder. De tre projekt som utfördes under 2023 var: 1 ”Absolut selektivitet i västerhavstrålar” (HaV Dnr 2072-2023) – Kapitel 2 2. ”Selektivitet i tunnel för fisk i räktrålar” (HaV Dnr 2073-2023) – Kapitel 3 3. ”Utveckling av sälsä

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Morgan, Linnea, ed. Sekretariatet för selektivt fiske : rapportering av 2024 års verksamhet. Department of Aquatic Resources, Swedish University of Agricultural Science, 2025. https://doi.org/10.54612/a.4tc7i30kf0.

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Under 2024 genomförde sekretariatet för selektivt fiske, vid institutionen för akvatiska resurser på SLU (SLU Aqua), tre projekt tillsammans med svenskt yrkesfiske. Den övergripande målsättningen för alla projekt inom sekretariatet för selektivt fiske är att minska mängden oönskade fångster i svenskt yrkesfiske, samt att utveckla mer skonsamma och rovdjursäkra fiskemetoder. De tre projekt som utfördes under 2024 var: 1. ”Excluder för demersalt blandfiske” (HaV Dnr 2024-002037) – Kapitel 2 2. ”Vidareutveckling av lyft och rist för fisket efter havskräfta” (HaV Dnr 2024-002038) – Kapitel 3 3. ”S

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