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Thematische Bibliographien / Canadian poet / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Canadian poet“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 29. Juli 2025

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1

Neogi, Dr Tamali. "Evolution of Canadian Poet Rupi Kaur." Literary Voice 1, no. 1 (2023): 74–78. http://dx.doi.org/10.59136/lv.2023.1.1.109.

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Rupi Kaur is an Indian-Canadian poet and artist who had immigrated to Canada with her parents as a child. She is an alumni of University of Waterloo (Canada). She stormed the world poetry scene and carved out a niche for herself among millions of readers with self-published first poetry collection, Milk and Honey in 2014, followed by The Sun and Her Flowers in 2017, both bestsellers across the world, “sold more than 11 million copies and translated into over forty three languages.” Her third poetry collection, Homebody, was released in 2020. In 2022 she released her 4th book Healing Through Wo

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Vovk, Svetlana. "An Eminent French-Canadian Poet Emile Nélligan." USA & Canada: Economics – Politics – Culture 7 (2019): 117–26. http://dx.doi.org/10.31857/s032120680005619-4.

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3

Joko Yulianto, Henrikus, and Zuhrul Anam. "“Dirty Energy” and Ecological Performativity in Contemporary English Poems: Critiquing Petro Culture of the Anthropocene." E3S Web of Conferences 359 (2022): 03002. http://dx.doi.org/10.1051/e3sconf/202235903002.

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Fossil fuels will always take command of human’s daily life. Despite being “dirty energy”, humans cannot jettison them since they are the mainstay for multipurpose energies. They are more dependable and accessible than renewable energy sources such as hydropower, solar panel, and wind power. Even more so, in this present globalization the increasing scale of consumerism via digital technology and social media consumes the fuels. This petro-overconsumption of the fuels and their derivative products such as plastic certainly has some detrimental impacts: the more emission of carbon dioxide and o

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Santos, Ariane Souza. "Ekphrasis in Shawna Lemay: “To make something mythical of my life”." Em Tese 10 (December 31, 2012): 41. http://dx.doi.org/10.17851/1982-0739.10.0.41-46.

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The object of analysis of this paper concerns the majority of the poems from All the God-Sized Fruit, written by the Canadian poet Shawna Lemay. The poems were built following five ekphrastic frameworks: appropriation of artistic style, process of creation, critical analysis, narrative, and dialogue. The intertwinement of these frameworks with discussions about the processes of writing and painting helps the poet to build up her identity as woman, poet and woman-poet.

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Santos, Ariane Souza. "Ekphrasis in Shawna Lemay." Em Tese 10 (December 31, 2012): 41–46. https://doi.org/10.17851/1982-0739.10..41-46.

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The object of analysis of this paper concerns the majority of the poems from All the God-Sized Fruit, written by the Canadian poet Shawna Lemay. The poems were built following five ekphrastic frameworks: appropriation of artistic style, process of creation, critical analysis, narrative, and dialogue. The intertwinement of these frameworks with discussions about the processes of writing and painting helps the poet to build up her identity as woman, poet and woman-poet.

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Robertson, Judith P. "“I Sing the Poet Electric”." Journal of the Canadian Association for Curriculum Studies 10, no. 2 (2012): 133–40. http://dx.doi.org/10.25071/1916-4467.36280.

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The poetry that follows was born in the slippages between pedagogy and art, memory and desire, chaos and learning. Through the gestures of poetic language, I explore fragilities tied to times of learning, the conflicts of academic identity, and being touched and calling out in turn. Initially performed under the aegis of “I Sing the Poet Electric” at Aprés Vous, a Canadian symposium organized in November 2012 at OISE in tribute to the extraordinary work of Professor Emeritus Roger Simon, the poems are given in loving memory of the ongoing power of affect of his singular demands and teachings.

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Gorjup, Branko, and Sam Solecki. "The Last Canadian Poet: An Essay on Al Purdy." Modern Language Review 97, no. 4 (2002): 954. http://dx.doi.org/10.2307/3738646.

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Kürtösi, Katalin. "Poets of Bifurcated Tongues, or on the Plurilingualism of Canadian-Hungarian Poets." TTR : traduction, terminologie, rédaction 6, no. 2 (2007): 103–30. http://dx.doi.org/10.7202/037153ar.

