Thematische Bibliographien / Chinese Folk poety

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Bücher
  3. Buchteile
  4. Konferenzberichte

Auswahl der wissenschaftlichen Literatur zum Thema „Chinese Folk poety“

Autor: Grafiati
Veröffentlicht am 28. Juli 2024
Zuletzt aktualisiert am 31. Juli 2025

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Zeitschriftenartikel zum Thema "Chinese Folk poety"

1

Boldyreva, Elena M. "Citizen poet as a cultural hero in russian and chinese poetry: the theme of folk suffering in the works of Du Fu and N. A. Nekrasov." Yaroslavl Pedagogical Bulletin 5, no. 122 (2021): 226–38. http://dx.doi.org/10.20323/1813-145x-2021-5-122-226-238.

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The article is devoted to one of the aspects of the Russian-Chinese cultural dialogue: a citizen poet as a cultural hero in Russian and Chinese poetry on the example of the theme of folk suffering in the works of N. Nekrasov and Du Fu, analyze historical, autobiographical and philosophical determinants of the poets' appeal to civil and folk subjects, considered how archetypal situations, motives and images are actualized in the work of both poets, determined by their writing reputation, their status in the cultural life of the era – the role of a citizen poet, patriot poet, singer of folk suff
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Wang, Yong, and Olga V. Vinogradova. "Contemporary Chinese poetry and Russian modernist and postmodernist poetry: influence and analogy." RUDN Journal of Studies in Literature and Journalism 24, no. 4 (2019): 704–12. http://dx.doi.org/10.22363/2312-9220-2019-24-4-704-712.

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For the last thirty years, Chinese poetry mostly has been well-known for three schools, namely: “Misty Poetry”, “Intellectual Writing”, and “Folk Writing”. Russian poets of diff erent periods were among those who had a notable impact on the works of Chinese poets. Russian lyric poets praising freedom, love, and relationships with nature became the main source of inspiration for “misty” poets. “Intellectual” poets felt their being close to the Russian Silver Age poets: A. Akhmatova, A. Blok, B. Pasternak, M. Tsvetaeva. Their poems include examples of direct addressing to them. “Folk” poets crea
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Wang, C., and K. N. Galay. "Symbolic Meaning of Images of Moon and Month in Poetry of Li Bo and Sergei Yesenin." Nauchnyi dialog 14, no. 2 (2025): 205–30. https://doi.org/10.24224/2227-1295-2025-14-2-205-230.

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The article is dedicated to the study of the symbolism of the images of the Moon and the Month in the works of the Chinese poet Li Bo and the Russian poet Sergey Yesenin, as well as to defining the cultural and aesthetic significance of these concepts in the individual-authorial perception of both poets. The authors of the article argue that in Yesenin’s poetry, the image of the Month is created based on a synthesis of folk traditions and Christian beliefs, with the Moon and the Month serving as symbols associated with events from the past, nostalgia, and a sense of the irreversibility of time
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Abuduwaili Aisa. "Study on Uyghur translation of Quyuan." International Journal of Education and Humanities 19, no. 3 (2025): 159–64. https://doi.org/10.54097/6sdrgp37.

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Qu Yuan (born c. 339 BCE, Quyi [now Zigui, Hubei province], China—died 278 BCE, Hunan) was one of the greatest poets of ancient China and the earliest known by name. His highly original and imaginative verse had an enormous influence over early Chinese poetry. Quyuan was born in Chu. Chu was one of the most important states at that time, it was a large state in the central valley of the Yangtze River (Chang Jiang). Shamanistic tradition in folk rites and legends that influenced poetry of Quyuan. Although the main idea of Quyuan’s poetry is patriotism. In this paper I’ve mainly study on Uyghur
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Sisa, Abuduwaili. "Study on Structure of Quyuan." International Journal of Education and Social Development 3, no. 2 (2025): 1–3. https://doi.org/10.54097/qjv1s069.

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Qu Yuan (born c. 339 BCE, Quyi [now Zigui, Hubei province], China—died 278 BCE, Hunan) was one of the greatest poets of ancient China and the earliest known by name. His highly original and imaginative verse had an enormous influence over early Chinese poetry. Quyuan was born in Chu. Chu was one of the most important states at that time, it was a large state in the central valley of the Yangtze River (Chang Jiang). Shamanistic tradition in folk rites and legends that influenced poetry of Quyuan. Although the main idea of Quyuan’s poetry is patriotism. In this paper I’ve mainly study on structu
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Zhang, Yining. "Xu Yuanchong’s Translations of Reduplicated Words in 300 Yuan Songs." Journal of Education, Humanities and Social Sciences 49 (April 15, 2025): 8–18. https://doi.org/10.54097/mjh9he08.

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As an indispensable form of literature and art in ancient China, Yuanqu began to emerge in the Song Dynasty and flourished in the Yuan Dynasty. After the glorious prosperity of the poetry of Tang and the Ci-poetry of the Song, Yuanqu presented its unique charm. It had inherited the fresh elegance of poetry and lyrics, while also attacking the darkness of society, resisting the tyrannical dictatorship of the government and directly pointing to the sharp social contradictions which make it shine uniquely. After Yuanqu emerged on the literary stage, it immediately demonstrated its constant vitali
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Starikova, Ekaterina O. "The moon, the sun, and stars in Vietnamese folk songs." Russian Journal of Vietnamese Studies 7, no. 1 (2023): 82–94. http://dx.doi.org/10.54631/vs.2023.71-109874.

