Zeitschriftenartikel zum Thema „Character voice“
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Ichikawa, Akira. „Character voice communication system“. Journal of the Acoustical Society of America 93, Nr. 3 (März 1993): 1676. http://dx.doi.org/10.1121/1.406756.
Smith, Jennifer. „Voices, Combat, and Music“. Journal of Sound and Music in Games 2, Nr. 2 (2021): 42–62. http://dx.doi.org/10.1525/jsmg.2021.2.2.42.
Howell, Peter. „CHARACTER VOICE IN ANIME SUBTITLES“. Perspectives 14, Nr. 4 (24.07.2007): 292–305. http://dx.doi.org/10.1080/09076760708669045.
Feng, Dezheng, und Peter Wignell. „Intertextual voices and engagement in TV advertisements“. Visual Communication 10, Nr. 4 (14.10.2011): 565–88. http://dx.doi.org/10.1177/1470357211415788.
Mitchell, Liam. „Damsels Who Distress“. Camera Obscura: Feminism, Culture, and Media Studies 35, Nr. 2 (01.09.2020): 63–93. http://dx.doi.org/10.1215/02705346-8359518.
Pongkittiphan, Teeraphon, Daisuke Saito, Nobuaki Minematsu und Keikichi Hirose. „Eigenvoice-Based Character Conversion for Arbitrary Speakers Using Various Character Voices of a Skilled Voice Actor“. Journal of Signal Processing 17, Nr. 4 (2013): 139–42. http://dx.doi.org/10.2299/jsp.17.139.
Smith, Jennifer. „Vocal disruptions in the aural game world: The female entertainer in The Witcher 3: Wild Hunt, Transistor and Divinity: Original Sin II“. Soundtrack 11, Nr. 1 (01.08.2020): 75–97. http://dx.doi.org/10.1386/ts_00006_1.
Adnan Al-Khayyat, Amal. „When the Old Woman Speaks in Soueif’s “Her Man” and “The Wedding of Zeina” and Rifaat’s “Bahiyya’s Eyes”“. Advances in Language and Literary Studies 11, Nr. 1 (27.02.2020): 65. http://dx.doi.org/10.7575/aiac.alls.v.11n.1p.65.
Duerfahrd, Lance. „Sisyphus screams: The rift between sound and image in Matka“. Short Film Studies 4, Nr. 1 (01.04.2014): 27–30. http://dx.doi.org/10.1386/sfs.4.1.27_1.
Sun, Xinxin, und Wenkui Jin. „Health Informatics Study of Smart Human-Computer Interaction Devices for Elderly Patients“. Journal of Medical Imaging and Health Informatics 9, Nr. 8 (01.10.2019): 1607–13. http://dx.doi.org/10.1166/jmihi.2019.2780.
McCARTHY, DAVID. „Textured Voices and the Performance of Ethical Life in the Case of the Laff Box (1966)“. Twentieth-Century Music 13, Nr. 1 (März 2016): 109–37. http://dx.doi.org/10.1017/s1478572215000195.
Azam, Nushrat. „A Feminist Critique of “Voice” and the “Other” in J.M. Coetzee’s Post-colonial Novel “Foe”“. International Journal of Applied Linguistics and English Literature 7, Nr. 7 (01.12.2018): 164. http://dx.doi.org/10.7575/aiac.ijalel.v.7n.7p.164.
Azam, Nushrat. „“Madwoman in the Post-Colonial Era” A Study of the Female Voice in Jean Rhys’ Wide Sargasso Sea“. International Journal of Applied Linguistics and English Literature 6, Nr. 7 (10.10.2017): 236. http://dx.doi.org/10.7575/aiac.ijalel.v.6n.7p.236.
R, Lakshmi Devi. „Ahalya : ‘Girl , Woman, Other’ - Feminist Reading of Ahalya’s Awakening by Kavita Kane“. SMART MOVES JOURNAL IJELLH 8, Nr. 1 (28.01.2020): 13. http://dx.doi.org/10.24113/ijellh.v8i1.10358.
Baczewski, Philip, und Rosemary N. Killam. „Melodic character versus voice position in the perception of a two‐voice musical structure“. Journal of the Acoustical Society of America 88, S1 (November 1990): S90. http://dx.doi.org/10.1121/1.2029213.
DESCHLER, DANIEL G., E. THOMAS DOHERTY, CHARLES G. REED und MARK I. SINGER. „Quantitative and Qualitative Analysis of Tracheoesophageal Voice after Pectoralis Major Flap Reconstruction of the Neopharynx“. Otolaryngology–Head and Neck Surgery 118, Nr. 6 (Juni 1998): 771–76. http://dx.doi.org/10.1016/s0194-5998(98)70267-0.
