Thematische Bibliographien / Chinese art in Australia

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte
  6. Berichte der Organisationen

Auswahl der wissenschaftlichen Literatur zum Thema „Chinese art in Australia“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 20. Februar 2023

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Zeitschriftenartikel zum Thema "Chinese art in Australia"

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Baer, Hans A. "The Drive for Legitimation in Chinese Medicine and Acupuncture in Australia: Successes and Dilemmas." Complementary health practice review 12, no. 2 (April 2007): 87–98. http://dx.doi.org/10.1177/1533210107302933.

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This article examines the drive for legitimation on the part of Chinese medicine and more specifically acupuncture in Australia. It examines the development of Chinese medicine in Australia, the road to statutory registration of Chinese medicine in Victoria, and the niche of Chinese medicine within the context of the Australian plural medical system. Despite the opposition of organized medicine, the Victorian Parliament passed the Chinese Medicine Registration Act in May 2000, making Victoria the only Australian political jurisdiction to formally regulate Chinese medicine practitioners and acu
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Williams, Michael. "Brief Sojourn in your Native Land: Sydney Links with South China." Queensland Review 6, no. 2 (November 1999): 11–23. http://dx.doi.org/10.1017/s1321816600001112.

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The title of this paper is taken from a testimonial signed by a number of Gundagai residents on the departure for China in 1903 of Mark Loong after sixteen years in the district. That the notion of a person ‘sojourning’ in China is a contradiction of the prevailing ‘sojourner’ concept usually held about early Chinese migrants in Australia is the result the failure of Australian-Chinese research to fully appreciate the significance of family and district links between Australia and China and their impact upon the motivation, organisation and settlement patterns of Chinese people in Australia be
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Hilton-Smith, Simon, M. Elizabeth Weiser, Sarah Russ, Kristin Hussey, Penny Grist, Natalie Carfora, Nalani Wilson-Hokowhitu, Fei Chen, Yi Zheng, and Xiaorui Guan. "Exhibition Reviews." Museum Worlds 10, no. 1 (July 1, 2022): 257–89. http://dx.doi.org/10.3167/armw.2022.100121.

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[Re:]Entanglements: Colonial Collections in Decolonial Times, Museum of Archaeology and Anthropology, University of Cambridge (22 June 2021 to 20 April 2022)Greenwood Rising Center, Tulsa, OklahomaFirst Americans: Tribute to Indigenous Strength and Creativity, Volkenkunde, Leiden, the Netherlands (May 2020 to August 2023)Kirchner and Nolde: Up for Discussion, Statens Museum for Kunst, Copenhagen (April–August 2021)Australians & Hollywood, National Film and Sound Archive, CanberraFree/State: The 2022 Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide (4 March–5 Ju
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Gralton, Beatrice, Suhanya Raffel, Aaron Seeto, and Stephen H. Whiteman. "Curating Chinese Contemporary Art in an Australian Context." Australian and New Zealand Journal of Art 16, no. 2 (July 2, 2016): 247–63. http://dx.doi.org/10.1080/14434318.2016.1240653.

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Yu, Yinghua. "Careers of New Chinese Professional Women." Culture Unbound 13, no. 2 (February 8, 2022): 178–98. http://dx.doi.org/10.3384/cu.3301.

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This paper considers a specific cohort of new Chinese professional women born under the one-child policy in the People's Republic of China (PRC). It explores their perceptions and experiences of career in Australia through qualitative data collected from twenty-one professionals. This paper seeks to unpack the complexities of their career planning, pathways, and change, including their use of the WeChat platform to mediate their careers. I argue that new Chinese professional women's experience of career is ambivalent. They aspired to achieve some degree of 'freedom' through choosing to further
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Guest, Luise. "Translation, transformation and refiguration: The significance of Jingdezhen and the materiality of porcelain in the work of two contemporary Chinese artists1." Journal of Contemporary Chinese Art 6, no. 2 (September 1, 2019): 207–23. http://dx.doi.org/10.1386/jcca_00004_1.

