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Valadas, Sara, Rita V. Freire, Ana Cardoso, et al. "On the Use of the Unusual Green Pigment Brochantite (Cu4(SO4)(OH)6) in the 16th-Century Portuguese-Flemish Paintings Attributed to The Master Frei Carlos Workshop." Microscopy and Microanalysis 21, no. 2 (2015): 518–25. http://dx.doi.org/10.1017/s1431927615000094.

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AbstractThis paper reports an unusual green pigment, brochantite (Cu4(SO4)(OH)6), on 16th-century Portuguese-Flemish paintings, attributed to the Master Frei Carlos workshop. This green mineral is usually identified as an impurity or alteration product in the green pigments verdigris (Cu(CH3COO)2nCu(OH)2) or malachite (CuCO3 Cu(OH)2). However, after thorough investigation with a broad range of analytical techniques, it became clear that, in this case, brochantite was applied as a pigment. The abundance, pigment granulometry, and pigment morphology suggest intentional use by this Portuguese-Fle
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Monballyu, Jos. "Desertie naar de vijand in het Belgische frontleger tijdens de Eerste Wereldoorlog. Deel 2." WT. Tijdschrift over de geschiedenis van de Vlaamse beweging 72, no. 2 (2013): 140–75. http://dx.doi.org/10.21825/wt.v72i2.12214.

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Over de motieven waarom Belgische militairen tijdens de Eerste Wereldoorlog naar de Duitse vijand deserteerden is al veel geschreven. Volgens de Franstalige patriottische pers en literatuur van kort na de Eerste Wereldoorlog was die desertie uitsluitend te wijten aan de defaitistische ingesteldheid van de Vlaamse Frontbeweging en de talrijke aansporingen waarmee hun vier afgezanten naar de Duitsers (Jules Charpentier, Karel De Schaepdrijver, Vital Haesaert en Carlos Van Sante) de Vlaamse soldaten aan het IJzerfront bestookten. De Vlaamse historici probeerden die beschuldiging op allerlei manie
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Thøfner, Margit. "Framing the Enemy." Bulletin of the John Rylands Library 96, no. 2 (2020): 69–95. http://dx.doi.org/10.7227/bjrl.96.2.4.

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This article is about how one approaches images that are both disjunctive and disjointed. It studies a set of nineteen images by the Flemish printmaker Gaspard Bouttats, focusing on four specific examples. The nineteen prints are now in the Whitworth Gallery but come without any provenance beyond the signature of their maker. Hitherto, they have not been studied in detail, but were in fact made for a book, Prudencio de Sandoval’s Historia de la vida y hechos del Emperador Carlos V, published in Antwerp in 1681 by Hieronymus Verdussen III. However, the prints now take the form of a set of loose
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Zemanek, Alicja, Andrea Ubrizsy Savoia, and Bogdan Zemanek. "The beginnings of ecological thought in the Renaissance: an account based on the Libri picturati A. 18–30 collection of water-colours." Archives of Natural History 34, no. 1 (2007): 87–108. http://dx.doi.org/10.3366/anh.2007.34.1.87.

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During the Renaissance ecological thinking emerged both in printed scientific works and in pictures showing plants against the background of their natural environment. A unique source for the history of plant ecology is the Libri picturati A. 18–30 collection of water-colours kept at the Jagiellonian Library in Cracow (Poland). This collection consists of 13 volumes of plant pictures, and contains about 1,800 images illustrating more than 1,000 taxa mainly from north-western Europe and the Mediterranean region, but also from Asia and America. Some of these pictures match with woodcuts in vario
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Honisch, Erika Supria. "Drowning Winter, Burning Bones, Singing Songs." Journal of Musicology 34, no. 4 (2017): 559–609. http://dx.doi.org/10.1525/jm.2017.34.4.559.

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In 1587 the Flemish composer Carolus Luython, employed by Holy Roman Emperor Rudolf II, published an unusual motet collection in Prague. Titled Popularis anni jubilus, the collection describes the sounds and rituals beloved by Central European peasants, recasting them as the ecstatic songs of rustic laborers (jubilus) famously celebrated by Saint Augustine in his Psalm commentaries. Highlighting the composer’s collaboration with the Czech cleric who wrote the motet texts, this study serves as a corrective to the interpretative frameworks that have broadly shaped discourses on Central European
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Residente, Residente. "Neurología." Acta Médica Colombiana 43, no. 2S (2019): 220–31. http://dx.doi.org/10.36104/amc.2018.1404.

