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Thematische Bibliographien / Childrens stories, Indic (English)

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Auswahl der wissenschaftlichen Literatur zum Thema „Childrens stories, Indic (English)“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 29. Juli 2025

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Zeitschriftenartikel zum Thema "Childrens stories, Indic (English)"

1

Ashenafi, Belay Adugna. "How Green are our Stories? Explorations of ecological subjectivities in Ethiopian childrens literature." Journal of Languages and Culture 6, no. 5 (2015): 39–51. http://dx.doi.org/10.5897/jlc2015.0310.

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Hansen, Kathryn. "Languages on Stage: Linguistic Pluralism and Community Formation in the Nineteenth-Century Parsi Theatre." Modern Asian Studies 37, no. 2 (2003): 381–405. http://dx.doi.org/10.1017/s0026749x03002051.

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The Parsi theatre was the dominant form of dramatic entertainment in urban India from the 1860s to the 1930s. Named for its Bombay-based pioneers, the Parsi theatre blended certain European practices of stagecraft and commercial organization with Indic, Persian, and English stories, music, and poetry. Through the impact of its touring companies, it had a catalytic effect on the development of modern drama and regional theatre throughout South and Southeast Asia. Moreover, Parsi theatre is widely credited with contributing to popular Indian cinema its genres, aesthetic, and economic base. With

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3

Özkan, Sapsağlam, Aydın Demet, and Toksoy Nazlıcan. "Comparisons of childrens level of recall: Stories told through e-book and picture book." Educational Research and Reviews 15, no. 3 (2020): 123–28. http://dx.doi.org/10.5897/err2020.3934.

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4

Mamta Singh. "The Portrayal of Girl Child in Ruskin Bond’s The Blue Umbrella." Creative Launcher 4, no. 5 (2019): 97–103. http://dx.doi.org/10.53032/tcl.2019.4.5.15.

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Ruskin Bond, Indian author of British decent, was born on 19 May 1935 at Kasauli, Himachal Pradesh. He was raised at Jamnagar (Gujarat), Shimla and Dehradun. He is a well-known Indian writer in English. He has written more than hundred short stories, six novels, three collection of verse and over thirty books for children. He is considered to be an icon among Indian writers and children’s author and a top novelist. He received Sahitya Academy award for his book; Our Trees Still Grow at Dehra in 1992, and was honored with Padam Shree in 1999 for his lifetime contribution to Indian literature in

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A, Jayasree, and Shobha Ramaswamy. "A STUDY OF RUSKIN BOND’S “TENACITY OF MOUNTAIN WATER”." Kongunadu Research Journal 4, no. 1 (2017): 12–13. http://dx.doi.org/10.26524/krj165.

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“I am not a religious person but if I were to say I have a religion then I would say I am a nature worshipper.” Ruskin Bond Ruskin Bond, a prolific writer, is known for his short stories, novellas and poems and is widely popular especially in Children’s Literature Circles. His stories can be likened to an ecological narrativedesigned to spread awareness about the bitter consequences of human actions that damage the planet’s basic life support system. He has received the Sahitya Akademi Award for English writing in India for ‘Our Trees Still grow in Dehra’ in 1992. He was awarded the Padma Shri

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Thakur, Asha Rani. "Sudha Murthy: A Versatile Writer." Sudha Murthy: A Versatile Writer 9, no. 2 (2024): 220–24. https://doi.org/10.36993/ RJOE.2024.9.2.224.

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Sudha Murthy was born in Karnataka, India, on August 19, 1950. She is a versatile genius with an exceptional talent as a writer. She is a philanthropist and an entrepreneur. She is an Indian writer whose writings are close to Indian life, rich heritage, and culture. Her writings are simple and conversational in tone. She conveyed her ideas through her writings. She deals with the societal issues of an Indian society, and her writings explore her deep understanding of human life and ethical values. She did her electrical engineering from B.V.B. College of Engineeri

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R, Bhuvaneswari, Cynthiya Rose J S, and Maria Baptist S. "Editorial: Indian Literature: Past, Present and Future." Studies in Media and Communication 11, no. 2 (2023): 1. http://dx.doi.org/10.11114/smc.v11i2.5932.

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IntroductionIndian Literature with its multiplicity of languages and the plurality of cultures dates back to 3000 years ago, comprising Vedas, Upanishads, Puranas and Epics like Ramayana and Mahabharata. India has a strong literary tradition in various Indian regional languages like Sanskrit, Prakrit, Pali, Hindi, Marathi, Bengali, Oriya, Tamil, Kannada, Telugu, Malayalam and so on. Indian writers share oral tradition, indigenous experiences and reflect on the history, culture and society in regional languages as well as in English. The first Indian novel in English is Bankim Chandra Chatterje

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Tasneem Fiza. "Resilience and Reclamation: A Comparative Study of Female Identity in Lauren Groff’s The Vaster Wilds and Margaret Atwood’s Surfacing." Journal of English Language, Literature and Education 7, no. 02 (2025): 37–56. https://doi.org/10.54692/jelle.2025.0702285.