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Abstract In December 2016 a group of researchers led by Professor Jiang Jiehong travelled to Jingdezhen as fieldwork for the Everyday Legend research project, funded by the Leverhulme Trust. Representing the White Rabbit Collection of Contemporary Chinese Art, Australia, I was invited to participate. This article developed from reflections on the fieldwork component of the research project, as well as the formal and informal discussions that took place, at the time and subsequently, in Shanghai, Birmingham, Groningen and London. In 2018, as a further development of this process of reflection,
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Pe-Pua, Rogelia. "Book Review: Ancestors: Chinese in Colonial Australia." International Migration Review 31, no. 4 (December 1997): 1141. http://dx.doi.org/10.1177/019791839703100434.

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Archer, Anita. "Materialising Markets: The Agency of Auctions in Emergent Art Genres in the Global South." Arts 9, no. 4 (October 18, 2020): 106. http://dx.doi.org/10.3390/arts9040106.

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For the last two decades, the international auction houses Sotheby’s and Christie’s have been at the forefront of global art market expansion. Their world-wide footprints have enabled auction house specialists to engage with emerging artists and aspiring collectors, most notably in the developing economies of the Global South. By establishing their sales infrastructure in new locales ahead of the traditional mechanisms of primary market commercial galleries, the international auction houses have played a foundational role in the notional construction of new genres of art. However, branding alo
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LIN, XIAOPING, CHRISTINA BRYANT, JENNIFER BOLDERO, and BRIONY DOW. "Older people's relationships with their adult children in multicultural Australia: a comparison of Australian-born people and Chinese immigrants." Ageing and Society 37, no. 10 (August 30, 2016): 2103–27. http://dx.doi.org/10.1017/s0144686x16000829.

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ABSTRACTAgainst the background of population ageing and increasing cultural diversity in many Western countries, the study examined differences and similarities between Australian-born people and Chinese immigrants in their relationships with adult children. The specific research questions were: (a) are there differences between these groups in the nature of parent–child relationships; and (b) if there were differences, did these differences reflect the Confucian concept of filial piety among older Chinese immigrants. The solidarity–conflict model and the concept of ambivalence were used to qu
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Mei, Ding. "From Xinjiang to Australia." Inner Asia 17, no. 2 (December 9, 2015): 243–72. http://dx.doi.org/10.1163/22105018-12340044.

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Russians have lived in Xinjiang since the nineteenth century and those who accepted Chinese citizenship were recognised as one of China’s ethnic minorities known asguihua zu(naturalised and assimilated people). In theminzuidentification programme (1950s–1980s), the nameeluosi zureplacedguihua zuand became Russians’ official identification in China. Russians (including both Soviet and Chinese citizens) used to constitute a significant population in Manchuria, Inner Mongolia, Xinjiang and several other regions in China before the 1960s. According to the 2000 census,eluosi zuhad a population of o
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Dissertationen zum Thema "Chinese art in Australia"

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Chen, Albert Yi Fu 1967. "Art and social dislocation : a Chinese diasporic condition." Monash University, Dept. of Fine Arts, 2004. http://arrow.monash.edu.au/hdl/1959.1/5203.

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Chiu, Melissa, University of Western Sydney, of Arts Education and Social Sciences College, and Centre for Cultural Research. "Transexperience and Chinese experimental art, 1990-2000." THESIS_CAESS_CCR_Chiu_M.xml, 2003. http://handle.uws.edu.au:8081/1959.7/677.

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This dissertation focuses on Chinese artists who migrated to the West (Australia, the United States, and France )during the late eighties and early nineties. Throughout the thesis, it is argued that transexperience encourages a more fluid perception of the relationship to the homeland, not only positing it in the past but also in the present. The structure of the dissertation, devised in terms of locations, is relevant to the author's argument that the site of settlement is a significant determinant in the development of artistic expressions of overseas Chinese artists. A brief conclusion expl
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Chiu, Melissa. "Transexperience and Chinese experimental art, 1990-2000." Thesis, View thesis, 2003. http://handle.uws.edu.au:8081/1959.7/677.

