Thematische Bibliographien / Censorship – Vietnam

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile

Auswahl der wissenschaftlichen Literatur zum Thema „Censorship – Vietnam“

Autor: Grafiati
Veröffentlicht am 28. Juli 2024
Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Censorship – Vietnam"

1

Quoc, Liem Bui. "Biographical film causing controversies: an analysis of Em va Trinh (2022)." Brazilian Journal of Development 10, no. 4 (2024): e68632. http://dx.doi.org/10.34117/bjdv10n4-009.

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This research delves into the contentious biographical film "Em va Trinh (2022)" to explore contemporary Vietnamese cinema's interaction with national narratives, sociopolitical tensions, and the evolving cultural landscape. Research Question 1 (RQ1) examines how the film addresses delicate historical figures and events, providing insights into how Vietnamese cinema grapples with the past and shapes collective memory. RQ2 investigates the catalysts behind the controversies surrounding the film, illuminating broader societal concerns and debates within modern Vietnam. Lastly, RQ3 analyzes the i
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2

Trinh, Duy. "Book Review: Censorship in Vietnam: A Brave New World by Thomas Bass." Journalism & Mass Communication Quarterly 95, no. 2 (2018): 523–25. http://dx.doi.org/10.1177/1077699018766514.

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3

Lu, Qianhua. "An Analysis of the Reasons for the Continuous Development of Vietnams Film Industry." Communications in Humanities Research 25, no. 1 (2024): 76–80. http://dx.doi.org/10.54254/2753-7064/25/20231869.

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In recent years, the Vietnamese entertainment industry has seen an increase exceeding the worlds average growth rate. The growth reflected the Vietnam governments long-term goal to build its cultural industry and entertainment industry from 2020 to 2030. The entertainment industry will include a broad range of interrelated industries that produce entertainment products and services, especially the film industry, which has seen significant growth throughout the years. To dive deeper into the development of Vietnams film industry, this study presents a comprehensive analysis of the drivers behin
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4

Painter, Chad, and Patrick Ferrucci. "‘Ask what you can do to the Army’: A textual analysis of the underground GI press during the Vietnam War." Media, War & Conflict 12, no. 3 (2019): 354–67. http://dx.doi.org/10.1177/1750635219836128.

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This study examined the normative roles of alternative media, focusing on how the underground GI press did or did not serve these roles during the Vietnam War. The researchers conducted a textual analysis of 22 underground GI newspapers published between 1967 and 1973. Four main themes emerged from the analysis: underground GI press writers were decidedly antiwar in the stories they covered and how they wrote about them; GI writers attempted to differentiate grunts from military and civilian leaders; GI writers attempted to build communities with other military personnel as well as civilians;
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5

Pellegrini, Ann. "Habeas Corpus: Behold the Body." TDR/The Drama Review 52, no. 1 (2008): 179–82. http://dx.doi.org/10.1162/dram.2008.52.1.179.

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This issue's Critical Acts focuses on “war and other bad shit” in terms of censorship, immigration, and art as a form of political protest and recovery. In “Habeas Corpus,” Ann Pellegrini uses Sally Field's censored Emmy-acceptance speech to exemplify the Bush administration's privatization of mourning as a means “to bind us to acts of fatal violence against an objectified and dehumanized ‘enemy.’” In her account of Luigi Nono's The Forest Is Young and Full of Life, Judy Lochhead examines the possibility of music as activism, noting how history is recycled from the Vietnam War to today. Willia
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Lochhead, Judy. "On Recent Performances of Luigi Nono's The Forest Is Young and Full of Life." TDR/The Drama Review 52, no. 1 (2008): 182–89. http://dx.doi.org/10.1162/dram.2008.52.1.182.

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This issue's Critical Acts focuses on “war and other bad shit” in terms of censorship, immigration, and art as a form of political protest and recovery. In “Habeas Corpus,” Ann Pellegrini uses Sally Field's censored Emmy-acceptance speech to exemplify the Bush administration's privatization of mourning as a means “to bind us to acts of fatal violence against an objectified and dehumanized ‘enemy.’” In her account of Luigi Nono's The Forest Is Young and Full of Life, Judy Lochhead examines the possibility of music as activism, noting how history is recycled from the Vietnam War to today. Willia
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Bowling, William, and Rachel Carrico. "Lakeviews: A Bus Tour As a Vehicle for Regrowth in New Orleans." TDR/The Drama Review 52, no. 1 (2008): 190–96. http://dx.doi.org/10.1162/dram.2008.52.1.190.

