Thematische Bibliographien / Chladni figures

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Auswahl der wissenschaftlichen Literatur zum Thema „Chladni figures“

Autor: Grafiati

Veröffentlicht am 28. Juni 2021

Zuletzt aktualisiert am 29. Juli 2025

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Zeitschriftenartikel zum Thema "Chladni figures"

Müller, Thomas. "Numerical Chladni figures." European Journal of Physics 34, no. 4 (2013): 1067–74. http://dx.doi.org/10.1088/0143-0807/34/4/1067.

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Arango, Jaime, and Carlos Reyes. "Stochastic Models for Chladni Figures." Proceedings of the Edinburgh Mathematical Society 59, no. 2 (2015): 287–300. http://dx.doi.org/10.1017/s0013091515000139.

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AbstractChladni figures are formed when particles scattered across a plate move due to an external harmonic force resonating with one of the natural frequencies of the plate. Chladni figures are precisely the nodal set of the vibrational mode corresponding to the frequency resonating with the external force. We propose a plausible model for the movement of the particles that explains the formation of Chladni figures in terms of the stochastic stability of the equilibrium solutions of stochastic differential equations.

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Cheng, Feng, Zhongning Guo, and Junjun Lei. "Assembly and dynamic manipulations of 3D Chladni figures in a cylindrical cavity using standing bulk acoustic waves." Journal of the Acoustical Society of America 157, no. 4 (2025): 2896–904. https://doi.org/10.1121/10.0036435.

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A method based on standing bulk acoustic waves (BAWs) is introduced for the three-dimensional (3D) arrangement and manipulation of microparticles in a fluid. Specifically, the study demonstrates the simultaneous assembly of both Chladni and inverse Chladni figures by generating controllable 3D standing BAWs in a cylindrical cavity using a single piezoelectric transducer. An aluminum alloy chip-based acoustofluidic device is developed for ultrasonic microparticle manipulations. When exposed to harmonic ultrasonic excitations, standing BAWs are generated in the cylindrical cavity, causing the su

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Libisch, F., S. Rotter, and J. Burgdörfer. "Chladni figures in Andreev billiards." European Physical Journal Special Topics 145, no. 1 (2007): 245–54. http://dx.doi.org/10.1140/epjst/e2007-00160-5.

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Dixit, Anirudh, and Kiran P. Wani. "Modal and harmonic acoustical analysis of a circular rubber membrane and classification of resonant frequencies using deep learning." Journal of Physics: Conference Series 2601, no. 1 (2023): 012034. http://dx.doi.org/10.1088/1742-6596/2601/1/012034.

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Abstract Mode shapes of a component or a structure can be determined by conducting Modal analysis. Chladni figures can also be used to determine the mode shapes of a plate. In this research comparison of these mode shapes using Chladni figures and ANSYS simulation has been carried out. Analysis systems used for ANSYS simulation are Harmonic Acoustic Analysis and modal analysis. With the help of wave equation, a mathematical formulation has been achieved. The experimental and simulation results are compared, and an error of not more than 9% for modal and 10% for harmonic acoustics is found. Cla

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Khedkar, Nitin, Kiran Wani, Vijaykumar Jatti, and Vivek Joshi. "Experimental, Modal, and Harmonic Response Analysis of a Chladni Plate at Ultrasonic Frequencies." Engineering, Technology & Applied Science Research 13, no. 6 (2023): 12289–94. http://dx.doi.org/10.48084/etasr.6428.

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Mode shapes and natural frequencies of mechanical structures can be determined with the Chladni approach. Visual patterns are generated on the Chladni plate if it is exposed to vibrations. These patterns are known as Chladni patterns/figures. Mechanical vibrators are used to excite the plates at particular frequencies for pattern generation, but based on the making and application, their range is limited up to 10 kHz. Piezoelectric transducers are a special kind of transducers that are capable of generating ultrasonic frequencies and if are attached to a plate, intricate visual patterns can be

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Wei, Tianyi. "Further Study of Music Visualization: Chladni's Figure." Journal of Education, Humanities and Social Sciences 38 (September 28, 2024): 313–20. http://dx.doi.org/10.54097/c8dp7j27.