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This dissertation focuses on Chinese artists who migrated to the West (Australia, the United States, and France )during the late eighties and early nineties. Throughout the thesis, it is argued that transexperience encourages a more fluid perception of the relationship to the homeland, not only positing it in the past but also in the present. The structure of the dissertation, devised in terms of locations, is relevant to the author's argument that the site of settlement is a significant determinant in the development of artistic expressions of overseas Chinese artists. A brief conclusion expl
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Ren, Wei. "The Writer's Art: Tao Yuanqing and the Formation of Modern Chinese Design (1900-1930)." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17465116.

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The dissertation examines the history of modern design in early 20th-century China. The emergent field of design looked to replace the specific cultural and historical references of visual art with an international language of geometry and abstraction. However, design practices also, encouraged extracting culturally unique visual forms by looking inward at a nation’s constructed past. The challenge of uniting these dual, and seemingly contradictory, goals was met in a collaborative book cover design project between Lu Xun (1881-1936), China’s most influential modern writer, and Tao Yuanqing (1
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au, xiumei@central murdoch edu, and Xiumei Guo. "Immigrating to and ageing in Australia : Chinese experiences." Murdoch University, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20070828.91039.

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Chinese communities, large or small, exist in almost every country in the world. The huge Chinese diaspora has played a big role in the global economy. Those in Australia are no exception. The first significant Chinese immigration to Australia came in the 1850s during the gold rush era. Since then Chinese immigration to Australia has gone through up and down periods. However, only after the diplomatic relationship between Australia and China was established in 1972, did mainland Chinese begin to come to Australia directly from China. Since 1978 when China opened its door to the world and start
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Li, Tingting. "Through a Looking Glass: Chinese Artistic Practice and the Cross-Cultural Experience." Thesis, Griffith University, 2019. http://hdl.handle.net/10072/389678.

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Following government reforms in China during the 1980s, an increasing number of Chinese artists are now studying and working overseas, including in Australia. This research explores the impact of changing attitudes in China toward contemporary art and what this means for an emerging generation of Chinese artists working internationally. I consider how Chinese artists working outside of China today can capture their cross-cultural experience and establish a sense of identity in a changing globalised world. I explore how contemporary art can capture two different worldviews and reflect a cross-c
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Chan, Kenneth, and n/a. "Chinese history books and other stories." University of Canberra. Creative Communication, 2005. http://erl.canberra.edu.au./public/adt-AUC20061020.144139.

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My thesis is a creative writing doctorate which focuses on one Chinese family's adaptation to living in Australia in the mid-twentieth century. The thesis is in two parts. Part I is an examination of Chineseness and identity within the context of the short stories that make up Part I1 of the thesis. In Part I, I have looked at the place of the Chinese within the larger, dominant cultures of America and Australia. In particular, I have discussed the way in which the discourses of the dominant culture have framed Chineseness; and also what it might mean to describe authentic and essential qualit
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Zhang, Xiao Jun, and n/a. "Analysis of Chinese literature in Australia during the last decade (1989-2000)." University of Canberra. Languages & International Education, 2002. http://erl.canberra.edu.au./public/adt-AUC20061112.120716.

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As one of the largest non-English speaking groups in Australia, Chinese immigrants, refugees and sojourners are becoming more visible and have begun to exert more influence on Australian society. These groups can be better understood by reading and analysing Chinese literature in Australia because these contemporary Chinese literary works discuss a numbers of issues, such as how migrants and refugees adapted to the host culture while preserving their traditional culture; how they became involved into the new society and became a part of it; and what anxieties and difficulties they encountered
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Chung, Mei Ling, and res cand@acu edu au. "Chinese Young People and Spirituality: an Australian study." Australian Catholic University. School of Religious Education, 2006. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp121.25102006.

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The research reported in this thesis is concerned with the spirituality of Chinese young people who attended a Chinese evangelical church in Melbourne, Australia. This research is a case study conducted in the framework of a qualitative approach using ethnographic methods, including fieldwork methods with data triangulation through participant observation, individual interviews and focus group interviews. Grounded theory was used to analyse data collected. The particular group of young people were Chinese in race, and Australian born, or had been living in Australia since early childhood. They
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Xiao, Jun, and n/a. "Cultural identity and communication among the Chinese diaspora in Australia in the 1990s : a Canberra case study." University of Canberra. Professional Communication, 2001. http://erl.canberra.edu.au./public/adt-AUC20061110.173255.