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Abstract Poets of Bifurcated Tongues, or on the plurilingualism of Canadian-Hungarian Poets — This article aims at an analysis of the plurilingualism of four poets of Hungarian origin, living in Canada: Robert Zend, George Vitéz, László Kemenes Géfin and Endre Farkas. Before examining the poems themselves, the various concepts of plurilingualism and the aspects of grouping these poems, including the code-switching strategies used in them, are reviewed. The base language and the nature of code-switching is discussed with a special emphasis on the relationship of grammatical units, intra- and in

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Hermant, Heather, and MissTer Rotary. "Lineages, Geographies: A Review of the Canadian Festival of Spoken Word, Toronto, 11-14 October 2006." Canadian Theatre Review 130 (March 2007): 116–19. http://dx.doi.org/10.3138/ctr.130.020.

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Veteran spoken-word performer and director of the Calgary International Spoken Word Festival, Sheri-D Wilson kicked off the opening ceremonies of the 2006 Canadian Festival of Spoken Word in Toronto, a fitting gesture, given that Calgary is the newest team addition to the national event. In the midst of entertaining poetry featuring drag queens in pasties, Wilson lamented having recently heard a younger poet “pissing on the Beats.” She implored an audience of poets, “We must as a group know our history.” Veteran dub poet activist Lillian Allen echoed the importance of history when she performe

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Ahn, Claire, Natalia Balyasnikova, Rachel Horst, et al. "Enhancing Relationality through Poetic Engagement with PhoneMe." Language and Literacy 25, no. 2 (2023): 57–83. http://dx.doi.org/10.20360/langandlit29617.

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This article explores the role of literary user preference and experience of contextualizing information in the interpretive responses to poems on PhoneMe, a social media web-platform and mobile app for place-based spoken word poetry. 137 education students in three Canadian universities participated by completing a survey that asked them to choose one of three stylistically distinct poems and subsequently introduced multimodal contextual information about the poet and location inspiring the poem. Findings indicate a productive tension between the reader/user’s interpretive agency with typogra

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Webster, David. "Modern Missionaries: Canadian Postwar Technical Assistance Advisors in Southeast Asia." Canada, Empire, and Decolonization 20, no. 2 (2010): 86–111. http://dx.doi.org/10.7202/044400ar.

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Postwar Canadian approaches to Asia were often in the non-governmental realm, drawing on the country’s missionary heritage. While diplomats in Ottawa worked for pro-Western states in the political realm, Canadian policies on economic development also aimed at building new states in the Canadian image. Canadians in government, transnational and non-governmental positions offered their own country as a model The international experts called together by the UN Technical Assistance Administration were central to Canadian postwar hopes and aspirations. The Administration, headed by Canadian civil s

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Eso, David. "From Friction, Heat: Kroetsch, Spanos, and boundary 2." Mosaic: an interdisciplinary critical journal 50, no. 3 (2017): 55–72. http://dx.doi.org/10.1353/mos.2017.a668733.

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Canadian poet, novelist, and critic Robert Kroetsch co-founded the journal boundary 2 with American critic and philosopher William Spanos. The editors' relationship, marked by sympathy and difference, informed this endur-ng publication's early history.

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Trowbridge, Terry. "Divorce, Treaty, and Expulsion in B.W. Powe's "The Unsaid Passing"." Canadian Journal of Family and Youth / Le Journal Canadien de Famille et de la Jeunesse 15, no. 3 (2023): 204–24. http://dx.doi.org/10.29173/cjfy29954.

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A close reading of a series of poems by contemporary poet, novelist, and political theorist B. W. Powe reveals a subtle theory of single parenthood and divorce. A three-part literary conceit by Powe is analyzed for its comparison between divorce, treaty, and biblical themes of expulsion. Inferences are drawn about the effect of legally structured relationships in Canadian families after divorce. Leaving aside discussions from law and literature, further conclusions are considered about the usefulness of close readings of Canadian poetry to ethnographic law and society research. Suggestions are

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Jameel, Ethar, and Balqis Al-Rashid. "A Phonological Metrical Investigation of Two of Ezra Pound and Bruce Ross’s Haiku Poems with Reference to Hayes's (1995) Parametric Metical Theory." Kufa Journal of Arts 1, no. 62 (2024): 304–32. https://doi.org/10.36317/kja/2025/v1.i63.12855.