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This issue's Critical Acts focuses on “war and other bad shit” in terms of censorship, immigration, and art as a form of political protest and recovery. In “Habeas Corpus,” Ann Pellegrini uses Sally Field's censored Emmy-acceptance speech to exemplify the Bush administration's privatization of mourning as a means “to bind us to acts of fatal violence against an objectified and dehumanized ‘enemy.’” In her account of Luigi Nono's The Forest Is Young and Full of Life, Judy Lochhead examines the possibility of music as activism, noting how history is recycled from the Vietnam War to today. Willia
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8

Gómez-Peña, Guillermo. "Border Hysteria and the War against Difference." TDR/The Drama Review 52, no. 1 (2008): 196–203. http://dx.doi.org/10.1162/dram.2008.52.1.196.

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This issue's Critical Acts focuses on “war and other bad shit” in terms of censorship, immigration, and art as a form of political protest and recovery. In “Habeas Corpus,” Ann Pellegrini uses Sally Field's censored Emmy-acceptance speech to exemplify the Bush administration's privatization of mourning as a means “to bind us to acts of fatal violence against an objectified and dehumanized ‘enemy.’” In her account of Luigi Nono's The Forest Is Young and Full of Life, Judy Lochhead examines the possibility of music as activism, noting how history is recycled from the Vietnam War to today. Willia
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9

Surkova, Aleksandra S. "“Your Ivan Hersey”: John Hersey’s War Prose in the Soviet Union." Literature of the Americas, no. 18 (2025): 292–313. https://doi.org/10.22455/2541-7894-2025-18-292-313.

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The article explores the literary and journalistic work of the American writer John Richard Hersey (1914–1993). The main attention is paid to the little-studied period in the writer’s biography, when he, being a correspondent of Time magazine in the Soviet Union, faced censorship, restrictions and difficulties of interaction with the Soviet cultural environment. Based on archival materials (RGALI), correspondence with Konstantin Simonov, Soviet publications and translations of Hersey’s works, the duality of his perception in the USSR is revealed: on the one hand (during the war years) — as a “
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Rinaldi, Jake, and Brandon Tran. "China's Internal Security Cooperation with Socialist States." Asia Policy 20, no. 2 (2025): 127–42. https://doi.org/10.1353/asp.2025.a960046.

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executive summary: This essay examines China's cooperation with ideologically aligned single-party Leninist states, framed within the "community of a shared future for socialist countries." main argument China's deepening internal security cooperation with single-party Leninist states represents a formidable challenge to Western democracies, underscoring the need for pragmatic approaches to counter its growing influence. Drawing in part on open-source materials from Chinese academics and official policy documents, this analysis argues that China is using its "community of a shared future for s
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Dissertationen zum Thema "Censorship – Vietnam"

1

Flaherty, Nora. "Antisocial Media: Information Mismanagement in Vietnam." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/cmc_theses/1643.

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This paper examines the ineffective and unsustainable information management system employed by the Socialist Republic of Vietnam. The Vietnamese public faces an absence of information, due to strictly controlled state media and an unreliable unofficial media. Meanwhile, the current information management system does not allow the regime to meet its core interests of increasing government legitimacy and decreasing corruption. Increasing press freedom is also perceived as an existential threat, and so the government’s basic interests contradict each other. This paper examines the literature on
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Bücher zum Thema "Censorship – Vietnam"

1

Tho, Nguyen Xuan. Presse und Medien in Vietnam. Bundesinstitut für Ostwissenschaftliche und Internationale Studien, 1992.

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2

Censorship in Vietnam: Brave New World. University of Massachusetts Press, 2017.

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3

Hieu, Dui Than. Speaking in Silence. Censorship in Vietnam. n/a, 2015.

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4

Censorship in Vietnam: Brave New World. University of Massachusetts Press, 2017.

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5

Censorship in Vietnam: Brave New World. University of Massachusetts Press, 2017.

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6

Norton, Barley. Music and Censorship in Vietnam since 1954. Edited by Patricia Hall. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199733163.013.29.

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This chapter traces the history of music censorship in Vietnam since 1954 with reference to a broad range of music genres. It discusses music censorship from 1954 to 1975, when Vietnam was divided into North and South. The tight ideological control established by the Vietnamese Communist Party in the North is compared with music movements linked to antiwar protests in the South. The chapter then examines the period of severe censorship following the end of the Vietnamese-American war in 1975 and considers how the cultural climate changed in the reform era after 1986. It highlights the limits o
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Flacks, Richard. Pete Seeger’s Project. Edited by Patricia Hall. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199733163.013.19.

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This article examines how politics and censorship have marginalized Pete Seeger, one of the most honored and celebrated performers in America. It argues that Seeger’s relative obscurity and marginalization can be attributed in large part to his virtual exclusion from the commercial mass media, but that they have also—paradoxically—enabled him to fulfill his particular artistic and political project. In particular, it cites Seeger’s lifelong commitment to communism and the American Left as the reason for his blacklisting and marginalization, having been a member of the Communist Party during mo
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Kirshner, Jonathan, and Jon Lewis, eds. When the Movies Mattered. Cornell University Press, 2019. http://dx.doi.org/10.7591/cornell/9781501736094.001.0001.

