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Auswahl der wissenschaftlichen Literatur zum Thema „Catalogue mode of enunciation“
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Zeitschriftenartikel zum Thema "Catalogue mode of enunciation"
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Mendiževec, Aleš. „For Radio student“. Maska 35, Nr. 200 (01.06.2020): 28–33. http://dx.doi.org/10.1386/maska_00006_1.
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On the occasion of Radio Študent’s 50th anniversary, the article focuses on its place in modern society – the conditions and manner of enunciation in the situation in which it has found itself and from which it is coming from. It does that by comparing Balibar’s analysis of the current state of democracy and conceptualization of the principle of democracy with its situation and mode of operation. The aim is to highlight the specificity of Radio Študent and its immanent criteria of operation: fearless speech beyond guaranteed enunciation positions in which anyone can find themselves in the times that we live in and the situation in which we have found ourselves.
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Danon-Boileau, Laurent, Mary-Annick Morel und Isabelle Perrin. „L'impératif en français et en anglais contemporains“. HERMES - Journal of Language and Communication in Business 5, Nr. 9 (29.07.2015): 157. http://dx.doi.org/10.7146/hjlcb.v5i9.21510.
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As a deontic mode of enunciation, the imperative excludes any operation which implies a certain degree of agreement between speaker and addressee - presupposition, referential construction, etc. In order to make up for this fundamental disjunction, the speaker resorts to a range of compensatory devices such as the use of person desinences, the ethical dative, the position of clitic pronouns or the function of the first person plural. Yet an imperative utterance is also related to the declarative context in which it occurs, and this sometimes causes co-locution to give way to co-enunciation - witness the problem of negative imperatives, or markers of discourse consistency such as <em>voyons</em> in French. This twofold theoretical approach is here presented as applying to the French language, and then put to the test of the English language.
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Celle, Agnès. „Tense, modality and commitment in modes of mixed enunciation“. Commitment 22 (05.12.2008): 15–36. http://dx.doi.org/10.1075/bjl.22.02cel.
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This paper presents a semantic treatment of the modal uses of the future tense and the conditional in French and a comparison with their English translations. It is argued that the future and the conditional convey the speaker’s commitment and non-commitment respectively, regardless of how information has been obtained and irrespective of whether this information has been verified or not. Commitment and non-commitment are defined as modes of enunciation depending on how the speaker treats and possibly eliminates representations other than her own representation. The modal meaning of the uses under discussion is shown to derive from a mode of mixed enunciation, which either modulates assertion in the case of commitment or suspends it in the case of noncommitment. In English, this difference is not grammaticalised in the verb system. For example, the modal must may be regarded as an equivalent for both the epistemic conditional and the modal future.
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Vasconcellos, Maria Lúcia Barbosa de. „The eye/I upon the event: a study of narrative voice in Robert Penn Warren's All the King's Men“. Estudos Germânicos 8, Nr. 1 (31.12.1987): 53. http://dx.doi.org/10.17851/0101-837x.8.1.53.
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This thesis is a study of the relationship between the narrating self and its enunciation in Robert Penn Warren's All the king's men. The concept of point of view is surveyed and discussed and the poetics of narrative is opposed to the poetics of drama, since All the king's men is a novelization of a play by the same author. It is argued that narrative prose allows for a temporal perspective and is thus the adequate genre for the portrayal of man trapped in the complex tensions of time, a major theme of the novel. The narrative discourse is then analyzed through the categories of time, mode and voice, with the narrator's hesitation being examined in terms of function at the linguistic level. Finally, the fragmented and specular pattern of the enunciation is investigated by examining the insertion of the Cass Mastern episode in the narrative. A concluding reflexion focuses on the other voices which permeate the narrator's discourse and confirm the fragmented configuration of the text.
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Donaire, Maria Luisa. „Subjonctif, négation et polyphonie“. HERMES - Journal of Language and Communication in Business 8, Nr. 15 (08.02.2017): 155. http://dx.doi.org/10.7146/hjlcb.v8i15.25372.