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Since its emergence in 1970 up to the present time with its different versions, metrical theory has been used and applied to different texts in different languages. However, Bruce Hayes's parametric metrical theory has been proved to be universal through its application to the word and phrasal levels of many languages. By the metrical grids and a number of principles and parameters of this theory, the rhythmic pattern of stressed syllables, feet, words, and phrases can be demonstrated. The present study aims at answering the question of whether the parametric metrical theory can be applied to

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Van Deusen, Natalie M. "Viðar Hreinsson. Wakeful Nights: Stephan G. Stephansson: Icelandic-Canadian Poet." Scandinavian-Canadian Studies 22 (December 1, 2014): 157–59. http://dx.doi.org/10.29173/scancan110.

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Mello, Layssa Gabriela Almeida e. Silva. "READING AND WRITING POEMS IN ENGLISH: COLLABORATIVE PRACTICES AT A BRAZILIAN PUBLIC SCHOOL." Trabalhos em Linguística Aplicada 58, no. 3 (2019): 1331–52. http://dx.doi.org/10.1590/010318135697715832019.

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ABSTRACT This study, presenting an experience with eighth-grade students at a Brazilian public school, in Goiânia, Goiás, shows students’ ability to collaboratively read and write poems in English. A poem was selected from the Indian-born, Canadian poet Rupi Kaur’s book The sun and her flowers (KAUR, 2017) to discuss and reflect on themes such as love and loss. Firstly, a theoretical reference on the importance of literary texts for English language teaching and the role of collaboration is presented to provide a theoretical basis for this pedagogical practice. The pre-reading, while-reading a

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Porter, David, and Omid Azadibougar. "An Interview with Professor Jonathan Locke Hart." Journal of Foreign Languages and Cultures 7, no. 2 (2023): 106–16. http://dx.doi.org/10.53397/hunnu.jflc.202302008.

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Professor Jonathan Locke Hart answers our questions about Comparative Literature in Canada, Canadian indigenous literary traditions, Shakespeare, and the dominance of American academia, and the English language. He refers to a wide range of texts and scholars, his personal experience as a poet and scholar, and comments on the potential future of our shared disciplines.

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Hay, Pete. "Poetry as Investigative Pedagogy: Issues of Ethics and Praxis in Hay and Thorne’s Last Days of the Mill, 2012." Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ) 6 (March 7, 2017): 11–20. http://dx.doi.org/10.60162/swamphen.6.11514.

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This paper examines dilemmas of ethics and practice in the author’s co-written Last Days of the Mill (2012). The usefulness of poetry as a tool of social inquiry is considered, both in the immediate context of a dying pulp mill in an industrial town in northern Tasmania, and the wider symbolic import of the mill’s demise within an island wedded to an unrealisable vision of industrial greatness. It is argued that there are forms of knowing in which poetry is far more efficacious than analytical prose, most notably elusive and grounded understandings such as ‘being there-ness’, and the accretion

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Haft, Adele J. "Earle Birney’s “Mappemounde”: Visualizing Poetry With Maps." Cartographic Perspectives, no. 43 (September 1, 2002): 4–24. http://dx.doi.org/10.14714/cp43.534.

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This paper is about “Mappemounde,” a beautiful but difficult poem composed in 1945 by the esteemed Canadian poet Earle Birney. While exploring the reasons for its composition, we examine the poem’s debts to Old and Middle English poetry as well as to medieval world maps known as mappaemundi, especially those made in England prior to 1400. But Birney took only so much from these maps. In search of more elusive inspirations, both cartographic and otherwise, we uncover other sources: Anglo-Saxon poems never before associated with “Mappemounde,” maps from the Age of Discovery and beyond, concealed

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Edgington, Erin E. "“Emparons-nous du sol!”: Visions of Québec’s Fin-de-siècle Forests." Nineteenth-Century French Studies 53, no. 3 (2025): 279–96. https://doi.org/10.1353/ncf.2025.a961625.

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Abstract: Wood was an essential fuel in nineteenth-century Québec, and Canada’s dense, old-growth forests were sites of great potentiality. As discouraging immigration to the United States became a priority for French-Canadian leaders who feared that population decline would result in a loss of influence and, ultimately, the loss of their unique culture, colonization of the North was presented as a viable alternative. Québec School poet William Chapman (1850–1917) and Antoine Labelle (1833–91), an influential priest known as the “apôtre de la colonisation,” were enthusiastic advocates for colo

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Martínez Serrano, Leonor María. "A fragment of the world, a piece of human consciousness: Tim Bowling’s "The Bone Sharps" (2007) and "The Tinsmith" (2012)." Journal of English Studies 15 (November 28, 2017): 135. http://dx.doi.org/10.18172/jes.3058.