Azmi Kartika Sari. „THE DELUSION OF BEING HUMAN: FANTASTIC MOTIVES IN THE MOVIE ANOMALISA (2015) BY CHARLIE KAUFMAN AND DUKE JOHNSON“. IJLECR - INTERNATIONAL JOURNAL OF LANGUAGE EDUCATION AND CULTURE REVIEW 5, Nr. 1 (30.06.2019): 77–86. http://dx.doi.org/10.21009/ijlecr.051.09.
Karcz, Andrzej. „The Muffled Voice. On The Conventional Character of Literature“. Roczniki Humanistyczne 66, Nr. 1 SELECTED PAPERS IN ENGLISH (23.10.2019): 5–17. http://dx.doi.org/10.18290/rh.2018.66.1-1e.
Pridmore, Helen M. „The Naked Voice“. Brock Review 12, Nr. 2 (16.02.2012): 27–35. http://dx.doi.org/10.26522/br.v12i2.368.
Weckstein, Jason D. „Molecular Phylogenetics of the Ramphastos Toucans: Implications for the Evolution of Morphology, Vocalizations, and Coloration“. Auk 122, Nr. 4 (01.10.2005): 1191–209. http://dx.doi.org/10.1093/auk/122.4.1191.
Nettelbeck, Hugh Wilson. „Comparing audience perceptions of characters in subtitled film“. Journal of Audiovisual Translation 3, Nr. 1 (02.11.2020): 50–71. http://dx.doi.org/10.47476/jat.v3i1.2020.102.
Poole, Ralph. „'Ta, te, ti, toe, too'“. JAAAS: Journal of the Austrian Association for American Studies 1, Nr. 2 (30.12.2020): 283–301. http://dx.doi.org/10.47060/jaaas.v1i2.36.
Evain, Christine, Hilda Twongyeirwe, Mercy Mirembe Ntangaare und Spencer Hawkridge. „Ugandan Literature: the Questions of Identity, Voice and Context“. International Journal of English and Cultural Studies 1, Nr. 1 (23.04.2018): 46. http://dx.doi.org/10.11114/ijecs.v1i1.3226.
Goebbels, Heiner. „Peculiar Voices“. TDR/The Drama Review 55, Nr. 1 (März 2011): 46–51. http://dx.doi.org/10.1162/dram_a_00047.
Rai, Laxmisha, und Hong Li. „MyOcrTool: Visualization System for Generating Associative Images of Chinese Characters in Smart Devices“. Complexity 2021 (07.05.2021): 1–14. http://dx.doi.org/10.1155/2021/5583287.
Hoshino, Junichi, und Hiroshi Mori. „Generating Reactive Attention of CG character For Voice User Games“. Journal of the Society for Art and Science 9, Nr. 1 (2009): 20–28. http://dx.doi.org/10.3756/artsci.9.20.
Morrison, Kevin A. „Modulating Narrative Voice: Mary Russell Mitford's Sketches of Rural Character“. Women's Writing 22, Nr. 4 (17.04.2015): 505–24. http://dx.doi.org/10.1080/09699082.2015.1025471.
TANNOCH-BLAND, JENNIFER. „Dugald Stewart on intellectual character“. British Journal for the History of Science 30, Nr. 3 (September 1997): 307–20. http://dx.doi.org/10.1017/s0007087497003105.
Martin, Thomas W. „The Silence of God: A Literary Study of Voice and Violence in the Book of Revelation“. Journal for the Study of the New Testament 41, Nr. 2 (06.11.2018): 246–60. http://dx.doi.org/10.1177/0142064x18804435.
Bisbo, Laura. „Breathy Voice and Fundamental Frequency: Portraying Gender in The Danish Girl“. Leviathan: Interdisciplinary Journal in English, Nr. 2 (15.03.2018): 71–91. http://dx.doi.org/10.7146/lev.v0i2.104694.
Rahhal, Tamara A., Cynthia P. May und Lynn Hasher. „Truth and Character: Sources That Older Adults Can Remember“. Psychological Science 13, Nr. 2 (März 2002): 101–5. http://dx.doi.org/10.1111/1467-9280.00419.
Cui, Zhenhua, Yanping Yang und Yanping Yang. „THE NARRATOR IN DORIS LESSING’S THE FIFTH CHILD“. Advances in Social Sciences Research Journal 7, Nr. 9 (14.09.2020): 174–82. http://dx.doi.org/10.14738/assrj.79.8823.
Lavan, Nadine, Luke FK Burston, Paayal Ladwa, Siobhan E. Merriman, Sarah Knight und Carolyn McGettigan. „Breaking voice identity perception: Expressive voices are more confusable for listeners“. Quarterly Journal of Experimental Psychology 72, Nr. 9 (21.03.2019): 2240–48. http://dx.doi.org/10.1177/1747021819836890.