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This paper will establish (from a semantic perspective, based on the theory of O. Ducrot and J.C. Anscombre) that the subjunctive mode in itself carries instructions for the semantic interpretation of those enunciations in which it takes part. Those instructions conform a dynamics of argumentation based on the specific polyphonic game that makes the subjunctive distinctive from other modes. The negative constitutes a fundamental factor of this polyphonic behaviour insofar as it presupposes the introduction within the enunciation of two opposing viewpoints, one negative, the other positive, and given that the speaker might choose one or the other or maintain the alternative.
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Fung Chiat, Loo, und Loo Fung Ying. „The Musical Language in Messiaen’s Catalogue d’oiseaux“. Musicological Annual 55, Nr. 1 (20.06.2019): 131–56. http://dx.doi.org/10.4312/mz.55.1.131-156.
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This paper presents an analysis of Olivier Messiaen’s ‘La Chouette hulotte’ from Catalogue d’oiseaux. The significance of this work lies in the representation of fear by the owls and ‘night’ music. Messiaen’s language of mode de valeurs representing the ‘night’ and the harmonic language of the tawny owl’s calls identifies Messiaen’s music.
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Gatti, M., E. Sheldon, A. Amon, M. Becker, M. Troxel, A. Choi, C. Doux et al. „Dark energy survey year 3 results: weak lensing shape catalogue“. Monthly Notices of the Royal Astronomical Society 504, Nr. 3 (05.04.2021): 4312–36. http://dx.doi.org/10.1093/mnras/stab918.
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ABSTRACT We present and characterize the galaxy shape catalogue from the first 3 yr of Dark Energy Survey (DES) observations, over an effective area of 4143 deg2 of the southern sky. We describe our data analysis process and our self-calibrating shear measurement pipeline metacalibration, which builds and improves upon the pipeline used in the DES Year 1 analysis in several aspects. The DES Year 3 weak-lensing shape catalogue consists of 100 204 026 galaxies, measured in the riz bands, resulting in a weighted source number density of neff = 5.59 gal arcmin−2 and corresponding shape noise σe = 0.261. We perform a battery of internal null tests on the catalogue, including tests on systematics related to the point spread function (PSF) modelling, spurious catalogue B-mode signals, catalogue contamination, and galaxy properties.
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Wang, Mao Fa, Qi Gang Jiang und Ji Lin Feng. „Energy Field Filling of NEIC Broadband Radiated Energy Catalogue Based on Support Vector Machine Regression Model“. Applied Mechanics and Materials 687-691 (November 2014): 1514–17. http://dx.doi.org/10.4028/www.scientific.net/amm.687-691.1514.
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Earthquake prediction is one of the most difficult problems in modern natural science. Undoubtedly, various seismic parameters included in broadband radiated energy catalogue of NEIC is very important data source of investigate correlation between different earthquake within specific time space scope. In the paper, a fitting mode of seismic energy based on Support Vector Machine is established, using which we can fill the absent energy filed in the broadband radiated energy catalogue.
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Pandey, Ajit Kumar. „A. K. Saran’s Sociology: Towards a Critique of Modernist Mode in Social Sciences“. Sociological Bulletin 70, Nr. 2 (08.01.2021): 232–51. http://dx.doi.org/10.1177/0038022920970317.
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In the academic world of Indian Sociology, the deeply philosophical orientation of A. K. Saran’s approach, together with the masterly approaches developed by Radha Kamal Mukerjee and D. P. Mukerjee, each in his own distinct way came to be known as the trait of the Lucknow School, which made the great contribution of making traditional values not as the object of the study but as the frame of reference for sociological study and analysis. Saran, in this academic endeavour, appears to be influenced by the great philosophers like Rene Guenon, A. K. Coomaraswamy, Frithjof Schuon, Micro Pallis and Titus Burckhardt. These philosophers, though concerned with the crises of modern civilisation, were primarily remained engaged in the enunciation and interpretation of the traditional doctrines at the abstract doctrinal level. But Saran as a professional sociologist remained busy throughout his life in expounding and examining theories and ideologies, problems and problematic, conflicts and contradictions and norms, values and institutions of modern societies and welfarism. Saran took on the negative side of the task, that is, the critique of modernity as his vocation, whose unique logic-dialectical-philosophical method became his trademark. Through this article, I take an opportunity to make today’s academic world familiar with some of the significant contributions of Saran.