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The article is devoted to astral imagery in Vietnamese folk poetry. Author of the study analyzes folk songs (ca dao) about the Moon, the Sun, stars and constellations, as well as about mythical characters associated with astral myths. Folk songs are cited in Vietnamese language and accompanied by a Russian translation made by the author of the research. Moon imagery is widely represented in Vietnamese folk poetry, as the Moon is associated with the time when love songs are sung. There are both autochthonous Vietnamese and Chinese images. Some of the images of the Chinese origin are very popula
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"'." Society for Chinese Humanities in Korea 72 (August 30, 2019): 427–50. http://dx.doi.org/10.35955/jch.2019.08.72.42710.35955/jch.2019.08.72.427.

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So far, in many “history of modern Chinese literature”, the new poetry has called it a ‘hybrid’ born out of the influence of the West. However, the beginning activities related to the folk songs in the early stage of the new poetry gave new and changes in the process of the spontaneous growth of the new poetry, and felt the difficulties while homogenizing in the songs, and gained a lot of inspiration from it. This thesis expounds the necessity of studying the relationship between new poetry and folk songs, and steps on how to conduct research, and divides the inspiration part of the new poems
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ZORIGT MANDULA. "Research on Folk Tales Sound Features." Academic Journal of Science and Technology 15, no. 3 (2025): 59–62. https://doi.org/10.54097/2faqca31.

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Features of the song culture in the folk tales of Tusheet: Mongolian songs from other countries and Chinese literature have been influenced by the local conditions and the creation of new songs, along with the compositional method that combines the themes of ancient Mongolian literature with the elements of poetry and narration, the ancient form-relational dictionary of Mongolian oral literature, and the melody of all ancient worship songs, which have been carefully preserved and inherited, and have been composed and sung to this day. In particular, the lively and lively nature of the story so
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Seng, Anabela Fong Keng. "THREE MILLENNIA OF CHINESE POETRY." Revista Brasileira de Literatura Comparada 22, no. 41 (2020): 103–9. http://dx.doi.org/10.1590/2596-304x20202241afk.

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Abstract Poetry has a history of thousands of years in China and can be said to be the shining jewel in the crown of Chinese literature, occupying a major proportion in her history. Having originated from folk songs, the Chinese poetry has produced a large number of brilliant examples from the Western Zhou Dynasty (1046-771 BC) to the Chunqiu (Spring and Autumn) Period (770-476 BC). China has, since ancient times, maintained a tradition of education in poetry, which is used to educate the people and arouse their intelligence. Through the reading, studying and writing of poetry, it is possible
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Bücher zum Thema "Chinese Folk poety"

1

Yu, Ningyuan. Zhongguo tong yao: Chinese children's folk rhymes. Zhongguo fu nü chu ban she, 1996.

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Zhang, Jiguang. Ni shang xu pu yan jiu. Wen jin chu ban she, 1989.

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Zhang, Jiguang. Ni shang xu pu yan jiu. Wen jin chu ban she, 1989.

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4

Jingxi Xian min jian ge yao bian ji xiao zu. 中国民间故事文学三套集成: Jingxi Xian ge yao ji. [s.n.], 1987.

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5

Huang, Mingbiao, та Yunbin Tang. 中国民间文学三套集成: Guangxi juan : Tianyang Xian ge yao ji. Tianyang Xian min jian wen xue ji cheng bian wei hui, 1987.

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Xiangzhou Xian wen hua ju. 中国歌谣集成: Guangxi fen juan : Xiangzhou ge yao. Xiangzhou Xian wen hua ju, 1987.

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7

Zhongning Xian min jian wen xue ji cheng ban gong shi. 中宁歌谣. Zhongning Xian min jian wen xue ji cheng ban gong shi, 1987.

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Tongshan Xian min jian wen xue ji cheng ban gong shi. 铜山县民间文学集成: Jiangsu, Xuzhou. Tongshan Xian min jian wen xue ji cheng ban gong shi, 1988.

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Fusui Xian min jian wen xue "san tao ji cheng" bian wei hui. 中国民间文学"三套集成": Fusui Xian ge yao ji. [s.n.], 1987.

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10

Gao, Fumin. Zhongguo, Wu ge lun tan. Gu wu xuan chu ban she, 2005.

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Buchteile zum Thema "Chinese Folk poety"

1

Jahanbegloo, Ramin. "Choosing Ancestors in Poetry." In Talking Poetry. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192869180.003.0009.

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Abstract Vajpeyi was greatly influenced by Eliot and W.B. Yeats in the beginning and he was rather critical of Auden, who according to, my teacher was not able to handle human suffering in a deep way. And then, people like Pasternak, in case of Pasternak—the idea that we are ‘envoys of eternity held hostage by time’ has been of echoing in his mind for a long while now. The idea that there is eternity and there is time. The idea that there is time and timelessness, which idea incidentally was also in T.S. Eliot. The notion that, for instance, the job of poetry whether by choice or by compulsion
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Чжан, Юн. "The Representative of Chinese Harmony Culture: A Folk Poet Shi-de of the Tang Dynasty." In Peoples and Cultures of the Orient. Studies and Translations. 2023. Институт Китая и современной Азии Российской академии наук, 2023. http://dx.doi.org/10.48647/icca.2023.75.16.015.

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Konferenzberichte zum Thema "Chinese Folk poety"

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Kravtsova, Marina. "“A LOST TREASURE”: ON FOLK ORIGINS OF THE VERSES OF CHU (CHUCI)." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.17.

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This article is focused on analysis of the hypothesis of the local song folklore origins of the famous poetic phenomenon chuci (elegies/songs of Chu) that represents the literary heritage of the southern (Yangtze Basin) region of the Ancient China (the Zhou epoch, 11th–3rd centuries B. C.) and is associated with the emergence of the Chinese poetry. Although today the thesis about the folklore origins of chuci, or rather of the poetic pieces presented by the Chuci (Verses/Elegies of Chu, Songs of the South) collection, is generally accepted, the author argues that, first, during the 1st–7th cen
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