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Canadian novelist, poet and essayist Tim Bowling is one of the most prestigious authors in 21st-century Canadian letters. A prolific and versatile author, he has published twelve poetry collections, four novels, a memoir and a work of creative non-fiction so far. This paper looks at two of his novels, "The Bone Sharps" (2007) and "The Tinsmith" (2012), tools of knowledge that explore not just human consciousness as the lens through which we make sense of reality, including our selves, but also history, memory and identity, epistemology and ethics. A fragment of the world and a piece of human c

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Coles, Don. "The Last Canadian Poet: An Essay on Al Purdy by Sam Solecki." ESC: English Studies in Canada 28, no. 3 (2002): 560–63. http://dx.doi.org/10.1353/esc.2002.0056.

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Maisoon, Basila, and Hashmina Habeeb. "Voicing Palestinian Outrage in Rafeef Ziadah’s “We Teach Life, Sir”." IAFOR Journal of Arts & Humanities 11, no. 1 (2024): 25–36. http://dx.doi.org/10.22492/ijah.11.2.02.

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Historically, protest has found its way into cultural domains through various genres of literature. Because of its naturally persuasive power, performance poetry or spoken word poetry has been widely employed to communicate instantly and compellingly to vast audiences. Compared to printed works, it has performative dimensions that allow the delivery of the message through emotionally charged intonation, dramatic performance, and rhythm, generating as a consequence a heightened empathic response from audiences. Rafeef Ziadah, the Palestinian-Canadian poet and ardent advocate for human rights, u

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Maisoon, Basila, and Hashmina Habeeb. "Voicing Palestinian Outrage in Rafeef Ziadah’s “We Teach Life, Sir”." IAFOR Journal of Arts & Humanities 11, no. 1 (2024): 25–36. http://dx.doi.org/10.22492/ijah.11.1.02.

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Historically, protest has found its way into cultural domains through various genres of literature. Because of its naturally persuasive power, performance poetry or spoken word poetry has been widely employed to communicate instantly and compellingly to vast audiences. Compared to printed works, it has performative dimensions that allow the delivery of the message through emotionally charged intonation, dramatic performance, and rhythm, generating as a consequence a heightened empathic response from audiences. Rafeef Ziadah, the Palestinian-Canadian poet and ardent advocate for human rights, u

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Duliński, Grzegorz. "Echanges littéraires dans l’espace francophone. Le cas de la correspondance Senghor-Brien (1967‒1980)." Francophones, francographes, francophiles. Les francophonies littéraires 50 ans après, Special Issue (2022) (December 13, 2022): 477–87. http://dx.doi.org/10.4467/20843917rc.22.044.16698.

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Exchanges between writers in the French-speaking world. The case of the correspondence between Leopold S. Senghor and Roger Brien (1967−1980) This article proposes to study the unpublished and very little known correspondence between Léopold S. Senghor and a Quebec poet, Roger Brien. Our study mainly concerns the way in which Brien forges links with the president of Senegal. The relation Senghor-Brien (its conditions, issues and modalities) is analysed from the point of view of the Canadian poet. By consulting Brien’s letters, we discover three major issues that are organized around his poetic

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Gorjup, Branko. "The Last Canadian Poet: An Essay on Al Purdy by Sam Solecki (review)." Modern Language Review 97, no. 4 (2002): 954–55. http://dx.doi.org/10.1353/mlr.2002.a828485.

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Borhani, Maya. "“Gratitude to Old Teachers”: Leaning into Learning Legacies." in education 27, no. 1 (2021): 99–107. http://dx.doi.org/10.37119/ojs2021.v27i1.497.

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Amongst a group of poet-scholar friends, all of us students of the American poet Robert Bly, often speak of our “gratitude to old teachers,” the title from one of Bly’s (1999) poems. We cherish a meditative awareness of deeply rooted presences holding us up, buoying us as we stride across “Water that once could take no human weight” that now “holds up our feet / And goes on ahead of us ….” What is this mystery? Through the love and support of “old teachers,” we are held, led, and supported, into an unknown future that, without their guidance, we might never have reached. Many of Bly’s students

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Kovačević, Branka. "Intertextuality in the short story "The Death of Robert Browning" by Jane Urquhart." Reci Beograd 14, no. 15 (2022): 82–101. http://dx.doi.org/10.5937/reci2215082k.