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By applying the principle of standing waves, the various scales produced by a piano within music software can be transformed into Chladni figures. These figures, which visually represent the vibration patterns of a surface, can be captured using photographic equipment. By carefully selecting the most accurate patterns and organizing them into a comprehensive table, it is possible to create a visual representation of Chladni figures corresponding to each musical syllable. This method provides a unique way to visualize the acoustic characteristics of different musical notes.

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Suciu, Barenten, and Sota Karimine. "Visualization of Chladni Patterns at Low-Frequency Resonant and Non-Resonant Flexural Modes of Vibration." European Journal of Engineering and Technology Research 9, no. 3 (2024): 25–32. http://dx.doi.org/10.24018/ejeng.2024.9.3.3165.

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In this study, Chladni patterns corresponding to resonant and non-resonant vibration modes are visualized on square plates made in steel and aluminum alloys in the low frequency domain of 10–210 Hz. Using a laser sensor, the plate displacement at its central excitation point is measured, and from the obtained frequency response, the resonant and anti-resonant vibration modes are identified. Using the quality-factor method, the damping ratio corresponding to the 1st resonant peak is evaluated. Over a wide range of excitation frequencies, transitions of Chladni figures between resonant patterns

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Suciu, Barenten, Sota Karimine, Naofumi Yamazumi, and Yuki Mitsuishi. "On the Wavelength and Frequency of the Actual Chladni Patterns Visualized on Square Plates." European Journal of Engineering and Technology Research 10, no. 1 (2025): 1–14. https://doi.org/10.24018/ejeng.2025.10.1.3217.

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In this study, Chladni patterns are visualized on square plates made of various metallic materials in the domain of low frequencies around the first flexural resonant peak. Using the membrane and the thin plate models, the undamped and damped natural frequency of the square panel is explicitly expressed versus the mean wavelength of the bending vibration. The wavelength of the idealized Chladni figures is evaluated for linear and curvilinear nodal lines relevant to our experiments. Significant discrepancy between the computed and measured frequencies is corrected based on the wavelength evalua

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Wade, Nicholas J. "Sound and Sight: Acoustic Figures and Visual Phenomena." Perception 34, no. 10 (2005): 1275–90. http://dx.doi.org/10.1068/p5295.

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The impact that the analysis of sound waves has made on theories of light is well known, and is touched upon here. However, the acoustic figures described initially by Robert Hooke in 1665 and in more detail by Ernst Chladni in 1787 (often referred to as Chladni figures) were instrumental in vision in two specific respects. First, their representation by Tyndall [1867 Sound. A Course of Eight Lectures Delivered at the Royal Institution of Great Britain (London: Longmans, Green)] in a book on sound resulted in the description of a visual illusion, the Hermann grid. Secondly, attempts to render

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Dissertationen zum Thema "Chladni figures"

Malagon, Samuel A. "Chladni Figures through Vibrating Plates." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/cmc_theses/1203.

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In this paper, we examine a method on how to model and produce Chladni Figures. We walk through how a thin metal plate, when vibrating at certain frequencies, can create various interest patterns. First we discuss the equation for the vertical force exerted on the plate, then we derive a PDE to solve for the nodal lines (lines that remain fixed, while the rest of the plate is oscillating). And, discuss how to create and model these figures, through a finite difference method. There have been several experiments on Chladni Figures, using some sort of vibrating membrane or plate and then either

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Hoffman, Pavel. "Inovace žebroví kytary Dreadnought." Master's thesis, Vysoké učení technické v Brně. Fakulta elektrotechniky a komunikačních technologií, 2021. http://www.nusl.cz/ntk/nusl-442572.

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This diploma thesis deals with the spectrum analysis, frequency characteristics, Chladni figures and simulation of modal and harmonic analysis of an acoustic guitar in ANSYS program interface. In the acoustic guitar analysis, various details that can influence the instrument spectrum are discussed. Especially on its performance over time, the number of generated harmonic components and their performance. Then the guitar bracing innovation of the dreadnought guitar was created from the measured, simulated and calculated data. Four acoustic guitars with the innovation were then made. These innov

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Huang, Zhi-Wei, and 黃致瑋. "Exploring the Characteristics of Chladni Figures via Anisotropic Vibrating Plates." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/6pkgjb.