NISHIDA, Makiko, Tomio WATANABE und Yutaka ISHII. „Speech-driven embodied entrainment character system with a voice back-channel“. Transactions of the JSME (in Japanese) 85, Nr. 880 (2019): 19–00159. http://dx.doi.org/10.1299/transjsme.19-00159.
JOHNSON, BRUCE. „Hamlet: voice, music, sound“. Popular Music 24, Nr. 2 (Mai 2005): 257–67. http://dx.doi.org/10.1017/s0261143005000413.
Moreno-Álvarez, Alejandra. „De Kretser’s Retelling of a Ghost Love Story“. Humanities 9, Nr. 3 (19.08.2020): 87. http://dx.doi.org/10.3390/h9030087.
Esformes, Maria. „The Sephardic Voice of Elias Canetti“. European Judaism 33, Nr. 1 (01.03.2000): 109–17. http://dx.doi.org/10.3167/ej.2000.330114.
Arellano, Diana, Javier Varona und Francisco J. Perales. „Why Do I Feel Like This?“ International Journal of Synthetic Emotions 2, Nr. 2 (Juli 2011): 28–47. http://dx.doi.org/10.4018/jse.2011070102.
A, Divya. „The Voice Of The Voiceless: The Cognisance Of Psychosocial Influence On Prenatal Learning In Ian Mcewan’s Nutshell“. Think India 22, Nr. 3 (25.09.2019): 966–71. http://dx.doi.org/10.26643/think-india.v22i3.8434.
Robinson, Paul. „The opera queen: A voice from the closet“. Cambridge Opera Journal 6, Nr. 3 (November 1994): 283–91. http://dx.doi.org/10.1017/s095458670000433x.
Holahan, Michael. „"Look, Her Lips": Softness of Voice, Construction of Character in King Lear“. Shakespeare Quarterly 48, Nr. 4 (1997): 406. http://dx.doi.org/10.2307/2871252.
Sowa, Klaudia, Anna Łobaczuk-Sitnik, Bartosz Piszczatowski, Emilia Duchnowska, Bożena Kosztyła-Hojna, Klaudiusz Nadolny, Jerzy Robert Ładny und Maciej Zdrojkowski. „SPECIFICS AND DIAGNOSTIC PROCEDURE IN REFLUX-RELATED DYSPHONIA“. Wiadomości Lekarskie 73, Nr. 4 (2020): 814–17. http://dx.doi.org/10.36740/wlek202004137.
Mitrovic, Slobodan. „Subjective acoustic analysis of tumor’s dysphonia using 'rbh' scale“. Srpski arhiv za celokupno lekarstvo 131, Nr. 1-2 (2003): 40–42. http://dx.doi.org/10.2298/sarh0302040m.
Huang, Shiying. „Struggle Between the Real and the Fictive: The Development of Chinese EFL Learners’ Voice Construction in Short Story Writing“. English Language Teaching 12, Nr. 9 (07.08.2019): 22. http://dx.doi.org/10.5539/elt.v12n9p22.
Collins, Simon, und Jeremy Rose. „Case Studies: City Voice, an alternative to the corporate model“. Pacific Journalism Review : Te Koakoa 10, Nr. 2 (01.09.2004): 32–45. http://dx.doi.org/10.24135/pjr.v10i2.803.
Yang, Juan. „What makes learning Chinese characters difficult? The voice of students from English secondary schools“. Journal of Chinese Writing Systems 2, Nr. 1 (März 2018): 35–41. http://dx.doi.org/10.1177/2513850217748501.
Olszewski, Jurek, und Joanna Nowosielska‑Grygiel. „New diagnostic methods of evaluation of voice activity for phoniatrists’ and speech therapists’ needs“. Logopaedica Lodziensia, Nr. 1 (30.12.2017): 91–99. http://dx.doi.org/10.18778/2544-7238.01.08.
Nie, Baoyu. „Research on the Image Culture — A Narrative Study on Jennifer Egan’s The Keep“. Journal of Language Teaching and Research 8, Nr. 3 (02.05.2017): 601. http://dx.doi.org/10.17507/jltr.0803.20.
Murphy, Terence Patrick. „‘Getting rid of that standard third party narrative voice’: the development of James Kelman’s early authorial style“. Language and Literature: International Journal of Stylistics 15, Nr. 2 (Mai 2006): 183–99. http://dx.doi.org/10.1177/0963947006063746.
Enache, Cǎtǎlin. „Character, voice and the limits of dietetics in Hippocrates’ De victu I 36“. Wiener Studien 129 (2016): 71–92. http://dx.doi.org/10.1553/wst129s71.