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The aim of this paper is to explore the intertextual dialogue and its meaning that is continuously articulated as cultural heritage in the prose of the well-known Canadian writer Jane Urquhart. By including the famous Victorian poet Robert Browning in the plot of her short story "The Death of Robert Browning," Urquhart highlights the postmodern tendency to express the basic human need to mythologize and perpetuate illusions about death. In a broader context, as an author from Canada, she emphasizes the difference between reality and fiction by revising historical facts through various textual

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Antoniak, Joanna. "“Fearing your own queer self”: Depictions of Diasporic Queer Experience in Grace Lau’s Poetry." Anglica. An International Journal of English Studies, no. 32/1 (October 2023): 87–108. http://dx.doi.org/10.7311/0860-5734.32.1.06.

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The intersection of migrant and queer experiences constitutes one of the core motifs of The Language We Were Never Taught to Speak (2021), the debut poetry collec- tion by Grace Lau, a Chinese Canadian poet. Through a series of interconnected vignettes, Lau provides an insight into her experiences as both a Canadian and a Chinese immigrant, a lesbian and a failed model child, an aficionado of traditional Chinese culture and an en- thusiast of contemporary Western popular culture. The mosaic of experiences illustrates the complexity and intricacy of the author’s identity/ies. Through the analys

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Keeney, Patricia, and Don Rubin. "Canada's Stratford Festival: Adventures Onstage and Off." New Theatre Quarterly 25, no. 2 (2009): 187–94. http://dx.doi.org/10.1017/s0266464x09000281.

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The festival season in Stratford, Ontario, was fraught with an offstage drama which seemed to reprise that of thirty years ago, when an experiment with a triumviral directorate ended in dissension and near disaster. However, once the dust had settled, an interestingly balanced season emerged, mixing Shakespeare and Shaw, ancient Greek and modern tragedy, Beckett and balletic Moby Dick. Here Patricia Keeney and Don Rubin offer their assessment of a wide-ranging repertoire. Patricia Keeney is a poet, novelist and long-time theatre critic for the monthly journal Canadian Forum. She is a Professor

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Martínez Serrano, Leonor María. "POETRY IN PANDEMIC TIMES: MOURNING COLLECTIVE VULNERABILITY IN SUE GOYETTE’S SOLSTICE 2020. AN ARCHIVE." Revista de Estudios Norteamericanos, no. 26 (2022): 93–121. http://dx.doi.org/10.12795/ren.2022.i26.15.

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Focusing on Canadian poet Sue Goyette’s collection Solstice 2020. An Archive (2021), this article examines how dealing with the effects of a global pandemic through the medium of poetry can act as a powerful catalyst in raising awareness about collective vulnerability and mourning. During the locked-down days of 2020, Goyette felt it was her responsibility as a poet to find words to convey the sense of shared vulnerability people experienced in the face of a momentous event that confined them to their homes for days on end. Drawing on vulnerability theory, ecophilosopher David Abram’s thinking

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Kosick, Rebecca. "Repeating after Carson." Classical Antiquity 42, no. 2 (2023): 249–62. http://dx.doi.org/10.1525/ca.2023.42.2.249.

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Across her diverse body of work, the Canadian-born poet Anne Carson repeatedly returns to the objects of her preoccupation. From Lazarus—“a person who had to die twice” (Nox)—to Herakles and countless other figures, themes, and images, Carson repeatedly reworks old ground, particularly around the unknowable divide separating the living and the dead. This essay adopts a repetitive approach to explore how H of H and The Trojan Women can be understood as in reiterative conversation with the poet’s source texts, her own work, and wider thinking on the utility of repeating ourselves.

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Martínez Serrano, Leonor María. "A Book Lover’s Journey: Literary Archaeology and Bibliophilia in Tim Bowling’s In the Suicide’s Library." VERBEIA. Revista de Estudios Filológicos. Journal of English and Spanish Studies 2, no. 1 (2016): 201–16. http://dx.doi.org/10.57087/verbeia.2016.4194.

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A native of the Canadian West Coast, Tim Bowling is widely acclaimed as one of the best living Canadian authors. A Book Lover’s Journey (2010) explores how a single object —a tattered copy of Wallace Stevens’s Ideas of Order that he finds in a university library— can render the past visible and tangible in its pure materiality. On the front flyleaf of Stevens’s book, Bowling finds the elegant handwritten name of its previous owner, Weldon Kees, an obscure American poet who apparently took his own life by jumping off the Golden Gate Bridge. Finding this signed copy of Stevens’s masterpiece is j

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Grossman, Simone. "Intuitisme et art brut dans la poésie d'Hedi Bouraoui." Polisemie 2 (September 7, 2021): 1–17. http://dx.doi.org/10.31273/polisemie.v2.721.