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碩士 國立交通大學 理學院科技與數位學習學程 105 In this thesis, the modern thin plate vibration experiment was demonstrated by anisotropic brass plate in four different cutting angles. According to the experimental results, the phenomena of asymmetry in brass plate is getting stronger from 45° to 0°, and the nodal line of the Chladni patterns are getting more circular at the same time. By utilizing the theoretical model of figure reconstruction, we could rebuild the Chladni patterns under different cutting angles via tilting the parameters and get the precise comparison between experiment and theory. O

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Teng, Yu-Chun, and 鄧宇峻. "Exploring the characteristics of Chladni figures with various granular media size via a vibrating plate." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/98647948257590435235.

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碩士 國立交通大學 理學院應用科技學程 103 The purpose of this thesis is to explore the Chladni figures which are effected by various granular media size in resonant thin plate experiment. We choose Al and brass thin plates to investigate the phenomena for representing isotropic plate and anisotropic plate respectively. We spread various sizes of granular media on these two plates to progress the vibrating thin plate experiment. The characteristics of forming the nodal figures, the pattern forming time, the ways the pattern forming and how the mass of granular media on plate play the role are the spe

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Siao, Kai-Wei, and 蕭凱威. "Exploring acoustic dispersion relations of various thin plate with Chladni figures: Aluminum、Brass、Copper、Stainless steel、Glass、Wood and PMMA." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/qqbt42.

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碩士 國立交通大學 理學院應用科技學程 102 This thesis propose a method to rapidly and accurately reconstruct the resonant modes and dispersion relationships of thin plates in different materials. In the past, the reconstructions of resonant modes are usually fulfilled by utilizing some approximative method based on numerical iteration to match the experimental resonant frequency spectrum. Besides, the measurements of key elastic coefficients of material, e.g. the Young’s modulus and Poisson ratio, are necessary for the determination of acoustic dispersion relationship. However, not only the numerica

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Buchteile zum Thema "Chladni figures"

Pesic, Peter. "Electric Sounds." In Music and the Making of Modern Science. The MIT Press, 2014. http://dx.doi.org/10.7551/mitpress/9780262027274.003.0013.

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Those who followed Leonhard Euler’s wave theory of light often re-engaged its relation to sound. The study of electricity and magnetism resonated with ongoing initiatives in light and sound, reflecting also wider philosophical ideas about the unity of nature epitomized by Naturphilosophie. This chapter examines the intertwined study of electricity and acoustics by Georg Christoph Lichtenberg, Johann Ritter, and Ernst Chladni. The search to unify the forces of nature often relied on analogies with sound, which in turn looked to electricity for new tools. Félix Savart studied the vibration patte

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Satz, Aura, and Jussi Parikka. "Impulsive Synchronisation: A Conversation on Military Technologies and Audiovisual Arts." In Cold War Legacies. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474409483.003.0004.

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Stemming from their common interest in media archeology and the idea of the air as a medium of encrypted signals, Satz and Parikka explore the themes emerging from Satz's film installation 'Impulsive Synchronisation' (2013). Satz has used various technologies as the subject of her work, including the Chladni plate, mechanical music, phonograph grooves and optical sound, looking at how such objects tap into ideas of knowledge and communication in their use of notation systems, languages or codes. Satz is also interested in bringing to the fore key female figures largely excluded from mainstream

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"16. A Letter from Dr. Ørsted of Copenhagen to Mr. J. W. Ritter of Jena, Concerning Chladni's Acoustic Figures in an Electrical Context (1805)." In Selected Scientific Works of Hans Christian Orsted, edited by Andrew D. Jackson and Ole Knudsen. Princeton University Press, 1998. http://dx.doi.org/10.1515/9781400864850.180.

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Konferenzberichte zum Thema "Chladni figures"

Jia, Hao, Hao Tang, and Philip X. L. Feng. "Multimode SiC trampoline resonators manipulate microspheres to create Chladni figures." In 2015 Joint Conference of the IEEE International Frequency Control Symposium & the European Frequency and Time Forum (FCS). IEEE, 2015. http://dx.doi.org/10.1109/fcs.2015.7138821.

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Monetti, Giulia, Immacolata D'Acunto, and Roberto De Luca. "ENGAGING LESSONS ON MECHANICAL WAVES THROUGH CHLADNI'S FIGURES." In 13th International Conference on Education and New Learning Technologies. IATED, 2021. http://dx.doi.org/10.21125/edulearn.2021.1186.

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