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As a contribution to understanding the Chinese immigrants and their community, this study seeks to explore the factors influencing the formation and development of cultural identity among members of the Chinese diaspora in Australia. These include Chinese community life, family and professional networks, media use and its influences, and the changes that have taken place over the past ten years. Chinese communities in Australia are not homogeneous. Although they may all call themselves Chinese, they differ among themselves according to dialect, subdialect, clan and family, all of which are lin
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Bücher zum Thema "Chinese art in Australia"

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Australia, National Gallery of, ed. Of earth and fire: The T.T. Tsui Collection of Chinese Art in the National Gallery of Australia. Canberra: National Gallery of Australia, 1999.

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Richardson, Donald. Art in Australia. Melbourne, Australia: Longman Cheshire, 1988.

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Art of Australia. Sydney, N.S.W: Pan Macmillan Australia, 2008.

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Chinese art. New York, N.Y: Thames and Hudson, 1997.

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1964-, Croft Brenda L., ed. Indigenous art: Art Gallery of Western Australia. Perth, WA: Art Gallery of Western Australia, 2001.

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Grottanelli, Vinigi L. Australia, Oceania, Africa nera. Torino: UTET, 1987.

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Coyle, Rebecca. Apparition: Holographic art in Australia. Sydney: Power Publications, 1995.

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1954-, Dufour Gary, ed. State art collection: Art Gallery of Western Australia. [Perth], W.A: The Gallery, 1997.

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Chinese fine art. Beijing: Culture and Art Publishing House, 1999.

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Modern Chinese art. Oxford [England]: Oxford University Press, 2000.

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Buchteile zum Thema "Chinese art in Australia"

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Ip, David. "Memories and Identity Anxieties of Chinese Transmigrants in Australia." In At Home in the Chinese Diaspora, 33–51. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230591622_3.

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Su, Chunmeizi. "Regulating Chinese and North American Digital Media in Australia: Facebook and WeChat as Case Studies." In Palgrave Global Media Policy and Business, 173–90. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95220-4_9.

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AbstractAs the Australian government has legislated for a ‘News Media and Digital Platforms Mandatory Bargaining Code’ to compel Google and Facebook to pay for news content, platform regulation in Australia has prompted a heated discussion worldwide. Questionable business practices have incited issues such as anti-competition behaviour, online harms, disinformation, algorithmic advertising, trade of data, privacy breaches and so on. Consequently, these technology tycoons are reinscribing industries and societies alike, posing a threat to digital democracy. This chapter examines how Facebook and WeChat are (or should be) regulated in Australia, the current regulatory frameworks, and the overall effectiveness of self-regulation. Through the lenses of comparative research, this study is focused on infrastructuralisation, techno-nationalism (censorship), and civil society (media diversity), to identify distinct features and common themes in platform regulation and explore possible solutions to regulating global platforms in Australia.
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Min-hsi Chan, Henry D. "Chinese in Australia." In Encyclopedia of Diasporas, 634–45. Boston, MA: Springer US, 2005. http://dx.doi.org/10.1007/978-0-387-29904-4_65.

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Huang, Xueli, and Ian Austin. "Introduction." In Chinese Investment in Australia, 1–17. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230314153_1.

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Huang, Xueli, and Ian Austin. "An Overview of China’s Investment in the Australian Mineral Industry: Theoretical Perspective and Investment Characteristics." In Chinese Investment in Australia, 18–47. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230314153_2.

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Huang, Xueli, and Ian Austin. "Australian Regulatory Framework on FDI and its Application to Chinese Investment." In Chinese Investment in Australia, 48–70. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230314153_3.

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Huang, Xueli, and Ian Austin. "The Impact on Australian Political Economy from Chinese Investment into Australia’s Mining Industry." In Chinese Investment in Australia, 71–112. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230314153_4.

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Huang, Xueli, and Ian Austin. "The Investment Process and After-Transaction Integration and Management." In Chinese Investment in Australia, 113–39. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230314153_5.

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Huang, Xueli, and Ian Austin. "Why the Proposed CHINALCO Investment in Rio Tinto Failed." In Chinese Investment in Australia, 140–74. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230314153_6.