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Les écrits poétiques de Hédi Bouraoui, poète canadien d’origine tunisienne, où sont insérés des images picturales d'art brut, participent de l'intuitisme, expression artistique qui « invite au dialogue, à la conversation permanente entre les différentes cultures, à l’échange, à la création d’un espace pluriartistique dans lequel tous les arts s’expriment sans frontières »(Éric Sivry, 2003). Notre propos examinera la convergence entre la poésie de Bouraoui, l'intuitisme et l'art brut, la conception de l'intuition de Bouraoui coïncidant avec la « pure et authentique impulsion créative » d'où s'o

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Stone-Blackburn, Susan. "Maenadic Rites On Stage." Canadian Theatre Review 69 (December 1991): 28–33. http://dx.doi.org/10.3138/ctr.69.005.

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The Maenad Theatre Company is a collective that started with Fringe productions in Edmonton in the summers of 1987 and 1988. They incorporated in 1989 and have completed two seasons at Calgary’s Pumphouse Theatre. The three women at Maenad’s artistic core are playwright Rose Scollard, poet-playwright and actress Nancy Cullen, and Alexandria Patience, director and actress who has recently added playwriting to her repertoire. All the Maenad productions have been new Canadian plays written, directed and, for the most part, designed by women: the company’s mandate is “to promote the feminine visio

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Banerji, Shefali. "Digital Spoken Word Theatre in the UK: Navigating the Theatre Screen with Rose Condo’s The Geography of Me." Journal of Contemporary Drama in English 13, no. 1 (2025): 108–26. https://doi.org/10.1515/jcde-2025-2007.

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Abstract Spoken word theatre appeared on the scene of British poetry performance in the 1990 s. The art form privileges the (hyper-)visibility of the poet-performer where practitioners present their work in their customary style in a long form live show. In the course of the COVID-19 pandemic, several previously on-site shows moved to the domain of the digital. In this article, I explore four types of such virtual adaptations by women practitioners with emphasis on performance strategies and the politics of visibility. I then engage in an in-depth analysis of The Geography of Me by UK-based Ca

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Edgington, Erin E. "The Poet and the Philanthropists: William Chapman's Aspirational Bid for the Nobel Prize." Nottingham French Studies 60, no. 1 (2021): 1–17. http://dx.doi.org/10.3366/nfs.2021.0301.

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French Canadian poet William Chapman is generally dismissed as second-rate imitator of Lamartine, Hugo or his compatriot Louis Fréchette. Chapman's bitter feud with Fréchette has been – much more than the five collections of verse he published between 1876 and 1912 – his claim to fame. Despite being at odds with his North American contemporaries, Chapman was indefatigable in his pursuit of literary prestige. Chapman's quest for literary honours including the Nobel Prize, while it has thus far attracted the derision of critics, in fact provides context for a deeper understanding of his poetic p

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Abolfotoh, Inas Samy. "Are Humanities Heading for Extinction? Analysis of Anthropocene Ecocriticism, Geo-Ecocriticism, and Islamecocriticism." FITRAH: Jurnal Kajian Ilmu-ilmu Keislaman 9, no. 1 (2023): 101–20. http://dx.doi.org/10.24952/fitrah.v9i1.7490.

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Serious concerns have been circulating in academia regarding humanities and how they have been relegated to the backbenches. Data reveal a remarkable decline in submissions for humanities if compared to non-humanities. The current paper proposes that despite this decline, humanities have always been and will continue to be a moving force in shaping intellectual attitudes worldwide. To prove this standpoint, the author employs ecocriticism and eco-poetry as influential sub-disciplines of humanities. With the rocket-speed changeability of the present time, ecocriticism and eco-poetry play a cruc

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Vincent, Adam. "Poet, Teacher, Acadie: Using Poetic Inquiry as a Tool for Unearthing Identity." Journal of the Canadian Association for Curriculum Studies 18, no. 1 (2020): 64–65. http://dx.doi.org/10.25071/1916-4467.40458.

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Uncovering an authentic version of self-identity is at once difficult and profound. Our self-identity affects how we (re)present ourselves to the outside world and ultimately how we engage as educators. Through more than twenty years of writing experience, and a decade as an educator at the post-secondary level, I have learned that poetry has power. However, it is only recently that I have come to further appreciate its power to explore the links between place and self-identity (Vincent, 2020). Poetry offers a chance to dwell in the depths of self-identity while simultaneously tapping into the

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Miodek, Jan. "Językowe fascynacje Floriana Śmiei." Słowo. Studia językoznawcze 11 (2020): 7–12. http://dx.doi.org/10.15584/slowo.2020.11.1.