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The “New Hollywood” that emerged in the late sixties is now widely recognized as an era of remarkable filmmaking, when directors enjoyed a unique autonomy to craft ambitious, introspective movies that evinced a cinematic world of hard choices, complex interpersonal relationships, compromised heroes, and uncertain outcomes. The New Hollywood Revisited brings together a remarkable collection of authors (some of whom wrote about the New Hollywood as it unfolded), to revisit this unique era in American cinema (circa 1967-1976). It was a decade in which a number of extraordinary factors – including
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9

Murray, Jeremy A., and Kathleen Nadeau, eds. Pop Culture in Asia and Oceania. ABC-CLIO, 2016. http://dx.doi.org/10.5040/9798400698941.

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This ready reference is a comprehensive guide to pop culture in Asia and Oceania, including topics such as top Korean singers, Thailand's sports heroes, and Japanese fashion. This entertaining introduction to Asian pop culture covers the global superstars, music idols, blockbuster films, and current trends―from the eclectic to the underground―of East Asia and South Asia, including China, Japan, Korea, India, the Philippines, Thailand, Vietnam, and Pakistan, as well as Oceania. The rich content features an exploration of the politics and personalities of Bollywood, a look at how baseball became
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Buchteile zum Thema "Censorship – Vietnam"

1

Lent, John A., and John A. Lent. "Vietnam." In Asian Political Cartoons. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496842527.003.0017.

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This chapter examines political cartooning in Vietnam and also explores its history of political satire. Vietnam has a long history of media suppression rampant during long periods of colonialism, war, national fragmentation, and the communist ideology. With government and party ownership, a number of outright taboos, tough legislation, and self-censorship, the press, and by extension cartoonists, walk a tightrope. Political cartoonists admit to playing it safe, distancing themselves from criticizing certain policies and individuals, or attempting to get messages across by visual cues recogniz
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Nguyen, Cuong. "Lacan in Vietnam." In Doing Research as a Native. Oxford University PressNew York, 2025. https://doi.org/10.1093/oso/9780197699805.003.0012.

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Abstract The Vietnamese Communist Party (VCP), known for its intolerance toward freedom of expression and political dissent, has employed draconian laws and coercive surveillance measures to silence and punish civil society activists and regime critics for many decades. In this chapter, the author addresses Vietnamese scholars’ disposition toward self-censorship, perpetuated by the “will I get into trouble if I write about this” conundrum. He also engages in a critical reflection on his own experiences walking the thin line between the fear of regime threats to his family and professional care
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Carroll, Christina B. "New Colonial Vocabularies and Overseas Conquest in Vietnam." In The Politics of Imperial Memory in France, 1850-1900. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501763083.003.0006.

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This chapter discusses France's international interest in colonial expansion in northern Vietnam around the mid-1880s. It highlights how colonial conquests increased France's prestige despite the republicans' arguments over politique colonial. The 1885 arguments over colonial expansion grew visible due to the 1881 law eliminating censorship of the political press. However, forms of public expression remained relatively controlled by the colonial administration. The chapter explains that Napoleon III and France's defeat during the Franco-Prussian War continued to shape republican conversations
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Kim, Alice S. "The “Vietnamese” Skirt and Other Wartime Myths in Lee Yun-gi’s “Trigonometric Functions”." In The Vietnam War in the Pacific World. University of North Carolina Press, 2022. http://dx.doi.org/10.5149/northcarolina/9781469671147.003.0010.

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The “Vietnamese” skirt (“wollam” chima) arose to great popularity in South Korea in the late 1960s–early 70s, at the intersection of the rapid expansion in the South Korean textile industry and South Korea’s decade-long involvement in the Vietnam War (1964–1973). The cheap, lightweight, colorful long flared skirt mass-produced in easy to launder new synthetic fabrics such as nylon and fitted with elastic waistbands bore a vague resemblance to the familiar long full skirts (tongchima) that grew out of premodern Korean costume (chima jeogori), as well as the Vietnamese áo dài. Invisible in the p
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Chowdhury, Debasish Roy, and John Keane. "Bad News." In To Kill A Democracy. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198848608.003.0012.

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This chapter examines Indian media. Communications scholars have long argued that media sets the agenda for public opinion, first by drawing the attention of citizens to a particular issue, and then by defining it by means of comprehensible media ‘frames’ that act as cognitive shortcuts to understand issues. As in other so-called democracies, journalists working within India’s mainstream media are engaged 24/7 in framing narratives, making them indispensable for any government. Anti-Muslim messaging, generally subtle, has been the default media frame ever since the Hindu nationalist Bharatiya
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