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Fan, Dongwei, Tamás Budavári, Ray P. Norris und Amitabh Basu. „Optimal probabilistic catalogue matching for radio sources“. Monthly Notices of the Royal Astronomical Society 498, Nr. 1 (17.08.2020): 565–73. http://dx.doi.org/10.1093/mnras/staa2447.
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ABSTRACT Cross-matching catalogues from radio surveys to catalogues of sources at other wavelengths is extremely hard, because radio sources are often extended, often consist of several spatially separated components, and often no radio component is coincident with the optical/infrared host galaxy. Traditionally, the cross-matching is done by eye, but this does not scale to the millions of radio sources expected from the next generation of radio surveys. We present an innovative automated procedure, using Bayesian hypothesis testing, that models trial radio-source morphologies with putative positions of the host galaxy. This new algorithm differs from an earlier version by allowing more complex radio-source morphologies, and performing a simultaneous fit over a large field. We show that this technique performs well in an unsupervised mode.
Dissertationen zum Thema "Catalogue mode of enunciation"
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Batista, Rodrigues Leite Letticia. „Usages antiques et modernes des discours en catalogue : autour du Catalogue des vaisseaux de l'Iliade“. Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010605/document.
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Cette thèse propose de faire une étude des usages antiques et modernes d'un passage du deuxième chant de l’Iliade, connu depuis le Ve siècle avant notre ère sous la désignation de Catalogue de vaisseaux. Ce passage est devenu une sorte de paradigme d'un type d'énonciation, I'« énonciation en catalogue» (καταλέγειν), qu'une grande partie des études modernes a interprété comme un manière idéale de décrire la réalité du passé dans un ordre discursif étroitement lié à la transmission d'une« vérité», voire comme étant à l'origine de l'écriture de l'histoire. Cette lecture, à notre avis, eu un effet sur un certain nombre d'études modernes, et est aussi un effet de ces études. Ces effet sont loin d'être anodins car ils ont conduit à considérer le catalogue comme un document jugé utile pour trouver la « Grèce homérique» et, qui sait, pour répondre à d'autres « question homériques» La qualification de ce passage en «catalogue» fait néanmoins écho à une pratique qui, comme l'on montré d'autres études, remonte non seulement à la production poétique diversifiée de l'époque archaïque -y compris l’Iliade où cette pratique se présente comme un mode d'interlocution original -mais se prolonge bien au-delà. En se tournant vers quelques usages anciens des discours e catalogue et, en particulier, du Catalogue des vaisseaux, nous cherchons à comprendre à quelle autres fonctions (qu'elles soient proches ou non des fonctions repérées par les textes modernes) cette pratique énonciative répond et comment elles se manifestent dans la dialectique avec les texte antérieurs mobilisés et avec leurs propres enjeuxThis thesis proposes a study of the ancient and modern uses of a passage from the second Book of the Iliad, known since the 5th century before our era under the designation « Catalogue of Ships ». This passage became a sort of paradigm of a particular mode of utterance, the « catalogue mode of enunciation » (καταλέγειν), which great number of the modern studies had interpreted as an ideal way to describe the reality of the past in a discursive order closely related to the transmission of a « truth », or rather being in the origins of the writing of history. We assume that this reading had an impact on a number of modern studies and it is a consequence of them as well. Such impacts are far from being meaningless, once they had led to consider the catalogue as a document judged reliable to find the « Homeric Greece » and, who knows, to answer to other « Homeric questions». The status of « catalogue » in this passage nevertheless echoes the practice which, as other studies had shown, goes back not only to the diversity of the poetical production from the archaic period - including the Iliad where this practice presents itself as an original interlocution mode - but extends it far beyond. On turning towards some ancient uses of the speeches in catalogue, particularly the ones from the Catalogue of Ships, we aim to understand to what other functions (those being close or not from the ones identified by the modern texts) this enunciative practice answers and how they appear in the dialectic with the previous texts concerned and with their own issues
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Perceau, Sylvie. „Le "catalogue" dans l'epopee homerique. Enquete sur un mode archaique d'interlocution“. Paris 4, 1997. http://www.theses.fr/1997PA040210.