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The aim of the article is to disscus the linguistic fascinations of Florian Śmieja, writer, poet, publicist, profesor at English and Canadian universities who spent his childhood and youth in Silesia. The author of the article analyzes the words related to the Silesia region, selected form of the poems which are lexical markers of Florian Śmieja’s Silesian origin. He discusses their structure, etymology, lexical meaning and function in the analized texts. Presented observations lead to the conclusion that the linguistic fascinations of mother tongue are constantly present in his narrative and

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Martínez Serrano, Leonor María. "Vibrant Matter and Domestic Wisdom in Erin Brubacher’s In the Small Hours." ES Review. Spanish Journal of English Studies, no. 43 (November 23, 2022): 115–32. http://dx.doi.org/10.24197/ersjes.43.2022.115-132.

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Canadian poet Erin Brubacher’s In the Small Hours is a sequence of sparse poems which focus on the experiences and emotions underwent by the author in the aftermath of her divorce. Interspersed with memories from the past and encounters with the vitality of domestic objects, the collection shows the poetic persona making sense of her life and the world in meditative lyrics of great brevity. Drawing on Jane Bennett’s conceptualisation of “vibrant matter,” this article explores how Brubacher responds to the thing-power circulating within and around the bodies populating the Earth, whilst acknowl

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Tanasescu, Raluca Andreia. "A micro-centric network. Post-communist Romanian mainstream and indie publishers of U.S. and Canadian contemporary poetry in translation." Swedish Journal of Romanian Studies 3, no. 1 (2020): 130–51. http://dx.doi.org/10.35824/sjrs.v3i1.20424.

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This essay examines the corpus of contemporary American and Canadian poetry translated into Romanian in stand-alone volumes between 1990 and 2017 and argues that translators had a deciding impact on the selection of authors, as well as on the configuration of the overall translation network. Romanian poet-translators engaged in an outward cultural movement that galvanized both their own writing and the national literature in general. In doing so, they developed various types of agency covering a wide range of translating patters, from no agency at all to full self-reliance, and a poetics of fe

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Gorjup, Branko. "Michael Ondaatje's reinvention of social and cultural Myths: In the Skin of a Lion." Acta Neophilologica 22 (December 15, 1989): 89–95. http://dx.doi.org/10.4312/an.22.0.89-95.

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From the beginning of his writing career in the early sixties until the recent publication of In the Skin of a Lian (1987), the Canada of Michael Ondaatje had represented one thing: a geographical locale which he has selected as his home but which, fundamentally, had failed to engage his imagination. The fictional worlds he created in The Collected Works of Billy the Kid, Coming Through Slaughter and Running in the Family, has been located outside of Canada, each corresponding to an actual place complete with historical and geographical references. For this very reason it has been impossible -

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Gorjup, Branko. "Michael Ondaatje's reinvention of social and cultural Myths: In the Skin of a Lion." Acta Neophilologica 22 (December 15, 1989): 89–95. http://dx.doi.org/10.4312/an.22.1.89-95.

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From the beginning of his writing career in the early sixties until the recent publication of In the Skin of a Lian (1987), the Canada of Michael Ondaatje had represented one thing: a geographical locale which he has selected as his home but which, fundamentally, had failed to engage his imagination. The fictional worlds he created in The Collected Works of Billy the Kid, Coming Through Slaughter and Running in the Family, has been located outside of Canada, each corresponding to an actual place complete with historical and geographical references. For this very reason it has been impossible -

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Misrahi-Barak, Judith, and Cyril Dabydeen. "A Conversation with Cyril Dabydeen." Commonwealth Essays and Studies 23, no. 2 (2001): 107–13. http://dx.doi.org/10.4000/12491.

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Cyril Dabydeen has lived in Canada for over three decades and is known as a very prolific writer: he has published numerous books of poetry, the most recent one being Discussing Columbus (Peepal Tree Press, 1997), as well as collections of short stories (Black Jesus and Other Stories, Berbice Crossing…). He has written novels (Dark Swirl and Wizard Swami) as well as young adult fiction (Sometimes Hard) and has also been highly praised for editing anthologies: A Shapely Fire: Changing the Literary Landscape and Another Way to Dance. Cyril Dabydeen has been involved in human rights and race rela

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Bradley, Nicholas. "Al Purdy, Marius Barbeau, and the Northwest Coast: A Bibliographical Note on a Forgotten Manuscript." Papers of The Bibliographical Society of Canada 55, no. 1 (2017): 91–106. http://dx.doi.org/10.33137/pbsc.v55i1.27712.