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Huang, Xueli, and Ian Austin. "Chinese Investment in the Australian Minerals Industry: Concluding Comments, Organisational Challenges and Policy Implications." In Chinese Investment in Australia, 175–99. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230314153_7.

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Konferenzberichte zum Thema "Chinese art in Australia"

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Zhu, Jie, Quentin Stevens, and Charles Anderson. "Chinese Public Memorials: Under the Effect of Exclusively Pursuing Solemnness, Sacredness, and Grandness." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4010p4jpd.

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Authentic public memorials did not appear in the Chinese public space until the late 19th century. As a result of Western influence, many war memorials were built during the Republic of China era (1912-1949). Since the establishment of the People’s Republic of China in 1949, the government has invested much in developing public spaces. Also, the government placed many memorials in Chinese cities to shape collective memory and urban identity. The affection of solemnness, sacredness, and grandness is the main affection that most memorials are intended to embody, particularly those that commemora
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Zhou, Dapeng. "Comparative Study of Chinese and Australian Art Design Education Taking Visual Communication Design as an Example." In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.190.

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Wu, Linlin, Binan Shou, Tiejun Xie, Zhaohui Chen, and Ping Xu. "Classification Method in Chinese Supervision Regulation on Safety Technology for Stationary Pressure Vessel." In ASME 2010 Pressure Vessels and Piping Division/K-PVP Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/pvp2010-25906.

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Pressure vessels, which are widely used in various industries, have different levels of hazards. In order to provide different technical requirements for vessels with different levels of hazards, classification of pressure vessels is necessary and supervision and administration should be carried out by category. The aim of this paper is to introduce a simple and rational classification method presented in the new version of Chinese Supervision Regulation on Safety Technology for Stationary Pressure Vessel, which specifies that the stationary pressure vessels should be classified according to t
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Jin, Xin. "Making with the Past: Bricolages in Wang Shu’s Design Writings and Built Projects." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4002phgul.

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This study explores how design research writing can engage with historical reference in a radical way. In the 2002 essay “Shijian Tingzhi de Chengshi” (“City Froze in Time”), based on Chapter 2 of his 2000 PhD thesis, Xugou Chengshi (Fictionalising City), the Chinese architect Wang Shu proposes reinterpreting the traditional Chinese architecture and city through the anthropologist Claude Lévi-Strauss’s notion of “bricolage”, which is defined as making do with available objects. Bricolage is informative for understanding Wang’s design undertakings, which involve skilful adaptations of vernacula
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Corkhill, Anna, and Amit Srivastava. "Alan Gilbert and Sarah Lo in Reform Era China and Hong Kong: A NSW Architect in Asia." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4015pq8jc.

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This paper is based on archival research done for a larger project looking at the impact of emergent transnational networks in Asia on the work of New South Wales architects. During the period of the Cultural Revolution in China (1966-1976), the neighbouring territories of Macau and Hong Kong served as centres of resistance, where an expatriate population interested in traditional Asian arts and culture would find growing support and patronage amongst the elite intellectual class. This brought influential international actors in the fields of journalism, filmmaking, art and architecture to the
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Ye, Yang. "Users’ Perceptions of Walkability Attributes in Residential Areas: Reliability and Validity." In 55th ISOCARP World Planning Congress, Beyond Metropolis, Jakarta-Bogor, Indonesia. ISOCARP, 2019. http://dx.doi.org/10.47472/drya8477.

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In recent years, urban environmental quality and urban vitality have attracted more scholars’ attention than ever as Chinese cities experienced a rapid development stage. To test the influence of urban built environment on walkability in residential areas, this study developed a questionnaire to perceive the users’ perception of walkability around their neighbourhood in residential areas, which was based on the Neighbourhood Environment Walkability Scale for Mainland China (NEWS-MC). The original Neighbourhood Environment Walkability Scale (NEWS) are developed for use in USA to measure residen
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Li, Qiuyu. "Australia Media Studies." In 2021 International Conference on Education, Language and Art (ICELA 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220131.058.

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"Comparative Study on the Operation of Australian Jury System and Chinese Courts." In 2017 International Conference on Social Sciences, Arts and Humanities. Francis Academic Press, 2017. http://dx.doi.org/10.25236/ssah.2017.10.