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Dans la poesie epique homerique, le catalogue ne constitue a l'origine ni un procede mnemotechnique lie a l'oralite, ni une technique de narrativisation des listes ou un procede de composition fonde sur la classification. Il nous est, au contraire, apparu comme un mode d'interlocution original qui engage des interlocuteurs singuliers dans un entretien direct et amical. L'enonciation catalogale, privilegiant la reconnaissance d'autrui dans la parole d'eloge ou de blame, dessine les contours d'une veritable ethique de la communication fondee sur la liberte, la disponibilite et le refus de la maitrise. L'interaction emotionnelle qui s'y manifeste est l'effet d'une poetique inventoriale caracterisee par la presentation exhaustive, focalisee et detaillee des choses. Pour en capter les mouvements, au fil de leur apparition, l'enonce en catalogue procede par parataxe, en dehors des categories ou des taxinomies. Ce mode d'interlocution illustre donc le fonctionnement de la pensee archaique qui, dans une demarche phenomenologique, reconnait les ondoiements de la verite et les fluctuations de l'identiteIn the homeric epics, catalogue is originally neither a mnemotechnical process linked to orality, nor a technique to transform lists into narrative, nor a compositional process based on classification. It appears, on the contrary, as an original mode of interlocution that engages singular interlocutors in a direct and friendly conversational exchange. The catalogal mode of enunciation, that privileges the recognition of others through a discurse of praise or blame, draws the contours of real ethics of communication, based on freedom, disponibility and absence of mastery. The emotional interaction that manifests itself there results in inventorial poetics characterized by an exhaustive, focalised and detailed presentation of things. In order to capture their movements, as they appear, the catalogal utterance proceeds with parataxe, out of categories or taxinomies. Therefore, this mode of interlocution illustrates the archaic way of thinking that recognizes, through its phenomenological approach, the changing faces of truth and the fluctuations of identity
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Ott, Stéphane. „Les observations du ciel en infra-rouge avec le mode parallèle d'ISOCAM“. Paris 6, 2002. http://www.theses.fr/2002PA066279.
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Tröger, Ralph. „Supply Chain Event Management – Bedarf, Systemarchitektur und Nutzen aus Perspektive fokaler Unternehmen der Modeindustrie“. Doctoral thesis, Universitätsbibliothek Leipzig, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-155014.
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Supply Chain Event Management (SCEM) bezeichnet eine Teildisziplin des Supply Chain Management und ist für Unternehmen ein Ansatzpunkt, durch frühzeitige Reaktion auf kritische Ausnahmeereignisse in der Wertschöpfungskette Logistikleistung und -kosten zu optimieren.
Durch Rahmenbedingungen wie bspw. globale Logistikstrukturen, eine hohe Artikelvielfalt und volatile Geschäftsbeziehungen zählt die Modeindustrie zu den Branchen, die für kritische Störereignisse besonders anfällig ist. In diesem Sinne untersucht die vorliegende Dissertation nach einer Beleuchtung der wesentlichen Grundlagen zunächst, inwiefern es in der Modeindustrie tatsächlich einen Bedarf an SCEM-Systemen gibt.
Anknüpfend daran zeigt sie nach einer Darstellung bisheriger SCEM-Architekturkonzepte Gestaltungsmöglichkeiten für eine Systemarchitektur auf, die auf den Designprinzipien der Serviceorientierung beruht. In diesem Rahmen erfolgt u. a. auch die Identifikation SCEM-relevanter Business Services. Die Vorzüge einer serviceorientierten Gestaltung werden detailliert anhand der EPCIS (EPC Information Services)-Spezifikation illustriert.
Abgerundet wird die Arbeit durch eine Betrachtung der Nutzenpotenziale von SCEM-Systemen. Nach einer Darstellung von Ansätzen, welche zur Nutzenbestimmung infrage kommen, wird der Nutzen anhand eines Praxisbeispiels aufgezeigt und fließt zusammen mit den Ergebnissen einer Literaturrecherche in eine Konsolidierung von SCEM-Nutzeffekten. Hierbei wird auch beleuchtet, welche zusätzlichen Vorteile sich für Unternehmen durch eine serviceorientierte Architekturgestaltung bieten.