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The numerous books of the poet Al Purdy (1918–2000) are well known to readers of modern Canadian literature. His extensive archives conceal many unnoticed works, however, and the true extent of his literary career can only be seen when the unpublished writing is brought into view. A manuscript from the early 1960s – “Yehl the Raven and Other Creation Myths of the Haida” – illustrates the importance of the archives to studies of his life and works. The obscure sequence of poems demonstrates Purdy’s ethnographic interests and represents a point of contact between modern Canadian literature and m

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SHVETS, ANNA. "LETTERS ON THE PAGE AND ON THE SCREEN: CONCRETE POETRY AND “MOVIES OF WORDS” BASED ON THE EXAMPLE OF THE POEM BY BPNICHOL." Lomonosov Journal of Philology, no. 1, 2024 (February 17, 2024): 173–85. http://dx.doi.org/10.55959/msu0130-0075-9-2024-47-01-14.

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The article discusses two texts by the Canadian poet Barry Phillip Nichol (known under the pseudonym bpNichol): the poem Evening’s Ritual from 1967, printed in the collection of visual poems Konfessions of an Elizabethan Fan Dancer (1967), and the poem Letter from 1984, included in the digital work First Screening (1984). The 1967 text belongs to the tradition of concrete poetry, while the 1984 text is closer to the art of cinema and electronic literature of the 20th and 21st centuries. Importantly, the 1984 text attempts to translate the 1967 text into the digital realm, as the content of the

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Jeevitha, M., and V. Paul Thomas Raj. "Exploring the Journey of Self Identity and Women Empowerment in Patriarchal Society in Lucy Maud Montgomery’s Anne of Green Gables." Shanlax International Journal of English 13, no. 1 (2024): 64–68. https://doi.org/10.34293/english.v13i1.8377.

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Lucy Maud Montgomery was born on November 30, 1874, in New London. She was a Canadian novelist, short story writer, and poet. One of her best novels, Anne of Green Gables, was a huge success. In this novel, Anne Shirley, an 11-year-old girl, is mistakenly sent to live with Marilla and Matthew Cuthbert, siblings who have planned to adopt a boy to help them with their farm, made up of the Canadian community of Avonlea. As she negotiates the difficulties of growing up in a patriarchal environment, the novel explores Anne’s journey of discovery as she navigates the challenges of growing up in a pa

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Rewa, Natalie. "Perceiving Hommages at Toronto’s World Leaders: A Festival of Creative Genius: On the Role of Innovative Light-Based Scenography in Creating a Space for the Celebration of “Cultural Icons.”." Canadian Theatre Review 110 (March 2002): 91–95. http://dx.doi.org/10.3138/ctr.110.021.

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Toronto’s Harbourfront celebrated its first quarter-century with a five-week fete honouring fourteen “cultural icons.” Artists invited to the World Leaders: A Festival of Creative Genius included fashion and art designer Issey Miyake;1 Cirque du Soleil founder Guy Laliberté; designer and inventor Philippe Starck; architect Frank Gehry; writer and performer Lily Tomlin;2 composer, lyricist and dramatist Stephen Sondheim; filmmaker Bernardo Bertolucci; visual artist Robert Rauschenberg; playwright, screenwriter and actor Harold Pinter; singer, songwriter, painter and poet Joni Mitchell; multimed

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Naydenova, Roksana Romanovna. "Mythological heroes, historical figures and characters of world literature in the works of Margaret Atwood." Филология: научные исследования, no. 3 (March 2024): 89–95. http://dx.doi.org/10.7256/2454-0749.2024.3.70207.

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The subject of the research in this article is Margaret Atwood's literary game, which includes work with myths, world history and literature. Margaret Atwood (b. 1939) is a well-known modern Canadian writer, poet, literary critic and critic. Her works include the novel The Handmaid's Tale (1985) and its sequel, The Testaments (2019), as well as the fantasy trilogy The Mindless Addam (2003-2013). No matter what M. Atwood writes about, her works are always a story, a complex and multilevel narrative, in the center of which stands the figure of the narrator. Having begun her literary activity in

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