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Yang, Bingjie. "Female Art in Chinese Contemporary Art." In 2021 International Conference on Education, Language and Art (ICELA 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220131.179.

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Martin, Professor the Hon Stephen. "The Black Art of Economic Forecasting Lessons from Australia." In Annual International Conference on Qualitative and Quantitative Economics Research. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2251-2012_qqe15.01.

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Berichte der Organisationen zum Thema "Chinese art in Australia"

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Cao, Shoufeng, Uwe Dulleck, Warwick Powell, Charles Turner-Morris, Valeri Natanelov, and Marcus Foth. BeefLedger blockchain-credentialed beef exports to China: Early consumer insights. Queensland University of Technology, May 2020. http://dx.doi.org/10.5204/rep.eprints.200267.

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The BeefLedger Export Smart Contracts project is a collaborative research study between BeefLedger Ltd and QUT co-funded by the Food Agility CRC. This project exists to deliver economic value to those involved in the production, export and consumption of Australian beef to China through: (1) reduced information asymmetry; (2) streamlined compliance processes, and; (3) developing and accessing new data-driven value drivers, through the deployment of decentralised ledger technologies and associated governance systems. This report presents early insights from a survey deployed to Chinese consumer
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Ofstedal, Peter R. Operational Art in Modern Chinese Warfare. Fort Belvoir, VA: Defense Technical Information Center, February 1996. http://dx.doi.org/10.21236/ada307331.

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3

McEntee, Alice, Sonia Hines, Joshua Trigg, Kate Fairweather, Ashleigh Guillaumier, Jane Fischer, Billie Bonevski, James A. Smith, Carlene Wilson, and Jacqueline Bowden. Tobacco cessation in CALD communities. The Sax Institute, June 2022. http://dx.doi.org/10.57022/sneg4189.

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Annotation:
Background Australia is a multi-cultural society with increasing rates of people from culturally and linguistically diverse (CALD) backgrounds. On average, CALD groups have higher rates of tobacco use, lower participation in cancer screening programs, and poorer health outcomes than the general Australian population. Lower cancer screening and smoking cessation rates are due to differing cultural norms, health-related attitudes, and beliefs, and language barriers. Interventions can help address these potential barriers and increase tobacco cessation and cancer screening rates among CALD groups
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Aizenman, Joshua, Yothin Jinjarak, and Huanhuan Zheng. Chinese Outwards Mercantilism – the Art and Practice of Bundling. Cambridge, MA: National Bureau of Economic Research, April 2015. http://dx.doi.org/10.3386/w21089.

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5

Zhang, Ling, Brent Holland, and Eulanda Sanders. From Chinese Painting to Wearable Art: The Development of Wearable Art Design Process Model and Evaluation Methods for Wearable Art Designers. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1755.

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6

Reilly, Thomas P. Mao Tse-Tung and Operational Art During the Chinese Civll War. Fort Belvoir, VA: Defense Technical Information Center, May 1998. http://dx.doi.org/10.21236/ada357835.

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7

Castillo, Matthew J. Chinese Operational Art: Understanding the Present through the Lens of the Past. Fort Belvoir, VA: Defense Technical Information Center, May 2013. http://dx.doi.org/10.21236/ada583828.

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8

Bjorge, Gary J. Moving the Enemy: Operational Art in the Chinese PLA's Huai Hai Campaign (Leavenworth Paper, Number 22). Fort Belvoir, VA: Defense Technical Information Center, January 2003. http://dx.doi.org/10.21236/ada468780.

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9

Zhou, Shengru, Travis Lowder, and Tian Tian. Evolving Distributed Generation Support Mechanisms: Case Studies from United States, Germany, United Kingdom, and Australia (Chinese translation). Office of Scientific and Technical Information (OSTI), September 2017. http://dx.doi.org/10.2172/1390042.

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10

Zhang, Ling, Chunhui Xiang, and Eulanda A. Sanders. Testing Chinese Ink as a Natural Dyestuff on Silk and Cotton Fabrics: The Foundation for a Collection of Wearable Art. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-131.

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