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 NR-1 SINDROME DE WALLENBERG EN EL CONTEXTO DE UNA EMERGENCIA HIPERTENSIVA (COGOLLO MARYSABEL, USTA EDUARDO)
 NR-2 ESCLEROSIS MÚLTIPLE EN UNA PACIENTE CON SECUELAS DE POLIOMIELITIS (COGOLLO MARYSABEL, USTA EDUARDO, BORRÉ DIANA)
 NR- 3 SÍNDROME DE VASOCONSTRICCIÓN CEREBRAL REVERSIBLE SECUNDARIO A PARAGANGLIOMA CAROTÍDEO METANEFRINA POSITIVO (ARENAS MAYRA, RICAURTE ANDRÉS, OCAMPO MARIA ISABEL, BARACALDO IVÁN, CORAL JULIANA, JUAN ANDRÉS MEJÍA)
 NR-4 SÍNDROME DE CALL-FLEMING Y HEMORRAGIA SUBARACNOIDEA ASOCIADO A INHIBIDOR DE AROMATASA: CLAVES EN SU ABORDAJE DIAGNÓSTICO Y TERAP
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Verdonk, Peter. "Painting, poetry, parallelism: ekphrasis, stylistics and cognitive poetics." Language and Literature: International Journal of Stylistics 14, no. 3 (2005): 231–44. http://dx.doi.org/10.1177/0963947005054479.

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Ekphrasis is a sub-genre of poetry addressing existent or imaginary works of art. Though now a term in poetics, its cultural roots go back to classical rhetoric, which shows that the two have always been in an osmotic relationship. In a wider context, ekphrasis is also the natural outcome of the traditionally strong bond in Western art between poetry and the visual arts, which Aristotle regarded as imitative arts because both make use of mimetic representation. This close link found its fullest expression in Horace’s famous simile Ut pictura poesis. Different periods of Western art history had
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Rocha, Paula Melani, and Mariana Galvão Noronha. "A teoria e a prática do jornalismo investigativo: Uma análise das reportagens premiadas da Agência Pública." Revista Observatório 1, no. 1 (2015): 18. http://dx.doi.org/10.20873/uft.2447-4266.2015v1n1p18.

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O artigo tem como proposta analisar os saberes teóricos e práticos que envolvem o jornalismo investigativo e sua prática no Brasil. A discussão analisa as quatro reportagens premiadas da Agência Pública em 2014, exclusivamente de autoria feminina. O referencial teórico utilizado pauta-se em deontologias do jornalismo, jornalismo investigativo e métodos de apuração. Escolheu-se a Agência Pública pelo pioneirismo de sua proposta no Brasil.Palavras-Chave: Jornalismo Investigativo; Métodos de Apuração em Jornalismo investigativo; Agência Pública. ABSTRACTThe article aims to analyze the theoretical
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Camargo, Paulo Roberto Ferreira de, and Antonio Carlos Persegani Florenzano. "O cinema-cefalópode dos infernos: entrevista com William Brown." INTERIN 26, no. 1 (2020): 149–56. http://dx.doi.org/10.35168/1980-5276.utp.interin.2021.vol26.n1.pp149-156.

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Entrevista on-line concedida a Paulo Roberto Ferreira de Camargo logo após o Seminário Avançado The squid cinema from hell, ministrado aos alunos e professores do PPG-Com UTP; e também on-line, no dia 16 de outubro de 2020, com tradução de Antonio Carlos Persegani Florenzano. 
 O pesquisador britânico William Brown, PhD em Cinema Contemporâneo pela Universidade de Oxford, atua como Senior Lecturer em Estudos Fílmicos na Universidade de Roehampton, em Londres. Escreveu inúmeros artigos e editou coleções com ênfase na tecnologia digital. Ele é o autor dos livros Deleuze and Film (with David
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Rojewski, Oskar Jacek. "“Quien será un gran pintor...” Análisis de las condicionantes y de las capacidades necesarias para ser artista según Durero." Revista de Humanidades, no. 42 (May 4, 2021): 59. http://dx.doi.org/10.5944/rdh.42.2021.25543.

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Resumen: La historiografía artística de la Edad Moderna, plasmada en tratados, paragonae, discursos y correspondencias entre humanistas, permite a los historiadores del arte reconstruir y analizar distintos aspectos de la producción artística italiana de esa época. En el caso de los territorios del Norte de Europa, la ausencia de esta documentación no permite precisar con claridad de detalle fenómenos análogos para los pintores flamencos o acerca de la llamada escuela alemana hasta las primeras décadas del siglo XVI. La poca documentación conservada imposibilita una definición profunda de los
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JPT staff, _. "E&P Notes (August 2021)." Journal of Petroleum Technology 73, no. 08 (2021): 15–17. http://dx.doi.org/10.2118/0821-0015-jpt.