In der Schlussbetrachtung werden die wesentlichen Erkenntnisse der Arbeit zusammengefasst und in einem Ausblick sowohl beleuchtet, welche Relevanz die Ergebnisse der Arbeit für die Bewältigung künftiger Herausforderungen innehaben als auch welche Anknüpfungspunkte sich für anschließende Forschungsarbeiten ergeben.
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Van, der Walt Salome. „Rhythmic techniques in a selection of Olivier Messiaen’s piano works“. Diss., 2007. http://hdl.handle.net/2263/25190.
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Olivier Messiaen is regarded as one of the most significant composers of the 20th century. His compositions are performed regularly and his teachings have influenced many well-known composers like Boulez and Stockhausen. This study focussed on his use of rhythm in his piano compositions. I supplied a short biography of the composer along with a brief discussion of his compositional techniques. Thereafter his rhythmic techniques were examined through relevant music examples from his piano repertoire. Particular attention was given to works from the Vingt Regards sur L’Enfant-Jésus along with Cantéyodjayâ, Mode de valeurs et d’intensités and Neumes rythmiques from his experimental period (1949-1951). In Mode de valeurs et d’intensités he revolutionized the serial treatment of duration, pitch, intensity and attack. His other rhythmic techniques include Indian rhythms, Greek meter, added values, augmentation, diminution, non-retrogradable rhythms, polyrhythm, chromatic scales of duration, personnages rythmiques, symmetrical permutations, rhythmic neumes, rhythmic canon and prime numbers.Dissertation (MMus (Performing Arts))--University of Pretoria, 2008.
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Bücher zum Thema "Catalogue mode of enunciation"
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Villemus, Philippe. Cre ations commerciales et publicitaires: Mode d'emploi : [logo, slogan, promo, catalogue, emballage, affiche]. Paris: Ed. d'Organisation, 2004.
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1904-1971, Bourke-White Margaret, und Boston University Art Gallery, Hrsg. Power and paper: Margaret Bourke-White, modernity, and the documentary mode : exhibition and catalogue. Boston: Boston University Art Gallery, 1998.
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Mode, une industrie de pointe (Exhibition). La mode, une industrie de pointe: Catalogue de l'exposition de la Cité desSciences et de l'Industrie. Paris: Textile Art Industries, 1986.
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Colloque international de poïétique (3rd 1993 Aix-en-Provence, France). Le mode mineur de la création: Actes du troisième Colloque international de poïétique & catalogue de "Carnets d'artistes". Lyon: Aléas, 1996.
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Le mode mineur de la creation: Actes du troisieme Colloque international de poietique & catalogue de "Carnets d'artistes". Aleas, 1996.
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Bernheim, Galerie Marcel, und International Institute for Conservation of Historic and Artistic Works., Hrsg. Raoul Dufy et la mode: Ancienne collection Bianchini - Ferier : [exhibition catalogue]Galerie Marcel Bernheim, Paris, 26 Nov - 28 Dec 1985. Paris: [I.I.C.], 1985.
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Marín, Yarí Pérez. Marvels of Medicine. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789622508.001.0001.
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Marvels of Medicine makes a compelling case for including sixteenth century medical and surgical writing in the critical frameworks we now use to think about a genealogy of cultural expression in Latin America. Focusing on a small group of practitioners who differed in their levels of training, but who shared the common experience of having left Spain to join colonial societies in the making, this book analyses the paths their texts charted to attitudes and political positions that would come to characterize a criollo mode of enunciation. Unlike the accounts of first explorers, which sought to amaze audiences back in Europe with descriptions of strange and astonishing lands, these texts instead engaged the marvellous in an effort to supersede it, stressing the value of sensorial experience and of verifying information through repetition and demonstration. Vernacular medical writing became an unlikely early platform for a new form of regionally anchored discourse that demanded participation in a global intellectual conversation yet found itself increasingly relegated to the margins. In responding to that challenge, anatomical treatises, natural histories and surgical manuals exceeded the bounds set by earlier templates becoming rich, hybrid narratives that were as concerned with science as with portraying the lives and sensibilities of women and men in early colonial Mexico.