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This study focuses on female resilience and reclamation as its main topic, presenting a comparative literary analysis of Lauren Groff’s The Vaster Wilds and Margaret Atwood’s Surfacing, with a particular emphasis on the theme of female resilience. Through an interdisciplinary lens that incorporates ecofeminism, feminist literary theory, and psychoanalysis, the research explores how each author portrays women navigating hostile environments, psychological isolation, and societal constraints. The analysis examines key areas including ecofeminist relationships with nature, narrative structure, hi

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Williamsen, Elizabeth, R. C. Richardson, Julia Reinhard Lupton, et al. "Reviews: Before Orientalism: Asian Peoples and Cultures in European Travel Writing, 1245–1510, the Arts of Remembrance in Early Modern England: Memorial Cultures of the Post Reformation, a Will to Believe: Shakespeare and Religion, Uncommon Tongues: Eloquence and Eccentricity in the English Renaissance, Be it Ever So Humble: Poverty, Fiction, and the Invention of the Middle-Class Home, Backstage in the Novel: Frances Burney and the Theatre Arts, Protocols of Liberty: Communication, Innovation and the American Revolution, Romanticism and the Rural Community, Alone in America: The Stories That Matter, India in Britain: South Asian Networks and Connections, 1858–1950, Beastly Journeys: Travel and Transformation at the Fin de Siècle, London Underground: A Cultural Geography, London's Underground Spaces: Representing the Victorian City, 1840–1915, Literature, Modernism, and Dance, When Sex Changed: Birth Control Politics and Literature between the World Wars, Scarecrows of Chivalry: English Masculinities after Empire, British Fiction and the Cold War, Reading History in Children's Books, the End of Normal: Identity in a Biocultural Era." Literature & History 23, no. 2 (2014): 81–116. http://dx.doi.org/10.7227/lh.23.2.6.

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Sarangi, Jaydeep. "In conversation with Malsawmi Jacob." Writers in Conversation 4, no. 1 (2017). http://dx.doi.org/10.22356/wic.v4i1.8.

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Malsawmi Jacob is an independent writer now living in Bangalore, India: Her first novel and seventh book, Zorami A redemption song was published in 2015. Her other published books are a collection of poems in Mizo and English, a collection of short stories, two books of children’s stories and two narrative non-fiction. She has worked in different cities of India: taught English to undergraduates at St. Claret College, Bangalore, and Aizawl College, Aizawl; was senior co-ordinator at SPARROW, Mumbai; and freelanced as a journalist for about two years while living in Guwahati. She has also contr

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Bücher zum Thema "Childrens stories, Indic (English)"

1

Srivastav, Sigrun. No time for fear and other stories. Ministry of Information and Broadcasting, Publications Division, Govt. of India, 1992.

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2

Trust, Children's Book, ed. Short stories for children. Children's Book Trust, 1987.

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3

Geeta, Menon, Harichandan Deepak, and Children's Book Trust, eds. Kidnapped and other stories. Children's Book Trust, 1993.

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4

Girish, Uma. Ruki's Saturday and other stories. Minerva Press, 1999.

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5

Jayakar, Pupul. The children of barren women: Essays, investigations, stories. Penguin Books, 1994.

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6

Bhatty, Margaret R. Chicken mama and other stories. Puffin Books, 2007.

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7

Mukherjee, Meera. Catching fish and other stories. Seagull Books, 2000.

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8

Trust, Children's Book, ed. More short stories for children. Children's Book Trust, 1985.

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9

Uberoi, Meera. Stories from the Mahabharata. Ratna Sagar, 2000.

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10

Venkatraman, Sharada. Rainbow, stories for children. Writers Workshop, 1991.

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Buchteile zum Thema "Childrens stories, Indic (English)"

1

Joeg, Prachee, Sneha Joshi, and Rajalakshmi Sriram. "Mirroring Fathers for Children: A Content Analysis of English and Marathi Picture Stories." In Fathering in India. Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-1715-6_12.

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2

Gopal, Priyamvada. "Bombay and the Novel." In The Indian English Novel. Oxford University PressOxford, 2009. http://dx.doi.org/10.1093/oso/9780199544387.003.0007.

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Abstract Midnight’s Children’s evocation of the infinite possibilities of postcolonial India had a paradigmatic location: they were embodied by what its protagonist, Saleem, describes, in opposition to the ‘Xat-boiled odours of acquiescence’ of Karachi, as ‘the highly-spiced non-conformity’ of Bombay. In Rushdie’s fifth novel, The Moor’s Last Sigh, he would expand on this idea: ‘Bombay was central, had been so from the moment of its creation: the bastard child of a Portuguese English wedding, and yet the most Indian of Indian cities . . . all rivers flowed into its human sea. It was an ocean o

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