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Energean Secures Rig for Multiwell Program off Israel Energean has signed a contract with Stena Drilling for an up to five-well drilling program offshore Israel, which is expected to target the derisking of unrisked prospective recoverable resources of more than 1 billion BOE. The contract is for the drilling of three firm wells and two optional wells using drillship Stena Icemax. The first firm well is expected to spud in early 2022. The firm wells are all expected to be drilled during 2022. “Our five-well growth program off-shore Israel, commencing in the first quarter of 2022, has the poten
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Nagumo, Estevon, Lúcio França Teles, and Lucélia De Almeida Silva. "A utilização de vídeos do Youtube como suporte ao processo de aprendizagem (Using Youtube videos to support the learning process)." Revista Eletrônica de Educação 14 (January 15, 2020): 3757008. http://dx.doi.org/10.14244/198271993757.

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Watching video online is one of the most performed activities on the internet in Brazil, according to PNAD Continua 2017. To explore the relationship of this activity with education, the aim of this study was to identify ways to use Youtube videos to support the learning process by college students. To try to elucidate this issue, a systematic literature review (RAMOS, FARIA, FARIA, 2014) was conducted on Youtube and education in the CAPES Theses Database to inquire the accumulation of discussion on the subject. This literature review showed that there are 4 dissertations in this Brazilian dat
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Shep, Sydney J. "Imagining Post-National Book HistoryFleming, Patricia Lockhart, Gilles Gallichan, and Yvan Lamonde, eds. History of the Book in Canada, Volume 1: Beginnings to 1840. Toronto: University of Toronto Press, 2004. xxix, 500 pp. Illus. Cloth, Can. $79.00 or £48.00 (isbn 2-7606-1768-8).Lamonde, Yvan, Patricia Lockhart Fleming, and Fiona Black, eds. History of the Book in Canada. Volume 2:1840–1918. Toronto: University of Toronto Press, 2005. 670 pp. Illus. Cloth, Can. $89.00 or £48.00 (isbn 2-7606-19737).Gerson, Carole and Jacques Michon, eds. History of the Book in Canada. Volume 3:1918–1980. Toronto: University of Toronto Press, 2007. 696pp. Illus. Cloth, Can. $85.00 or £55.00 (isbn 2-7606-1998-2 / 978-2-7606-1998-2). Three-vol. set available for Can. $200.00 or £130.00." Papers of the Bibliographical Society of America 104, no. 2 (2010): 253–68. http://dx.doi.org/10.1086/680927.

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De Obstetricia y Ginecología - FECOLSOG, Federación Colombiana. "Trabajos ganadores presentados en el XXIX Congreso Nacional de Obstetricia y Ginecología realizado del 28 al 31 de Mayo de 2014 en Medellín (Colombia)." Revista Colombiana de Obstetricia y Ginecología 65, no. 4 (2014): 361. http://dx.doi.org/10.18597/rcog.41.

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<p><strong>CATEGORÍA PRESENTACION ORAL:</strong></p><p><strong>EFICACIA DE LA DEXAMETASONA EN SÍNDROME HELLP</strong></p><p>Javier Fonseca Pérez, Clara Messa, Juan Carlos Otero Pinto. Universidad del Valle y Hospital Universitario del Valle, Hospital General de Medellín y Universidad CES, Universidad Industrial de Santander y Hospital Universitario de Santander.</p><p>Correo electrónico: <a href="mailto:jaenfo@gmail.com">jaenfo@gmail.com</a></p><p><strong>Introducción:</strong> el objetivo del
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"Buchbesprechungen." Zeitschrift für Historische Forschung 46, no. 4 (2019): 641–754. http://dx.doi.org/10.3790/zhf.46.4.641.

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Rexroth, Frank / Teresa Schröder-Stapper (Hrsg.), Experten, Wissen, Symbole. Performanz und Medialität vormoderner Wissenskulturen (Historische Zeitschrift. Beihefte (Neue Folge), 71), Berlin / Boston 2018, de Gruyter Oldenbourg, 336 S. / Abb., € 89,95. (Lisa Dannenberg-Markel, Aachen) Enenkel, Karl A. E. / Christine Göttler (Hrsg.), Solitudo. Spaces, Places, and Times of Solitude in Late Medieval and Early Modern Cultures (Intersections, 56), Leiden / Boston 2018, Brill, XXXIV u. 568 S. / Abb., € 165,00. (Mirko Breitenstein, Dresden / Leipzig) Tracy, Larissa (Hg.), Medieval and Early Modern M
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Kaur, Jasleen. "Allure of the Abroad: Tiffany & Co., Its Cultural Influence, and Consumers." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1153.

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Introduction Tiffany and Co. is an American luxury jewellery and specialty retailer with its headquarters in New York City. Each piece of jewellery, symbolically packaged in a blue box and tied with a white bow, encapsulates the brand’s unique diamond pieces, symbolic origin story, branded historical contributions and representations in culture. Cultural brands are those that live and thrive in the minds of consumers (Holt). Their brand promise inspires loyalty and trust. These brands offer experiences, products, and personalities and spark emotional connotations within consumers (Arvidsson).
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