Buchteile zum Thema "Catalogue mode of enunciation"
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Palis, Eleni. „Méliès, Astruc, and Scorsese“. In Metacinema, 115–36. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190095345.003.0006.
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This chapter analyzes how Hugo (2011, dir. Martin Scorsese) metacinematically approximates what French film theorist Alexandre Astruc called the caméra-stylo, or camera pen, through which cinema communicates as written language. In “writing” a film history around and through Georges Méliès’s A Trip to the Moon (1902), Hugo’s metacinematic caméra-stylo strictly adheres to classical auteur theory ideas about personal, authorial enunciation. However, Scorsese writes a metacinematic film history that periodically disavows personal enunciation to claim film-historical truth, fact, and canon—a white, male, paternalistic canon that teaches Hugo’s young audience a warped film history. Hugo’s metacinematic, historiographic writing invokes contemporary debates about videographic criticism, the essayistic mode, and film historiography conveyed on film.
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Meng, Jing. „Beyond Nostalgia“. In Fragmented Memories and Screening Nostalgia for the Cultural Revolution, 66–92. Hong Kong University Press, 2020. http://dx.doi.org/10.5790/hongkong/9789888528462.003.0004.
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In Chapter 3, 11 Flowers represents personal and fragmented memories of the Cultural Revolution from an 11-year-old boy’s perspective. These memories challenge the monolithic narrative of history and the Maoist rhetoric of revolution. At the same time, this fragmented narrative mode enables individual agency in narrating and constructing history. In addition, through portrayals of everyday life in the Maoist era, the film reveals how the dominant ideology at that time was strategically misinterpreted by ordinary people and was dispersed in everyday life. Socialism, in this context, becomes a mystery, a joke, and a traumatic awakening. In the lm, art possesses enlightening power for the 11-year-old boy, who begins to obtain self-awareness through painting. The film thus conveys the director’s authorial enunciation and his belief in art as a form of liberation, not only for a boy in the Cultural Revolution but also for Wang Xiaoshuai as a film-maker. The shifting trajectory of Wang’s film-making—from independent to art house—alludes to the shifting relations between film-making, the state, and the market. In 11 Flowers, personal memories become the hallmark of Wang’s auteur expression.
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Gutwirth, Serge. „Providing the Missing Link: Law after Latour’s Passage“. In Latour and the Passage of Law. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748697908.003.0006.
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A decisive philosophical intervention pitched at the level of law’s ontology, Gutwirth’s ‘Providing the Missing Link’ renders the difference between law as an institution or a body of norms and law as a mode of existence or value a crucial point of passage for any future philosophy of law. The first, Gutwirth argues, isn’t really law at all, but a political and organisational phenomenon easily confused with other norms and normative systems, from the rules of sporting groups or trade associations to ethical codes. The second is a far narrower concept keyed to the production of novel solutions under a particular kind of constraint and has nothing to do with the establishment of standards to be followed. Gutwirth’s finely tuned theorisation of law, which resonates with the work of Isabelle Stengers and Gilles Deleuze, sounds a laudable alarum designed to compel legal theorists to disencumber law of the formidable demands of the Rechtsstaat, while holding firmly to the evasive thread of legal enunciation. For Gutwirth, statements in the key of [LAW] require, as an absolute condition, the ‘anticipat[ion of] how and what a judge or court would decide’, and we are all jurists engaged in the practice of law, or at the least, we ‘speak legally’ and not merely ‘about law’, insofar as we projectively reason on the basis of that anticipation. The passage of law depends on this anticipatory structure, from which Gutwirth derives the signal operations of law (qualification, hesitation, imputation and so on), which work in essentially the same way as they did for the Romans. Law alone, he concludes – even after it has been unburdened of the political, economic, moral and other duties recklessly imposed on it – remains ‘the rightful and ultimate provider of stability and security’, as the loops of its unique temporality ensure that a resolution to any controversy can indeed be fashioned, even where every other mode fails.